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Sound Effects
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The true delight of cooking night. 208 to recreate the sounds of busy home kitchen
Recorded with:
- Sound Devices 633
- Rode NTG3
- Rode NT4
- Seymour Duncan SCR-1
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A condensed library with medicine and dentist sound effects. If you need to create an ambiance of a surgery room or a dentist visit, this is your go-to. 33 different sounds to overcome or accentuate your fear to the doctor, it’s up to you
Recorded with:
- Sound Devices 633
- Rode NTG3
- Rode NT4
- Seymour Duncan SCR-1
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Just close your eyes and immerse yourself into the Big Apple. 79 Sounds you can use cross-city to create a true mild, happy or stressful event happening near you.
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Only ground transportation. Sounds of cars, engines and bikes. 63 sounds to enhance your story telling
Recorded with:
- Sound Devices 633
- Rode NTG3
- Rode NT4
- Seymour Duncan SCR-1
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The whole collection of Lesser Vibes sound libraries.
Included packs:Artificial Life (sci-fi, user interface, designed)
Automatic Umbrellas (foley, cloth, mechanical)
Handheld Transceivers (radio, glitch, noise)
High Tech Interface Sounds (sci-fi, user interface, designed)
Urban Russia (environments, transport, crowds)All libraries were created by Sergey Eybog, a sound designer and music composer from Russia.
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DESCRIPTION:
• In Alaska: Quiet Nature, get a collection of serene ambiences from Lake Clark National Park, Alaska. Hear the immense sparseness of glacial valleys and still water. Hear massive halls of wet wood that envelop and transport you to a long-lost time. Hear the tranquil beauty of boreal forests untouched by human hands during days of endless light. Hear lonely moose tromping through beaver ponds and haunting hoots of Northern Saw-whet Owls.
• This library is packed full of tracks with sparse flora and fauna from the lonesome landscapes of the Arctic. Hear the sounds of this stunning natural cathedral while the nearby glaciers remain. The ecosystem won’t sound the same when they’re gone.2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.KEY FEATURES:
• Soothing quiet nature ambiences with minimal flora and fauna
• The haunting hoots of Boreal, Northern Saw-whet, and Great Horned Owls
• Eerie nighttime creature movement
• Wing flutters, flybys, and takeoffs
• Lone moose tromping through a beaver pond
• Wilson’s Snipe – winnowing
• Sparse forest birds singing
• Distant echoes of shorebird songs
• Days and nights in the beaver pond filled marshland
• Days and nights in the boreal forest
• Soothing distant water and wind
• Ultrasonic bats
RECORDING STORIES:
• Hear an interview about my Alaskan Expedition on Episode 121 of the Tonebenders Podcast.
• This library pulls the best quiet nature moments from over 150 hours of recordings in the Alaskan wilderness.
• For Alaska: Quiet Nature, I focused on two ecosystems: lakeshore and boreal forest
• The first half of the trip focused on the marshland around beaver ponds and the lakeshore of Lake Clark. These recordings are full of sparse and resonant shorebirds, soothing distant water, and a lone moose tromping through the water right in front of my mics!
• The second half of the trip was spent in the boreal forest. With the help of my waterproof Cinela Pianissimo blimp (read more about the waterproofing – here) I was able to record continuously for 7 days!
• The Anker USB-C battery I use to power my MixPre-6 can run 3 channels recording at 192kHz/24-bit for about 18 hours. So, I usually left my mics in the woods from about 5:00 pm until 11:00 am the next day.
• The next morning, I’d hike out, change SD cards and batteries, and move the mics to the next location I found in my explorations the previous afternoon.
• In this way, I was able to record about 18 hours per day for 7 days in a row. The mics never left the woods and survived curious Grizzly Bears, blustery winds, and several rainstorms!
• After growing up in the American Southwest, one of my favorite things about Alaska is the lack of snakes, ticks, scorpions, and poisonous ivy.
• You need to be VERY aware of the dangers of bears and moose, but having the ability to bushwhack without constantly watching for things that sting or bite you was amazing. It is one of the best feelings in the world to be wandering freely through the boreal forest of Alaska. Just listening and hiking and listening and hiking and listening…TEXT MARKERS:
• Named markers are included in each file to help find interesting events in an otherwise uniform waveform.
• Markers are included in the Soundminer and BWAV description fields starting with the prefix “Marker Text”.FILE LIST & METADATA:
• View larger version or Download CSV
• Flora (plants) and Fauna (animals) are described in these terms:
• fauna sparse
• fauna constant
• flora sparse
• flora constant
• flora and fauna sparse
• flora and fauna constant
• Included wildlife:Moose, Swainson’s Thrush, Golden-crowned Sparrow, White-crowned Sparrow, Dark-eyed Junco, Yellow-rumped Warbler, Lesser Yellowlegs, Spotted Sandpiper, Green-winged Teal, Wilson’s Snipe, Boreal owl, Northern Saw-whet Owl, Great Horned Owl, bats
MORE INFO:
• Read 40+ user reviews for Thomas Rex Beverly Audio
• Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
• Browse the Library Info Master List to compare specs on all my libraries.
• Browse the Metadata Master List to search my entire catalog.
• MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files.GEAR USED:
• Sennheiser MKH8040 pair and MKH30 in Double Mid/Side
• Sound Devices MixPre-6
• Cinela Pianissimo Double Mid/Side Blimp
96 kHz and 192 kHz:
• I always record and archive at 192 kHz for conservation and preservation purposes.
• However, all sounds are delivered in 96 kHz unless there was useful frequency content present above 48 kHz. Then the audio is delivered at 192 kHz.
• 4 of 49 tracks are included at 192 kHz. Bats are the only wildlife above 48 kHz in these recordings.STEREO AND QUAD FILES:
• Stereo: front mid/side decoded to left and right.
• Quad: double mid/side decoded to quad. -
DESCRIPTION:
• In Alaska: Lake Waves, get a small collection of soothing waves from Lake Clark National Park, Alaska. Hear the power of the wind as it builds waves down the 40-mile lake. Hear gentle crackling through rounded pebbles and sloshing boats at dock. Hear crashing swells and trickling water percolating through wet rocks.
• This library is full of tracks with soothing water from the rocky shorelines of the Arctic. Enjoy the melodic, gurgling water only rocky shorelines can create.2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.KEY FEATURES:
• Rock and pebble filled beaches
• Close and distant waves
• Crashing, Sloshing, and Gurgling
• Crackling and Swishing
• Docked boat movementRECORDING STORIES:
• Hear an interview about my Alaskan Expedition on Episode 121 of the Tonebenders Podcast.
• Lake Clark is about 40 miles long and 5 miles wide. With this massive lake, conditions can vary from glassy, to gentle lapping, to white-capped swells in the same day. The size of the lake mixed with the rocky beach made for excellent recording conditions.
• If you ever want to record waves, get knee or chest waders. These are invaluable, especially when the water temperature is just above freezing. I was able to wade out among the rocks and capture some lovely swishes and gurgles as the waves broke against the shoreline.
• My favorite sounds from the library are the “crackling” waves. These waves crackled like carbonated water! This was an extremely soft sound created by a gentle wave breaking among small pebbles. I was able to capture this lovely sound by holding my DPA 4060s a few inches above the water as the wave broke.TEXT MARKERS:
• Named markers are included in each file to help find interesting events in an otherwise uniform waveform.
• Markers are included in the Soundminer and BWAV description fields starting with the prefix “Marker Text”.FILE LIST & METADATA:
• View larger version or Download CSV
• A spectrogram is included for each audio file. Double click on the photo to enlarge.MORE INFO:
• Read 40+ user reviews for Thomas Rex Beverly Audio
• Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
• Browse the Library Info Master List to compare specs on all my libraries.
• Browse the Metadata Master List to search my entire catalog.
• MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files.GEAR USED:
• DPS 4060s in AB
• Sennheiser MKH8040 pair and MKH30 in Mid/Side
• Sound Devices MixPre-6
• Sound Devies 702
• Cinela Pianissimo Double Mid/Side Blimp
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What could be better than summertime in the country?
Of course summertime in Russian village!
Those sweet sounds of hammers, lawnmowers, dogs, neighbors activity, forests, fields, rain and, of course, lots of cicadas!
This library contains authentic atmospheres of villages and small towns of suburban Moscow, as well as sounds of nature, roomtones and doors of the old Dacha from Soviet era.
KEY POINTS:• Authentic atmospheres of dacha, forests, fields, streams, rains, streets of small towns, night and day suburban activity and roomtones!
• An excellent addition to your library for film, TV and multimedia – Suburban Russia during summer and autumn time
• Recorded with Mid-Side Sennheiser MKH8040/MKH30 combo
• Sorted by location-type categories
• All files have metadata included
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Recording of a 1945 Boeing B-17G Flying Fortress from World War II, an American heavy bomber with four Wright R-1820 Cyclone engines.
The Boeing B-17G Flying Fortress sound fx collection includes 190 clips in 10.81 gigabytes of audio. It showcases the sound of the Sally B, a 1945 American heavy bomber with four Wright R-1820 Cyclone engines.
A total of 26 synchronized field recordings share 9 onboard and 9 exterior perspectives. The onboard microphones were placed in the cockpit, the bomb bay, nose, and engine to capture multiple steady RPMs and engine swells. Exterior microphones were arranged around the bomber and airstrip to record flyovers, takeoffs, landings, and taxiing. Also included are performed effects of switches, cawl flaps, alarms, switches and more.
The collection includes Reaper and Pro Tools sessions for easy mixing, as well as full Soundminer, BWAV, and MacOS Finder metadata in every clip.
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Recording of a 2013 Lotus Exige-S with a supercharged 3.5 litre V6 6-speed Toyota EC60 engine.
The 2013 Lotus Exige-S sound library includes 177 sound effects in 15.64 gigabytes of audio. It presents 15 synchronized takes across 28 channels from the 2013 British exotic car and its supercharged 3.5 litre V6 6-speed Toyota EC60 engine.
The 15 takes include onboard and exterior field recordings. The onboard takes gather paired recordings from the engine, exhaust, and interior. Performances from the 5 exterior perspectives include driving with steady RPMs, with gearshifts, and with ramps. The 9 exterior perspectives arrange Neumann, Holophone, Sennheiser and other microphones on straightaways and at corners to share starting and stoping, departures and arrivals, and passes at slow, medium, and fast speeds.
Every clip is embedded with 18 fields of Soundminer metadata, plus BWAV metadata, and MacOS spotlight metadata, as well as metadata keyword import files in 7 languages. The collection is packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
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Recording of an Italian Ferrari 458 from 2013 with a 4.5 L F136 F V8i engine with 7-speed dual clutch.
The Ferrari 458 sound effects collection gathers 197 clips in 14.2 gigabytes of audio. It features a 2013 version of the Italian sports car with a 4.5 L Ferrari F136 F V8i with a 7-speed dual-clutch.
A combined total of 29 channels of audio and 10 synchronized takes capture onboard and exterior perspectives of the luxury car. Microphones placed at the engine, exhaust, and in the interior capture 9 perspectives onboard to capture driving at fast, medium, and slow speeds with ramps, steady RPMs, and gearshifts. Nine further perspectives arrange microphones at four positions to gather starting, stopping, departing, passing by, and arriving.
Packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately. In addition, each clip is embedded with 18+ fields of Soundminer, BWAV, and MacOS Finder metadata, with keyword translation import files available in 7 languages.
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Recording of an American Arctic Cat M 8000 Limited 153 snowmobile with a fuel injected 2 cylinder horizontal in-line 2-stroke engine performing a variety of onboard and exterior maneuvers.
The Arctic Cat M 8000 Limited 153 snowmobile sound fx library includes 256 sound clips in 11.01 gigabytes. It features the sound of a 2015 American version’s fuel-injected 2 cylinder horizontal in-line 2-stroke engine performing a variety of onboard and exterior maneuvers.
A combined total of 14 perspectives in 22 channels showcase the snowmobile performances. The 6 exterior perspectives capture departures, arrivals, and passes by at fast, medium, and slow speeds. The 8 onboard perspectives include microphones mounted on the dashboard, at the bogie, and the engine driving steady, with gearshifts, and ramps. Some tracks feature an exhaust perspective. There are also idles, blips, and starts and fails.
The package has 18 fields of Soundminer metadata, plus BWAV metadata and MacOS spotlight comments. The collection comes complete with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
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The 1968 American AMC Javelin sound fx collection includes 334 clips in 18.48 gigabytes of audio. Also known as Rambler Javelin, Javelin 79-K, and VAM Javelin, it showcases the sound of its 343 c.i. V8 engine with 280 horsepower and a 4-bbl carburetor.
The 1968 American AMC Javelin sound fx collection includes 334 clips in 18.48 gigabytes of audio. Also known as Rambler Javelin, Javelin 79-K, and VAM Javelin, it showcases the sound of its 343 c.i. V8 engine with 280 horsepower and a 4-bbl carburetor.
The sound bundle includes a total of 16 synchronized takes, each of which is aligned in Pro Tools and Reaper sessions. 14 onboard perspectives (including an Ambisonic POV) share field recordings from the exhaust, engine, and interior while driving with steady RPMs, gearshifts, and ramps. 8 exterior perspectives at multiple positions on corners and straightaways depict departures, arrivals, passes and idles. Also included are stereo mixes of the interior, engine, and exhaust, as well as performed fx.
Each clip is embedded with full Soundminer, BWAV, and MacOS Finder metadata.
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Game Audio Engines sound library was built from 311 WAV files, with a total length of 193 minutes. It features recordings of 22 different cars. Inside you’ll find engine on / off sounds, idle loops, rpm loops, rpm ramps, interior recordings and stems. Each car features a different set of recordings, and you can see the exact specification in the table down below. Cars that are part of this library:
- Audi A3 8L 1.9 TDI
- Audi A4 B8 2.0 TDI
- Audi A4 B8 Allroad 2.0 TFSI
- BMW 114i E87
- BMW 420D Gran Coupe
- BMW 530D E60
- BMW 640D F12 Gran Coupe
- Jeep Grand Cherokee WJ 4.7 V8 Magnaflow
- Nissan Qashqai I 1.6
- Nissan Terrano II 2.7 TDi
- Porsche Cayenne I 4.8 V8
- Renault Kangoo 1.6 16v
- Renault Master 2.3 dci
- Renault Master II 2.8dTi
- Renault Master III F3500 dCi135
- Renault Master IV dci 165
- Seat Ibiza III 1.2 12V
- Subaru Impreza GD WRX
- Toyota Corolla Verso 1.6
- Toyota RAV 4 II 2.0 16V Diesel
- Volkswagen Caravelle T5 2.0
- Volkswagen Golf II
- Volkswagen Golf V 1.6 FSI
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This sound effects archive contains sounds recorded in Cairo and Alexandria in September 2015. I spent a month in Cairo recording sounds. There are many crowds, traffic recordings and recordings of prayer calls. The city has 20 million people, 5 million cars and it never sleeps. It is truly a fantastic, noisy place, recorded in glorious 96 kHz/24 bit. I hope you enjoy the archive.
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Three old style British Radio broadcasts. I have voiced and processed them to sound authentic for the respective eras.
• 1939 wartime news broadcast.
• 1962 weather report on the severe winter of the time.
• A 70s pirate radio style monologue.Could be good for your radio, TV, film, animation or theatre project.
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Call upon an ancient tribal shaman in your next production! Introducing AAA Game Character Witch Doctor, a unique collection of tribal voice-over sound files styled for fantasy games and trailers. This voice-over sound library features a male antagonist inspired by MMO’s and RPG games. AAA Game Character Witch Doctor voice-over sound library provides you with more than 429 immersive, game-ready voice sound files, vocalizations, battle cries and saying, custom dialogue lines, and everything needed to create interactive & compelling cinematic snakes, and outstanding game-play audio experiences.
The Witch Doctor’s voice can be described as a tribal troll character, deep, similar to a Jamaican accent, dynamic, dark, and rich with texture. Perfect for a villain, enemy boss, NPC, or antagonist character in your next game, project or production. His voice is ready to go out of the box but is clean enough for further processing plus you get both wet and dry versions of the entire library so you can have the ability to customize how he sounds. All of the recordings are delivered in 24 Bit / 96 kHz .wav file format, giving you the best quality for heavy sound editing, pitching shifting and fx processing while keeping a top-notch level of clarity and precision.
Product details: - 429 fantasy character voice-over audio files
- Includes both dry and wet versions of each file
- AAA Game Character Voice-Over Sound Effects Library
- Perfect for fantasy games, film, and trailers
- 19 battle cries and sayings
- 5 breathing types – slow, out of breath, quick & more
- 19 coughs – stock, long, hacking, short, quiet, wheezy
- 17 crying sounds – big, short, whimper, painful, heart broken
- 144 immersive dialogue lines like a curse upon you, how may I serve you, I follow the spirits
- 23 fight vocals – angry, big swing, hit, grunt, growl, roar
- 13 jumping vocalizations – big, double jump, windup, quick
- 14 laughing voice files – big, evil, sarcastic, short, wheezy
- 30 pain vocals – gut punch, pain, long, juicy, stab, wounded & more
- 145 stock dialogue lines for basic interactions like copy that, attack, game over, help me, need ammo & many more!
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The VHS & Betamax Sessions assembles a collection of vintage, lo-fi sounds taken from over 80 tapes from everybody’s favorite magnetic video recording formats.
Inside this collection, you’ll find over 3 hours of background ambiences taken from assorted home videos, ranging from sports crowds, outdoor ambiences, water parks, amongst other oddities; ready to be dropped onto the late 70s, early 80s flavored projects and retro-futuristic user interfaces.
Complementing the material found inside the tapes, there’s also rewind, fast forward, tape insertion and removal sounds from both players for your foley aspirations.
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With THE GLITCH 2 sound library Sound Response brings you the second installment of totally twisted, mangled, glitchy, twitchy sonic madness! Great for sound experimentation and exploration these glitch sound effects often turn out to be an effective source of inspiration in music production and sound design, especially in music genres like electro, dubstep, EDM, IDM, drum’n’bass, glitch hop, industrial, hardcore, and other electronic and experimental music styles!
They’re also very useful as a sound design tool for video games, movies, trailers, and other cinematic projects, where you can either use them as they are, or you can unlock their full potential by combining and layering them for creation of all sorts of futuristic sci-fi and hi-tech sounds, mechanisms, robot sound effects, and other sci-fi sound effects! If you’re looking to expand your sound effects collection and sound design audio arsenal with high-quality glitch sound effects THE GLITCH 2 sound library is a must-have!
THE GLITCH 2 sound library contains 192MB (341 sound effects) of high definition 24 Bit / 96 kHz Stereo WAV files, embedded with metadata to speed up your workflow.
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Evolved Game Creatures 2 is the second installment of our game monster sound effects series. This library brings producers and sound designers a versatile and wide-ranging selection of medium to small creature & monster styled game sound effects.
Useful in animations, video games, mobile apps, motion graphics, film, and software development, Evolved Game Creatures 2 is a go-to collection of monster sounds and audio creativity. Inside you’ll find over 160+ distinctive, immersive, game optimized creature sound effects, vocalizations, attacks, death sounds, special SFX & more. Creating compelling cinematic game characters and outstanding gameplay audio experiences has never been easier.
Explore through 10 inspiring sound sets of your favorite mystical creatures, imaginative supernatural beings that are perfect for any fantasy production! Each sound set & creature will have sounds for attacks, death, damage, spawn, hits, impacts, and breathing.
Creature list:• Gnoll – (Hyena Creature)
• Harpy – (Dinosaur Bird Creature)
• Hell Hound – (Dog Creature)
• Kelpie – (Horse Creature)
• Mimic – (Mechanical Dinosaur Creature)
• Orc – (Humanoid Creature)
• Owl Bear – (Bird Mammal Creature)
• Rock Golem – (Supernatural Creature)
• Wight – (Ghoul Creature)
• Wraith – (Spirit Creature)
Evolved Game Creatures 2 is designed specifically for games. The audio texture of the entire sound library is deep, dynamic and rich. This collection is perfect for designed monster sounds effects you might find while roaming around in a game, MMO, RPG, or for animalistic villains, creatures, enemy bosses, non-player characters, bots or antagonist characters in your next game and so on.
Product details:• Monster & Creature Sound Effects Library
• Game Ready & Designed Sound Effects
• 10 different creature and monster sound sets
• Perfect for game developers and sound designers
• Over 7 minutes fantasy game creatures audio
• Each monster includes multiple attacks, death, pain, special fx, character specific fx & more
• All Royalty-Free
• All files are game-ready, mastered and optimized in length, size to reduce game distributions and space.
• RTU-OTB (ready to use out of the box)11 %OFF -
This is a selection of more than 30 different elevators, displaying a broad variety in sound. The whole library was recorded in 192 kHz (with Earthworks QTC50) as elevators often have high pitched metal sounds, squeaks and electrical hum up there, which makes great material for extreme pitch shifting. In addition to the omnis, which get you a very accurate impression of the space, a harsher, more direct pair of microphones were used in m/s on a lot of recordings. You could even build a surround version from these mics together.
The library focuses on the most important sounds for games and movies, elevators going up & down as well as doors sliding open and closing. Besides, I recorded atmos, buttons and footsteps wherever possible. I also added some studio foley takes to add a selection of rattles, squeaks, metal impacts, doors etc. to create the exact elevator sound that suits your needs.
The elevators range from a 1929 wooden paternoster, metallic freight elevators/goods lifts to a 90s futuristic Kone disc drive and 2015s all-glass cabins. Carrying a maximum of 2 people to 33 people. Recorded in universities, offices, hotels, warehouses, industry, town halls, private households, malls and many more.
The meta-data allows you to sort by year, kg, people, brand, action and of course character.
You like to hear it rattle, squeak, groan, grind, slide, clatter and hiss (yeah, lots of fan noise)? This is one for you.
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These sounds were recorded over 3 years in southern Australia.
It comprises ambience and atmosphere recordings of beach waves, forest streams, rivers, a dripping cave system and even a sewage processing plant (The Poo Machine!!). There are also Hydrophone recordings of urban swamp insect life, jetties and water treatment systems. Many of the recordings offer multiple perspectives of the same subject from close up to distant.
They were all recorded using Sennheiser, DPA, Sanken and Soundfield Mics as well as a pair of Hydrophones. All recorded into Sound Devices 788 or 633 recorders.
The recordings were mixed to stereo with minimal post processing.
Most files are loopable. And great care was taken to record clean sounds that are useable in an edit.
I hope you enjoy and find these useful for you projects.
The Beach sounds were recorded on the Mornington Penunsula in Victoria Australia. The waves range from gentle currents lapping at the sand to heavy surf waves. Different perspectives from close to distant were recorded to give greater flexibility when editing. These were recorded using a pair of supercardioid mics.
The cave recordings were captured at the Yarrangobilly caves in the Kosciuszko National Park, they feature a continuously dripping soundscape. The entrance to one of the caves is a large cavern with part of the roof caved in. In this space birds dart around and water drips. Further into the cave there is just the continual dripping of water. These were recorded using a spaced pair of Omni mics to give a sense of space and a centre hypercardiod to pick some detailed drips.
Also captured at Kosciuszko National Park are some recordings of rain and wind gusts through trees. I was able to place the microphones and recorders into protected rock formation and leave them recording for hours on end.
A pair of hydrophones was used to explore an urban water treatment project at the Trin Warren Tam-boore (Bellbird Waterhole) The wetland has been designed to treat water from the surrounding area through natural biological processes. It provides water to irrigation systems for the Royal Park Golf Course and other sporting grounds in Royal Park.
I was able to record pumped water flow as well as a symphony of underwater insects. The insects probably included Backswimmers and Dragonfly larvae, often called ‘mudeyes’, amongst others.
The streams and rivers were recorded in both country New South Wales and Victoria. Most of these recordings were captured using Soundfield Microphones, the ST450 Mk2 as well as the SPS200. There is a variety of fast flowing, gentle, close up and distant. As well as a ’study on fishing from a tin boat’. No fish were caught.!!
And finally a machine. A sewage treatment plant gives us a great slopping, mixing sludge sound.
I hope you enjoy these sounds.
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The orc library will suit all your big and bulky evil boss character needs.
Featuring 168 sounds in total that are split into categories for your convenience:
• Attack
• Breathing
• Burps
• Die
• Eat
• Growl
• Hit or Injured
• Laugh
• Move
• Other
• Pain and Suffering
• Roar
• Suspicion23 %OFF -
AUTOMATED BIRD NOISE REMOVAL
DEBIRD automatically recognizes bird noises in your recordings and removes them with surgical precision.
THE PROBLEM
Meet the involuntary #1 enemy of recordists and editors alike: Birds.While their lively and delightful song is a true asset in nature ambiences, it ruins just about everything else.
As a result, countless hours are spent on the rather tedious task of cleaning recordings before one can get back to the fun part and focus on the creative process.
Meet DEBIRD – your simple but powerful tool that utilizes Deep Learning to do all the cleaning work for you.
Sit back and relax while DEBIRD effortlessly extracts all the unwanted chatter from your audio file within seconds!
HOW TO USE DEBIRD?1. Drag any sound into DEBIRD. It is analyzed automatically.
2. Hit Play. Enjoy your de-birded recording! You can see the removed bird sounds in the lower spectrum display.
3. Simply export the cleaned sound.
THAT’S IT?
Yes! It is really that simple. You need some more features? You can also do the following:Would you like to keep certain sounds that would otherwise be removed? No problem! Grab a boundary box or brush and show DEBIRD what to keep.
Solo and export the extracted bird sounds if needed. DEBIRD can be used in the exact opposite way it was designed for.
TIMESAVER
DEBIRD turns hours of work into seconds.FAST PROCESSING
No matter how fast you remove bird sounds, DEBIRD is faster.CUT THE SLACK
No more need to plan recording sessions at night or use invasive methods such as scaring off birds.SMART
DEBIRD‘s Machine Learning capabilities help the tool to improve over time.HELP US TO IMPROVE DEBIRD
DEBIRD works with a neural network that further improves the more input it gets. We will continuously feed the deep learning algorithm with recordings of birds to improve the results and to better handle edge-cases.WHAT YOU CAN DO
You have a file and DEBIRD struggles to properly remove the bird sounds? Contact us via debird@boomlibrary.com and send us your audio file. We will include it into the machine learning routine and DEBIRD will handle such cases better over time.REQUIREMENTSSOFTWARE
DEBIRD works as a standalone application without a host DAW or NLE.SYSTEM
Windows Windows 7 (64-bit), 8 GB RAM, Intel® Core i5
Mac Mac OS X 10.11, 8 GB RAM, Intel® Core i5ILOK
Available licensing options:
Machine License activation and USB Dongle -
Also included in LT Underwater Bundle 2!
The library has been recorded on small and medium-sized trip motorboats in Montenegro, Adriatic Sea. Rather than image of a specific boat model, this collection includes a set of universal elements with plenty of variations and perspectives, both realistic sources and stylized designs.
Boat ride / overwater – engine roar with more or less rushing water hiss, mic onboard
Boat ride / overwater – without the sounds of engine – universal rushing water around a fast moving object
Boat ride / underwater – sounds of a fast movement underwater
Waves splashing on a hull / underwater – boat is not moving, different wave intensities
Designed underwater – adding more interesting variations and emotions to the previous categories – stylized / multi-layered / spacious / diffused / distant / deep / eerie
Gear used:
Ambient Sound Fish 1 MKII hydrophone – includes ultrasonics
Aquarian H2A hydrophone
Sound Devices Pre6 recorder
Sony PCMD100 handheld recorder
Rode SoundFiled NT-SF1Key features:
• 94 files – 19 source overwater, 20 source underwater, 55 designed underwater
• 24 Bit / 96 kHz native resolution mono/stereo
• meta-tagged in Soundly
• each filename includes the full tag line
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CashMoney is a detailed collection of 105 sounds created by recording stacks of fresh paper banknotes and metal coins.
CashMoney includes a wide variety of money based activities, from counting and shuffling paper banknotes, to handling, counting and spinning various metal coins, on surfaces, in hands and in boxes. There is also a section of designed sounds, representing a fast bank note counting machine.
This collection is divided into 3 folders, according to the type of cash:
• Coins: 68
• Banknotes: 23
• Designed Note Counter: 14All sounds were recorded or designed, and edited at 24 Bit / 96 kHz, with embedded meta data and accompanying spreadsheets.
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Who doesn’t recognize the sounds of construction work and the toughest duties ever known to humankind. Drilling, hammering, building and constructing. (Swearing not included). Packed with 237 different sounds to immerse you audience in the true hardwork day to day
Recorded with
Sound Devices 633
Rode NTG3
Rode NT4
Seymour Duncan SCR-1 -
Weapon Mech & Reload Sounds is a sfx library recorded for police / military related film or video games. Recorded at 24/96,(real guns and soft/air guns) with 3 microphones (omni, cardioid and shotgun), you can use one sound or mix the 3 layers together for more impact!
Key Features:
Library ships in 96kHz, 24bit
408 files, more than 800 sounds
Effective workflow: well-grounded Soundminer Metadata
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Lethal Blow is a collection of high quality fight sound effect. It features 925 sound effects; 600 source recording and 325 designed sound effects. It comes loaded with all sorts of sounds – from simple punches to multi-layerd crunchy blows and and meaty hits.
All source sounds ware recorded with top tier microphones; Sennheiser MKH8040 and MKH8060 at 192kHz/24Bit with a Sound Devices recorder.Collection consists of two main categories:
DESIGNED 96/24 (325 SFX)
Bone Breaks – Crunchy breaks, snaps and tears.
Grabs, throws and blacks.
Bright Punches – Punches with meaty bottom and pronounces “beef slap” transients.
Crunch Punches – Punches layered with bone breaks and cracks .
Dark punches – Punches with more of a deep, organic, thump-y sound.
Rips and tears – Fatality-like, gory tears.
Simple Punches – Organic sounding, deep punches that consist of only few layers (compared to other punches).
Punches “Xtra” – Punches without Arm movement/scuffle/whoosh – just a hit that you can layer with your own woos/scuffle
Skull crashes – Gory, slimy skull crashes and splits
Swooshes, whooshes snd scuffles.SOURCE CONSTRUCTION-KIT 192/24 (600 SFX)
Scuffles, arm movements and whooshes – Cotton, denim and nylon.
Snaps – Leak snaps
Flesh drops – Dropped oranges
Cotton transients – Cotton hoodie hit with a soft drum mallet
Real chest punches – Closed fist
Meaty punches – Beefy, organic punches (punching beef steaks).
Lettuce punches and smacks – Deep, wet lettuce punches plus exaggerated transient sounds.
Real chest smacks – Open fist
Meat movement – gory, slimy, beef movements.
Meat Slaps – Beef steaks dropped on a tile floor with pronounced transients
Small crack – cracking eggshells
Bell pepper rips – Tearing, ripping apart Bell peppers for crunchy snaps and cracks
Whooshes and swooshes – Airy whooshes
Fabric Movement – random, cotton cloth whooshes and multiple swishes.325 designed sound effects will get you started right away and save a lot of time when cutting fight scenes.
600 high quality source recordings will allow you to design all kinds of punches, bone brakes and gore sound effects from scratch, exactly to your taste.All sound effects are highly tweakable. You can fine-tune them to your liking; pitch them up/down to remove/add weight whilst retaining details and clarity.
Download includes:
96-192KHZ 24BIT version (925 SFX/562MB)
44.1KHZ 16BIT version for Unreal Engine (925 SFX/264MB)
192KHZ 24BIT BONUS source recordings (58 SFX/30MB)
RECORDED WITH: Sound Devices MixPre 6 + Sennheiser MKH8040 + Sennheiser MKH8060
EDITED AND MASTERED WITH: RX, Pro Tools, Brufri, DMGAudio, Sonnox, Fabfilter40 %OFF -
The “Electro-Mechanics ToolKit 2” Sound Effects Library features a wide range of versatile electro-mechanic motors, engines, tools and toys.
All waiting to be cut up, layered, edited and mangled with FX to become spaceship engines, robot movements, sci fi doors, weapon mechanics.
This library is not meant to be a comprehensive tools library but rather a composite toolkit to bring futuristic electro-mechanic machines, devices, weapons, vehicles, … sonically to life.
All cleaned and edited for direct use in your upcoming projects.All sounds have embedded BWF Metadata.
Categories:Air Compressor • Angle Grinder • Band Saw • Belt Sander • Bowling Alley Machinery • Buffing Machine • Turning Lathe • Buzz Saw • Chop Saw • Doors & Shutters • Electric Drill • Electric Screwdriver • Electric Wood Plane • Evacuator • Film Projector • Fine Blanking Tool • Fretsaw • Grinding Lathe • Hand Blender & Mixer • Hoist Industrial • Industrial Vacuum Cleaner • Jigsaw • Mechanic Toys • Metal Saw • Milling Machine • Stationary Drill • Strimmer • Toy Helicopter
30 %OFF -
Looking for sounds of a remote controlled car? Here you go: This sound effects library features 170 sound effects of the Reely Core RC Car. You get several on-board and external driving sounds, pass-bys, close-up steering mechanics and idling mixtures, and of course some crashes. All sounds are edited and cleaned for direct use in your upcoming sound design projects. All sounds contain detailed BWF Metadata.
30 %OFF -
A library containing a number of objects being picked up, put down and moved around on a number of surfaces including wood, glass and metal.
New Sound Effects
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Medieval Battle
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Vehicles Pass-by
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Rocks & Debris
$40$30 -
BSA M20 1940 Motorcycle
$249
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Sci-Fi Guns Sounds
$20$14.99
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