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Home Sound Effects

Sound Effects

  • “The Shoe Collection: Soft Hardwood – Socks“ by Periscope Post & Audio, provides 22 high quality footsteps on soft hardwood floors with socks.  The audio files are recorded at 24bit, 192k with mono and stereo recordings.  The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the sock.  From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more!  We are also packaging the option of a different EQ curve to reduce some of the lower thump of the sock.  There are several performances with each file to fit the right action you need.  438 Footsteps per version. That’s a whopping 876 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

  • “The Shoe Collection: Soft Hardwood- Leather Hard Sole Sandal“ by Periscope Post & Audio, provides 22 high quality footsteps files on soft hardwood floors with the leather hard sole sandal.  The audio files are recorded at 24bit, 192k with mono and stereo recordings.  The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe.  From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more!  There are several performances with each file to fit the right action you need.  That’s a whopping 360 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

  • “The Shoe Collection: Soft Hardwood- Platform“ by Periscope Post & Audio, provides 22 high quality footsteps files on soft hardwood floors with the platform sandal. The audio files are recorded at 24bit, 192k with mono and stereo recordings. The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe. From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more! There are several performances with each file to fit the right action you need. That’s a whopping 626 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

  • Woman power of all ages and styles!

    Here we have 2227 sounds of female vocalizations for fighting, action, pain, basic reactions, emotions, general gibberish speech and many English words. Less extreme than Beastie Girls 192, you’ll get brand new screaming, shouting, talking, gibbering, hoarsing, whispering, laughing, crying, choking, wheezing, yelping, yawning, moaning, groaning, panting, cheering, breathing, coughing and more.

    – 4 different voice characters including English kid girl, English adult woman, 2 non-native speaking women + 2 more extra subcharacters – Cartoon and Creepy Whisper
    – 2227 files, start and end without silence gaps for immediate implementation
    – 192 kHz / 24 bit file resolution with ultrasonics, 1.58GB unpacked
    – source files – cleaned, with equalisation contour
    – volume normalized to around -18 lufs

    – contact the library creator to order more exclusive vocalizations for your project if needed

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  • The EC-300 Echo Collection brings the sound of dozens of echo and chorus effects into a single plug-in.

    Features

    • Three delay types – Magnetic, Digital, and Analog
    • Wide variety of character modes per delay type
    • Saturation, Wow, Flutter, Ducking, and other delay features
    • Single, dual, and ping-pong delay operation
    • Tap tempo and session sync
    • Double precision processing
    • Mono, stereo, and mono-to-stereo versions
  • The DE555 uses a new approach, combined with look-ahead technology, for consistent, transparent, natural sounding de-essing at any signal level.

    Features

    • Advanced de-essing technology
    • Unique key filter focus and de-essing controls
    • Real-time metering and key filter response plot
    • High frequency (HF) only option
    • Double precision processing
    • Low Latency
    • Mono and stereo versions
    • Supports up to 96 kHz sample rates
  • Using the same design approach as our popular FilterBank plug-in, CompressorBank gives the user complete control of dynamic compression.

    Features

    • Uniquely flexible compressor with Knee and Bite (Bi-directional Intelligent Transient Enhancement) controls
    • Multiple Time-Constant (TC) circuit types
    • Side chain input
    • Side chain / input monitoring
    • Metering of Input, Compression Gain, and Output
  • McDSP’s legendary emulations of vintage equalizers, compressors, tape machines and channel amplifiers are available together as the McDSP Classic Pack.

    Features (HD)

    • Analog Channel HD
    • CompressorBank HD
    • FilterBank HD
    • MC2000 HD

    Features (Native)

    • Analog Chanel Native
    • CompressorBank Native
    • FilterBank Native
    • MC2000 Native
  • Channel G Surround is a Compressor/Limiter optimized for 5.1 channels using 4 compressors sets – LR, C, LsRs, and LFE channels.

    Features

    • Full featured surround Compressor/Limiter in LR, C, LsRs, and LFE channel sets
    • Optional LFE low pass filter 24 dB/Oct slope
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • 5.1 version only
  • Channel G is 3 plug-ins:

    • Channel G Dynamics – A fully featured console style dynamics section with an Expander/Gate, Compressor/Limiter, and two sets of versatile filters.

    • Channel G Equalizer – 5 bands of professional grade console style EQ with two more sets of filters.

    • Channel G Console – A combination of the functionality offered in the G Dynamics and G Equalizer configurations.

    Features

    • Full featured Expander/Gate, Compressor/Limiter
    • Five-band EQ with shelving and parametric sections
    • Compressor/Limiter operation pre or post EQ section
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • The complete dynamics and equalization console for Pro Tools.

    The Channel G Compact Dynamics configuration uses ultra high-resolution level detection in its Compressor/Limiter sections to give accurate handling of the most complex material.

    The Channel G Compact Equalizer is based on the original design found in McDSP’s award winning FilterBank plug-in. Improvements include a greater boost/cut range and switch-able shelving-parametric EQ sections.

    In addition to the extensive dynamics, filtering, and equalization capabilities of Channel G Compact, there are also models of world famous mixing desks.

    Features

    • High pass and low pass filters with 12 and 24 dB / Oct slopes
    • Full featured Compressor/Limiter
    • Four-band EQ with shelving and parametric sections
    • Compressor/Limiter operation pre and post EQ section
    • Analog saturation modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • The Analog Channel plug-in has two configurations to emulate all things analog:

    • AC101 – Analog Channel emulation – the AC101 plug-in is a fully adjustable analog amplifier.

    • AC202 – Analog Tape and Analog Tape Machine emulation – the AC202 configuration has standard tape-machine parameters such as bias, tape speed, and IEC1/2 standards are provided.

    Features

    • AC101 provides analog channel modeling in mono and stereo formats.
    • AC202 emulates the most popular tape playback systems, modern and vintage tape formulations, at all the professional playback speeds and IEC standards.
    • Playback head emulation – taken from the specs and measurements of popular manufacturers of tape ‘reproducers.’
    • Double-Precision Arithmetic
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra Low Latency
  • The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.

    Features

    • Six fully overlapping fixed and active EQ bands
    • Independent control over all fixed and active EQ parameters per band
    • Selectable EQ mode per fixed and active bands
    • Unique active EQ ratio response control
    • Side chain support
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • The AE400 is an advanced active equalizer suitable for music production, post production, and live sound.

    Features

    • Four fully overlapping fixed and active EQ bands
    • Independent control over all active EQ parameters per band
    • Unique active EQ ratio response control
    • Side chain support
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • The 6050 Ultimate Channel Strip has everything you need to make your mix sound great. All the modules from the award winning 6020 Ultimate EQ and 6030 Ultimate Compressor plug-ins are included.

    Features

    • Over 25 EQ, compressor, gate, expander, saturator, and filter modules
    • Easy drag and drop, on the fly module auditioning
    • Side chain support
    • Input and output control
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • The 6034 Ultimate Multi-band is a flexible multi-band dynamics processor, offering all the award winning compression, expansion, and gating modules from the highly acclaimed 6050 Ultimate Channel Strip plug-in, in a four band crossover network.

    Features

    • All compression, expansion, and gate modules from the award winning 6050 Ultimate Channel Strip plug-in
    • Configurable four-band crossover with multiple filter slope options
    • On the fly module auditioning
    • Input and output control
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • The 6030 Ultimate Compressor is the next generation of dynamic range control technology.

    Features

    • 10 compressor modules in a single interface
    • Side chain support
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • The 6020 Ultimate EQ is a collection of ten equalizer models using the popular module format leveraging McDSP’s 15+ years of design experience.

    Features

    • Unique variations of every-day classics and hard-to-find boutique gear
    • Analog Saturation modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • Firearms Sound Effects Beams Play Track 1139 sounds included $149

    BEAMS is a comprehensive toolkit for beam sound design. Sounds are separated into activation oneshot, activation/deactivation mechanism, and active loop categories. Each category contains subcategories for small, medium, and large beams. You can design anything from the smallest spy-watch laser cutter to a planet destroying column of chaos. As a bonus, you’ll also get a diverse collection of burning ignition sounds as source for beam environmental destruction.

  • Metal Smash – What do you get when you go to the junkyard with the best Schoeps Microphones money can buy.

    Every effect is also recorded with a sub sonic microphone to add depth to the smashes. Great complicated crashes with extra metallic details.

  • Welcome to “MOTION MODE”, an intense collection of sounds to induce movement and evoke excitement in your production.

    You will find whooshes, transitions, noises, granular textures, movements, stutters and hits with a powerful Sci-fi feel.

    Special attention was put in the dynamics of the sounds to ensure the creation of an energetic pack aimed to enhance atmospheres, add movement and enrich musical compositions.

    If you liked some of my previous libraries like “Dodge this” and “The Transition” you are gonna love this one.

  • Huge deep and textural organic whoosh by’s. These are un-altered but a total blast. Want more fun, just (again) compress and pitch to fit, and hell, maybe add a little distortion.

    A great collection of organic sliding whooshes. They sound great, have lots of movement and are almost always complicated movements not just simple whoosh by’s.

  • Assorted firework recordings, ranging from individual explosions to multiple fireworks going off at the same time.

    This collection has lots of nice sharp bangs, and includes a variety of firework sounds recorded close up and from a distance.

  • A small collection of horror sting sound effects, ideal for spooky, scary, Halloween and horror uses.

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