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Home Foley Sound Effects Page 38

Foley Sound Effects

Foley sound effects collections featuring everyday objects, movement and common, useful sounds

  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.

  • Foley Sound Effects Massive Contact Play Track 1153 sounds included, 237 mins total $49.99

    MASSIVE CONTACT – 1153 files of Contact sound effects, at varying distances and intensities. From gentle surface wipes and thud hits to water movement vibrations and machine racket to foliage friction and metallic tones. Massive Contact comes in at 3 hours and 57 minutes, of contact microphone noises. Bring kinetic power and textured tension to your next project. Recorded at 192kHz and 32bit, using piezoelectric sensitive stereo contact microphones capable of recording surface vibration frequencies. Massive Contact filenames are in the Universal Category System format with additional Metadata baked-in.

    Don’t need a Massive amount of Contact sound effects? We offer ‘Mini’ sound effect libraries as companions for all of our ‘Massive’ sound effect libraries. All recordings are unique to each library with no overlap. Go Mini today, and upgrade to the corresponding Massive library later, when you need more of that particular sound effect.

  • The Master Gun PPSH-41 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • Enhance your audio projects with our Cutlery and Crockery Sound Effects Pack! This meticulously crafted collection features high-quality recordings of clinking forks, scraping plates, and the gentle sounds of dishes being set and cleared. Ideal for filmmakers, game developers, and podcasters, these realistic sounds bring authenticity and atmosphere to your culinary scenes. Whether you’re creating a cozy dining experience or a bustling kitchen ambiance, our sound effects will add the perfect touch. Elevate your storytelling with these essential audio elements today!

  • Enhance your audio projects with our premium Sound Effects Pack featuring 88 realistic instrument handling sounds, recorded at 24-bit, 96kHz for crystal-clear quality. This collection includes the subtle yet impactful noises of string, brass, woodwind, and percussion instruments being played, tuned, and handled. Perfect for films, games, music production, or any creative work requiring detailed, lifelike instrument sounds. Add authenticity and depth to your project with this essential library of expertly captured Foley effects!

  • Immerse your audience in the subtle details of movement with our Foley – Clothes Movement sound effects pack, featuring 53 meticulously crafted audio clips. From rustling fabrics to zipping jackets and footsteps on various surfaces, each sound captures the realism and texture of clothing in motion. Perfect for filmmakers, game developers, and audio professionals, these versatile sounds add authenticity to scenes set in any environment, from bustling city streets to quiet bedrooms. Whether you’re creating a realistic character animation, enhancing a narrative podcast, or designing immersive virtual worlds, this collection provides the essential textures and nuances to elevate your sound design. Enhance your projects with the lifelike sounds of clothing movement and bring a new level of realism to your audio landscapes.

  • During my stay in Nepal I visited a small village called Nala, and the people there all used hand made bamboo brooms to clean their homes. I thought it would be fun to do a bit of recording, as the sound of the broom is much rougher and thicker than most western brooms.

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  • The Squeaking Floorboards library contains 11 recordings of various wooden squeaks, recorded in an old temple room in Hanhzong, China. Perfect for adding tension to a horror scene or for adding an aged sound to an old house.

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  • The Master Gun Colt M4A1 Block II Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun Desert Eagle Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • Environments & Ambiences NSL – Clocks & Bells Play Track 65 sounds included, 100 mins total $24

    This Sound-Pack features a diversity of 65 Samples including Ticking, Tick Tocks and Tic Tacs Sounds. Everything you need to become a Watchmaker yourself !

  • In the orchestra of the office, every item plays its part, from the crisp snip of scissors to the smooth glide of a marker pen. The gentle thud of dusting off a book and the soft shuffle of playing cards intermingle with the rustle of paper and the flipping of magazine pages, crafting an ambiance of productivity and pause. Hear the distinctive squeaks of drawers and folders opening, the comforting closure, and reopening of a window, and the mechanical harmony of a printer and typewriter in action. The sharp whirl of a pencil sharpener punctuates the air, completing the symphony of office life—a blend of focus, creativity, and the mundane.

  • Enter the heart of the home with this collection of kitchen sounds that evoke the warmth and comfort of culinary endeavors. From the clink of cutlery in drawers to the gentle hum of the refrigerator, each sound adds to the ambiance of domesticity. Experience the rhythmic flow of water from the sink, the sizzle of food in the oven, and the comforting whir of appliances like the dishwasher and toaster. Whether it’s the comforting routine of daily meal preparation or the joy of gathering with loved ones, these sounds capture the essence of kitchen life.

  • Step into the world of gastronomy with this eclectic collection of sounds that capture the essence of culinary experiences. From the gentle clink of a small drink bottle to the indulgent drop of chocolates, each sound evokes the pleasures of indulgence. Hear the refreshing shake of water, the enticing pour of syrup, and the distinct pop of a cork opening, adding depth to your auditory landscape. The rattle of a garbage can, the subtle click of a spice jar opening and closing, and the crisp fizz of a soda being opened complete this diverse array of gastronomic delights, offering a rich tapestry of sounds for any culinary-themed project.

  • Hello Creators!

    Here’s my new pack: “RPG Shop Sounds“

     



    RPG Shop Sounds  ·  The Sound Guild


     

    The approach for this pack was to create sounds for the shop, inventory and interface windows in a RPG/Fantasy video game.

    There are different types of SFX inside this pack: books, armours, boxes, cards, chests, coins, equipment, food, inspect, item interactions, papers, minerals, etc…

    They can be used in different styles of video games or other media projects.

    I hope you enjoy implementing this sounds in your project!

    Related Packs (created by me)

    RPG Inventory Sounds

    Book & Paper Sounds

    Making-Off

    All this sounds were originally recorded with a Zoom H6 (cardiod microphone), and were edited in Logic Pro X, almost no processing was made, it was mainly editing the recorded material but also I used the plugin “Phaseplant” as a sampler.

    I will upload a making-off video.

     

    Check all my packs on Asoundeffect

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  • PORTAL offers a comprehensive collection of 540 meticulously crafted and authentic door sound effects, ranging from the creak of wooden door to the thunderous slam of a heavy metal gate. This extensive library includes both source recordings at 192kHz and creatively designed sound effects at 48kHz, providing you with the flexibility to craft intricate soundscapes for a wide range of projects. Whether you need subtle creaks, explosive slams, or anything in between, PORTAL has you covered.

    From the gentle click of a latch to the forceful kick of a heavy door, PORTAL offers a diverse range of sounds, each with its own unique character. With detailed recordings of old wooden doors, metal gates, deep “dungeon” metal door, high pitch squeaking wire-netting gate, heavy church gate, you can add depth and realism to your audio projects.

    Whether you’re creating horror sound design and obscure soundtracks, a historical drama or a futuristic sci-fi adventure, PORTAL’s extensive sound library has the perfect sound for your needs.

    PORTAL is a collaboration with sound recordist Lukas Tvrdon, created from his sample pack ANGRY DOOR.

  • The Door Slam Library 2 includes 10 types of metal, wood, and plastic door sounds from a variety of domestic locations.

  • The Door Slam sound effects library is a small collection made from a recording of a big door in a school building hallway.

  • Car Sound Effects Porsche 365 B dune buggy Play Track 105 sounds included, 37 mins total $65
    All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • A collection of different bottles and containers from demijohns to little decorative bottles being dropped and picked up, screwing and unscrewing their lids both empty and filled.

    Each sound was professionally recorded and edited in mono and they are UCS compatible

  • Foley Sound Effects Zastava 850 AK 1980 van Play Track 185 sounds included, 25 mins total $65
    All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1, FEL Clippy XLR EM272 and Sonorous Objects SO.3 microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • Foley Sound Effects Motorcycles Play Track 803 sounds included, 332 mins total $250

    Compilation of 10 different motorcycles. Sounds are recorded with RØDE NTG1, RØDELink Lav, Line Audio Omni1, Shure KSM137, Shure VP88, FEL Pluggy XLR EM272 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II and Zoom F3 recorders. Library contains wav files of driving, foley, mechanical and electrical sounds. The library is also available in UCS.

    Models:

    1. BMW R1200RT 2005 touring motorcycle
    2. Can-Am Ryker 900 2019 3-wheel touring motorcycle
    3. Honda CB500 1993 standard motorcycle
    4. Honda VFR750F 1986 sport bike motorcycle
    5. Kawasaki EN 500 1990 cruiser motorcycle
    6. Kawasaki ER-6n 2006 standard motorcycle
    7. Suzuki Bandit 1200S 2001 standard motorcycle
    8. Suzuki DL650 V-Strom 2017 sport touring motorcycle
    9. Yamaha DragStar 650 1997 cruiser motorcycle
    10. Yamaha FZ6 2004 sport bike motorcycle

  • All files are recorded 32bit, 192 kHz, with Shure KSM 137, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, foley, mechanical and electrical sounds. It is also available in UCS.
  • Door Sound Effects Vaults, Safes, Keys and Locks Play Track 69+ sounds included, 7 mins total $24.99

    Introducing, Vaults, Safes, Keys and Locks. This library contains sounds of massive steel-doored vaults slamming shut, plus a wide variety of safes, keys and locks. In short, there are plenty of tiny clicks, spinning tumblers, jingling keys and loud bangs to use in your next bank heist production, or something slightly less illegal. All recorded at 96 kHz/24 bit with both contact and ‘regular’ microphones.

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