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Army vehicle sounds, from tanks, propeller planes and fighter jets, to motorcycles, jeeps and infantry combat vehicles – and beyond:
The original 1957 Jeep model Hotchkiss from the French army was used during the Algeria conflict during the 50’s/60’s.
It was meticulously recorded in 96 khz 24 bits for high quality. This collection includes more than 2 hours of recordings in 432 audio files. The audio files are in stereo and UCS compatible.
The sound pack contains engine and exhaust recordings, rev, idle, acceleration, deceleration, constant rpm loops on onload and offload, passby, brake, handbrake, horn, hood closing and opening, belt movements, fuel injection button press, gas tank opening and much more.
The original IL4 cylinders engine produces a very unique sound. That will be a perfect fit for any old school military jeep in your project.
The collection includes mixed and raw files for more flexibility.
including:
– External recording
– 4 Spots, 7 mics
– Eng start, idle, maneuvers, drive, shtdwn, passby
– Slow, medium and fast
– 48 KHz, 24 bit
– 7 x schoeps ccm4 (card and omni), sys ORTF, DIN, AB, Zoom F8
– RAW files only
34 different firearm sound effects: revolver, pistols firing, pistols firing with silencer, Assault rifles, MG and Sub MG firing, and firing with Suppressors, Sniper rifle firing, Missile launcher firing and missile flyby sounds,
Shotguns firings and firing sounds with suppressors, Grenade Launchers firing sounds.
5 Single shots for each weapon, firing loops, rapid shots, reloads, magazine eject and insert sounds, gun handling sounds, shell dropping sounds for different weapon, bullet whiz sounds and bullet hits, ricochets on different surfaces.
Also collection includes bullet whiz sounds, ricochets and bullet impacts on different surfaces: Human body, glass(big, medium, small), pottery, soft surfaces, plastic, car windshield, concrete, ground, metal, tinplate, wood. 4 hit sound samples for each.
The sound files were cleaned and prepared for use.
Patrouille de France – Rafales – Mirages – Alphajets – Super Etendard – C135 – ATLAS – Beach King – Canadair – ATL2 squadrons HD recordings
including:
– External recording
– 4 Spots, 7 mics
– Eng start, indle, maneuvers, drive, shtdwn, passby
– Slow, medium and fast
– 48 KHz, 24 bit
– 7 x schoeps ccm4 (card and omni), sys ORTF, DIN, AB, Zoom F8
– RAW files only
Realistic and non-realistic (Sci-Fi) explosions, along with imaginative accompanying material such as after-blast ear ringing, fire loops, bomb timers, machinery destruction sound effects, and more. Dry and ready for any environment of your choice. The goal when creating this pack was to go beyond what explosion packs usually offer. We have included some great additions to the standard explosion sounds.
These come in multiple flavors and offer the flexibility to choose the type of debris that matches your idea. Some of the explosions are also designed to have a bit of ricochet sound in them which is desired for certain scenarios.
Made for projects that do not require realism, just some unique explosion sounds. Great for sci-fi and puzzle games for example. We also included a few retro 8bit explosion designs into this category.
Not quite realistic, but not unrealistic too! Generic all-around explosions for a variety of projects. Where there are multiple variations of an explosion like for ‘Basic (variation 1 to 4)’ it means it can be adjusted to randomly select from the 4 variations in order to provide a better experience for the gamers, especially if the sound is used a lot.
Here is where the cool stuff can be found. These ideas go hand in hand with explosions and can spice up your game.
The Caiman is an MRAP vehicle with a V-hull design based on the Family of Medium Tactical Vehicles (FMTV), manufactured by BAE Systems. This Sound Effects Library contains a total of 98 sound effects (88 files). All files were recorded at 96kHz/24-bit.
AO-SU-27 FLANKER B / In pairs EXT
including:
– External recording Su-27 one unit and pair on parking, apron, twy and rwy
– 2 stereo Spots, 4 mics
– Eng start, idle, taxi, landing, takeoff, passby, shtdown eng, hold short, hangar ambience
– 48 KHz, 24 bit
– 4 x schoeps ccm4 (card), sys AB, Zoom F8
– RAW files only (no lim, no comp)
– 1 h 55 min
SPOT A – AB sys approx. ~6-12 м. from target. ~5 m. between mics. schoeps ccm4 (card)
SPOT B – AB sys approx. ~20-35 м. from target. ~5 m. between mics. schoeps ccm4 (card)
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Get 1000s of the highest-quality modern warfare weapons and vehicle sounds, all battlefield ambient environments you can think of, explosions / demolition sound effects, and exhaustive soldier voiceovers, with just one click of a button!
INCLUDED LIBRARIES (Total Value: $500!):
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Instead of buying individual products and paying $500 USD for entire collection, or spending countless hours handpicking sounds that your projects need from all over the internet, download this collection of all the highest-quality warfare audio you will ever need with one click of a button!
Designed by our team of industry veterans with 1,000+ games worth of experience, every included sound has been carefully mastered and is drag-and-drop ready for your project. Entire content is meticulously labelled and easily keyword-searchable, and as always with us, all sounds are included in 3 most common audio formats for your convenience.
TECHNICAL DETALS:
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All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
In the Toy Guns Sound Effects PRO Pack, every detail is meticulously crafted and delivered in high-quality format for sound professionals. This comprehensive library includes Dart Blasters, Paintball Guns, Rubberband Shooters, Slingshots, Sticky Dart Guns, Airsoft Weapons, Water Guns, and more. Elevate your creative endeavors effortlessly, as each recorded gun sound becomes an accelerator for your film or game projects.
The Foley Vault is home to an ever-growing collection of original Foley recordings.
Each library was captured by professional Foley Artists on our in-house Foley Stage using a Sennheiser MKH50 microphone.
These sounds were originally performed for a variety of feature and short film projects. They have now been compiled and released for you to edit and implement into your own film, game and television productions.
The Master Gun M110A1 SASS Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.
Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.
Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.
In addition to the unsuppressed shot recordings, we’ve also sampled the M110A1 SASS with a suppressor attachment. The suppressed M110A1 SASS was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.
Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.
All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.
These sound effects were recorded next to a pilot school in Mexico, capturing the distinctive sounds of small airplanes flying overhead. This library features a variety of flybys, from distant hums to powerful close passes, with different aircraft models and varying speeds. The recordings showcase natural Doppler effects, creating a dynamic and realistic sense of movement.
These sounds are ideal for background use in your projects, whether you’re designing immersive aviation scenes, recreating realistic outdoor ambiences, or adding depth to documentary and cinematic settings.
Engines in the Sky has a runtime of 32 minutes and includes 12 long-duration files.
These sound effects have been carefully curated and edited, providing a ready-to-use and royalty-free sample pack.
These samples can be used for various applications, from sound design and compositions for TV, film, and documentaries to video game development and music creation.
They are UCS compliant, with the UCS-compliant document included in the download file.
Each sample comes with embedded metadata for easy organization.
Product Specs
• Ambisonic Files (AMBIX format, First Order Ambisonics)
• 96kHz 24-bit
• Size: 2.24 GB (expanded)
Recordings from a vintage Soviet army SUV that was used by Soviet Union and Russia from the 1960s until 2010s.
UAZ 469
Recorded with Sound Devices 744, 2x Sennheiser mkh 8040, Sennheiser mkh 416 and 2x DPA 4060.
Onboard driving + exterior passes, maneuvers, doors etc.
Recordings from a popular vintage soviet bus from the 1980s.
1979 IKARUS 255
Recorded with Sound Devices 744, 2x Sennheiser mkh 8040, Sennheiser mkh 416 and 2x DPA 4006a.
Recordings from a rare vintage Soviet bus from the 1950s.
1953 PAZ 651.
Recorded with Sound Devices 744, 2x Sennheiser mkh 8040, Sennheiser mkh 416 and 2x DPA 4006a.
Onboard driving + exterior passes, maneuvers, doors etc.
Blacktone Studio is a boutique post-production studio and a leader in sound design for film and television, with a track record of over ten years dedicated to creating soundscapes that enrich the narrative of the stories we work on.
Based in Madrid, our studio features advanced facilities, including a Dolby Atmos mixing stage equipped for cutting-edge post-production, designed to deliver the highest quality in every project. From our earliest productions to our work on major international films and series, our passion for sound, pursuit of technical perfection, and commitment to storytelling have established us as one of the most prominent studios in the industry.
“Blacktone Studio Master Collection Vol. 1” marks this decade of excellence in sound design and field recording by the Blacktone team, representing our sonic legacy—a collection that encapsulates the essence of our work over the years. This generalist library, with over 250 GB and more than 5,000 high-quality files, offers an immense variety of sounds, organized into more than 300 categories and subcategories under the international UCS classification system. Each file is meticulously cataloged and includes metadata in both English and Spanish, optimized for seamless integration into international projects and aligned with industry standards.
For the release of this library, Blacktone Studio has partnered with Surround Sound Lab, our label specializing in field recordings and sound library distribution, to ensure that every file is fully prepared for professional use. With over 50 sound libraries already in its catalog, Surround Sound Lab brings not only experience in editing, mastering, and distribution but also a shared commitment to quality and innovation. This collaboration allows the “Blacktone Studio Master Collection Vol. 1” to reach the market through Surround Sound Lab’s infrastructure, offering professionals a unique, trusted tool used daily in our own studio.
This collection is a unique and special collaboration, created specifically to capture and share the essence and legacy of our sonic work over the past ten years.
Although it is not part of the “SSL Complete Collection” bundle, which includes the full catalog of SSL series libraries, current bundle users will receive access to this exclusive edition at a special price as a token of our appreciation for their continued support.
“Blacktone Studio Master Collection Vol. 1” is a sonic celebration combining the best of Blacktone Studio with Surround Sound Lab’s expertise in distribution, available to those seeking quality and authenticity in their sound design.
An entire hour of fireworks recordings from various urban locations. These recordings were captured using the Sony PCM-D100 and Zoom H3-VR, offering two distinct audio perspectives. The directionality of the recorded content can be modified using ambisonic signals.
For convenience, 59 edited files were created from the raw recordings.
I recommend using the DearVR Ambi Micro ambisonic decoder for the H3-VR files.
Recording of the British 1943-44 Valentine Mark IX DD tank with a 165hp GMC 6004 diesel, 6-cylinder 7-liter inline engine.
The British 1943-44 Valentine Mark IX DD tank sound effects collection gathers 171 clips in 12.31 gigabytes of audio. It shares the sound of a 165hp GMC 6004 diesel, 6-cylinder 7-liter inline engine.
The bundle includes 10 synchronized takes of onboard and exterior driving. The 9 onboard perspectives mount microphones in the interior, and at the exhaust, engine, and tracks to capture standard driving and with ramps. The 6 exterior perspectives document driving from slow to very fast as the tank approaches, reverses, departs, and passes by. Also provided are a variety of performed effects of levers, pedals, switches, and more.
The sound library includes 4 custom stereo mixes of the onboard recordings, Pro Tools and Reaper mixing sessions, complete professional embedded metadata, and metadata import files for English, Chinese, French, German, Japanese, Korean, and Spanish.
Professional Military Sounds
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
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We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
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There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
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A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
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A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.