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  • Combustion is a sound effects library exploding with combustible sound design material. It encompasses explosions, chemical reactions, fires, and various other forms of combustion. It provides a vast scope of sound design elements for weapons, whooshes, vehicles, impacts, and so much more.

  • Electric Motors is a collection of 148 recordings of small and large motors performing various activities, including rotations, general movement, pulses, speed changes and more.

    The collection is divided into 10 folders, according to the sound type:
    • Changing: 8 (Moderating from one speed or position to another)
    • Cooling: 3 (Slowing down and cooling after being deactivated)
    • Function: 5 (Various multi speed movements)
    • Long: 21 (Long sustained single movements)
    • Medium: 20 (Short and medium length single movements)
    • Part: 8 (Functioning singles machine parts, isolated from the main unit)
    • Pulse Multiple: 31 (Multiple energy pulses)
    • Pulse Single: 29 (Single energy pulses)
    • Rotator: 15 (Rotating sounds)
    • Unstable: 8 (Broken and unstable motors)

    All sounds recorded and edited at 24-bit / 96kHz, with embedded meta data and accompanying spreadsheet.

    40 %
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  • Mechanical Sound Effects Fan Play Track 16+ sounds included, 42 mins total $15

    This fan sound effects library delivers the sounds of a floor fan, a wall-mounted bathroom fan and a hairdryer. It includes sounds such as starts, stops, idle and fans at different speed levels. Need the sounds of actual fans, motors, whirling winds – or imagined flying vehicles – that's what you get 42 minutes of right here.

  • Electricity Sound Effects Magnetic Fields Vol.2 Play Track 81+ sounds included, 104 mins total From: $13

    Magnetic Fields Volume Two. A science fiction adventure. Following up to the ever popular volume one, volume two is an extension or a standalone introduction to the Magnetic Fields libraries. From the delicate high frequencies of an OLED display panel, to the huge low frequencies of the London Underground, and the beautiful rhythms of an LED open sign. This library has been slowly assembled and pieced together since the release of the original library in 2016. Hear the magnetic tension of a public bus, the grind and stress of a lint shaver servo, and the soft intricate pulses and rhythms of computer processors.

    Magnetic Fields Volume Two gives you 104 minutes of pure meta tagged charged particles, sounds of the unheard and the purest science fiction base for your sound library. Volume Two is best paired of Volume One for the definitive experience and sound set.

    Available in two versions: Full & Micro

    Full: The complete library.
    Micro: A cut down library featuring some of our favourite sounds from the complete collection.

    Gear Used:
    Sound Devices 744T + MixPre-D
    LOM Priezor
    LOM Elektrosluch
    Includes over 100 minutes of Electromagnetic Field sounds from sources such as:

    Transformers, Televisions, Servos, Hard Drives, Sound Recorders, Telephones, Computers, Disk Drives, Trains, Motors, Billboards, Buses and Power Supplies.

  • Magic source material.

    Processed and designed paper recordings that sound like thunder.

  • Environments & Ambiences Rare Winds Play Track 102 sounds included, 233 mins total $149

    From all 4 earth’s corners, air streamlines the environment and shapes our stories. Discover the cinematic world of rare winds!


    This sound library is the ultimate achievement of a really ambitious project of recording winds from very remote places across the world.

    Included are authentic recordings from the Boreal region (North hemisphere: in Canada and Iceland), from the Austral region (South hemisphere: Tierra del Fuego in Argentina and the Last Hope province in Chile), on Islands in Mediterranean region (Thira in Greece), in the Sahara desert (Marocco), Isle-aux-Grues (Canadian winter), and more (see file list for more details)


    These were recorded either in urban settings, countryside, or complete wilderness.

    Included is a set of useful synthesized, tonal, and designed winds.

    The sounds are categorized into 3 folders: Designed, Indoor & Outdoor.

    WHAT’S INSIDE:

    • 102 stereo files
    • Highly focused and meticulously edited sounds
    • Ready to use Loop
    • Urban area and Wild area
    • Useful Designed & Synthesized Wind Sounds
    • Recordings from the Boreal region (North) in Iceland & Canada
    • Recordings from the Austral region (South) in Argentina & Chile
    • Recordings from Islands in Greece & Canada
    • Recordings from the desert in Marocco
    • Abandonned houses and shelters
    • Marina, lake, forest, car, flags, arctic, metal pole, prairie, street, mountain, grass, …
  • rOtation is a sound effects library built for sound design centered around things that spin. It contains nearly 200 exceptional sounds and is the first of its kind. If you’re looking for brand new sound design source material, rOtation is the ticket.

    Several months of research and recording has led to this very unique collection. It’s props range from ball bearings to trash cans; magnets to fireworks; water to nuts – all in the realm of rotation.

    It contains sounds of things that have never been included in a sound effects library before: The sound of a Euler’s Disk speeding up exponentially fast – the whir and chatter of Hurricane balls spinning to 5000+ RPM – Nuts and quarters zipping and buzzing by in a rumbling balloon – The power of neodymium magnets bending the tones of vibrating glass.

  • Finalist – Best Sound Effects Libary – Indie Sound Awards 2022

    The sound ‘Kind Creature’ made with the V7 library won the British Sound of the Year Award presented by The Museum Of Sound and The New BBC Radiophonic Workshop.

    Custom made sounds made with the V7 are used in the scores for Control, Wolfenstein and newer projects by award winning game composer Martin Stig Andersen.


    V7
    is a home-built metal spring sound-tool made from an old measurement-unit found at a flea market. Now – disassembled, rebuilt and mounted amongst other things with a 33 foot long Giant Spring that connects the measurement box to an open metal staircase and creates a natural spring reverb.

    I Played with a bow, friction rubber clubs, metal slides, whipped cream gas cartridges and a souvenir Eiffel Tower.

    The result is a unique sound effect library of massive metallic hits, gongs, scrapes, squeaks, friction, rumbles and rattles. From subtle, soft squeaks and harsh, brutal metal shrieks to long and deep musical metal moans.

    V7 is recorded with an Ehrlund EHR-E microphone placed inside the metal box. All files are in 96 kHz/24 bit and contains the original acoustic recordings.

    73 files with 700 + individual sounds – all tagged with detailed Universal Category System (UCS) metadata.

    www.katrineamsler.com

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