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Home resonance

resonance

  • Bundles Metal Bundle Play Track 401+ sounds included $79

    The NSL Metal Bundle includes 3 New Sound Lab sound libraries.
    401 high resolution WAV files – 8 GB

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  • Metallic Atmospheres is a collection of designed ambiences crafted entirely from metallic source material. Our team recorded a wide variety of metal objects and surfaces, then applied advanced sound design techniques to transform them into evocative atmosphere tracks.

    This diverse assortment captures an extensive range of textures and emotions, from eerie resonances and unsettling tonal beds to harsh industrial environments. Perfect for quickly establishing a dark, immersive mood, these sounds are ideally suited for sci-fi, horror, dystopian, and post-apocalyptic productions.

    Every file has been meticulously edited for immediate use, so you can drag and drop them straight into your DAW timeline without extra cleanup. All sounds are delivered at 96kHz / 24-bit for maximum fidelity, giving you the flexibility to manipulate, stretch, and layer them further in your own designs. Each file has been tagged with UCS-compliant metadata, ensuring seamless integration into any professional sound effects workflow.

  • Drones & Mood Sound Effects Pipe Noise & Flow Play Track 131+ sounds included, 233 mins total $89

    Pipe Noise & Flow is a sound effects library built around the hidden voices of pipe systems, large and small. Captured over several years across industrial plants, residential buildings, factories, sewers, underground tunnels, caves and public infrastructure, this collection brings together a wide range of sonically rich material.

    You’ll hear water, gas, and air moving through pipes made of metal steel, copper, aluminium, plastic, glass, concrete, and stone. There are massive flows and subtle trickles, bursts of pressure, hollow resonances, eerie whistles, and the strange tonalities that emerge when systems crack, leak, or fail. Many recordings feature broken or deteriorating pipes, full of texture and unpredictability. While there is plenty of industrial and subterranean grit, you’ll also find more subtle sources like kitchen sinks, bathroom plumbing, and everyday interior systems; sounds that can lend realism or eeriness to intimate scenes.

    This library is designed to be flexible and inspiring. Use it to create detailed ambiences for sci-fi, horror, and post-apocalyptic settings, to build layered mechanical textures for machines and user interfaces, or to design unique elements for hybrid weapons, alien devices, strange creatures or abandoned environments. Whether you need the realism of urban infrastructure or the surreal qualities of a forgotten machine, Pipe Noise & Flow offers an unexpected toolkit full of possibility.

    Pipe Noise & Flow - Audio Demo Spectrogram

    What’s inside:

    • Flowing water, rushing air, and gas movement through pipes
    • Large industrial pipes, small tubing, and flexible hoses
    • Pipes made of metal, iron, copper, aluminium, plastic, glass, concrete, and stone
    • Broken, leaky, and deteriorating pipes with rich textures
    • Interior plumbing: kitchen sinks, bathroom drains, home radiators
    • High-pressure bursts, trickles, drips, and hissing valves
    • Tonal and pitched pipe resonances, drones, and hums
    • Mechanical rattles, clangs, gurgles, and thumps
    • Subterranean ambiences and underground utility spaces
    • Studio performances exploring controlled flow and resonance
    • Eerie whistles and howling vents for otherworldly design
    • Abstract textures and tonalities ideal for creature sound design
    • Inspiring source material for sci-fi, horror, fantasy, and surreal soundscapes
    • Useful elements for user interface design, machine textures, and hybrid weapons
    • Ready-to-layer assets for creating atmospheres, backgrounds, and special effects
  • Resonant Metal is a sound library built around the resonant and tonal characteristics of metal. It features a wide variety of recordings—from small, high-frequency metal tones to large, heavy impacts with long sustain. The focus is on metallic sounds with rich overtones, clean transients, and tonal clarity.

    The library includes both raw recordings of real-world metal objects (bowls, trays, heavy pans, rods, tools, etc.) and a selection of designed sounds. These designed elements include processed impacts, pitch-shifted scrapes, granular textures, and reversed hits.

    Every sound was recorded using a Sennheiser MKH 8050 microphone and a Zoom F6 recorder and files are delivered in high-resolution 24-bit / 192kHz WAV format.

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  • Tension Resonator – Metallic Cable Oscillation SFX Library
    Raw metallic resonance, captured in the wild.

    This library delivers a focused collection of high-fidelity metallic tension recordings, sourced from a real suspended steel cable stretched between two mountain structures.

    Using a Geofòn and Cojossul contact microphone positioned at key resonance points, every vibration, harmonic, and oscillation was captured with extreme detail. When struck or set in motion, the cable acted like a giant string oscillator, producing:
    -Resonant pulses and impact transients
    -Frequency sweeps traveling along the cable
    -Rich physical harmonics and metallic overtones

    All sounds are presented clean, unprocessed, and phase-aligned, making them highly versatile for:
    -Layering into energy weapons, plasma blasters, or sci-fi UI
    -Designing bass pulses, industrial drones, and tension risers
    -Creating cinematic impacts or motion design SFX with tactile realism

    Specs:
    -192kHz / 24-bit WAV
    -Metadata embedded (UCS compliant)
    -Recorded in pristine outdoor mountain environment
    -100% royalty-free

    Perfect for sound designers, trailer editors, and experimental composers seeking a unique, resonant metallic source.

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  • City Life Sound Effects The Still Line Play Track 42+ sounds included, 139 mins total $50

    Sounds from a Transit System on Pause.
    Underground Ambiences and Mechanical Atmospheres for Cinematic and Abstract Soundscapes.

    The Still Line is a 139-minute sound effects library capturing the rare stillness and quiet pulse of an underground rail network paused in time. Recorded during a period of minimal traffic, as public life slowly returned after lockdowns, it spans resonant tunnels, hushed platforms, and moving trains, with subtle human presence woven throughout—footsteps, luggage wheels, and distant voices—adding life without disrupting the pervasive stillness. These recordings offer rich ambiences and precise mechanical textures, perfect for grounding a scene in reality, providing unique sonic textures, or reimagining it for something entirely new.

    Step into an underground transit system where empty platforms, echoing tunnels, the mechanical heartbeat of infrastructure, and sparse human touches all coexist to create a cinematic soundscape.

    This mini-library offers over two hours of recordings from quiet platforms, long tunnels, ticket halls, train interiors, and the subtle machinery that sustains the network. Freed from the usual crowd noise, every detail emerges: the tonal hum of escalators, the metallic sigh of air brakes, distant trains rolling through silent tunnels, and the layered resonance of vast, reflective chambers.

    What’s Inside

    • Full Ambiences – Richly textured recordings from across the network: quiet platforms, long tunnels, ticket halls, escalator corridors, and more; each with a distinctive acoustic signature.
    • Onboard Train Rides and Transit – Interior and transit recordings capturing acceleration, braking, door sounds, and the unique mechanical atmosphere inside moving trains.
    • Atmospheric Beds – Low-frequency rumbles, electrical buzzes, tonal drones, and air movement; ideal for naturalistic beds or stylised tension and mood building.
    • Mechanical and Transit Detail – Train doors, brake releases, escalators, fans, and clanks of steel on steel; textures that can stand alone or be sculpted into abstract soundscapes.
    • Human Touches – Sparse, unhurried footsteps, luggage wheels, and distant voices, present enough to imply life without disturbing the library’s quiet, cinematic character.

    Whether you’re building a dystopian future, crafting cinematic tension, or repurposing urban textures for abstract sound design, The Still Line offers a unique palette grounded in reality yet open to transformation.

    The Still Line | SFX Library | Demo Scene

  • One hour or various metal objects tortured with feedback resonance recording technique. Groaning, moaning, stressed and resonating metal. Large and massive low end rumble or high end squeaks and mid-freq screeches. In this edition there are raw unprocessed files and pitched down sounds with deep low end energy and massiveness.

  • Drones & Mood Sound Effects Audible Silence Play Track 105 sounds included, 170 mins total $80

    The eerie sound of wind resonating through wires, fences and abandoned buildings.

    Recorded using the JrF C-Series contact microphone, these recordings capture the metallic resonance of wind with natural ebbs and flows.

    All sounds were recorded using the JrF C-Series contact microphone stereo pair and Sound Devices Mix-Pre 6.

    Visit edible-audio.com for behind the scenes photos, contact information, sound library updates and exclusive deals.

     

  • Bicycle Sound Effects BlueBird Bicycle Play Track 500+ sounds included, 70 mins total $60

    Resonating metallic creaks, groans, impacts, rattles and tremors from two variations of the BlueBird cargo bicycle.

    This library covers all the possible perspectives, featuring recordings from the metallic box interior, exterior and contact.

    All sounds were recorded using DPA 4060 stereo pair, Jez Riley French C-Series contact microphones, Schoeps CCM4/CCM8 Mid-Side microphone and the Sound Devices 788T.

    Mid-Side recordings are presented in their raw, uncoded format as well as decoded stereo files for efficient editing. Recordings have been processed using the Control V2 plugin by Brainworx.

    Visit edible-audio.com for behind the scenes photos, contact information, sound library updates and exclusive deals.

  • The suspense is building with the with Cinematic SFX Series! Find out what it sounds like with Vadi Sound Library.

    About the Cinematic SFX Series

    With the Cinematic SFX Series, make your audience feel the atmosphere you want to create with 300+ fresh sounds.

    This pack includes sounds of cinematic hits, booms, stingers, trailer sounds and much more. It gives you access to the designed sound effects, transition sound effects, and explosions sound effects that your project calls for – ready to be used as-is, or as building blocks for further creative sound design work.

    This is a bestseller pack that’s been designed after heavy research of the existing cinematic sound effects out there and exploring how to bring a fresh new angle of sounds to this important genre.

    218 sound files in 24bit/96 KHz .wav format with easy-to-navigate naming. It was recorded over a 6-month period, in collaboration with film makers and prerecording supervisors.

    Keywords including Actions, Parts, Equipment and Style
    Cinematic, trailer, hit, boom, stinger, transition, impact, pass-by horror, resonance, woosh, metallic, glassy, shimmer, saturation, designed, drum, cyber, texture, materials, swoosh, magic, spell, riser, ambience, creepy, eerie, brass, heavy, soft, reverse, film, game, movies, video, music.

    What else you may need
    You may also want to check out our Cinematic Whooshes & Transitions SFX Pack for access to clean and processed sounds, including futuristic sounds, pass by, power ups/ downs, movement, machine, and more sound effects.

  • Drones & Mood Sound Effects Dx Play Track 888 sounds included $16

    This library is a bit different from the rest.  Dx (“Diagnostic”) is a grouping of different audiometric and audiological elements in a neat, diversified package.  Our goal was to aggregate audio tests from multiple disciplines and build them into a one-stop-shop collection that most sound designers, engineers, researchers, and artists could utilize as a mainstay in their audio toolbox.

    In this collection you will find sets of: binaural beats, audiometric sweeps, full frequency sweeps, multi-spectrum noise, spatializations, resonance tones, impulses, dynamics tests, intermodulated distortion tests, aliasing tests, phase tests, and a few fun examples just for kicks.

    These diagnostic sounds are provided in 96kHz/24-bit, 48kHz/24-bit, and 44.1kHz/16-bit resolutions.  There are various length and loudness combinations as well, so you don’t have to edit these files to use them for their intended tests.  That being said, this diagnostic audio can also be used very quick and precise ways in layered SFX designs.  Because they are so specific in their development, they can be used with an automatic mathematic disregard…and that, is a good thing.

    Quick, clean, and precise.  Enjoy.

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  • 800+ sounds from one of the most complex and varied sounding instruments that we’ve come across in our junk shop travels. Broken strings, creaky wood and a great resonant cavity gave us a massive collection of sounds ready to be bent and twisted.

    This is a fretless German harp zither, which differs in quality significantly from concert zithers, which have several strings with fretted necks beneath them. This version was manufactured by Friederich Menzenhauer, the father of the zither in the US. Zithers of this kind are notoriously difficult to identify because they contain no distinguishing marks on the bodies themselves, and the only branding is on the paper label deteriorating inside the soundhole.

    Our version had been worn beyond all repair through decades of age and neglect. Broken strings, creaky wood and a great resonant cavity gave us a massive collection of sounds ready to be bent and twisted.

    We did much more than just throw a couple of mics up and pluck – this instrument was recorded with a stethoscope mic, a lav inside the cavity, overhead xy, room mics, and more. We banged, scraped, bowed, ebowed, and thumped every last noise out of this one in three separate sessions. The end result was a collection of about 5 Gb of edited stereo 24 bit 96k sound.

    The Kontakt instruments are where the real magic happens with this instrument. There are presets for horror string hits, angelic and demonic pads, old creaks and more. The zither barely survived, but it gave us an array of sounds that are very different from what you’ll get from a properly tuned and maintained instrument. It is the uniqueness of the decay that gives our zither its character.

    Forgotten Zither is available in two versions

    Key features for the Forgotten Zither Limited Collection

    • 88 unique articulation groups
    • 10+ performances per articulation
    • photographs and video stills

     
    Key features for the Forgotten Zither Full Collection

    • 88 unique articulation groups
    • 10 + performances per articulation
    • 29 Kontakt unlocked .nki files
    • .nki files require full version of NI Kontakt 4 or higher
    • photographs and video stills

    Note: Can be used without Kontakt too!
    All Kontakt instrument libraries include fully unlocked and accessible metadata tagged .wav files. You don't need any version of Kontakt to use these files as a standalone sample library.

  • Metal Sound Effects G4F SFX09 – Metal Play Track 1208 sounds included, 180 mins total $40

    The G4F SFX09 – Metal soundbank is comprised entirely of metallic sounds generated by many different objects.

    The soundbank contains high-quality recordings made at the Foley’Torium studio. The recordings are 96 kHz/24 bit, with a Class A setup (Sound Devices recorder with DPA and Neumann mics).

    The sounds are grouped into 3 categories:

    Impacts, friction, rolling, sliding, engines/motors with metal resonators providing a very rich texture. It also contains several specific sounds designed for quick use.

    Number of files: 216 wav files / 1208 SFX

    Size: 5,10 GB (zip archive of 3,15 GB)

    UCS Naming and Classification

    Foley: Julien Billeau
    Sound Engineer: Arnaud Roy
    Sound Designers: Benjamin Michenaud and Alexandre Bobe

  • The G4F SFX11 – ExoInterface soundbank is dedicated to futuristic interfaces.

    The library contains high-quality sounds recorded or synthesized at 96 kHz/24 bit. This soundbank is ideal for science-fiction and futuristic worlds and environments.

    The SFX are grouped into several categories:

    Action confirmed – Action refused – Cursor click – Misc – Process – Close screen – Open screen.

    Number of files: 517 wav files (517 SFX)

    Size: 804 Mo (zip archive of 529 Mo)

    UCS Naming and Classification

    Sound Designers: Benjamin Michenaud & Alexandre Bobe

  • Glass and Metal Clouds are the result of experimenting with the tonal and noise elements of a glass or metal impact via granular processing. Various household objects were struck and recorded, ranging from metal shovels, desk legs and brass ornaments to glass and crystal objects – basically anything that would ring after it was struck.

    The recordings were then sent through ‘Clouds’ and processed with gentle, chaotic modulation by a combination of sloth chaos modules and standard cyclic modulation resulting in drones that gently sweep between musical tonal sounds and the random noise produced by the strike and are ever evolving; some more than others.

    Sometimes some surprising sounds came out of the drones and I let them run, some were kept quite constant with only a subtle amount of modulation so there is a lot of variation in the pack.
    The sounds came from my need as a sound designer to embed strange mood, emotion and feeling of uncertainty into everyday ambience.

  • Looking for quality glass clink sounds or glass textures to enrich your project audio? ‘Glassware Resonance’ delivers all that – and more.

    The main part of the library consists of glass clink and ring sounds. The library features 16 different glasses with a lot of variations.

    The second part of the library consists of bowed effects, performed with wine and whisky glasses. These sounds are more experimental and have an almost creature-like moans and groans-feel to them. Very useful sounds for otherworldly sounds, or if you want to add some unique layers to your creature sounds.

    You get the sounds in two formats: 96 KHz 24 bit and in 44.1 KHz 16 bit, for more convenient ways of utilizing the sounds in games and other media.

    Don’t forget to check out the ‘Glassware Resonance Bundle’ which gives you both of the libraries with a special bundle discount price!

  • The ‘Glassware Resonance bundle’ combines ‘Glassware Resonance‘ and ‘Glassware Resonance Two‘ libraries together and brings you over 750+ high quality rings, clinks and bowed effects recorded with 38 different glass objects.

    The ring and clink sounds are really useful when you want to add that high frequency impact layer to your user interface elements or even experiment with the tail sounds to create otherworldly drone ambiences.

    The bowed effect sounds are more experimental and have that almost creature like moans and groans feel to them. Very useful sounds for example if you want to add some unique layers to your creature sounds.

    Objects included:
    Beer Pint • Bowl Small • Bowl Large • Candle Holder • Chalice • Champagne Glass • Container Small • Container Medium • Container Large • Crystal Bowl Small • Crystal Bowl Large • Crystal Chalice • Crystal Mug • Dessert Cup • Drinking Glass • Flower Vase • Glencairn Whisky Glass • Jar • Jug Small • Jug large • Serving Plate • Sparkling Wine Glass • Vase • Whisky Glass Tulip • Wine Glass Small • Wine Glass

    You get the sounds in two formats: 96 KHz 24 bit and in 44.1 KHz 16 bit, for more convenient ways of utilizing the sounds in games and other media.

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  • The second library in the ‘Glassware Resonance’ series brings you more high quality glass ring and clink sounds to enrich the audio of your next project.

    ‘Glassware Resonance Two’ nicely compliments the first ‘Glassware Resonance‘ library by adding 22 new glass objects – closely recorded in a quiet room with the Sony D100 handheld recorder.

    These sounds are really useful when you want to add that high-frequency impact layer to your user interface elements, or even experiment with the tail sounds to create otherworldly drone ambiences.

    You get the sounds in both 24 bit / 96kHz + in 16 bit / 44 kHz for more convenient ways of utilizing the sounds in games and other media.

    Don’t forget to check out the ‘Glassware Resonance Bundle’ which gives you both of the libraries with a special bundle discount price!

  • HARMONICS is a new designed sound collection that explores the inner beauty of resonating metals to create an extensive set of inspiring sonic material for sound design and film scoring – proudly presented by SampleTraxx.

    Metal happens to have the right combination of speed of sound and decay. Different metal shapes produce a broad spectrum of soundscapes and tones.

    HARMONICS investigates this hidden magic by designing and layering these unique timbres.
    The result is an extensive set of designed evolving textures and designed metal elements which are great to create sound cues in minutes, metal hits, passby-reverses and evolving drones.

    The nature of this soundpack doesn’t call for compressor or maximizer. Close attention has been paid to preserve the original dynamic excursion of each sound and fully enjoy its natural vibration and evolution.
    Having a wide dynamic range guarantees more freedom in layering and arranging different elements to create endless variations.

    The sonic material contained in the pack is all presented in a designed fashion and different levels of design are provided: from simple elements to evolving multilayered soundscapes and textures, all based on metallic sources. No external sounds apart from metals have been added to the mix.

    Features:
    86 Designed Textures and Elements (dur. up to 1’10″)
    37 Hits (Hi and Low Designed Hits)
    10 Drones
    26 Pass-by Reverse
    9 Tibetan Bowl (Raw Recordings)
    9 Kontakt Instruments -Kontakt 5.5 full required for these (free player not supported)

    Note: the WAV themselves files can be used without Kontakt

  • Metal Sound Effects Home Grown Metal Play Track 1103 sounds included, 76 mins total $50

    Home Grown Metal is a library entirely dedicated to metal on a non-industrial scale. With over 75 minutes of recorded material, a whopping 1103 raw metallic sound files are included, with love and pruning care thrown in for good measure!

    Recorded in the comfort of one's home, the library was produced using a Sony PCM D100 recorder in XY and ORTF stereo configurations in both interior and exterior environments. An eclectic range of 48 unique sound categories are included.

    Recordings include:

    Aluminium Can • Bin • Car Roof • Clothes Airer • Coins • Corkscrew • Cpu Fan • Cutlery • Dog Brush • Doorstopper • Drawer Handle • Filing Cabinet • Flask • Garage Door • Gas Container • Gas Stove Switch • Guitar Strings • Ironing Board • Kitchen • Latch • Lawnmower • Lever • Manual Wrench • Multi Tool • Nail Gun • Pliers • Puzzle Pieces • Radiator • Rusted Pieces • Saw • Scissors • Screwed Contraption • Socket Wrench • Stapler • Tambourine • Tape Measure • Tin • Toaster • Toy Piano • Umbrella • Various Pieces • Washing Machine • Watering Can

    The library also provides a range of sound actions to choose from, including scrapes, squeaks, impacts, foley, open, closes, drops, rattles and textures as examples. Sampled at 192KHz, with 5GB's worth of content, home grown metal provides both breadth and depth in one package. It lays down a rich and diverse foundation of raw sound ore to work with in your productions.

  • HYDRO CONTACT brings you 273 audio files recorded with a contact mic and a hydrophone over the course of a year, in order to get you covered for any kind of underwater scene, in the outer space, for pitch shifting, time stretching or to add a weird tone to your soundscape.

    Recorded at 96 kHz and 24 bits, this collection provides underwater motion, waves, bubbles, impacts, hits, hums, buzzes, car foley, rumbles, bouncing, dripping water, dragging items, blasts, switches, engines, underwater screams, exotic musical instruments and many more sounds, ideal to take your sound design imagination a step further.

    All files are metadata tagged and named.

  • IMPACTO contains a wide variety of sound types, ranging from trailer impacts and granular clouds to drones and full-fledged melodic tracks, which can be used as music stems in movies or games.

    Most of source sounds were recorded using Sanken CO-100K ultrasonic microphone, which can capture frequencies up to 100 kHz, to get the most interesting sound foundation.

    For this purpose I recorded various objects and textures (metal, glass, wood), as well as traditional acoustic instruments, strings, large gongs, singing bowls, didgeridoo, percussion, female vocals, chanting and etc. These sounds were further heavily processed with plug-ins, custom Max/MSP patches and external effects to get strange and unusual results.

    The library also contains Source folder with recordings that are almost not processed (apart from pitch shift).

    As a bonus, all sounds are integrated into Kontakt instruments with user-friendly interface and several effects (LP filter with resonance, AR envelope, three-band equalizer, reverb, delay and chorus).

  • The journey continues. This time we focused our attention on resonant chambers, unusual small-spaces, rooms and corridors (spiced with unique tonal character). These impulse responses will put your instruments in tight-spaces that are unreachable in the real world.

    Including organic, futuristic environments and psychedelic chambers, all surprisingly fitting in a natural way. Just for this project, we pushed granular synthesis to the limits, mixing it with great sounding analog gear and a handful of our special algorithms, to make sure we delivered the most versatile and dynamics-rich product. Everything is ready for professional use, right out of the box; thanks to the precisely controlled tonality of the IRs.

    You won’t find anything like this in any other place, and we are fully proud of it. Just try it.

    Details:

    • 64 impulse response samples
    • 48khz / 24bit wav files
    • Compatible with any convolution-reverb software
    • WAV + ReFill version (for Propellerhead Reason 8.3+ with 64 Combinator & RV7000mk2 patches)

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