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Atmospheric drones and ambiences – light and dark, beautiful and eerie, lively and serene
The Cement Factory sound effects pack was recorded in a giant cement processing and rock crushing factory. It features perfectly looping ambiences that'll be sure to set a dark, industrial mood on anything that it's used on. Recorded with a Oktava MK 012 in MS Configuration.
The pack was recorded inside, outside and around various large machinery which gives you a lot of options when designing sounds with this pack. The sounds are also characteristically tonal and drone based and the ambiences are uninterrupted.
• Conveyor Belt Midrange Rattle (1 loop)
• Drone Bass (4 loops)
• Drone Bright (6 loops)
• Drone High Mid (2 loops)
• Drone Low Mid & Machine Clanking in Background (2 loops)
• Drone Midrange (19 loops)
• Drone Engine (8 loops)
• Drone Machines (14 loops)
• Rattle (4 loops)
In this collection you'll find EMF captured from devices like: phones, TVs, hard drives, Playstation 3s, MacBooks, printers, scanners, juicers, pencil sharpeners, frequency counters, digital sweep function generators, camcorders, VCRs, DVD players, DSLRs, network routers, mixing consoles, and MUCH MORE!
'Wobble' by Badlands Sound includes 30 high-quality unnerving wobbly drone sounds perfect for your projects. Each sound file is two minutes long with high quality 96k 24 bit including metadata.
From the Moons of Saturn to the internal workings of a warp engine. These ambiances will set the tone for all types of futuristic soundscapes. These textures are blended phase modulations and distant radio waves that will drop right into your DAW and transport you to outer space!
Metal Resonances is a pack full of resonating metal that was made resonant with contact from dry ice. This creates otherworldly metallic tones which we carefully recorded and crafted into this product.
The pack contains everything needed to create all sorts of creaks and cranks and can be used to sound design everything from robots, bridges, hatches, hinges, cars, horror SFX, UI. There are also a very expressive trait to some of the sounds, and can probably be made into weird creatures and other unexpected things.
The entire pack has unique descriptive meta data for each file to make it easy to navigate between the different sounds.
The pack was captured in 96khz and 192khz and some sounds have two different perspectives to choose from. The 96khz version is usually from a close-up handheld perspective or in direct contact with the material, where 192kHz comes from carefully miced up static positions.
Recorded with two Oktava MK 012 in spaced stereo configuration and a Sony PCM m-10
• In Wind Harp, get an expansive collection of musical winds from the mountains of the American Southwest. Hear singing wires brought to life by 30 mph gusts and desert winds meshing perfectly with musical drones. Hear blustery blasts whipping through mountain valleys and scrappy desert foliage rustling frantically. Hear dancing grasses strike fretboard strings, pinging rich melodies with each swaying stalk.
• To record this library an acoustic guitar was transformed into an aeolian harp. I hope this library gives you a chance to hear the wind in a way you haven’t heard it before. Enjoy listening to the natural music of the wind as it sings on long thin wires
2% FOR THE ENVIRONMENT:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
Motion Texures is a broad library with a narrow purpose: to draw sonic lines and create gently moving sonic textures.
The concept is that consistent sound of friction will translate well to visual design elements that have CG and text movement on screen.
We recorded the friction sounds of dozens of small to medium sized props in constant motion. Major categories include metal, plastic, cloth, wood and skin. Some of the most interesting sounds came from the props that had small cavities such as the spray can lid and the water bottle. The constant changing of the cavity state relative to the mics creates strange vocal sounds.
Once the sounds were recorded we employed a proprietary smoothing process as a second pass to the sounds and provided them in addition to the original textures. These smoothed out sounds still have the organic quality of the original recordings, but with far fewer transient events. The end result are sounds that feel straighter than the more circular sounding original textures.
Inside of the Kontakt instruments we stacked layers and effects to create a broad base of deep and interesting textures. Many of the Kontakt presets mangle the sounds far beyond recognition of the original recordings.
‘DARK’ by Badlands Sound delivers you 15 scary, ominous dark drones that will add an added layer to terrify the audience. You will hear low-end rumbles, sinister drones, creepy atmospheres and more! This sound library includes 15 high-quality 96k / 24-bit dark drones. All audio files are two minutes long subtly changing over time.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
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We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
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There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
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A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
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A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.