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Motorcycle sound effects and recordings
Racing Motorcycles Pass-By compiles over an hour of bikes racing at a private event, resulting in minimal crowd conversations or unnecessary background noise. Recorded at two distinct locations, this library features long takes recorded at the finish line and at the tightest corner of this particular race track, providing ample engine revving and the sound of bikes driving off into the distance. These recordings are perfect for media scenes set in these environments or for creative sound design, given that they were captured from just 5 meters away from the vehicles themselves.
This sound library is available in both Ambisonics FuMa (B Format) and Stereo (Binaural) formats.
Soundbody’s home town, all walks of London life here for your projects based in UK’s capital city.
All files are recorded 32bit, 192 kHz, with Rode NTG1 and Shure VP88 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving and exterior foley, mechanical and electrical sounds.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, RØDELink Lav and Shure VP88 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving and exterior foley, mechanical and electrical sounds.
Feel the power of a 200cc quadbike with onboard perspective: 200cc quadbike sound effects library.
Featuring 69 stereo recordings captured at 96kHz/32bit, this collection brings over 28 minutes of on board audio from a 200cc 4stroke quadbike captured from the rider’s point of view at various speeds, carefully labelled for easy editing.
Key features:
Perfect for sound designers, filmmakers, and game developers, Onboard Perspective – 200cc ATV Quadbike delivers the sounds you need to enhance POV and close perspective shots, action scenes, and off-road adventures.
Sounds Captured using a Clippy EM272Z1 stereo pair into a ZoomF3 recorder.
Superbikes Pass-By compiles nearly 50 minutes of superbikes practicing at a racetrack in the early hours of the morning, with little to no crowd conversations or unnecessary background noise. Recorded at two distinct locations, this library includes long takes at the finish line and on the tightest corner of this particular race track, capturing plenty of engine revving and vehicles driving off into the distance. These recordings are perfect for media scenes set in these settings or for creative sound design, as they were recorded just 5 meters from the vehicles themselves.
This sound library is available in both Ambisonics FuMa (B Format) and Stereo (Binaural) formats.
All files are recorded 32bit, 192 kHz, with Rode NTG1, Rode Lavalier and Shure VP88 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving and exterior foley, mechanical and electrical sounds.
SCOOTERS features various sound effects recorded from 7 different scooters, ranging from general scooters to a scooter with a modified exhaust. An old two-stroke scooter with high-pitched brake squealing sounds is also included, along with on-board riding sounds (including revving and speeding), pass-bys, idling, approaching, pull-away, engine cranking, and varied mechanism sounds. SCOOTERS sound library helps you create different types of scenes with scooter riding.
The recorded scooters include:
・KYMCO VJR 110
・YAMAHA BW’S 125
・YAMAHA BW’S R 125
・YAMAHA FORCE 155
・YAMAHA Super Four (with a modified exhaust)
・YAMAHA VINO 50 (Two-stroke scooter)
・YAMAHA VINO 50 FI
This library includes total 197 files, consisting of 170 mono files and 27 stereo files recorded in ORTF at 96 kHz. Approx. 2 hour and 44 minutes total.
Certainly, this library was carefully tagged with rich Soundminer metadata, including marks in the recordings highlighting interesting sounds.
All the recordings were recorded, edited and mastered with love and care.
Get up close and personal with the sounds of a 4stroke 50cc moped in onboard perspective: 50cc moped sound effects library. With 42 stereo recordings captured at 96kHz/32bit, this collection provides a wide range of authentic moped sounds recorded directly from the rider’s point of view. The moped had a side luggage rack attached which rattles quite prominently in some recordings, whilst this adds some texture/character please note this – it’s ensured this can be heard clearly in the demo.
Key features:
Designed for sound editors, designers, game developers, and filmmakers, Onboard Perspective – 50cc Moped gives you a set of sounds to bring any moped POV and close perspective shots to life. Perfect for creating realistic urban environments, vehicle sequences, or light motor scenes.
Sounds Captured using a Clippy EM272Z1 stereo pair into a ZoomF3 recorder.
including:
– External and internal recording
– 3 Spots, 6 mics
– Eng start, idle, maneuvers, drive, reverse, shtdwn, passby, doors, trunk, get in out, hood, wipers, eng fail, fuel filler neck and etc
– Slow, medium and fast
– 96 KHz, 24 bit
– 6 x schoeps ccm (card and omni), 3 sys AB, Zoom F8
– 1h 29min
SPOT A – sys AB – approx. 0,5 м. 2 x schoeps ccm4 (card)
SPOT B – sys AB – approx. 0,5 м. 2 x schoeps ccm3 (omni)
SPOT Int – sys AB – approx. 0,5 м. 2 x schoeps ccm3 (omni)
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All files are recorded 32bit, 192 kHz, with RØDE NTG1, RØDELink Lav and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving and exterior foley, mechanical and electrical sounds. It is also available in UCS.
The 2016 Harley Fat Bob is a powerful workhorse of a motorcycle. Obviously you get the classic Harley Potato-Potato exhaust rhythm and the 1600 CC engine displacement is noticeably huge. In this library you get two mics at two different perspectives of the motorcycle, an engine mic and an exhaust mic, to give you a full sound when blended or different unique recordings by themselves. A pre blended option is available in the library so it is ready to go. A field mic captures drive bys up to 60 MPH so you can pair camera angles from the same drive by moment with up two four recordings (engine mic, exhaust mic, engine and exhaust mic blend, and field mic). This robust library includes static revs, revs in motion, city riding, engine braking, idling, drive bys, accelerating, decelerating, and more! Bring your project to life with this huge library of a huge motorcycle!
The Triumph Street Triple is a naked motorcycle made by Triumph Motorcycles, first released towards the end of 2007. The bike is closely modelled on the Speed Triple 1050 but uses a re-tuned inline three cylinder 675 cc engine from the Daytona 675 sport bike
The library include recordings on board driving, passing by, idle engine, looped engine at different rpm, foley. Microphones used near engine and exhaust for the onboard and engines sounds, 2 fixed microphones and one following for the passing by, close microphone for foley.
Microphones Used: Stereo Pair Sennheiser MKH8040 ORTF for external, Sennheiser MKH416 for foley and following, Stereo Pair DPA 4060 for onboard
Recorder: Sound Devices 744T – RME Quadmic as PRE-AMP
Compilation of 10 different motorcycles. Sounds are recorded with RØDE NTG1, RØDELink Lav, Line Audio Omni1, Shure KSM137, Shure VP88, FEL Pluggy XLR EM272 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II and Zoom F3 recorders. Library contains wav files of driving, foley, mechanical and electrical sounds. The library is also available in UCS.
Models:
1. BMW R1200RT 2005 touring motorcycle
2. Can-Am Ryker 900 2019 3-wheel touring motorcycle
3. Honda CB500 1993 standard motorcycle
4. Honda VFR750F 1986 sport bike motorcycle
5. Kawasaki EN 500 1990 cruiser motorcycle
6. Kawasaki ER-6n 2006 standard motorcycle
7. Suzuki Bandit 1200S 2001 standard motorcycle
8. Suzuki DL650 V-Strom 2017 sport touring motorcycle
9. Yamaha DragStar 650 1997 cruiser motorcycle
10. Yamaha FZ6 2004 sport bike motorcycle
NSL – Motocross Circuit Bundle is a 151 Files Sound-Pack essentially composed of MotoCross sounds. You will have access to many samples: MotorCycles, Supermot, and Quad. You will have access to many samples: Motocross Passing By, Engine Close up, KickStarts, Exhaust Pipes, and many more…
Motocross is a small collection of stereophonic recordings performed at various locations of an exterior motocross competition, performed on dry dirt.
This package includes 30 Samples, recorded with Sony PCM-D100 internal microphones.
This Suzuki SV motorcycle is modified from the original with a beefier exhaust. It sounds unique by itself but with two different perspectives on the exhaust and engine you get total control of what elements you want. Each engine and exhaust recording has a custom blend option so you don’t have to make any edits, they’re ready to go. This library includes drive bys at various speeds up to 60 MPH, static revs, moving revs, idling, engine on, engine off, engine braking, and more! Add this grizzly motorcycle to your library for some mad maxian, dystopian goodness!
All files are recorded 32bit, 192 kHz, with RØDE NTG1, RØDELink Lav and Shure VP88 microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving and exterior foley, mechanical and electrical sounds. It is also available in UCS.
Racing Vehicles Pass-By Bundle compiles seven hours and twenty-six minutes of sports cars at a racetrack, including quiet practice sessions and main series events with minimal crowd conversations or unnecessary background noise, and a speaker narrating certain competitions. Recorded at three distinct locations, this bundle includes long takes at the finish line and on the tightest corner of this particular racetrack, capturing plenty of engines revving, drifting and cars driving off into the distance, ideal for media scenes set in these environments, or for creative sound design purposes, as these takes were recorded at only five meters from the vehicles themselves. Also included are recordings of engines revving in the pit lane before the competitions.
Sports cars series included on this bundle are the following:
Ambisonics – Racing Vehicles Pass-By contains:
Bonus Content: Racing Vehicles Pass-By Bundle includes an additional twenty-nine minutes of recordings from a GT Series event, along with a Superstock 600 + Sidecar folder featuring over forty-five minutes of these rare vehicles racing in official competitions.
This sound library is available in both Ambisonics FuMa (B Format) and Stereo (Binaural) formats.
All files are recorded 32bit, 192 kHz, with Shure KSM137, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, exterior foley, mechanical and electrical sounds. It is also available in UCS.
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