Home Sound Effects
This library includes 106 sfx of exterior, interior and on-board perspectives of pass bys, shifting, and foley of the Chevy Duramax 2500HD Pickup Truck.
With different performances of each action, you can add unique detail and character to your film, commercial, show, or video game.
Sci-Fi Interface Construction Kit Vol. I introduces a wide array of clean-cut futuristic sound effects perfectly designed, edited and fine-tuned for your projects. Containing varied types of sounds, ranging from zaps, bleeps, wubs, small harmonies and more, you’re guaranteed to find on this library something that will bring your User Interfaces to life, be it on videogames, movies, TV shows, Apps and more.
This Construction Kit was built with versatility in mind. Each of the 500 one-shot audio files are finely cut, with no background noise and with clear nomenclature, perfect for layering and adding external effects to mangle them as you please. There are multiple categories to find with varied frequency ranges, achieved by using various hard and soft synthesizers, amongst other experimental methods and tools.
Also included are over 2 hours of electromagnetic recordings from various sources that will boost your retro-futuristic aspirations like a charm!
But wait, there’s more! Over 1 hour of experimental frequency modulation atmospheres are present, ready to lift you off into the science-fiction realm of your dreams.
This is a collection of location foley sounds (anything we could find that makes sound) recorded over 3-year period in authentic historical houses and barns.
This includes 1700s peasant village houses, 1700s manor, 1850s farm, 1900s manor and 1930s cottage. These are recorded for film projects so they have the right cinematic feel, dynamic and variation.
The houses were full of period props, so the recordings are rich and have lots of details that take you to the right time and feel.
The library weighs in at more than 18 GB total, and features 4000+ sounds in 2267 files.
Highlights:
• This is an updated version of the library. Now it is properly edited.
• The stereo recordings have often one channel as close-up mic and other as distant / room mic.
• All recordings are 96khz 24bit with metadata.
• We used the best sounding equipment – sound devices recorders (744, 702, mixpre), Sennheiser mkh 8040, mkh416 and DPA 4006a microphones.
Metallitronic is sound designer Nathan Moody’s latest collection of intense textures, a library of nearly three hours’ worth of metallic membranes and objects excited by electronic signals.
Metallitronic was created using advanced synthesis techniques played back through various transducers into cymbals, gongs, bowls, steel plates, prefab metal buildings, and other resonant metallic objects, close-miked in stereo with extended-frequency-range microphones. This collection radically expands a sound designer’s palette of stressed-metal sounds, horror and tension elements, crystalline creaks and groans, unsettling background atmospheres, rattling vehicular interiors, creature sound sweeteners, the sound of massive machinery, earth-shaking rumbles, and stochastic, complex rhythms.
Some textures let the complex synthesizer textures shine through – intense on their own, even if they weren’t amplified through metal – but the primary focus is on metallic drones, hits, pings, stresses, groans, wails, resonances, rattles, and unique timbres that can be layered into almost any project. The scale of the sounds ranges from detailed to overwhelmingly massive. The sounds invite aggressive filtering and extreme pitch shifting.
Every sound is recorded in stereo at 24 bits, 192 kHz, and many sounds have ultrasonic frequencies. This library includes nearly three hours of recordings, all fully tagged with metadata. Multiple articulations are ganged into single files for convenience and organization.
Baltic Forest is a collection of ambient recordings captured over one year in a private forest in Northern Lithuania. 53 carefully recorded exterior ambiences made during summer, autumn, winter and spring. From the bright sound of native birds in spring and summer, to the freezing cold (-20 Celsius) snow storms and tree movements of autumn and winter – sometimes recording in knee-deep snow.
All sounds were recorded and edited at 24-bit / 96kHz, with embedded meta data.
The whole 9 yards.
Comprised of 11 heavy hitting libraries, this bundle includes SEISMIC CORE, OVERKILL, 4 ELEMENTS, COLLISION, INTERACTIVE, SCI FI, GEARBOX, SORCERY, HERO, BROKEN, and MELEE. Save by bundling all ELEVEN in a single library.
GEARBOX:
Boutique analog mechanical contraptions, steampunk gadgetry, gizmos and machines big and small.
BROKEN
Car crashes, explosions, crumbling buildings, earthquakes, ripping earth and metal, to debris, and more.
HERO:
HEROÂ – Sword fights, stabbing, guillotines, impaling, battle cries, shields, drawbridges, armor, foley and more.
SCI FI:
Spaceships, machines, mechanicals, weapons and more. Technologies exceeding your boldest visions of the future.
INTERACTIVE:
The ultimate Game UI SFX library including clicks, pops, whooshes, musical and tonal elements, and ready to use designs for every UI action and game style.
COLLISION:
The ultimate sound effects library for massive impact sounds. Stingers, crashes, hits, whooshes and fully designed impact effects.
4 ELEMENTS:
Harness the raw power of fire, water, earth, and air with over 3000 elemental sounds crafted for limitless creativity.
OVERKILL:
Unleash pure audio carnage with OVERKILL – a brutally detailed 5.7 GB sound library featuring 3390 hyperreal gore sound effects across 607 files.
We’ve ventured to obscure boutiques, prop houses and vintage shops to capture mechanical contraptions from around the world. Ranging from bizarre creations, to steampunk gadgetry, gizmos and machines, GEARBOX clocks in at over 10 GB of high definition, precision mastered sounds spanning across 2987 construction kit sounds and 584 designed sounds.
GEARBOX equips Sound Designers with a literal toolbox of mechanical gadgetry. Ranging from tiny to huge, GEARBOX‘s machines and gizmos provide coverage for interacts, mechanism, machine or device in your scene or game.
INTRODUCING BUILDING BLOCKS
In addition to CONSTRUCTION KIT and DESIGNED SOUND content, GEARBOX features BUILDING BLOCKS. This category of sound consists of designed phrases and oneshots utilized for our designed machinery, empowering Sound Designers with maximum flexibility when trying to get that particular phrase from an existing DESIGNED SOUND. GEARBOX features over 468 BUILDING BLOCKS ranging from levers, hits, grinds, snaps, and more.
KEYWORDS:
Mechanical sounds, Gear sounds, Machinery FX, Industrial sounds, Machine FX, Mechanic SFX, Gears and levers, Engine sounds, Metal clanks, Heavy machinery, Robotic machinery, Industrial gear sounds, Factory sounds, Engineering FX, Machine clicks, Mechanical movements, Gearbox sounds, Tool sounds, Metal creaks, Robot mechanics, Gear shifts, Industrial atmosphere, Factory machinery, Tool sound effects, Industrial FX, Mechanical toolkit, Engine room sounds, Industrial noises, Factory ambience, Clanking sounds, Wrench sounds, Mechanical environment, Workshop sounds, Engine FX, Mechanic FX, Metal impact, Robotic gear, Mechanical noises, Engineering sounds, Machine room, Machine movement, Metal FX, Industrial sound library, Factory FX, Mechanical library, Engineering toolkit, Industrial pack, Metal machinery, Gears FX, Workshop ambience, Robotic machines
This SFX library features 217 sounds processed by a mint condition Chorus Echo RE-501, including metal impacts, church bells, chainsaws, voices, and water. In addition, self-oscillation sounds from the RE-501 are included. The combination of the 192khz high resolution sample rate and the tape saturation/warmth from the Chorus Echo make these samples sound great when pitch shifted and/or time stretched, even at extreme settings.
This SFX library features recordings of the Pacific Ocean at various locations along the beach within Refugio State Park. The incoming waves collide with large rock formations, creating great wave impacts and rushing water through small channels and hollow rocks. A variety of mic placements at various distances from the ocean were used, from directly over the water to larger distances, recording ambience behind massive rock walls and inside natural beach caves. In addition, a hydrophone captured underwater currents from waves splashing into small tide pools on the rocks.
AudioHero’s Cartoon collection Volume 4 features 200 professionally produced sound effects, ready for use in your productions. This library includes everything you need to turn your production into a cartoon masterpiece! These sounds are all hand-picked from the Sound Ideas Cartoon Express and Hollywood Edge Cartoon Trax 1 and 2 sound effects libraries. Included are musical accents, bells, boings, hits, skids, honks, squeaks, bounces, crashes and more.
The Animals Volume 4 collection features 200 professionally recorded sound effects, ready for use in your productions. Included in this library are birds, wildcats, sea life and much more! These sounds are all hand-picked from Sound Ideas Just Birds & Animals, Mike McDonough Animals, Serefine Animals, Wild World of Animals and General HD 4 sound effects libraries.
This is a unique bicycle library that captures this characteristic bike in clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.
The UglyBike is a typical old bicycle that’s working fine, but needs some TLC. It is a bicycle that’s just average, a little rattle a gentle scrape, a bike that everyone has had but got traded in for a newer one. A story of unrequited love.. :)
Speeds and actions:
Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.
Overview of perspectives and mic placement:
Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
All 3 onboard mics are edited in sync with one another to make layering easy.
All Passbys, Arrivals and Departures move from Left to Right.
Metadata & Markers:
Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method that adheres to the Universal Category System. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window. We made a video that helps you navigate the library ans find your best bicycle sounds faster and easier.
CategoryFull
A quick way to filter out sounds you don’t need: like handling sounds or vice versa bicycle onboards.
UserCategory
Fastest way to find the type of action you need for all bicycles. Passby needed, just click and voila.
OpenTier
Once you’ve selected the bike you can open up OpenTier and audition and select the perspective you want to use.
Scene &Â Performer
This field contains the type of bicycle or other sound. So you can find the bike you like fast.
iXMLTrackLayout
This is a neat little identifier you will find in the Waveform displays and you can see in a glance what Listening position you are.
MicPerspective
We have another way to find perspectives but it is more limited to distance to the recorded subject.
So passbys are MED – EXT and handling are CU – EXT. Exterior? Of course: we recorded everything outside!
UserComments
We used this field to create the UserData and give you the minimal set of information about the recording in the filename.
Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer and other apps.
If you have any questions about this, please contact us [email protected]!
Need more?
The GoodBike library is a part of the ‘City Bicycles – Complete Bundle‘ available here in the A Sound Effect store. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off bicycle passes captured in the city and bounces and rattles. If you buy the complete bundle you get 1 package for free!
Here’s a handy comparison table:
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..‘
The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.
Watch a video created by Zdravko Djordjevic.
This library features a wide range of recordings from various museums and galleries, each differentiated by the nuances of their size and space. All recordings feature pristine echos, walla and movement. The library includes stereo & 5.0 recordings from:
All sounds were recorded using a stereo pair of DPA 4060s, DPA 5100, Sound Devices Mix-Pre 6 and Sound Devices 788T.
Visit edible-audio.com for behind the scenes photos, contact information, sound library updates and exclusive deals.
Get ready to hit the slopes with this wintery gem of a sound library!
Taken from many trips up and down the slopes in Upstate New York, this library gives you in your face gliding swishes, crunching carves, turns, stops, passbys from the left and right, falls, jumps, landings, poles poking and scraping the snow, chairlift machine sounds, bindings, and more!
If you need authentic skiing sounds this library has you covered. Whether you need to create loops and insert carves in a video game or film project or if you need lengthy recordings of full trips from the top of the mountain to the bottom this library will give you it all. Enjoy Downhill Skiing!
Rocky Impacts is a collection of 262 rock & stone impact sound effects.
Rock impacts, LFEs, Debris, Moving textures and more
Collection consist of 150 designed sound effects and 112 source sound effects. All sound effects were recorded with Sennheiser MKH8060
+ ATE 208 in mid-side at superb 192KHZ. Recording session took place in a quiet canyon between mountains.
All SFX have baked-in Soundminer’s meta data.
Download includes additional 44.1kHz 16Bit version for Unreal Engine.
RECORDED WITH:Â Sound Devices MixPre 6 + 2 x Sennheiser MKH8060 + ATE208 (M/S)
EDITED AND MASTERED WITH: Pro Tools, BOOM ReCenter, iZotope RX, Brusfri, FabFilter, ReFuse, Reaktor
In need of some distinct bicycle passbys for a street scene? Missing some handling sounds of a bicycle? This library has the answer with superbly captured exterior recordings in the inner city without traffic.
It includes various types of bicycles from the rattling sounds of a drunken cyclist or the smooth whirring of a nicely maintained bicycle with it’s headlight dynamo or the violent shrieking of a bicycle about to fall apart.
And if that’s not enough you can always add more drama with the various handling effects we recorded, bounces / scrapes / skids / rattles it’s all here.
Everything recorded in XY stereo and well described to make finding that one distinct bike easier.
Metadata & Markers:
Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method that adheres to the Universal Category System. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window. We made a video that helps you navigate the library ans find your best bicycle sounds faster and easier.
CategoryFull
A quick way to filter out sounds you don’t need: like handling sounds or vice versa bicycle onboards.
UserCategory
Fastest way to find the type of action you need for all bicycles. Passby needed, just click and voila.
OpenTier
Once you’ve selected the bike you can open up OpenTier and audition and select the perspective you want to use.
Scene &Â Performer
This field contains the type of bicycle or other sound. So you can find the bike you like fast.
iXMLTrackLayout
This is a neat little identifier you will find in the Waveform displays and you can see in a glance what Listening position you are.
MicPerspective
We have another way to find perspectives but it is more limited to distance to the recorded subject.
So passbys are MED – EXT and handling are CU – EXT. Exterior? Of course: we recorded everything outside!
UserComments
We used this field to create the UserData and give you the minimal set of information about the recording in the filename.
Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer and other apps.
If you have any questions about this, please contact us [email protected]!
Need more?
The GoodBike library is a part of the ‘City Bicycles – Complete Bundle‘ available here in the A Sound Effect store. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off bicycle passes captured in the city and bounces and rattles. If you buy the complete bundle you get 1 package for free!
Here’s a handy comparison table:
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..‘
The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.
Watch a video created by Zdravko Djordjevic.
This is a unique bicycle library that captures road surfaces from the perspective of super quiet bicycle. These are clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.
The Extra Surfaces library provides 162 sounds captured on the following road types Large Bricks, Gravel, Grit, Icy Asphalt.
The four additional ‘onboard road’ surfaces are the perfect extension for your other ‘City Bicycle’ library of taste. Just add it as a layer, mix it and voila your bicycle can move from gravel to bricks to grit or from large bricks to slippery icy asphalt roads.
Speeds and actions:
Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently brakes to smooth departures.
Overview of perspectives and mic placement:
Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
All 3 onboard mics are edited in sync with one another to make layering easy.
All Passbys, Arrivals and Departures move from Left to Right.
Metadata & Markers:
Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method that adheres to the Universal Category System. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window. We made a video that helps you navigate the library ans find your best bicycle sounds faster and easier.
CategoryFull
A quick way to filter out sounds you don’t need: like handling sounds or vice versa bicycle onboards.
UserCategory
Fastest way to find the type of action you need for all bicycles. Passby needed, just click and voila.
OpenTier
Once you’ve selected the bike you can open up OpenTier and audition and select the perspective you want to use.
Scene &Â Performer
This field contains the type of bicycle or other sound. So you can find the bike you like fast.
iXMLTrackLayout
This is a neat little identifier you will find in the Waveform displays and you can see in a glance what Listening position you are.
MicPerspective
We have another way to find perspectives but it is more limited to distance to the recorded subject.
So passbys are MED – EXT and handling are CU – EXT. Exterior? Of course: we recorded everything outside!
UserComments
We used this field to create the UserData and give you the minimal set of information about the recording in the filename.
Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer and other apps.
If you have any questions about this, please contact us [email protected]!
Need more?
The GoodBike library is a part of the ‘City Bicycles – Complete Bundle‘ available here in the A Sound Effect store. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off bicycle passes captured in the city and bounces and rattles. If you buy the complete bundle you get 1 package for free!
Here’s a handy comparison table:
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..‘
The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.
Watch a video created by Zdravko Djordjevic.
This is a unique bicycle library that captures this characteristic bike in clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.
The BadBike is a rattling and broken bicycle that perfectly nails the sound of a worn out bike, it’s passbys and hardstops are hard too miss.
Speeds and actions:
Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.
Overview of perspectives and mic placement:
Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
All 3 onboard mics are edited in sync with one another to make layering easy.
All Passbys, Arrivals and Departures move from Left to Right.
Metadata & Markers:
Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method that adheres to the Universal Category System. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window. We made a video that helps you navigate the library ans find your best bicycle sounds faster and easier.
CategoryFull
A quick way to filter out sounds you don’t need: like handling sounds or vice versa bicycle onboards.
UserCategory
Fastest way to find the type of action you need for all bicycles. Passby needed, just click and voila.
OpenTier
Once you’ve selected the bike you can open up OpenTier and audition and select the perspective you want to use.
Scene &Â Performer
This field contains the type of bicycle or other sound. So you can find the bike you like fast.
iXMLTrackLayout
This is a neat little identifier you will find in the Waveform displays and you can see in a glance what Listening position you are.
MicPerspective
We have another way to find perspectives but it is more limited to distance to the recorded subject.
So passbys are MED – EXT and handling are CU – EXT. Exterior? Of course: we recorded everything outside!
UserComments
We used this field to create the UserData and give you the minimal set of information about the recording in the filename.
Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer and other apps.
If you have any questions about this, please contact us [email protected]!
Need more?
The GoodBike library is a part of the ‘City Bicycles – Complete Bundle‘ available here in the A Sound Effect store. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off bicycle passes captured in the city and bounces and rattles. If you buy the complete bundle you get 1 package for free!
Here’s a handy comparison table:
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..‘
The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.
Watch a video created by Zdravko Djordjevic.
This is a unique bicycle library that captures this characteristic bike in clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.
The RacerBike is that kind of bicyle the double shot cortado drinker nochalantly parks in front of the window at his favorite coffeeshop. This vintage Koga Miyata is maintained very well, with fresh lubricants and perfectly lined up gears it’s a smooth racing devil that you pay nicely for second hand.
Speeds and actions:
Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.
Overview of perspectives and mic placement:
Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
All 3 onboard mics are edited in sync with one another to make layering easy.
All Passbys, Arrivals and Departures move from Left to Right.
Metadata & Markers:
Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method that adheres to the Universal Category System. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window. We made a video that helps you navigate the library ans find your best bicycle sounds faster and easier.
CategoryFull
A quick way to filter out sounds you don’t need: like handling sounds or vice versa bicycle onboards.
UserCategory
Fastest way to find the type of action you need for all bicycles. Passby needed, just click and voila.
OpenTier
Once you’ve selected the bike you can open up OpenTier and audition and select the perspective you want to use.
Scene &Â Performer
This field contains the type of bicycle or other sound. So you can find the bike you like fast.
iXMLTrackLayout
This is a neat little identifier you will find in the Waveform displays and you can see in a glance what Listening position you are.
MicPerspective
We have another way to find perspectives but it is more limited to distance to the recorded subject.
So passbys are MED – EXT and handling are CU – EXT. Exterior? Of course: we recorded everything outside!
UserComments
We used this field to create the UserData and give you the minimal set of information about the recording in the filename.
Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer and other apps.
If you have any questions about this, please contact us [email protected]!
Need more?
The GoodBike library is a part of the ‘City Bicycles – Complete Bundle‘ available here in the A Sound Effect store. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off bicycle passes captured in the city and bounces and rattles. If you buy the complete bundle you get 1 package for free!
Here’s a handy comparison table:
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..‘
The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.
Watch a video created by Zdravko Djordjevic.
The Morris Minor Traveller 1000 was built between 1956 and 1971. Full of characterful and a charming vehicle it was renowned for its reliability and low maintenance, speed was not a factor in its design. However, thanks to its newly fitted 1098cc engine this series III reaches 0-60 in 31.3 seconds and achieves generous speeds of up to 75mph.
We are offering a range of unique sounds from this iconic British car. The Library features recordings both onboard and external including; engine idling, start-up, turn offs, pass-bys, start, stop and aways, reverses, cornering, all at different speeds on a tarmac surface. We’ve also included some slow/medium takes on a gravel track. Additional foley includes recordings of the doors, switches/levers, horn, parking brake, glove compartment and engine hood from both near and wide perspectives.
Each file has been tagged with detailed Soundminer metadata to speed up work flow and increase organisation.
The Dark Woods Ambience sound effects library contains sounds of natural night ambiences, all recorded in the woods in Southwest Florida, USA (under trees, woods, etc). All 68 ready to use and loop-able stereo wave files were captured in 24 Bit, 96 kHz stereo (each in 3 or 5 minutes long). There are sounds of birds, a Coyote, frogs, insects, wild pigs, waves/water splashes from fish/wind, thunders, etc (check out the file names). See if you can identify what the two creatures are that approached my microphone. One of the creatures dragged the microphone fur a few feet away!
Ominous Drones sound library features 100 high quality, dark cinematic drones sound effects perfect for enhancing the anticipation and suspense in any sci-fi, thriller, or horror movie, trailer, video game, music track, and more!
From dark disturbing braam-like drones, dynamic and evolving ones, to the subtle eerie horror ambiences and atmospheres, this tension-driven sound collection will provide you with the sounds to keep your audience on the edge of their seats. If you’re looking for scary post-apocalyptic ambient sounds, otherworldly and alien-like soundscapes, or dark and sinister dystopian textures, this sample pack is a must have!
Ominous Drones sound library contains 4.72GB (146 minutes total) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow.
If you like the sound of Ominous Drones sound library then be sure to check out Annihilation, Into Abyss and Dystopian Drones for even more doomsday soundscapes, atmospheres, dark textures & horror ambiences!
“Wilderness Americas : Geyser and Volcano” is a collection of sounds focused on geothermal phenomena of Central and North America.
We recorded geysers in the Yellowstone National Park (USA) and two very actives volcanoes: the Fuego in Guatemala, and the Masaya in Nicaragua.
To complete this sound library, we added natural sound elements which are very efficient for sound design as designed sound material:
“Super volcano” eruption sounds, magma lake ebullition sounds, lava movement, and landslide sounds.
The geyser and Masaya volcano sounds (magma lake, lava movement) were recorded with the Telinga Parabola with a Sennheiser MKH 8040. The Telinga was used for its powerful ability to focus on sound details at a reasonable distance.
The explosions and eruptions of the Fuego volcano were recorded in surround with a Sennheiser DMS setup (MKH 8040-30) and also with the Telinga Parabola + MKH 8020.
-This sound bank contains 56 sound takes recorded in 24/96 kHz, and a total of 122 files.
Get ready to shred with this wintery gem of a sound library!
Taken from many trips up and down the slopes in Upstate New York, this library gives you in your face gliding swishes, crunching carves, turns, stops, passbys from the left and right, falls, jumps, landings, chairlift machine sounds, bindings, and more!
If you need authentic snowboarding sounds this library has you covered. Whether you need to create loops and insert carves in a video game or film project or if you need lengthy recordings of full trips from the top of the mountain to the bottom this library will give you it all. Enjoy the Snowboarding sound library!
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.