• 0
    $0
    • No products in the cart.
  • 0
    $0
    • No products in the cart.

Home Drones & Mood Sound Effects Page 5

Drones & Mood Sound Effects

Atmospheric drones and ambiences – light and dark, beautiful and eerie, lively and serene

  • In this library you will find a dark ambience sounds.
    These sounds are perfect to use in movies, trailers, games, documentaries, etc.

    These sounds were all created by me on virtual synthesizers.

    After working these sounds in post-production, this library comes with 10 dark ambiences.

  • Orbital Emitter proudly presents CINEMATIC TRANSITIONS FOR EDITORS VOLUME II, a brand new collection of cinematic transition sound effects designed to add dimension and energy to any creative project!
    This special collection features 251 dynamic transition sounds across 132 files, crafted in our sound labs and tested in real world productions by editors and sound mixers alike!
    This robust sound-set gives creatives a concise assortment of easy to use sounds designed to propel and elevate any creative project they are used in.
    When we released our WHOOSHES for EDITORS Vol 1 sound-set in 2022, we had no idea how popular it would be with industry professionals as well as folks new to media creation.
    So when we embarked on making a sequel of sorts to that first sound-set, we knew it had to be different. Where volume 1 was a best-of assortment, volume 2 is an expansive toolkit of cinematic sound design for you to explore…

    Founder of Orbital Emitter, Charlie Eisenhardt conceptualized CINEMATIC TRANSITIONS VOL II as an inspiring and flexible sound-set with sounds suited for any feature film, television/streaming show, video game, audio drama or virtually any project needing emotive transitional sound! But there are also simple and muted sounds designed to fit conventional projects as well. Have a listen to our demo to hear for yourself!

    CINEMATIC TRANSITIONS VOL II contains 11 transition categories within over 132 sound files… These categories include whooshes, swoops, sweeps, swells, pass byes, risers, attackers, cues and 3 separate types of impacts… But there’s more! Most of the sounds in this set feature multiple takes and variants to ensure that our sounds fit any creative workflow!

    So whether you’re a beginner or a seasoned professional, we guarantee that you will find our transition sounds to be fun and easy to use in all your creative projects!
    Click the list elsewhere on this page to preview the sound titles and descriptions included in this sound-set!

    THE BUSINESS…

    CINEMATIC TRANSITIONS VOL II delivers in two sample rates for maximum compatibility…
    The 48k folder will serve just about any professional NLE editorial workflow for television, gaming, film, or streaming project and the 96k folder is for sound-designers, mixers or anyone who wishes to manipulate sound!
    And along with the two audio folders we also include a PDF guide to help you organize our sounds to fit your creative workflow.

    Our #1 goal is to provide you with sounds that let you focus on your creative process as quickly as possible. That’s why we test our sounds with other award winning editors & sound mixers to see how they use them, then we present them to you!
    We hope this robust sound-set adds impact and energy to all your creative projects!
    Thanks for listening!

    – The Orbital Emitter Team

  • Environments & Ambiences Urban Atmos Play Track 101 sounds included, 398 mins total From: $129

    URBAN ATMOS is an immersive sound library recorded in 7.0.2 cinematic format with our exclusive array: the Atmos Tree.

    Over 6 hours of material and a broad palette of sounds make this collection the perfect representation of the typical metropolitan soundscape : avenues, rooftops, public squares, bridges, highways, residential streets, alleys, city parks… all kinds of city environments are here, wide and enveloping as never before. 

    The library is perfectly suited for DOLBY Atmos mixes.  It also contains extensive metadata and is UCS compliant

    HAL Urban Atmos | Trailer

  • The legendary Synth that brought beloved Droids to Life.

    The all-time classic ARP 2600 was a synthesizer that was an immediate hit with musicians and sound designers when it was released in 1971. Most famously, it’s the very synth that Ben Burtt used to give R2D2 his unmistakeable voice.

    Semi-modular in nature and with many handy features like voltage modifiers, lag control, ring modulation, a comprehensive noise generator, sample & hold, and 3 independent oscillators, it comes equipped with more features than you’ll find in many of today’s analog synthesizers.

    Thanks to the Alan R. Pearlman Foundation and the non-profit studio The Record Co. I was able to access an original, mint condition ARP 2600 that is beautifully maintained and lock myself in a studio with it to capture nearly 7 hours worth of raw sound design material.

    Putting the 2600’s immense sound design potential to use, I created this library to help you give robots a voice, create otherworldly ambiances, score computers with the obligatory “bleep bloops”, and craft larger than life weapons with a distinct retro SciFi flair. I also captured the physical, mechanical sounds of patching cords and moving faders on the synth using a pair of LOM Uši Pro. These sounds are included in a dedicated subfolder.

    Infinitely tweakable Source Material with plenty of ultrasonic Content.

    The resulting sounds range from droid chatter at various root pitches, impacts, drones, noise, and lots of other sonic source that begs to be pitch-shifted and mangled. In fact, the ARP 2600’s pristine analog circuitry and my high-end recording chain capturing it at 192 kHz means that most of the final material features high-frequency content ranging up to nearly 90 kHz!

    This means that you can pitch-shift most of these sounds down by up to 2 octaves and uncover new harmonic content along the way. By recording at 32 Bit with the ultra low-noise Zoom F6 and Rheingold Music cables, these recordings are extremely clean and hold up well to intense processing.

    While highly abstract in nature, these sounds are a great basis for building:

    • Futuristic weapons
    • Retro SciFi spaceship sounds
    • Droid and robot vocals
    • Otherworldly ambiences
    • Drones
    • Wavetable synth patches
    • and more.
    This library features SoundMiner, BWF, Soundly, and UCS metadata.


    Metadata: UCS file naming, SoundMiner, Soundly, BWF

    Recording Specs: 24 Bit / 192 kHz for the majority of files. 96 kHz for files with less ultrasonic content, Stereo and Mono recordings.

    File Format: WAV

    Gear used: Genuine ARP 2600 Model 3620 (1974), LOM Uśi Pro Mics, Zoom F6, Rheingold Music Cables, Radial Pro D2 DI Box

    Processing: Level adjustment, crossfades, spectral noise reduction for recordings using built-in spring reverb.

    ARP 2600: Droids Blips, Drones & more | A Sound Effects Library by BØLT

     

    35 %
    OFF
  • Drones & Mood Sound Effects Didgeridoo Play Track 175 sounds included, 17 mins total $39

    Hear the meditative and mystic sound of the didgeridoo. Invented by the Indigenous Australian people more than 1000 years ago, this vibrant instrument is also called “yiḏaki”, the voice.

    Played by vibrating lips and a special technique called circular breathing, didgeridoo’s sound imitates animals, nature and legends.

    Didgeridoo pack has 120 sound files in 192kHz – 24 bit format. It includes a collection of drones with various techniques; emu, kookaburra, dingo, dog and mythical Rainbow Serpent voices; rhythms, loops.

    There are 35 designed sounds created by using only the original recordings in this pack and showcase the flexibility of the sound of didgeridoo. The designed sounds include cinematic braams, transitions, whooshes, sci-fi ui sounds, alarms and more.

    120 high resolution files, 175 sounds, 18 minutes duration. All files are in stereo 192kHz 24 bit format. Includes detailed and easy-to-navigate metadata. Recorded with Sennheiser MKH 8040’s.

    Find the true sound of it with Vadi Sound Library.

    Keywords

    Didgeridoo, Indigenous Australian, ancient, instrument, brass, voice, emu, kookaburra, dingo, dog, rainbow serpent, drone, vibrant, meditative, mystical, breath, circular breathing, musical, instrument, rhythm, designed, cinematic, braam, transition, whoosh, sci-fi, UI, sound, alarm.

  • An assortment of cinematic hits, drones, textures, rumbles, groans, squeals and more, all with a distinctive metallic feel and tone.

  • Cinematic Tones & Textures is a complete collection of cinematic tones, dark drones, textures, friction squeals and rumbles with a distinctive industrial metallic feel.

  • Drones & Mood Sound Effects Analog Interface Play Track 2000+ sounds included, 230 mins total $149

    Analog Interface is a powerful and diverse custom UI sound effects library made by recording, performing and manipulating outboard analog subtractive synthesizers and physical hardware. Hand crafted synthesis performances recorded at 96khz provide a rich pallet of sonic elements which are then designed further into complex, expressive and wildly useful sounds for sci-fi sound design, UI, motion graphic sound design, heads up display, text on screen and beyond. This library covers everything from the cleanest and simple UI selects to the grittiest of glitchy textures of sci-fi telemetry.

    https://vimeo.com/823119334

    https://vimeo.com/823119250

    The elements are raw yet curated analog performances and textures that provide an endless sonic playground of building blocks for sound designers to craft into original manifestations.  By design the instruments selected for this library project were mono subtractive synths of old and new to perform and collect patches in rich and simple states. Each synth selected provide their own aesthetic and character that culminate into a one of a kind sonic signature. The use of purely analog synthesis creates unique sounds that cannot be replicated exactly the same way twice. The slight variations in the components and the environment used can affect the produced sonic character, creating an intangible magic impossible to achieve with software alone. Complimenting the synths are collections of custom EMF recordings, servos and mechanical switches, breaking the third wall from within the machine to the physical world.

    The designed sounds are the combined works of four career sound designers at Dallas Audio Post. The analog elements were layered, morphed, programmed and re-contextualized in both meticulous hand crafted methods and complex parameter randomization processes. The combined results are a collection of beautiful, compelling and engaging sounds that we believe are extremely needed in the modern sound design ecosphere. 

    Complimenting the vast UI collection are analog transitions designed for use of motion, doppler effects and signify a sample of future libraries in the making.

    The end result is a sound effects library that’s not only incredibly versatile but also highly creative.

    Enjoy!

  • Cinematic Hits & Impacts is a comprehensive collection of cinematic trailer hits, booms, & designed impacts, with a distinctive industrial metallic feel.

  • Cinematic Creaks & Risers is a complete collection of cinematic risers, drones, textures, creaks, groans and wails, with a distinctive industrial metallic feel.

  • Specially recorded for sound design, The Guitaresque Power Tools Library include clips featuring bizarre whines, grinding, hums, and more as power tools are “played” on guitar necks and bridges. Clips include rising and falling tones and one-shots.

  • This impactful collection includes classic and modern low-frequency effect loops for use on the LFE channel of your production or as extra layers with other sounds for that extra bottom end.

    Cinematic Low Frequency Effects - Stock Library Demo

  • Sci-Fi Sound Effects The Sci-Fi Collection Play Track 983+ sounds included, 300 mins total $35

    The Sci-Fi Collection contains 983+ sound effects from every sci-fi sound library that we have released so far. It features ambiences, drones, textures, swooshes / wooshes, impacts, glitches, sequences, and more. Royalty-free.

    Included libraries: 

    • Designed Sci-Fi – 546 files / 3.06 GB
    • Designed Circuits – 272 files / 1.58 GB
    • Designed Atmospheres – 82 files / 4.47 GB
    • Designed Glitch Scenes – I – 30 files / 745 MB
    • Designed Statics – 53 files / 1.07 GB
    • 5+ Hours in total
    30 %
    OFF
  • Geophonic Instruments Vol. 6 is a continuation of our popular Geophonic library series. In this instalment, you can delve into a world dark and mysterious, with ominous rumbles, space engines, the deep sea, and alien song.

    Our Audio Craftsmen used the Lom Geofon to capture subsonic frequencies of a kalimba and harmonica. The result is a collection of super weighty drones, rumbles, tones and impacts.

    These sounds reach as low as 10Hz, providing a speaker-shaking energy to integrate into your work.

    Use this library to intensify sci-fi, mystery, thriller and horror genres in your Film, TV & Game projects.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Geophonic Instruments Vol. 5 is a set of mind-bending, sustained sounds with immense low end. Captured with the Lom Geofon and a range of sources such as Harmonicas, Drums and various stringed instruments, our Audio Craftsmen designed an eclectic range of sustained Drone, Rumbles & Risers perfect for epic trailers and nail biting horror.

    This collection features subsonic frequencies that drop as low as 10Hz, allowing you to inject some super weighty, speaker-shaking energy into your work.

    Use this library to intensify sci-fi, mystery, thriller and horror genres in your Fil, TV & Game projects.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease

  • In this library you will find a dark ambience sounds.
    These sounds are perfect to use in movies, trailers, games, documentaries, etc.

    These sounds were all created by me on virtual synthesizers.

    After working these sounds in post-production, this library comes with 5 dark ambiences.

  • Designed Glitch Sequences I features 30 cinematic sci-fi sound effect sequences, ambiences, drones, pads, textures and more, that range from heavily designed to basic elements.

    Created with modular synths and effects (Rossum Electro-Music, Qu-Bit, Make Noise, Mutable Instruments), processed with digital effects.

    Designed Glitch Sequences I highlights:

    • 30 24bit/96kHz WAV files / UCS (Universal Category System) Meta-tagged Meta-tagged (Soundminer)
    • 8 Harmonics
    • 4 Interferences
    • 5 Malfunctions
    • 6 Organics
    • 7 Static Clicks
    • 21 Minutes in total

    33 %
    OFF
  • The Tonal Colors Sound Effects Library shares a sonic palette of hits, impacts, rattles, and clatters from metal, glass, and ceramic objects in one-shots and continuous resonant tones.

  • Bowed Mandolin Contains over 70 different bowed textures and articulations gathered from bowing a vintage Mandolin with a Cello Bow. The multiple strings on the Mandolin make for a very rich and unique sound, perfect for Horror and Thriller genres.

    Bowed Mandolin contains a range of short high pitch swells and screeches, long textural movements and low deep rips recorded in Stereo (RODE NT4) at 24bit/96kHz to allow for the best manipulation and time stretching options.

    Check out our other Library ‘Bowed Bass’ for the perfect dark low end accompaniment.

    80 %
    OFF
  • Bowed Bass features over 30 drones and swells created from the sound of a bowed Electric Fender Jazz Bass, which was then sent through various hardware reverbs, delays and distortion all aiding to create a catalogue of developing rich textural sounds. If you’re caught short and what you really need to do is create a powerful sense of dread, bowed bass has the answer.

    From chaotic scratchy swells to deep rumbling murmurs this collection of twisted bowed bass sounds is a fantastic selection to add to your sonic palette.

    Bowed Bass contains 887MB (over 20 minutes total) of high quality 24bit/96kHZ Stereo WAV files, labelled in UCS format and metadata embedded.

     

    75 %
    OFF
  • The Bullroar is a ritualistic instrument and when spun, creates huge powerful gusts, whirs, growls, flutters and buzzes. It is an incredibly unique sounds and allows for the creation of characterful winds, whooshes, vehicles, drones and much more.

    This library serves as fantastic source material for sound designers in Film, TV and Video Games and is a great set of sounds to have in your arsenal.

    Bullroar contains over 70 sounds recorded in Stereo 96kHz/24 bit with a variety of gestures and movements and different speeds from fast flutters to slow spins, tagged with the UCS convention.

    Recorded with a Rode-NT4 Stereo Mic into a Sound Devices MixPre-6 recorder.

    35 %
    OFF
  • In OBSCURUM – DARK DRONES you will find 61 uniquely crafted and designed drone and ambient pad sounds that will transport you to the darkest and most ominous places. Each performance is aimed to be about 3 minutes long to provide lots of versatility for even the longest scenes or trailers. The library is structured into drones and pads that can be of deep and ominous or of dark and aggressive character. This collection is perfectly suited for dark Sci-Fi or Horror productions. Whether you want to create ominous and unsettling atmospheres or moments of high tension, you will find the right sound to masterful set the mood for the audience.

    The TONAL ELEMENTS series has a heavy focus on creative sound design. It features assets that can fall anywhere between the classic definitions of a musical element or a typical hard effect aka. sound effect. They might be of rhythmical or sustained nature, they can be atonal or of tonal character, or even fall into the category of noise-like. In a media production, these elements always complete an important task, and that is to convey an emotion or help to tell the story, without being to obvious in the foreground, hence distracting the listener. Any Sound Designer should make use of these powerful tools, as they can make all of a difference when it comes to setting the right mood or triggering the right emotion at the right moment. These elements typically fall into categories like: Ambient Pads, Drones, Risers, Downers, Impacts, Stingers, Textures, Whooshes, etc..

    40 %
    OFF
    Ends 1761865200
  • Welcome to the world of tomorrow
    This massive library of futuristic interface sounds has been made by studying all the sounds you will need for your video game or audiovisual product.
    We have considered integrating robotic voices, soundscapes, beeps of different tones, sounds to start your game, etc… All these sounds can be used for different options, whether for machines with hundreds of buttons, touch screens, command centers , sound environments for computer rooms… All these sounds will help your product feel alive and get a professional result.

    You will be able to enjoy a total of 574 High Quality sound effects divided into:
    • Acces Denied
    • Acces Confirm
    • Hologram
    • Get Object
    • Question Beep
    • Whoosh
    • Open Menu
    • Computer Beep
    • Low Beep
    • Tiny Beep
    • Denied Button
    • Start Game
    • Progress Beep Loop
    • Computer Room Background Sequence Beep Loop
    • Text Loop
    • Alarm Loop
    • Mecanic System Movement
    • Rejection Pop-Up Notice
    • Scan Progress
    • Vocalizing Robot H3R2
    • Vocalizing Robot H2R2
    • Talking Robot Type A
    • Talking Robot Type F
    • Talking Robot Type Z
    • Machine Room Background Loop

    More about the pack
    – It includes metadata integrated in the audio itself, and also in an excel file you will obtain all the additional information of the files.
    Intuitive file naming.
    – You’ll get all the individual sounds so you can easily adjust them to your project.
    – Mix the samples together, you can be creative.
    – The names of the files are indicative, so you can use any sounds for another function.
    – Everything you will need regarding interface sounds, soundscapes and voices for any game or audiovisual product.
    – Totally monocompatible sounds.
    – Use the sound effects over and over again, in any of your projects or productions, forever with no additional fees or royalties.
    – Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need it, as much as you want.
    [Authors]
    – Jorge Guillén ([email protected])
    Features:
    • 574 Sound effects of Futuristic Interface , soundscapes and voices.
    • Number of Audio Waves: 574
    • Sample rate / bit rate: 48.000 Hz / 16 Bit
    • Do Sound FX loop: Yes
    • Minutes of audio provided: 16 minutes and 16 seconds
    • Supported Development Platforms: All

    45 %
    OFF
    Ends 1761692400
  • A sound effect library of electromagnetic sound clips including buzzes, drones, crackles, pops, and more.


    The Electromagnetic Sound Library is a 2.96 gigabyte bundle of 235 buzzes, drones, clicks, pops, and other EMI effects. Crafted to use in sound design, the clips are ideal for high-tech accents, bad transmissions, computing tones, magnetic buzzes, and more otherworldly technological elements.

    The bundle is packed full of recordings of VLF radio frequencies using a LOM Priezor passive magnetic antenna and an electric guitar pickup box. A broad mix of subjects ranging from power tools to household appliances to motors and computers produce broad tones and drones as well as shorter clicks, pops, and pulses.

    The collection is named and described with care with ample keywords to ensure these strange sounds will be found fast.

Your location

Please share this

Recent Reviews

What others are saying:

\n