All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1, FEL Clippy XLR EM272 and JrF C-Series Pro+ microphones, Sound Devices MixPre-6 II recorder. The library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
In the end of 2024 and the beginning of 2025, the whole Serbia was protesting against the current government, organizing the largest protests in the history of the country. Every city center was full of unsatisfied citizens, they brought drums, sirens, whistles and horns to create the noise of disappointment. I created this library not just to help others use these sounds for their future projects, but also to preserve a sound of one time, a historical event and, hopefully, changes for the better. All files are recorded 32bit, 192 kHz, with FEL Pluggy XLR EM272 microphones, Zoom F3 recorder.
The download includes two versions (UCS and non-UCS).
Ambisonic Sounds – Sea Waves Loops Vol.3 – these are the sounds of sea waves recorded on a pebble beach.
This sound pack includes 30 loops in Ambix.wav format and 30 loops in wav format that can be used to create endless ambience sound inside a passenger plane.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1, FEL Clippy XLR EM272, microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1, FEL Clippy XLR EM272 and JrF C-Series Pro+ microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
In the “EMF RECORDINGS” library you’ll find… EMF Recordings! Shocking right? This collection is here to help you find that one specific humming sound you have in mind.
Equiped with an Elektrouši and a wide variety of sources (portable recorders, PCs, TVs, cellphones, modems, ATMs, ticket machine, pencil sharpeners, abs stimulator, lamps, printers, vibrators (no shame!), kitchen appliances, plugs, electronic devices, thermomix, vacuums and more), the result was 350 high-quality sfx to cater for your every scifi or electrical need.
These are the sounds you usually want to remove when creating a sound library, but what if that is exactly what somebody is looking for? 100 sounds – 40 source noises and errors and 60 designed unpleasant noises. The library is also available in UCS.
Field Recording Library proudly presents Ultimate – a collection that combines the finest recordings from the Kaleidoscope, Vol. 1, and Vol. 2 libraries. This comprehensive archive spans three years of dedicated work, capturing the rich and diverse soundscapes of Russia – from the awakening of nature in spring to the crisp chill of autumn.
Kaleidoscope offers an extensive selection of atmospheric recordings made between 2022 and 2023. The library takes you to various locations, from serene forests and quiet courtyards to bustling highways and vibrant city squares. These recordings, presented in 48kHz, provide a versatile foundation for any audiovisual project, delivering vivid and realistic soundscapes.
Vol. 1 raises the bar in sound quality, featuring recordings in 96kHz, 24Bit for unmatched detail. Dedicated to the sounds of Russia and St. Petersburg from early spring to late summer, this library introduces extended ambient recordings up to 20 minutes. These long-form tracks offer greater flexibility in selecting and combining textures, making it easier to create custom atmospheres.
Vol. 2 focuses on the autumn soundscapes of St. Petersburg and its surroundings. From the warm days of September to the damp chill of November, this library showcases urban and natural soundscapes in various weather and time conditions. The highlight of this collection is the addition of extra channels, synchronized with the main recordings. These channels reveal new dimensions, such as underwater waves captured with a hydrophone or hidden textures recorded with contact microphones and geophones. Like Vol. 1, these recordings are presented in 96kHz, 24Bit, making them a professional-grade tool for sound design.
Ultimate combines variety and versatility in one package. This collection is perfect for any project – from crafting immersive atmospheres for films, games, and advertisements to developing unique sound layers. It’s the ideal choice for anyone looking to dive into the world of Field Recording Library and gain access to the full spectrum of soundscapes in one comprehensive set.
Field Recording Library proudly presents Vol. 2 – a sound library entirely dedicated to the autumn soundscapes of St. Petersburg and its surroundings. From the golden warmth of early September to the damp chill of late November, this collection captures the full spectrum of autumn’s auditory landscapes.
The library includes urban soundscapes recorded in diverse conditions: bustling streets under the rain, quiet parks with the rustle of fallen leaves, echoes of conversations in autumn courtyards, and much more. Each recording immerses you in the heart of the moment, bringing the character of the season to life.
What sets Vol. 2 apart are the unique recordings that didn’t make it into the first two libraries. These exclusive materials enrich and expand the collection, making it even more versatile and inspiring.
The main microphone, the Nevaton MC50, ensures pristine and detailed sound quality, while the recordings’ 96kHz and 24Bit format meet the highest professional standards.
A major innovation in Vol. 2 is the addition of extra channels. These synchronized recordings provide new dimensions to the sound. For example, alongside the sound of river waves, you can hear their underwater counterpart captured with a hydrophone or feel the earth’s subtle vibrations through a geophone. Contact microphones and other specialized devices reveal hidden textures and details that were previously inaudible.
Vol. 2 is more than a sound library – it’s a tool for creating atmospheres that truly come alive, drawing you into every sound. Perfect for films, games, sound design, and any project that requires rich, immersive audio. New horizons of autumn sound are here!
Field Recording Library proudly presents Vol. 2 – a sound library entirely dedicated to the autumn soundscapes of St. Petersburg and its surroundings. From the golden warmth of early September to the damp chill of late November, this collection captures the full spectrum of autumn’s auditory landscapes.
The library includes urban soundscapes recorded in diverse conditions: bustling streets under the rain, quiet parks with the rustle of fallen leaves, echoes of conversations in autumn courtyards, and much more. Each recording immerses you in the heart of the moment, bringing the character of the season to life.
What sets Vol. 2 apart are the unique recordings that didn’t make it into the first two libraries. These exclusive materials enrich and expand the collection, making it even more versatile and inspiring.
The main microphone, the Nevaton MC50, ensures pristine and detailed sound quality, while the recordings’ 96kHz and 24Bit format meet the highest professional standards.
A major innovation in Vol. 2 is the addition of extra channels. These synchronized recordings provide new dimensions to the sound. For example, alongside the sound of river waves, you can hear their underwater counterpart captured with a hydrophone or feel the earth’s subtle vibrations through a geophone. Contact microphones and other specialized devices reveal hidden textures and details that were previously inaudible.
Vol. 2 is more than a sound library – it’s a tool for creating atmospheres that truly come alive, drawing you into every sound. Perfect for films, games, sound design, and any project that requires rich, immersive audio. New horizons of autumn sound are here!
Ambisonic Sounds – Sea Waves Loops Vol.2 – these are 16 sounds of sea waves recorded on a pebble beach at close range, 2 sounds with seagull voices, 4 sounds recorded on the beach during the beginning of a thunderstorm and 6 sounds recorded near the seashore in the early morning, in which in addition to the sound of the sea, the sounds of crickets can be heard.
I’ve got a killer sound library here, including recordings of the electric train I hop on for my daily commute (London South Eastern) and some cool platform sounds from Charing Cross Station, complete with tannoy announcements. These real-life sounds can add a unique vibe to your projects, keeping in line with our promise to deliver top-notch audio. Let us spruce up your film’s sound with our expertly crafted soundscapes.
GEAR
Zoom F3 with Sonorous SO.103 Stereo mics (for covert recordings)
Zoom H1n built in mics
Bowling features a wide variety of high-quality stereo sounds from the sport of 10-pin bowling, captured from multiple micing perspectives at three different bowling alleys across the United States.
I visited a 40-lane, a 24-lane and an 8-lane alley, all at different times of day and night to capture sounds during league practice (with no music) and sounds with no one in the house besides myself and the manager. I was given fantastic access, allowing me to record from various perspectives. These include from above, behind and beside the mechanical pinsetter machines and next to the pin deck at the far end of the lanes. I also set my mics down next to the foul line, the ball return behind the approach, behind the settee area (where bowlers sit), the concourse area (where bowlers find the snack machines and bar) and halfway down the service aisle beside the first lane. I followed a robot-like lane machine as it traveled back and forth along the lanes, laying down oil at just the right spots. It works a lot like an inkjet printer putting words onto a page.
​​I was permitted to turn pinsetter machines off and on at the back of the house, which was pretty fun. Each one has a switch in the back. Who knew? This allowed me to record just one machine in isolation, or several working at once. I rolled (delivered is the term used by the United States Bowling Congress) a few frames down an alley with no machines running. Machine noise can mask the woosh of a ball passing by. Rolling with the machines turned off allowed me to get this delicate sound like I wanted.
So get yourself an oat soda and a limitless bowl of pretzels. Slip on a pair of two-toned suede bowling shoes, you know, those kind with their size stamped on the heel for all to see, and enjoy Bowling.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.