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Metal sound effects

  • Materials & Texture Sound Effects Tuning Forks Play Track 300 sounds included, 13 mins total $65

    DESCRIPTION:
    • In Tuning Forks, get a collection of microtonal metal sounds created by plunging tuning forks into water. Hear laser-like chirps with wild harmonics shifting. Hear microtonal beating and tonal kerplunks. Hear extended clattering from underwater impacts and bass drones with deep ominous character.
    • This library offers you the collection of surprising laser-like sounds from a quotidian sound source. Thanks for listening.

    KEY FEATURES:
    • Laser-like chirps
    • Complex microtonal impacts and textures
    • Wild harmonics
    • Resonant clattering
    • Singing musical tones
    RECORDING STORIES:
    • This was my first time recording sound design material using hydrophones. Here are a few of the things I learned.
    • Stereo hydrophones are essential. I hate the sounds of mono underwater.
    • I generally don’t like the sound of hydrophones alone as well. So, I experimented with recording in Mid/Side above water and stereo H2a hydrophones below. Turns out, I love the combined sound of the acoustic mics with the hydrophones.
    • My Cinela blimp (which I’ve waterproofed for rain recording) worked perfectly. Because of the NixWax waterproofing, I could place the Mid/Side mics extremely close to the water. This yielded crisp detail, and the mics were completely protected from constant splashing.
    • With the perfect mic setup found, I proceeded to plunge tuning forks into water thousands of times in search of the perfect laser-like sounds!
    FILE LIST:
    File List
    • A spectrogram is included for each audio file. Double click on the photo in the file list to enlarge.
    GEAR USED:
    • Sennheiser MKH8040 pair and MKH30 in Mid/Side
    • Aquarian Audio H2a-XLR hydrophones
    • Sound Devices MixPre-6 and MixPre-3 II
    • Cinela Pianissimo Mid/Side Blimp
    • Mid/Side and Hydrophones are mixed into one stereo recording.
  • Scraped Cymbal is a collection of 78 sounds, pristinely recorded, edited and mastered as 96k/24bit stereo wave files.  This companion to the Bowed Cymbal series gives you more options for your stinger attacks.  David took the old, slightly cracked crash cymbal, and literally cut into it with tin snips (picture below).  He then took pliers, bent up some of the cut parts, and began experimenting with scraping various parts of the cymbal and adjusting the microphone position.  The tonalities produced are almost nauseating!  Deep rumbling lows, shimmery atonal highs, gut-wrenching mids – it’s a sound designer’s dream!

     

  • Waterphone Designed Vol. 1 features 3 categories of Impacts. Created by recording and manipulating sounds from the unique instrument, the Waterphone.

    Captured using a contact microphone and guitar pedal board, and played with a violin bow and various drum beaters. Our Audio Craftsmen then meticulously edited and designed 40 unique impacts across 3 categories.

    Metallic Impacts

    Percussive Impacts

    Tonal Impacts.

    This library is a perfect addition to Film, TV & Game productions or trailers with a cinematic, experimental or abstract edge. Use these sounds in horror, thriller, sci-fi and action projects to create moments of mystery, eeriness and tension.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Debsound – Metal Plate Sound Effect Pack 01

    55 Metal Plate Sound effects.
    Fallings, Hits, Slidings.
    This sound effect collection is ideal for use in game software, applications, commercials, movies, TV shows,
    videos, animation, and any other entertainment industry where a high-quality audio effect is essential.

  • Bundles Interior Vibrations Bundle Play Track 115+ sounds included $42.50

    Interior Vibrations Bundle contains three volumes of sonic exploration, representing the most interesting and eccentric manipulations of vibration based sound design.

    It offers a huge selection of experimental sounds, sourced from electric drills, metals, instrument and much, much more.

    This bundle’s versatility makes it ideal for a variety of moods, genres and projects. With it, you can build tension in scenes, design creature voices, strange, discomforting ambiences or even accentuate other sources of sound.

    Explore an eclectic collection of performances captured faithfully in our acoustically treated studios.

    Each library is delivered at 24Bit 192kHz. The entire bundle is tagged with extensive Metadata for ease of use.

    50 %
    OFF
  • Interior Vibrations Vol. 2 is a new sound effects library from 344 Audio, and the second volume in our Interior Vibrations collection.

    This product contains a selection of different sounds captured with a stereo pair of contact microphones, all edited to perfection by our skilled team of audio craftsmen.

    When making this library, we experimented with a range of different sound creation methods, using a variety of different objects and materials to achieve the desired effect.

    Some of the sound sources in this library include:

    Raw vibrations through metal and wooden surfaces.
    Scraping & bending metal.
    Rubbing fabrics, hair and skin.
    Drilling metal at various intensities.

    The organic nature of these sounds means they’re perfect for further sound design, and are ideal for use in horror and science fiction productions.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation, and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • The suspense is building with the with Cinematic SFX Series! Find out what it sounds like with Vadi Sound Library.

    About the Cinematic SFX Series

    With the Cinematic SFX Series, make your audience feel the atmosphere you want to create with 300+ fresh sounds.

    This pack includes sounds of cinematic hits, booms, stingers, trailer sounds and much more. It gives you access to the designed sound effects, transition sound effects, and explosions sound effects that your project calls for – ready to be used as-is, or as building blocks for further creative sound design work.

    This is a bestseller pack that’s been designed after heavy research of the existing cinematic sound effects out there and exploring how to bring a fresh new angle of sounds to this important genre.

    218 sound files in 24bit/96 KHz .wav format with easy-to-navigate naming. It was recorded over a 6-month period, in collaboration with film makers and prerecording supervisors.

    Keywords including Actions, Parts, Equipment and Style
    Cinematic, trailer, hit, boom, stinger, transition, impact, pass-by horror, resonance, woosh, metallic, glassy, shimmer, saturation, designed, drum, cyber, texture, materials, swoosh, magic, spell, riser, ambience, creepy, eerie, brass, heavy, soft, reverse, film, game, movies, video, music.

    What else you may need
    You may also want to check out our Cinematic Whooshes & Transitions SFX Pack for access to clean and processed sounds, including futuristic sounds, pass by, power ups/ downs, movement, machine, and more sound effects.

  • TOOLBOX SOUND EFFECTS – THE RIGHT SET OF TOOLS
    Never find yourself short of tools with this complete TOOLBOX. From hammers to ratchets, we’ve pounded out the right sounds for your SFX collection. Be the sharpest tool in the shed and use this set of tools sound effects to get the job done.

    INCLUDED SOUNDS – KEYWORDS
    GRITTY, DROP, GLOVES, MOVEMENT, RUMMAGE, SHAKE, FIRE, RATCHET, IMPACT, METALLIC, TAPE, CHOP, PAPER, CUT, FILING, SPRAY, HAMMER, WOOD, CONCRETE, DOOR, EQUIPMENT, SPRAY CAN, WRENCH, SCISSORS, SAW, PUMP, AXE
  • Geophonic Design Vol. 3 features an eclectic array of designed sound effects, built from organic sources with infrasonic frequencies that go all the way down to 10Hz. This library has an abstract aesthetic and gives you a wide and varied palette of unique sounds that are perfect for injecting a little movement into your film, video game or documentary projects.

    To create the sounds in this library, Our Audio Craftsmen used a ‘Geophone’ which is a seismic measurement device used to record seismic waves and vibrations of the earth. With the Geophone, we recorded low vibrations, hits and interactions of wood, metal, trees, soil, clay and other natural ingredients. You can expect to find a wide selection of unique ambiences, as well as an assortment of warm subsonic hits and dynamic movements and whooshes.

    All of the included sounds were then precisely edited and designed by our dedicated in house team to build ambiences such as boulder movement, metal ghost voices, spirits calling, subsonic water texture, tree bark connection wind interference and many more. In addition, all the files are available in 24Bit 96kHz with extensive metadata and are UCS compliant to integrate seamlessly with your workflow.

    The sounds will also make a great addition to your library as layered textures, to build a designed atmosphere in your projects, and are perfect as drones and ambiences for futuristic, sci-fi and horror scenes.

  • Destruction & Impact Sounds Drops & Breaks Play Track 273 sounds included, 24 mins total $40

    This sound library contains 546 files with 273+ unique sounds of impact, breaks and debris of ceramics, glass and various metal objects. All sounds are recorded at 24 bit / 96 kHz using 2 microphones, the Diety S-Mic 2 and the Sennheiser MKE 600. All sounds are named acording to the metadata standard “UCS”.

  • Resonant metal impacts with movement. There is both microphone movement and swinging metal movement. In addition there are AMBISONICS recordings of the same. Great big pieces of metal being hit to produce resonant tones that then are moved in relation to the microphones. Lots of swinging metal and ringing effects. Also some great objects that resonate almost musically. Perfect for magical weapon movement.

  • The Sonomar Collection: Blacksmith sound effects library features 155 recordings from a blacksmith’s workshop that are sure to strengthen your scenes with an authentic, ironclad edge. Use the pristine sounds of metal clanks, sizzles, and scrapes as building blocks for creative sound design or as a backdrop for industrial or medieval settings.

    Ringing clanks of hammers striking anvils. Sharp sizzles of hot iron submerged in water. Subtle scrapes of shoveling metal files and coal. This collection is sure to supply your project with the detailed, high-quality smithing sounds you require. With a sample rate of 96kHz, utilize this diverse selection of impacts and hisses for creative pitching and processing. In addition to isolated actions, Blacksmith contains a number of Ambience recordings that can be used to add a hardy backdrop to your scenes for period pieces and beyond. This library was recorded using three different microphones, including the Sennheiser MKH 8040, which records up to 50kHz and allows for more sound design options.

    Each sound file is embedded with diligent metadata to help you find the exact sound effect you need with fast, pinpoint search. Enable creativity with detailed descriptions of each recording encompassing both literal sonic qualities as well as the images they invoke. Advanced metadata fields ensure compatibility across any database search platform such as Search by PSE, Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Key Features:

    • 155 sound effects (6.6GB)
    • 24-bit/96kHz broadcast .wav files
    • Rich embedded metadata descriptions
    • 100% Royalty-Free
  • Industrial Ambiences Industrial | CCC Play Track 104 sounds included, 125 mins total $75

    This sound library is part of the Complete Craig Carter Collection, containing a wide range of industrial ambience recordings.

    Recorded over Craig’s 34 year career as an esteem Australian sound designer, this library consists of factory machines, rail yards, ports, harbours and refineries.

    Visit edible-audio.com for behind the scenes photos, contact information, sound library updates and exclusive deals.

  • This comprehensive sound library captures the rich and abrasive textures of metallic interactions, recorded in pristine detail for cinematic, game or experimental audio work. The collection features almost 470 high-resolution recordings and designed sounds, meticulously categorized into friction, impact, movement, miscellaneous, and tonal interactions, covering a wide sonic range from subtle squeaks to piercing screeches.

    Highlights:

    • Friction & Scrapes: Gritty textures of metal-on-metal contact, including aluminium foil screeches, tray and pan scrapes, high-pitched metal rod friction, fast and slow pole movements, and rough interactions between cans, trays, and various metal surfaces.
    • Impacts: Sharp, resonant clanks and muted hits—ranging from soft tray bumps to intense door slams, foil snaps, and rhythmic rod strikes—perfect for action cues or mechanical sound design.
    • Movements & Resonance: Delicate to chaotic movements including foil tears, wobbles, dryer clanks, continuous metallic trembles, and resonant drops—ideal for tension, ambient environments, and UI feedback.
    • Miscellaneous Textures: Unique tones such as air blown through pipes and cans, metallic rattles, latch squeaks, and ambient mechanical elements that add realism and texture.
  • Whether you’re crafting, mining, building, or battling for survival, this pack has everything you need to bring your game to life! Designed for sandbox, adventure, and survival games, this massive collection delivers high-quality, royalty-free sounds covering crafting, resource gathering, combat, UI interactions, and more.

    🎮 What’s Inside?
    ✔️ Crisp wood, stone, and metal interactions
    ✔️ Mining, breaking, and chopping sounds
    ✔️ Combat-ready weapon swings, impacts, and damage effects
    ✔️ Footsteps on various surfaces
    ✔️ UI clicks, pickups, and inventory sounds
    ✔️ Extra details like drinking, eating, trap setting, and more

    Perfect for indie devs, game studios, and content creators, this pack is your go-to solution for crafting a rich, immersive game world.

    💎 DESIGNED (ULTRA)

    Perfect for films, video content, and games, this pack provides ready-to-use, professionally designed sound effects, tailored for creators who need polished sounds without extra processing. The Ultra High Resolution version may contain more variations and audio files than the High Resolution pack, with pristine 192 kHz quality that ensures excellent flexibility for projects requiring additional processing.

    KEYWORDS
    Crafting, Survival, Resource Gathering, Exploration, Adventure, Fantasy, Wilderness, Environment, Nature, DIY, Outdoors, Building, Tools, Harvesting, Survivalist, Quest, Terrain, Craftsmanship, Discovery

    🎧 Grab the “Mini Craft & Survival” SFX Pack now and start building your world!

  • Experience the world of wire cars, capturing everything from the creation of these handcrafted African children’s toys to the sounds of them navigating different surfaces like dirt, asphalt, and tar. This collection features two types of wire cars: one with plastic wheels and another with metal wheels. The fabrication sounds were recorded in a studio, while the car sounds were captured outdoors, ensuring a rich stereo experience with both onboard and external perspectives.

    Our recordings encompass a variety of actions including wire bending, handling, and cutting with different tools, as well as driving on varied surfaces at multiple speeds. You’ll hear manoeuvres such as pickups, drops, skids, crashes, impacts, and a range of passes at slow, medium, and high speeds.

    The microphones utilised for these recordings include the Sennheiser 8020, Sennheiser 416, and Countryman B6.

  • The Master Gun East HK G3 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun Stoeger Condor Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • Bundles MASTERGUN – AKM Play Track 1022 sounds included $60

    The Master Gun AKM Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the AKM with a suppressor attachment. The suppressed AKM was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • This is the heavily designed section of the Full FMW2 Library, featuring 324 unique sounds; 237MB of content.

    This collection includes the 20 predesigned weapons, each complete with dynamic whooshes, impactful hits, and versatile block variations, of the full FMW2 library. Additionally, we’ve added 3 brand-new weapons, offering expanded variations and special extras like parries and positive/negative block sounds to enhance your creations.

    All files are delivered in pristine 24-bit/96kHz quality and follow the UCS naming convention, ensuring seamless integration into your workflow.

    Thank you for being part of this journey—your support means the world!
    (Looking for more? The source materials can be purchased separately, or you can unlock the full library to access the weapons, sources, and hundreds of additional sounds, all in one comprehensive package.)

    Have fun! :)

    AUDIO SUMMONERS

    FMW2_Demo
  • Scrap Metal Factory Provides you 64 original sounds recorded in a Recycling factory Based in the North of France.
    She includes :
    • Ambiences with Machines, bulldozers, cranes, forklift
    • shredded, crushed, launched car, and various metal objects.
    • Indoor Workers in sorting room of garbage recycling facility.
    • Destructions and impacts.

    Scrap Metal Factory was recorded in 96kHz/24 bits and provides a 48kHz/24 bits version.
    • 23 MS and decoding versions
    • 14 Binaural Ambiences !
    • Stereo ORTF and Mono

    The gear :
    Sound Devices MixPre6, DPA 6060 (Binaural), MKH 8040 (ORTF), DPA 4018/ATE308 (MS,Stereo)

    40 %
    OFF
  • Mechanical Sound Effects Scene Shop Play Track 260 sounds included, 58 mins total $54

    Scene Shop is a collection of high quality recordings of industrial machinery used in scenic construction workshops. Some machinery are in good condition, others not so much so… expect lots of metal rattling!

    Machinery are not recorded during active use (not during wood cutting for example) so the recordings are very clean and lend themselves well to being used for large elevators, lifts, automatic doors and generally metal machinery of any kind and size.

    There are multiple takes for most of the sounds, all complete with startup, steady phase, and shutdown.

    This collection is a mixture of stereo and mono, very sensitive microphones able to pickup beyond 20khz were used, so it was produced and post-produced at 192khz (these machines are already very big, but slowed down they sound even bigger!)

    There are also some extra sounds such as the switches of the machinery, bursts of compressed air, large metal doors and others.

  • Immerse yourself in the distinctive sounds of the Abandoned Trailer Foley, a meticulously curated sound effects library. Crafted for professionals in film, gaming, and multimedia, this collection captures the essence of an abandoned trailer with its rustic and eerie sounds.

    Bring a unique and authentic touch to your audio projects with the Abandoned Trailer Foley. Ideal for sound designers and audio professionals seeking to add depth and realism to their work.

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