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Scary, creepy, nasty horror sound effects and gore sounds
SampleTraxx continues to cross the border between music and sound design with “Custom Tools” a new collection of 570+ new sound effects and 15 categories for true cinematic lovers.
Custom Tools is made to design high definition cinematic sci-fi horror trailer and soundtracks with a variety of production-ready sonic elements, noises and tension. This sound pack is a modern cinematic tool for shocking industrial horror sound design with a sci-fi aesthetics.
Featuring 1.5Gb of content, 570+ sound effects and 15 categories in Wav format 48/24 meticulously named and organised for fast workflow to be immediately dragged in every DAW or sampler.
Categories:
• Stingers Whoosh Ramp Up
• Atmospheric Low Ping
• Larsen Feedback
• Musical Ping and Tonal SoftHits
• Megakicks Cinematic Hits Slam Impacts
• Blast Blow Up
• Sub Shadow Sequences – Sub Sonic Elements
• Reverse
• Braams Intros SynthBend
• Rise
• Ambience Sonic Aura
• Field Recording
• Noise Burst Sparks – Grounded Electric Impacts
• Filters and Tones
• Abstract Glitch Stutters Choppers
BONUS: Get an additional Sampletraxx library – for free:
For a limited time, when you purchase a license for this library, you also get to pick an additional Sampletraxx library for free. Instructions will be included with your order.
Unleash the elegant terror with “Dark Horror Piano Loops”: 10 scary, creepy and suspenseful music loop tracks for horror games. Dive into a bone-chilling collection of 10 eerie tracks, meticulously crafted to create a haunting atmosphere for your horror games. These creepy, suspenseful piano loops will send shivers down players’ spines. Whether you need unsettling melodies or jump-scare-ready soundscapes, this pack delivers the perfect soundtrack.
KLAP Sound took a piano and tortured it, dismembered it and finally destroyed it—and recorded the whole process. For the making of this library, they used several tools such as hammers, screwdrivers, knives, and saws, as well as props like dirt, send, gravel, forks and other sharp objects. The results are raw sounds of foley with musical rings, harmonic tails and creepy vibes that are dry yet barely edited for your own enjoyment.
If you want to terrify your audience - whether it's for a game, movie or another project that calls for bone-chilling sounds - the horror sound effects libraries from the independent sound community are a fantastic tool for making that happen.
They give you everything from haunting ghost sounds, gruesome and gory sound effects and demonic possessions, to frightening and disturbing ambiences, screams, whispers and grotesque zombie sounds - making sure your audience will get a sonic experience that's sure to leave a mark.
Bones breaking, breathing, chains rattling, creaking doors, demonic laughter, footsteps, ghostly whispers, gore splatter, heartbeats, knife slash, monster roar, music box, screams, screeching violins, siren, stabbing, thunder, water dripping, wind howling, zombie groan
Q: What are some of the most popular horror sounds?
A: Click to sort the category by most popular horror sound effects libraries
Q: Are there any horror sound libraries on sale right now?
A: Click to sort the category by horror sound libraries on sale
Q: How do I download the horror sounds?
A: Add the sound libraries you're interested in to the cart, and complete the checkout - you can then instantly download your chosen horror SFX.
Q: Are these sounds royalty free?
A: Yes, they're royalty free, and no attribution is required
Q: Who has recorded and designed these sounds?
A: They're created by the independent sound community, and have been recorded by some of the best recordists and sound designers on the planet. There's a constant flow of brand new sound libraries coming from the community, giving you the absolutely freshest sound effects available anywhere. Oh, and by getting sounds from the community, you support individual sound designers and sound recordists – that’s a pretty cool thing too.
Cataclysm is a vast collection of recorded, synthesized and designed sounds created to support important destructive moments and add a stronger sense of extreme consequence to any sound.
The recorded section of library features elements such as flash powder explosions, propane cannon blasts and artillery cannons recorded in unique natural environments with violent transients and lush, long and varied tails. It also features falling trees, forge burners, large trebuchet wood groans, rock smashes as well as more ordinary items recorded and designed to feel like an over the top version of themselves such as vacuum cleaner suctions, metal vase holders, ground pounders and more.
The synthesized section of the library features equally rich textures in the form of explosion sweeteners, other-worldly environmental reflections, scorching energy risers and more.
Finally, recorded and synthesized content was employed to develop the designed section, where the hyperrealism of the recordings meets the clean yet aggressive textures of the synthesized section in catastrophic assets themed around the library’s title.
Animal Hyperrealism Vol III is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 1700 individual sounds in 279 files.
The sounds were recorded in zoos and wildlife centers. The asset list includes but is not limited to: european red deers, monkeys, reindeers, hornbills camels, crickets, tamarins, boars, frogs, red ruffed lemurs, parrots, and many more.
The content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image.
Part of the cheats section of the library features samples recorded at 384KHz. For these sounds an additional microphone was employed, specifically the CMPA by Avisoft-Bioacoustics which records up to 200 KHz. This microphone was used to record most of the library but the 384KHz format was preserved only where energy was found beyond 96KHz not to occupy unnecessary disk space.
All files are delivered as stereo bounce of these for mics, though in some instances an additional couple of CO100K was added to the sides.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
This sound library was carefully recorded, processed and crafted to offer a unique toolset for your ice-cold freezing design needs.
Great for fantasy genre with ice based magic, enchantment and supernatural elements, shining motion graphics, time lapse and flow motion freeze sequences.
Bonus Aztec death whistle recordings processed by glass and icy textures.
This Sound Library is a part of the Slava Pogorelsky – Complete Bundle.
WHAT SOUND PROFESSIONALS SAY:
Victor Mercader – AAA Sound Designer (Apex Legends)
“I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror)
“Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ)
“Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Ginno Legaspi – SoundBytes Music Magazine
“As far as the sound goes ‘Cinematic Magical Ice’ is both beautiful and mystical. I happen to like the icy textures that are oozing with coldness. Overall, this sound library boasts a good variety of effect samples ready to drop in various cinematic projects.”
Yarron Katz – AAA Composer and Sound Designer
“Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
Bullet Impact Sounds contains 153 bullet sound effects (23 bullet flybys and 130 bullet impacts). Bullet impacts cover 16 different surfaces. Body Flesh, Body Thump, Concrete/Brick, Dirt, Grass, Rock, Gravel, Glass, Metal Light, Metal Heavy, Wood Light, Wood Heavy, Water, Mud, Snow and Ice. Each surface has 8-9 sound variations.
A perfect collection of bullet sounds suitable for all types of sound designers, video editors, game developers or anyone who needs a large range of high quality bullet sound effects ready to use out-of-the-box. Designed specifically for games, video and other media by award winning sound designers.
This pack also includes a variety of 150 bonus sounds effects from our full library Pro Sound Collection. Note that ALL sounds from this package are already included in our other premium sound packages Pro Sound Collection and WARFARE SOUNDS. So be sure to check out Pro Sound Collection and WARFARE SOUNDS before purchase to save time and money!
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.