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Home Sound Effects

Sound Effects

  • The Master Gun Stoeger Old Coach Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun IWI Galil ACE Gen II 308 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • Dive into a cacophony of mechanical marvels and rugged efficiency with this comprehensive collection of Construction Machines & Tools. From the thunderous impact of bucket loaders to the high-pitched whirr of electric saws, this library captures the essence of a bustling construction site. Whether it’s the rhythmic churn of cement mixers or the precise clicking of cordless screwdrivers, these recordings provide an immersive glimpse into the world of construction, making it an essential resource for sound designers, filmmakers, and game developers alike.

  • Recorded across some of China’s most breathtaking locations, including the limestone peaks of Yangshuo, the historic alleyways of Beijing’s Hutong districts, and the iconic Great Wall. This pack captures the rich and diverse natural soundscapes of China, from serene countryside to ancient city environments.

    Featuring recordings of heavy thunderstorms, cascading waterfalls, dense insect and frog choruses, and the atmospheric sounds of Beijing’s traditional neighborhoods, this collection showcases the raw beauty and tranquility of China’s natural and cultural landscapes.

    Includes 23 audio tracks, all recorded at 32bit/96 kHz with UCS metadata. Captured using 2 x Clippy EM272Z1 into a Zoom F3 and carefully cleaned in RX for pristine audio quality—ready to use straight out of the box.

  • Dive into a world of scattered fragments and scattered sounds with this eclectic collection of DEBRIS. From the gritty crunch of gravel underfoot to the sharp impact of stone drops, each sound captures the rugged essence of the earth’s elements. Explore the chaotic cacophony of rock debris and the relentless grind of a mortar grinder, juxtaposed with the delicate shatter of ceramic and glass. Whether it’s the scattered rustle of trash scraps or the ominous stress of stressed glass, these sounds offer a versatile palette for enhancing any project with layers of texture and depth.

  • Elevating the legacy of its acclaimed predecessor, Dogs 2 emerges as the ultimate sequel in our canine sound library saga. With an enriched collection that extends beyond the initial range of barks, growls, and whimpers, this sequel artfully captures the diverse tapestry of canine expressions—from the playful frolics of energetic pups to the soulful pleas of longing dogs. This carefully crafted library encapsulates the essence of dogs in a myriad of situations, ensuring that every audio project can be imbued with the most authentic and dynamic dog sounds imaginable. Whether you’re in search of the spirited yelps of a jovial puppy or the formidable snarls of a loyal guard dog, Dogs 2 offers a broad spectrum of meticulously recorded canine sounds, perfect for adding a layer of realism to your creative endeavors.

  • This package includes 38 stereo WAV files and 10 Ambisonic street ambiences including rooftop soundscapes, alleys, streets, intersections, crowds.

  • Funny / Comedy / Cartoon Massive Farts Play Track 574 sounds included, 16 mins total $49.99

    MASSIVE FARTS – 574 files of Fart sound effects, at varying distances and intensities. From poots, toots and oh-shoots to rips, roars and bass heavy flatulence. Massive Farts comes in at over 16 minutes, of good old fashioned gastric wind noises. Bring a hint of comedy and organic disgust to your next gas-centric project. Recorded with the help of several volunteers, using the tried and true Foley technique, of a spicy home cooked meal! Massive Farts filenames are in the Universal Category System format with additional Metadata baked-in.

    Don’t need a Massive amount of Fart sound effects? We offer ‘Mini’ sound effect libraries as companions for all of our ‘Massive’ sound effect libraries. All recordings are unique to each library with no overlap. Go Mini today, and upgrade to the corresponding Massive library later, when you need more of that particular sound effect.

    *Caution: You May Smell This One*

  • Funny / Comedy / Cartoon Mini Farts Play Track 50 sounds included, 2 mins total $9.99

    MINI FARTS – 50 files of Fart sound effects, at varying distances and intensities. From poots, toots and oh-shoots to rips, roars and bass heavy flatulence. Mini Farts comes in at over 2 minutes, of good old fashioned gastric wind noises. Bring a hint of comedy and organic disgust to your next gas-centric project. Recorded with the help of several volunteers, using the tried and true Foley technique, of a spicy home cooked meal! Mini Farts filenames are in the Universal Category System format with additional Metadata baked-in.

    Looking for a Massive amount of Fart sound effects? We offer ‘Massive’ sound effect libraries as companions for all of our ‘Mini’ sound effect libraries. All recordings are unique to each library with no overlap. Go Mini today, and upgrade to the corresponding Massive library later, when you need more of that particular sound effect.

    *Caution: You May Smell This One*

  • Car Sound Effects Cars Play Track 563 sounds included $59

    Dive into the dynamic world of automotive excellence with this collection that spans the spectrum from classic elegance to modern power. Experience the throaty growl of a Porsche 595 as it revs to life, and the raw, turbocharged fury of a Lancia S4. Feel the sandy grit under the wheels of a nimble Buggy, and the smooth acceleration of a BMW M4. From the iconic rumble of a Camaro to the timeless grace of a Jaguar E-Type, each car offers its unique auditory signature. The Saab 92’s distinctive start, the luxurious purr of a BMW E64, the everyday reliability of a VW Golf, and the quiet hum of a Toyota Prius driving and slowing down—all are captured with stunning clarity. Perfect for automotive enthusiasts and creators looking to add authentic vehicular sounds to their projects, this collection is a tribute to the art of motion.

  • Step into the world of everyday life with this collection of cloth sounds that capture the essence of human activity. From the gentle drag of cloth against various surfaces to the rhythmic impact of clothes hitting furniture, each sound adds depth and realism to your auditory landscape. Experience the soft rustle of cotton coats and jackets, accompanied by the satisfying thud of their drop. Delve into the subtle whoosh of fabric boxes and the distinct friction of jeans, offering a versatile range of textures that enrich any scene with authenticity and detail.

  • Enter the world of tactile interactions with this collection of button sounds that span various domains of everyday life. From the playful xylophone-like click of digital interfaces to the practicality of piezo igniters, each sound embodies the act of engagement. Experience the subtle closure of shirt buttons and the definitive click of light switches transitioning between on and off states. Delve into the rhythmic precision of mouse clicks and the smooth release of plastic buttons, alongside the functional utility of foot switches, offering a versatile range of auditory textures to enrich any project.

  • Formats Magic Play Track 50 sounds included $39

    Embark on a mystical journey with our Magic sound effects pack, featuring 50 enchanting audio clips. Perfect for filmmakers, game developers, and audio designers, each sound captures the fantastical essence of spells, potions, and mystical phenomena. From sparkling incantations and swirling vortexes to ethereal chimes and arcane rituals, these versatile sounds add depth and wonder to fantasy films, RPG games, and immersive storytelling experiences. Ideal for enhancing magical battles, wizardry academies, or creating atmospheric fantasy realms, this collection offers a range of magical effects and mystical details. Immerse your audience in the enchanting sounds of magic and elevate your projects with our comprehensive library of spellbinding sound effects, designed to ignite the imagination and transport listeners to realms of wonder and awe.

     

    Visit our full range of SFX packs at www.amplar.io

  • Elevate your game design with 1000 Game Sounds, a meticulously crafted sound-effects library designed to suit every game on the market. Whether you’re building an epic adventure, a quirky cartoon world, or a gripping sci-fi thriller, this versatile collection has you covered.

    Featuring 1000 carefully selected and expertly produced sounds, this library includes everything from the massive, cinematic power of Orchestral FX to the enchanting and mysterious charm of Musical Stingers. Feel the tension rise with the endlessly ascending Shepard Tone, or add texture with everyday effects like Footsteps, Metal, Water, and Wood. Dive into immersive atmospheres with Dark Atmospheres and Ambient Nature, or bring playful energy with Dazzling Cartoon Sounds, Fart Sounds, and Funny Effects.

    From the subtle clicks of a Mouse & Keyboard to the explosive crackle of Fire and the futuristic hum of Retro Sci-Fi, 1000 Game Sounds offers a rich palette of audio to enhance every moment of gameplay. Perfect for developers, sound designers, and creators looking to make their projects stand out, this library is your one-stop solution for unforgettable audio experiences.

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  • Formats Human Play Track 44 sounds included $29

    Explore the Human sound effects pack, featuring pristine recordings of male and female breathing, sighs, coughing and more at 24-bit / 96kHz.
    From tranquil inhales to deep exhales, this collection captures the subtle nuances of human respiration.
    Ideal for enhancing realism in film, animation, and games, these high-quality sounds bring authentic human presence to your projects.

    Visit our full range of SFX packs at www.amplar.io

  • Discover a world of whimsy and charm with this captivating collection! Dive into a treasure trove of vibrant vocal and prop sounds, perfect for adding character to any animation or game project. From playful wobbles to quirky squeaks, and even the iconic twang of a nylon string, this library is a must-have for creators looking to infuse their creations with fun and personality.

  • Introducing AURAL ODYSSEY a mesmerizing collection of abstract sounds that will transport you to uncharted realms of imagination and creativity. Delve into the depths of sci-fi soundscapes, glitchy electronics, and electrifying electromagnetic buzzes. Explore the enigmatic realm of metallic squeaks, resonant whooshes, and captivating abstract drones. Perfect for sound designers, filmmakers, and musicians seeking to push the boundaries of auditory expression, “Aural Odyssey” offers a diverse palette of otherworldly and abstract sounds to inspire and captivate listeners.

  • Enter the captivating world of BOARD GAMES with this comprehensive collection of sounds that bring your tabletop adventures to life. From the satisfying shuffle of cards and the rhythmic clatter of dice being rolled to the suspenseful rattle of a dice bag being filled and shaken, each sound adds depth and immersion to your gaming experience. Whether it’s the distinctive click of poker chips being stacked and placed or the anticipation of rolling different dice types like D20s, D4s, and D6s, this library offers a diverse array of auditory elements to enhance any tabletop adventure.

  • The Master Gun IWI Galil ACE Gen II 7.62×39 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the IWI Galil ACE GEN II 7.62 with a suppressor attachment and subsonic ammo. Both the suppressed IWI Galil ACE GEN II 7.62 and subsonic ammo was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed & subsonic recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun Reds RPK Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the Reds RPK with a suppressor attachment. The suppressed Reds RPK was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • Bundles MASTERGUN – L85A1 Play Track 1486 sounds included $90

    The Master Gun L85A1 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the L85A1 with a suppressor attachment. The suppressed L85A1 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master IWI Tavor TAR21 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the IWI Tavor TAR21 with a suppressor attachment. The suppressed IWI Tavor TAR21 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • Work from a safe distance. Our new Fire and Lava SFX collection will heat up your projects to extreme levels! Boasting thick flowing rivers of lava, ground shaking volcano rumbles, frenzied flame sounds varying from large, aggressive infernos, to soul soothing campfires and more.

    Alongside pre-designed sounds ready to drag and drop straight into your projects, also included are raw stems to bring you a construction kit that gifts you creative powers that emulate the scorching sonic reality of fire and lava. Our team combined high-quality field recordings, synthesis, and beautifully performed Foley to meticulously crafted a huge variety of sounds such as isolated fire cracks and lava pops, earth cracks, rumbles and much more.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

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