Narrowboats consists of 322 beautifully recorded and edited sounds, tagged with rich metadata. From entire journeys and ambiences, to every knob, switch and door and more.
Magnetic Balls consists of 283 beautifully recorded and edited sounds, tagged with rich metadata. From whizzes and sparks, to impacts and more.
This library is the result of tinkering with shotgun mics recording inside of different tube structures. When our initial tests produced a wide range of sonic colors, we went all in.
The tubes used include organic and man-made materials, some rigid, some flexible, some dense, some light, all with varying lengths, diameters, and thicknesses. They consist of bamboo, PVC, 2 variations of vinyl, thin plastic, copper, tin, rubber, dense foam, and a steel-coiled membrane. Each material has a different effect on the sounds passing through them. We generated turbulent drones, thick strikes, resonant scrapes, noisy bells, delicate debris, and more. The overarching characteristics are soft, insulated, and misty. Due to the behavior of the waves in the open tubes and the pickup pattern of the shotgun mics, there is a natural frequency modulation that gives the sound a slightly narrowed, hollow timbre. They work very well in simulated settings, enclosed spaces, and when there is a need to exaggerate the magnitude of tiny worlds. But they are equally as useful as raw design fodder, especially when a unique texture is needed.
This is our first library created solely for the sake of experimentation, though based on the results, it may not be the last!
Vaeyan IV delivers a massive set of assorted sound design ingredients for your audio alchemy. It includes assets captured from natural ambiances, vehicles, tools, cameras, slingshots, scissors, clay whistles, flutes, ceramic jars, dumpsters, kitchen appliances, deconstructed fans, toys, doors, windows, vintage furniture, fountains, projectors, and even a slap bracelet. That's right, a slap bracelet.
As with Vaeyan I, II, and III, this is a huddling of field recordings and sound designs that do not quite form a library on their own. However, together they make up an audio FX treasure chest gleaming with gold and silver audio loot!
Sonic Transmission is a unique collection of 257 sounds recorded and produced with high-quality equipment at 24 bit /96 Khz. Recorded in a 0 acoustic fields with a large range of piezo, contact, suction and hydrophone microphones, this sound library offer original audio textures ready to use or to design.
Plenty of material has been recorded over many months to provide a wide range of variety, such as:-Metal: small to big, hollow to thin, resonating, heavy, soft
-Plastic: hit, impact, scrape, squeak
-Glass: brillant to low and deep, saturated, bouncing
-Water: oxygen, bubbles and movements into resonant containers
-Wood: low and long creaks, hit and movements
-Servo motors: clean, low, accidented, revs
-Spring: creaky and tonal
-String: cello and bass
-And much more
This collection comes in two section:
-Raw material: construction kit to create and design your own effects. Most of the sounds comes with many variations.
-Designed: ready to use sound effects, tonal, scifi, bassy, whoosh, saturated, modulated, drone, impacts
Recorded and edited in high resolution, these sounds are easy to pitch down and time stretch to create unique and surprising sounds. All Faunethic tracks include metadata tags filled with Soundminer.
Footstep & Foley Sounds contains 511 high quality professionally recorded footstep sounds. Surfaces included: concrete, dirt, grass, gravel, metal, mud, water, wood, ice and snow. Plus 141 Foley sounds covering a variety of character movement sounds. A perfect addition to add realism to your footstep sounds.
This pack also includes a variety of 160 bonus sounds effects from our full library Pro Sound Collection. ALL sounds from Footstep & Foley Sounds are included in Pro Sound Collection so if you need more sounds be sure to check it out before purchase.
This library has an extensive collection of sounds from a well-used 1990 Ford Ltd Crown Victoria with a 4-speed AOC automatic transmission. With its 302 cubic inch, 5 liter, V8 engine, rated 152 horsepower, you'll get thick beefy growls from this Ford. The library includes all kinds of driving at various speeds, cruising, startups, shutdowns, reversing, driving at constant RPMs, gearing, various accelerations and decelerations, and long and short ramps.
Some foley is also included: doors, hood functions, parking brake and gear shifter, and IR sweeps. With 12 onboard channels covering several interior, engine and exhaust perspectives, and 13 exterior channels with microphones positioned at different spots around the recording location, you'll get up-close approaches, aways, passbys and more at different speeds.
This warfare SFX library was recorded during a three-day military exercise, using several Combat Vehicle 90s performing live firing exercises with 40mm cannons and 7.62 machine guns. The recording consists of several multichannel setups from various distances, perspectives and environments such as forest and huge fields.
The library contains huge tails in different environments, shooting at close and far distances with various occlusion, onboard firing, sonic booms, ricochets, bullet cracks, projectile tails and much more. It also has some onboard and exterior vehicle movements and maneuvers. For sounds of military operations, you can't go wrong with this collection.
Now you can create the perfect mood and sound environment for your fantasy and adventure games, film and audio productions. With Fantasy World you get 52 royalty-free Ambience loops with full and 49 minimal versions and 10 Extra Non-Melodic Loops for a total of 111 dynamic loop-able audio assets. Inspired by massive hit games like World of Warcraft and The Elder Scrolls, Fantasy World is an all original royalty free ambience loop library designed to help you create stunning and immersive audio environments quickly. With over 2 hours of popular location sound loops, you’ll be well equipped with background sound effects and scene setting ambient tones that bring your Fantasy World to life.
Features settings such as:
Assassin Camp • Elven Outpost Haunted Cavern • Mystical Sanctum • Tribal Camp • Desolate Dungeon Ancient Tomb • Forest of the Unknown • Fairy Land • Ominous Jungle Barren Foothills • Shamans Apothecary, • Orc Ruins • Orc Slaughter Den • Werewolf Den • Vampire Spire
Galactic Assistant is the first synthesizer software specifically made for creating hi-tech interface sounds. Developed for sound designers and musicians alike, it's the perfect companion for creating a new sonic universe. Use it to design your own hi-tech interface sounds or create glitch or highlights for your musical project.
If you need even more interface sounds, Galactic Assistant is still included for free with our Users of Tomorrow soundpack, which contains over 1,800 different high-tech interface sounds, created by our sound design team using some of the most leading audio tools and software.
Galactic Assistant is now for Reaktor, Max4Live, and Standalone – all three versions included here
• One tone generator
• Two beep generators
• One FM synth module
• Save and recall presets
• Randomized parameters
• Record and export audio files within the synth while performing
• Shift click on knobs & sliders to midi learn and control them
• Compatible with Mac and PC (32 bit and 64 bit) Reaktor5.5 or higher, Max4Live, and Standalone
The Vibrant Game library delivers sounds are inspired by hit app games like Bejeweled and Color Switch. You’ll immediately find a bank of lovable game sounds that users will recognize, enjoy and connect with. From colorful comedic sounds, musical cues hits and loops, to item pick-ups high energy alerts and notifications, awards, level-ups and treasure unlocks.
Comes with 500+ files in 96 kHz, 24bit resolution (as well as 44.1 kHz, 16 bit resolution for convenience), and includes Soundminer metadata. Speed up your workflow by an x-factor when you use these ready-to-use sound effects and loops.
Game award items, collects • Alerts and notifications • Background and lobby loops • Musical cues, musical hits • Cartoon movements • Clicks and button sounds • Taps, tabs, and slides • Funny chirps, dings and doinks • Object hits and bumps • Opens and treasure unlocks • Positive pick-ups, wrong moves • Specials and power-ups
Sounds for the Castles library were collected in four castles – museums (medieval, renaissance and baroque) in southern Poland. My intention was to record sounds of old doors, furniture and every interesting prop I could find, in authentic acoustic environment. Some of the spaces were very reverberant, some just have a bit of ambience, but all are authentic and add specific colouration to sounds. Also, part of the sounds was recorded outside.
As always, visiting those places, I found many interesting characterful objects – most of them are heavy wooden or metal. So expect a lot of creaks and squeaks. Where I could, I recorded variations and versions from different POVs.
Another important part of the library are Background Activities.
Editing sound for films, I always find myself in need for adding some background life to scenes. We all love great foley, but having isolated background activities recorded in real spaces adds another level of realism. So wherever I found interesting spaces, we performed some activities and movements on old stone or wooden floors.
It’s not supposed to substitute foley, syncing it step by step. But it will help to create separate layer of atmospheres.
We also found medieval Torture Chamber, which inspired us to record some of the tools, distant movements of chains etc. but also some screams, all with real dungeon reverb.
Objects and activities include:
A chest • chain • crate • door • floor • footsteps • handle • locks • metal objects • movement • stone • tool • trapdoor • window • wooden objects
Doors – 145 files • BG Activities – 49 files • Props – 20 files • Furniture – 16 files • Screams – 12 files
The Old Cottages library was recorded in outdoor museums of old cottage houses and in a remote mountain cottage during quiet winter.
At first, both libraries (Castles and Old Cottages) were planned to create one big old stuff library. But I soon realised that the topic is too wide for one thematic library and sounds recorded in cottages have different character.
It’s dominated by old creaky wood. And the same as in Castles library, I treated specific ambience of wooden cottages as a part of the sound.
So again, lots of old wooden doors, with metal bolts. Starting from small to large heavy barn doors, both INT and EXT. Some Background Activities on different kinds of wooden floors, recorded from different POVs, like one floor below, or next door. Some interesting props movements.
We also performed some of the objects (like doors), creating rhythmic sounds which could work well for any antique rotating, whirling machines.
We also recorded old machines with gears, which could be very useful for sound design. Using some pitch shifting changes them into another palette of antique sounds.
Recording locations include:
Old Cottages • Old Cottages, upstairs/next-door activity • Staircase / stairwell • Manor • Barn • Mill
Types of sounds included:
Doors: 258 files • Window: 10 files • BG Activities: 37 files • Furniture: 10 files • Mechanism: 73 files
The Cars In Motion sound library gets you exterior sounds of cars driving at different speeds, slow/medium/fast/very fast pass-bys, reverse sounds, accelerations, braking sounds and a lot of additional files. You’ll find different engines, and cars with different character.
From a small BMW 114i through to a powerful Jeep Grand Cherokee 4.7 V8 with Magna Flow exhaust, up to a fast twin turbo BMW 640D F12. In addition to cars there are also files covering big machines like tractors and excavator.
The library features 561 WAV files with total length of 340 minutes, recorded in 96kHz and 24 bits with a Sound Devices 702, two Sennheisers MKH 8040, Rode NTG3 and Sony PCM-M10.
• Audi A4 Allroad 2.0 TFSI – 73 files – 73 minutes
• Audi A4 B8 2.0 TDI Avant – 11 files – 10 minutes
• BMW 114i E87 – 20 files – 10 minutes
• BMW 530D E60 – 55 files – 21 minutes
• BMW F12 640D Gran Coupe – 87 files – 49 minutes
• Excavator MF 860 – 30 files – 20 minutes
• Jeep Grand Cherokee 4.7 V8 – 62 files – 51 minutes
• Renault Kangoo 1.6 16V – 71 files – 32 minutes
• Renault Master II 2.8 dTi – 21 files – 13 minutes
• Renault Master F3500 dCi135 – 30 files – 12 minutes
• Tractor Case II CX90 – 15 files – 10 minutes
• Volkswagen Golf II – 26 files – 13 minutes
• Other Cars – 60 files – 23 minutes
Ambisonic Steam Trains features recordings of 3 different narrow-gauge railways in Saxony/Germany where they meander through narrow valleys and bends.
The library includes more than 3.5 hours of recordings that are taken directly at the train drivers position in the cabin as well as from wagon platforms and passenger seats.
Also recordings of train pass-bys, shunting and service operations in the depot are included.
With the Ambisonic format it is guaranteed that the acoustically rich and diversified surroundings of steam trains in action are captured spherical in each and every detail.
Ambisonic Steam Trains is available in two versions:
Ambisonic and Stereo
The Ambisonic version delivers 4 channel A-Format files recorded with the Ambeo VR microphone in upright position.
These files need conversion to B Format prior to further processing.
The Stereo version contains the same number of files with equal playing length, but, as the name suggestions, only in stereo versions. All takes are already decoded to 180° stereo that can be manipulated with any stereo width plugin.
This is an Ambisonics sound effects library – and by using the free SoundField SurroundZone 2 plugin you can convert the included A-format files into your preferred format (stereo, 5.0, 5.1, 6.0, 6.1, 7.0 or 7.1 surround). Note: The library also contains ready-made stereo mixdowns for your convenience.
This power tool sound library will provide you with all kinds of “whizzzz”, “brrrrr” and “Bwoooooo”.
Power Tools is full of top quality recordings of different small motors and rotors, all meticulously recorded in both mono and stereo. Contains bursts, sustained operation, revving up and down, drilling and drags against different material.
Can be used for foley purposes but would also be a cool addition when making sounds for spaceships, sci-fi guns, vehicles, robots and other neat stuff.
Recorded with a Rode Large Diaphragm Condenser (NT1-A) in Mono and Oktava MK 012 in spaced stereo configuration, at 192 kHz, 24 bit.
Tired of those same old door knobs and hinge squeaks that you hear in every single game, film and TV show? Well, Gateway aims to remedy that issue while providing you with a brand new palette of sounds.
Gateway comes packed with doors, doors and more doors! Low end, high end, slow horror creaks and squeaks, huge slams and impacts, tiny compartment doors.
The Gateway family now includes the just-released Gateway Part 3, with more than 1400 new sounds.
Doors, gates, overhead rollups, cabinets, closets, drawers, garage doors, fireplaces, sheds, you name it!
Latches and knobs, wrought iron and chain link! Metal, wood, glass and MORE! All of these doors were acoustically captured in the real world. You won’t find anything synthesized here!
Did we mention doors? Yeah, Gateway has those too.
Gateway Part 1 features 675 files, 1200+ sounds
Gateway Part 2 features 365 files, 600+ sounds
Gateway Part 3 features 772 files, 1400+ sounds
The Gateway 1-3 Bundle features 1812 files, 3200+ sounds
Special offer:Do you already have Gateway Part 1 or 2? Send a message here for a special upgrade offer for part 3.
Choose your preferred version below – or land some great savings by getting all three in one handy package!
BRAAMS make everything feel bigger, more satisfying and dramatic. This library is totally dedicated to that vibration that enhances slow-motion shots, intros and outros in trailer sound design and soundtrack scores.
Featuring a whole spectrum of BRAAMS in designed and single element version with pitch information, this collection offers 130 sounds of dramatic low-end musical tones, distant horns, massive low brass, bass morph and low key sound effects which doesn’t yet have a name.
If you are building signature sounds or if you looking for “ready to use” designed BRAAMS, the material contained in this collection cover many aspects of the BRAAMS production.
Also contained in the pack an extra folder of single hit/impact, woosh, passby which are great to enrich your custom sound design.
Sydney Australia Trains consists of 55 beautifully recorded and edited sounds, tagged with rich metadata. From pass bys and ins and outs, to atmos' and more.
Cornwall Water consists of 26 beautifully recorded and edited sounds, tagged with rich metadata. From crashing waves and babbling brooks, to rock pools and more.
Classic Car Pass Bys consists of 231 beautifully recorded and edited sounds, tagged with rich metadata. From Jaguar E-Types and Ford Mustangs, to Triumph Spitfires, Ferrari 250s and more.
Rivers consists of 11 beautifully recorded and edited sounds, tagged with rich metadata. From light whips and medium plops, to trickles, white water and more.
Squelch, Squish and Splat consists of 455 beautifully recorded and edited sounds, tagged with rich metadata. From squishing tomatoes and plunging mangos to mashing melons and more.
Balloon Squeaks and Creaks consists of 173 beautifully recorded and edited sounds, tagged with rich metadata. From short squeaks and air releases, to long creaks, plucks and more.
Swishes consists of 331 sounds beautifully recorded in both mono and stereo, edited, and tagged with rich metadata. From baking trays and bamboo, to colanders, mops and more.
This soundpack is created for use primarily in video games and simulators to simulate the sonic characteristics of a Volvo B7TL double-deck bus with Wright Gemini Eclipse bodywork in the United Kingdom from 2002.
This soundpack is created for use primarily in video games and simulators to simulate the sonic characteristics of an Enviro400 double-deck bus built by Alexander-Dennis in the United Kingdom between 2010 and 2015.
Odd is a small collection of effects originally created for a project revolving around quick, organic glitched visuals. The library is divided into four categories – Reverses, Texture and Noise, Synthesized Elements and general Oddities. Odd is perfect for adding a bit of strange or weird to your design. Something like a 'what was that?' library. Go nuts.
The terrifying sounds of re-imagined dinosaurs that are ready for the hunt and hankering for your Jeep tires!
This library has 74 sounds of pterodactyls, velociraptors, brachiosaurus, and – of course – the infamous Tyrannosaurus Rex, with multiple growls and roars (processed and raw) from each terrible reptile.
There are also distant takes to help you build tension as these predators approach. For angry and hungry dinosaurs, look no further!
The second edition of the Foley Sessions from Mechanical Wave. It features additional sounds and more Foley action with a broad selection of objects. The library contains 375 files of various metals, aluminium, plastic, glass, paper, cloth and many other textures. Sound of hits, manipulating, rubbing, crumpling, breaking, creaking, slapping and shaking. Each sound has been meticulously edited, and comes in 24 bit / 96 kHz broadcast wave format, with embedded metadata.
This sound library boasts a comprehensive collection of sound recordings that capture the character of rural passenger trains throughout the United Kingdom.
All of the recordings were taken at locations in and around Norfolk and feature trains that are typical of current rural train services in many parts of the country.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.