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Home Sound Effects

Sound Effects

  • City Life Sound Effects City Rain Play Track 37 sounds included, 86 mins total $15

    These sound effects were recorded in the city of Guadalajara Mexico during a very rainy season. In this library there is Thunder, interior and exterior rain, Hailstorms, and more.
    They are ideal for background use in your projects, for soothing wet atmospheres creation or for intense “the sky is falling” scenes.
    City Rain has a runtime of 1 hour and 26 minutes and includes 38 files

    All sounds have been carefully curated and edited, providing a ready-to-use and royalty-free sample pack.
    They are UCS compliant, with embedded metadata for easy organization.

  • This is a sound library containing a wide range of designed electricity sounds. Includes arcing, crackling, zapping and more!

     

    Features:

    • All audio files in 24 bit 48kHz quality
    • All files are metadata-tagged, allowing for easy searching in sound library management tools
    • UCS compliant file naming and metadata

     

    View a summary of included sounds here

  • Whether you’re crafting, mining, building, or battling for survival, this pack has everything you need to bring your game to life! Designed for sandbox, adventure, and survival games, this massive collection delivers high-quality, royalty-free sounds covering crafting, resource gathering, combat, UI interactions, and more.

    🎮 What’s Inside?
    ✔️ Crisp wood, stone, and metal interactions
    ✔️ Mining, breaking, and chopping sounds
    ✔️ Combat-ready weapon swings, impacts, and damage effects
    ✔️ Footsteps on various surfaces
    ✔️ UI clicks, pickups, and inventory sounds
    ✔️ Extra details like drinking, eating, trap setting, and more

    Perfect for indie devs, game studios, and content creators, this pack is your go-to solution for crafting a rich, immersive game world.

    💎 DESIGNED (ULTRA)

    Perfect for films, video content, and games, this pack provides ready-to-use, professionally designed sound effects, tailored for creators who need polished sounds without extra processing. The Ultra High Resolution version may contain more variations and audio files than the High Resolution pack, with pristine 192 kHz quality that ensures excellent flexibility for projects requiring additional processing.

    KEYWORDS
    Crafting, Survival, Resource Gathering, Exploration, Adventure, Fantasy, Wilderness, Environment, Nature, DIY, Outdoors, Building, Tools, Harvesting, Survivalist, Quest, Terrain, Craftsmanship, Discovery

    🎧 Grab the “Mini Craft & Survival” SFX Pack now and start building your world!

  • These sound effects were recorded next to a pilot school in Mexico, capturing the distinctive sounds of small airplanes flying overhead. This library features a variety of flybys, from distant hums to powerful close passes, with different aircraft models and varying speeds. The recordings showcase natural Doppler effects, creating a dynamic and realistic sense of movement.

    These sounds are ideal for background use in your projects, whether you’re designing immersive aviation scenes, recreating realistic outdoor ambiences, or adding depth to documentary and cinematic settings.

    Engines in the Sky has a runtime of 32 minutes and includes 12 long-duration files.

    These sound effects have been carefully curated and edited, providing a ready-to-use and royalty-free sample pack.

    These samples can be used for various applications, from sound design and compositions for TV, film, and documentaries to video game development and music creation.

    They are UCS compliant, with the UCS-compliant document included in the download file.

    Each sample comes with embedded metadata for easy organization.

    Product Specs
    • Ambisonic Files (AMBIX format, First Order Ambisonics)
    • 96kHz 24-bit
    • Size: 2.24 GB (expanded)

  • Old Opel from the 1980s. With a real rattly exhaust feel that fits to any 80s european car.

    Recorded with Sennheiser, DPA and Line Audio microphones.

  • Recordings from a popular vintage soviet bus from the 1980s.

    1979 IKARUS 255

    Recorded with Sound Devices 744, 2x Sennheiser mkh 8040, Sennheiser mkh 416 and  2x DPA 4006a.

  • Recordings from a rare vintage Soviet bus from the 1950s.

    1953 PAZ 651.

    Recorded with Sound Devices 744, 2x Sennheiser mkh 8040, Sennheiser mkh 416 and  2x DPA 4006a.
    Onboard driving + exterior passes, maneuvers, doors etc.

  • Recordings from a vintage Soviet army SUV that was used by Soviet Union and Russia from the 1960s until 2010s.

    UAZ 469

    Recorded with Sound Devices 744, 2x Sennheiser mkh 8040, Sennheiser mkh 416 and 2x DPA 4060.
    Onboard driving + exterior passes, maneuvers, doors etc.

  • Transform your projects with our Appliance Sound Effects Pack! Featuring high-quality recordings of blenders, mixers, toasters, and more, this collection brings your culinary scenes to life. Perfect for filmmakers, podcasters, and game developers, these realistic sounds add authenticity and enhance storytelling. Elevate your audio experience today with sounds that sizzle, chop, and blend seamlessly into your work!

  • Introducing our Kitchen Glassware Sound Effects Pack, designed to elevate your audio projects with the perfect blend of realism and ambiance! This collection features high-quality recordings of clinking glasses, pouring liquids, and the gentle sounds of glassware being handled. Ideal for filmmakers, podcasters, and game developers, these authentic sounds create an inviting atmosphere for any culinary scene. Whether you’re crafting a cozy dinner party or a lively bar environment, our sound effects will bring your vision to life. Enhance your storytelling today!

  • The Master Gun Steyr AUG Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun SIG MCX Spear LT Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun Remington M1903A3 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun Norinco SKS Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun Marlin Model 1895 Trapper Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the Marlin 1895 Trapper with a suppressor attachment and subsonic ammo. Both the suppressed Marlin 1895 Trapper and subsonic ammo was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed & subsonic recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.

  • The Pistol [GameDev Edition] is a streamlined version of the UCS Edition – crafted specifically for developers who need high-impact, ready-to-use pistol sounds without the bulk of raw source material.

    This edition focuses entirely on designed and polished content, making it ideal for anyone who wants plug-and-play firearm sounds directly in their game.

    At its core are recordings based on two real handguns:
    Glock 17 (9mm, blank-firing)
    Glock 23 (.40 S&W)

    Optimized at 48kHz/16-bit, these assets are tailored for in-engine performance without sacrificing punch or clarity.

    You get a wide selection of powerful shots, mechanical details, stylized weapons, and immersive spatial elements – structured for modular implementation.

    The Sound of Calculated Precision – Watch the Trailer

    The Pistol - Trailer

    Whats in “The Pistol”?

    • Polished & Designed SFX from authentic Handgun Recordings – Captured from real Glock 17 and Glock 23 pistols.
    • Designed Guns – Reimagined firearm sounds

    • CRYO-17 – Frosty, sharp, and cold.
    • G18 – Fast-firing tactical pistol.
    • G24 Titan – Heavy, deep, and powerful.
    • G35 Cyclone – Rapid-fire, high-RPM beast.
    • GLOOM-66 – Crunchy, lo-fi, and straight from the past.
    • STRIKE-9 – Cinematic, bold, and impactful.

    • Gunshots – Dry & Tails – Isolated shots, indoor & outdoor tails, and modular components.
    • Mechanical Actions – Reloads, mag inserts, racking, handling and more.
    • Bullet & Shell Sounds – Pass-bys and shell drops.
    • Designed Ambiences – First-order Ambisonic and Binaural soundscapes for immersive spatial sound.

    Key Features

    48kHz/16-bit WAV – High-resolution audio for professional-grade production.
    • Powerful Gunshots – Includes dry shots, environment-based tails, and designed variations.
    Detailed Firearm Mechanics – From subtle handling to aggressive tactical interactions.

    Streamlined. Stylized. Built for Impact.

    The Pistol [GameDev Edition] delivers what matters: tight, punchy firearm sounds ready to drop straight into your game.

  • In the orchestra of the office, every item plays its part, from the crisp snip of scissors to the smooth glide of a marker pen. The gentle thud of dusting off a book and the soft shuffle of playing cards intermingle with the rustle of paper and the flipping of magazine pages, crafting an ambiance of productivity and pause. Hear the distinctive squeaks of drawers and folders opening, the comforting closure, and reopening of a window, and the mechanical harmony of a printer and typewriter in action. The sharp whirl of a pencil sharpener punctuates the air, completing the symphony of office life—a blend of focus, creativity, and the mundane.

  • Embark on a journey through the futuristic realm of mechanical marvels with this comprehensive collection of sci-fi sounds. Explore the intricacies of a sci-fi engine breakdown and the complex workings of futuristic electronics and machinery. Feel the protective shield hum with power and the resonance of mechanical hits reverberate through space. Experience the precision of a laser welder and the reassuring voice of a spaceship assistant guiding you through the cosmos. From the subtle hum of a spaceship to the intricate workings of mechanics, each sound captures the essence of sci-fi technology and innovation. Ideal for filmmakers, game developers, and sound designers seeking to transport their audience to the far reaches of the galaxy.

  • Journey into the world of small containers with this diverse collection of sounds that evoke the charm of everyday objects. From the metallic clink of an aluminum canister to the nostalgic creak of an old metal toolbox, each sound offers a glimpse into the tactile world of storage. Explore the subtle rustle of a plastic box and the hollow echo of an empty can, accompanied by the sturdy thud of a letter box and the satisfying twist of a jar lid. Whether it’s the familiar crunch of a cardboard box or the distinctive click of various closures, these sounds enrich your auditory landscape, inviting listeners to explore the hidden treasures within.

  • Welcome to SPORTS 02, the eagerly anticipated sequel that invites you to dive deeper into the exhilarating world of athletics. From the precision of archery to the fast-paced action of basketball and the strategic finesse of billiards, this collection offers a diverse range of sporting experiences. Lace up your inline skates or grab your skateboard for some adrenaline-fueled excitement, or hit the court for a thrilling game of tennis or table tennis. Whether you’re gliding across the ice in a game of ice hockey or battling it out in the water polo arena, SPORTS 2 has something for every sports enthusiast, delivering the excitement and intensity of athletic competition straight to your ears.

  • Step into the digital realm with this collection of office computer sounds that capture the essence of modern workspaces. From the rhythmic tap of keyboards to the subtle clicks of computer mice, each sound immerses listeners in the daily rhythm of office life. Experience the tactile sensation of laptop keys and the smooth control of cables, accompanied by the precise action of mouse double clicks. Delve into the symphony of productivity as these sounds come together, enhancing any project with the familiar ambiance of a bustling office environment.

  • Gain instant access to the sounds of magic, mystery, fascination and adventure with the Fantasy Game 2 – Sound Kit for Enchanted Realms. Discover a vast collection of interactive sounds specially crafted for RPGs, open-world adventures, and epic fantasy narratives, games, film, interactive media. Experience the clash of steel of epic battles to the ethereal chime of enchanted spells. It’s all you need to make every action, spell, and encounter feel and sound truly magical. Whether you’re exploring forgotten ruins, summoning arcane forces, or waging valiant combat, Fantasy Game 2 – Sound Kit for Enchanted Realms is your instant gateway to an unforgettable fantasy soundscape.

    • 2292 sound effects in total
    • All in 96k 24bit .wav
    • 5+ GB of samples
    • 585 sound sets / glued files
    30 %
    OFF
  • Firearms Sound Effects The Pistol [UCS Edition] Play Track 2237 sounds included, 161 mins total $39

    The Pistol [UCS Edition] is a 7 GB professional firearm sound library, crafted for game developers, sound designers, and film production. With multi-layered recordings of real pistols, this pack delivers a perfect blend of authenticity and creative firepower.

    At the core of this library are recordings of two handguns:

    • Glock 17 (Blank-firing, 9mm)
    • Glock 23 (.40 S&W)

    Captured at 96kHz/24-bit, every sound has been recorded, layered, and refined to offer maximum control. From dry gunshots and environment-based tails to mechanical interactions like reloads, safeties, and handling movements, this pack covers every aspect of handgun sound design.

    But The Pistol [UCS Edition] isn’t just about realism. It pushes creative gun audio to the next level, offering designed variations that go beyond traditional weapons. A prime example? The G35 Cyclone: a minigun built entirely from pistol recordings, transforming raw firepower into something completely new.

    The Sound of Calculated Precision – Watch the Trailer

    The Pistol - Trailer

    Whats in “The Pistol”?

    • Authentic Handgun Recordings – Captured from real Glock 17 and Glock 23 pistols.
    • Designed Guns – Reimagined firearm sounds

    • CRYO-17 – Frosty, sharp, and cold.
    • G18 – Fast-firing tactical pistol.
    • G24 Titan – Heavy, deep, and powerful.
    • G35 Cyclone – Rapid-fire, high-RPM beast.
    • GLOOM-66 – Crunchy, lo-fi, and straight from the past.
    • STRIKE-9 – Cinematic, bold, and impactful.

    • Gunshots – Dry & Tails – Isolated shots, indoor & outdoor tails, and modular components.
    • Mechanical Actions – Reloads, mag inserts, racking, handling and more.
    • Bullet & Shell Sounds – Pass-bys and shell drops.
    • Designed Ambiences – First-order Ambisonic and Binaural soundscapes for immersive spatial sound.

    Key Features

    96kHz/24-bit WAV – High-resolution audio for professional-grade production.
    Multi-layered recordings – Captured with different perspectives and elements for full customization.
    UCS-compliant metadata – Professionally structured for seamless integration.
    • Powerful Gunshots – Includes dry shots, environment-based tails, and designed variations.
    Detailed Firearm Mechanics – From subtle handling to aggressive tactical interactions.

    Locked. Loaded. The Ultimate Weapon for Your Firearm Sound Arsenal.

    If you’re looking for next-level firearm audio, The Pistol [UCS Edition] delivers. Get it now and bring top-tier gunfire to your projects.

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