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“The Shoe Collection: Soft Hardwood – Socks“ by Periscope Post & Audio, provides 22 high quality footsteps on soft hardwood floors with socks. The audio files are recorded at 24bit, 192k with mono and stereo recordings. The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the sock. From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more! We are also packaging the option of a different EQ curve to reduce some of the lower thump of the sock. There are several performances with each file to fit the right action you need. 438 Footsteps per version. That’s a whopping 876 footsteps between the mono and stereo files!
These sound files are also UCS metadata tagged
“The Shoe Collection: Soft Hardwood- Leather Hard Sole Sandal“ by Periscope Post & Audio, provides 22 high quality footsteps files on soft hardwood floors with the leather hard sole sandal. The audio files are recorded at 24bit, 192k with mono and stereo recordings. The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe. From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more! There are several performances with each file to fit the right action you need. That’s a whopping 360 footsteps between the mono and stereo files!
These sound files are also UCS metadata tagged
“The Shoe Collection: Soft Hardwood- Platform“ by Periscope Post & Audio, provides 22 high quality footsteps files on soft hardwood floors with the platform sandal. The audio files are recorded at 24bit, 192k with mono and stereo recordings. The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe. From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more! There are several performances with each file to fit the right action you need. That’s a whopping 626 footsteps between the mono and stereo files!
These sound files are also UCS metadata tagged
Woman power of all ages and styles!
Here we have 2227 sounds of female vocalizations for fighting, action, pain, basic reactions, emotions, general gibberish speech and many English words. Less extreme than Beastie Girls 192, you’ll get brand new screaming, shouting, talking, gibbering, hoarsing, whispering, laughing, crying, choking, wheezing, yelping, yawning, moaning, groaning, panting, cheering, breathing, coughing and more.
– 4 different voice characters including English kid girl, English adult woman, 2 non-native speaking women + 2 more extra subcharacters – Cartoon and Creepy Whisper
– 2227 files, start and end without silence gaps for immediate implementation
– 192 kHz / 24 bit file resolution with ultrasonics, 1.58GB unpacked
– source files – cleaned, with equalisation contour
– volume normalized to around -18 lufs
– contact the library creator to order more exclusive vocalizations for your project if needed
The EC-300 Echo Collection brings the sound of dozens of echo and chorus effects into a single plug-in.
The DE555 uses a new approach, combined with look-ahead technology, for consistent, transparent, natural sounding de-essing at any signal level.
Using the same design approach as our popular FilterBank plug-in, CompressorBank gives the user complete control of dynamic compression.
McDSP’s legendary emulations of vintage equalizers, compressors, tape machines and channel amplifiers are available together as the McDSP Classic Pack.
Channel G Surround is a Compressor/Limiter optimized for 5.1 channels using 4 compressors sets – LR, C, LsRs, and LFE channels.
• Channel G Dynamics – A fully featured console style dynamics section with an Expander/Gate, Compressor/Limiter, and two sets of versatile filters.
• Channel G Equalizer – 5 bands of professional grade console style EQ with two more sets of filters.
• Channel G Console – A combination of the functionality offered in the G Dynamics and G Equalizer configurations.
The Channel G Compact Dynamics configuration uses ultra high-resolution level detection in its Compressor/Limiter sections to give accurate handling of the most complex material.
The Channel G Compact Equalizer is based on the original design found in McDSP’s award winning FilterBank plug-in. Improvements include a greater boost/cut range and switch-able shelving-parametric EQ sections.
In addition to the extensive dynamics, filtering, and equalization capabilities of Channel G Compact, there are also models of world famous mixing desks.
• AC101 – Analog Channel emulation – the AC101 plug-in is a fully adjustable analog amplifier.
• AC202 – Analog Tape and Analog Tape Machine emulation – the AC202 configuration has standard tape-machine parameters such as bias, tape speed, and IEC1/2 standards are provided.
The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.
The AE400 is an advanced active equalizer suitable for music production, post production, and live sound.
The 6050 Ultimate Channel Strip has everything you need to make your mix sound great. All the modules from the award winning 6020 Ultimate EQ and 6030 Ultimate Compressor plug-ins are included.
The 6034 Ultimate Multi-band is a flexible multi-band dynamics processor, offering all the award winning compression, expansion, and gating modules from the highly acclaimed 6050 Ultimate Channel Strip plug-in, in a four band crossover network.
The 6030 Ultimate Compressor is the next generation of dynamic range control technology.
The 6020 Ultimate EQ is a collection of ten equalizer models using the popular module format leveraging McDSP’s 15+ years of design experience.
BEAMS is a comprehensive toolkit for beam sound design. Sounds are separated into activation oneshot, activation/deactivation mechanism, and active loop categories. Each category contains subcategories for small, medium, and large beams. You can design anything from the smallest spy-watch laser cutter to a planet destroying column of chaos. As a bonus, you’ll also get a diverse collection of burning ignition sounds as source for beam environmental destruction.
Metal Smash – What do you get when you go to the junkyard with the best Schoeps Microphones money can buy.
Every effect is also recorded with a sub sonic microphone to add depth to the smashes. Great complicated crashes with extra metallic details.
Welcome to “MOTION MODE”, an intense collection of sounds to induce movement and evoke excitement in your production.
You will find whooshes, transitions, noises, granular textures, movements, stutters and hits with a powerful Sci-fi feel.
Special attention was put in the dynamics of the sounds to ensure the creation of an energetic pack aimed to enhance atmospheres, add movement and enrich musical compositions.
If you liked some of my previous libraries like “Dodge this” and “The Transition” you are gonna love this one.
Huge deep and textural organic whoosh by’s. These are un-altered but a total blast. Want more fun, just (again) compress and pitch to fit, and hell, maybe add a little distortion.
A great collection of organic sliding whooshes. They sound great, have lots of movement and are almost always complicated movements not just simple whoosh by’s.
Assorted firework recordings, ranging from individual explosions to multiple fireworks going off at the same time.
This collection has lots of nice sharp bangs, and includes a variety of firework sounds recorded close up and from a distance.
A small collection of horror sting sound effects, ideal for spooky, scary, Halloween and horror uses.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.