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Modern train sounds, steam train recordings, passing and distant trains, closely recorded trains, engines
I’ve got a killer sound library here, including recordings of the electric train I hop on for my daily commute (London South Eastern) and some cool platform sounds from Charing Cross Station, complete with tannoy announcements. These real-life sounds can add a unique vibe to your projects, keeping in line with our promise to deliver top-notch audio. Let us spruce up your film’s sound with our expertly crafted soundscapes.
GEAR
Zoom F3 with Sonorous SO.103 Stereo mics (for covert recordings)
Zoom H1n built in mics
This audio collection offers a library of aircraft and train passes and bys (and a random helicopter) , captured over two nights in my garden which is under the London Gatwick Airport flighpath and a nearby railway line. Designed for professionals seeking authentic and high-fidelity audio, this collection provides a rich tapestry of sonic experiences.
Aircraft Recordings:
Commercial Jet Traffic: Recorded overnight under the Gatwick flight path at night to minimize extraneous noise, these recordings capture the distinct sounds of various commercial jetliners operating at approximately 5,000 feet. The collection encompasses a range of aircraft types, offering a nuanced perspective on the acoustic signatures of modern aviation.
Private and Light Aircraft: Complementing the commercial jet recordings, this mini collection also features a variety of smaller private jets and a propeller plane operating around 2,500 feet. These recordings provide valuable insight into the sonic characteristics of lighter aircraft, further diversifying the collection’s offerings.
Altitude Data: Each aircraft recording is accompanied by approx altitude data, verified by a reliable flight tracking application. This metadata adds another layer of information for sound designers and editors, enabling them to select recordings that accurately reflect specific aircraft types and flight operations.
Train Recordings:
Commuter Train Variety: Captured approximately 20 feet from the railway line, these recordings showcase the diverse soundscape of commuter rail traffic. The collection features an array of train types, each with unique sonic characteristics defined by varying speeds, weights, and configurations. This diversity ensures that sound professionals have access to a comprehensive palette of authentic train sounds. For these I used an Audio-Technica BP4025 microphone renowned for its ability to capture realistic and immersive soundscapes, these recordings transport listeners to the heart of the railway environment. The microphone placement, carefully chosen to optimize sonic clarity and detail, ensures that each recording faithfully represents the dynamic energy of passing trains.
Technical Excellence:
Professional-Grade Equipment: All recordings were captured using state-of-the-art equipment, including Zoom H2n (for the overnight recordings) and F3 recorders,Â
This meticulously crafted collection provides an invaluable resource for sound designers, filmmakers, game developers, and any creative professional seeking authentic and high-quality aircraft and train audio. Its diverse range of recordings, coupled with precise metadata and technical precision, makes it an indispensable tool for enriching any audio project.
GEAR
Recorded with H2n and ZoomF3 with Audio Technica BP4025
I’ve got a thing for recording Trains and hanging out by Railroad Tracks so I decided why not do another mini Train Library. Much like with my first Train library, Train Life, Freights were the main focus. Included are a variety of Exterior Slow, Medium, and Fast Trains, some solo Locomotive Bys, Idling, Squealing, along with Train Horns from different perspectives.  Mic perspectives varied from up Close and Medium, and then some distant with the Horns. Locations were in the High Desert of California and a couple of Train Stations that get a lot of Freights passing through.
THE GEAR
Recorder
Sound Devices MixPre-6
Sony PCM D-100
Mics
Sennheiser MKH 8040 + MKH 30
(31 of the Files were recorded using an MKH 8040+MKH30 in MS which were then decoded)
Sony PCM D-100
METADATA
Detailed Metadata has been provided so that all of the sounds are easily accessible. Photos have been embedded with each file. UCS compliant, markers have been placed where applicable to make for quick navigation.
Trains of LA: Subways is an extensive collection of high-quality recordings capturing the wide variety of sound in the Los Angeles Metro subway system.
Available in both Stereo and Immersive versions. All recorded at 24Bit 48kHz on Los Angeles Metro’s B (red) and D (purple) subway lines.
This library includes a huge variety of subterranean transportation related sounds including but not limited to clicks of fare gates, crowd walla and ambience at Union Station, echoes of crowded underground platforms, roaring and screeching subway train arrivals and departures, announcements, elevators, long recordings of train interiors during rides with and without chatter, an end to end ride of the D line from Union Station to Wilshire Western, doors opening and closing, lights humming and buzzing in walkways, escalators, and more!
Recorded mostly on the Rode NT-SF1 ambisonic microphone and Tascam X8, with a few sounds from the Rode NTG5/Zoom H5 and Zoom H3-VR.
Stereo Version Includes: All Stereo and Mono Files and Stereo Files Decoded from AmbiX
Immersive Version Includes: All Files, AmbiX, 5.1, 7.1.4, Stereo
Produced by Cheviot Sound
Recorded by Jack Weiss and Roy Berardo
Edited by Jack Weiss
This library presents diverse means of rail transport in Italy. I recorded it in 2020, but some trains were decades old. In these you’ll find warm sounds of old electric motors, as well as creaking, rattling, squeaking and rumbling of their weathered bodies.
In some files you’ll hear some conversations of various intensity, as well as announcements in Italian and English, in foreground or background. Some of them are about covid restrictions, masks etc., but usually just station names.
In addition to 53 files with onboard sounds you get 11 files with ambiences from stations – indoor and outdoor, busy and desolate, with or without PA announcements.
The onboard sounds are made in 10 types of rail transport:
* vintage diesel railcar
Fiat ALn 668
(made in 1980s, designed in 1950s)
* vintage electric multiple unit
ALe 724
(made in 1980s)
* vintage electric multiple unit
Sepsa ET100
(made in 1960s)
Cumana/Circumflegrea
suburban lines in Naples
* modern electric multiple unit
TFA Alfa 3 ET500
Cumana/Circumflegrea suburban
lines in Naples
* vintage electric multiple unit
FE220
(1970s-1980s)
Circumvesuviana narrow gauge
suburban line in Naples
* modern double-decker suburban
train in Rome
TAF ALe 426
* trams in Rome (modern Fiat
Cityway, and Stanga 7000 from
1940s)
* funicular in Naples
(Funicolare Centrale)
* passenger cars in various
regional trains
* metro in Naples
The library is UCS compliant.
TRAIN LIFE is a detailed and in-depth collection of various Exterior Freight, Passenger Trains, and Railroad Ambiences.
Rumbling Freights roaring through the desert landscape, horns reverberating across the hills, passenger trains zipping by. The metal groan, creak, moan and clack, screech and bang of slow moving rail cars. Idles, Arrivals, Departures, Bys and a variety of Horns from Doppler to Close and Distant Perspectives.
You’ll also find a few old Electric Trains, a collection of Ambiences from Harbor Ports, Desert, and Railroad Yards, and Semi-Trucks rattling across the tracks.
THE GEAR
Recorder
Sound Devices Mix-Pre-6 II
Sony PCM D-100
Mics
Sennheiser MKH 8040
DPA 4060
Line Audio CM4
Rode NTG-3
For a majority of these recordings, Sennheiser MKH 8040 (ORTF) and DPA 4060 (NARROW A/B) microphones were used. When those weren’t around I went with a Sony PCM D-100 or Line Audio CM4.
METADATA
A great deal of time and effort went into the mastering of this library so the files can easily be dropped into any project. Very detailed Metadata has been provided so that all of the sounds are easily accessible. Photos have been embedded with each file to help out. UCS compliant, markers have been placed where applicable to make for quick navigation.
The Story to Train Life
The first Trains I recorded were while traveling around Portland, Oregon. I was camping along the Columbia River Gorge not too far from the tracks and throughout the night I would constantly hear the rumble vibrating through the ground and the long Horns echoing and reverberating across the Mountains. A few days later I was hanging out by the Willamette River under the St. Johns Bridge and was fortunate enough to come across a Freight Train going through an hour-long process of idling and connecting cars. Huge slack metallic bangs, slow long drawn out groans and hydraulic bursts reverberated across Industrial buildings. I was hooked.
Back home in Los Angeles, I set off on the quest to find more trains to record. After spending a number of times sitting idle and patiently waiting for hours only to come up empty, I did a bit more research. A big thanks goes out to a few Train museums and Railfans for providing much invaluable information and pointing me in the right direction. I learned the times of the local Passenger Trains and found out what areas were better for getting more isolated recordings. I discovered the major transportation routes where Freights run from downtown L.A. to the Ports near Long Beach. I drove out into the Mojave desert on multiple trips and took the back roads that lead out to Bakersfield where trains rumble through tunnels and rolling hills.
As I gathered various sounds, I made a list of what I was missing and tried to find areas where I could catch a Train doing that. It was quite the challenge! Over time I also realized that even when sitting for hours on end waiting around, there was a particular wonderful sound to the surrounding environment, and I figured it was probably worth documenting as well. Eventually it all came together into TRAIN LIFE.
This library features ambience and crowd recordings captured inside Hong Kong MTR train stations. Locations includes station concourse, passway, platform and stairway. The diversity of recordings ranges from eerie empty platform to busy turnstile concourse during peak hours.
All recordings are recorded, edited and processed to broadcast standard , ready for all types of media use, such as animations, films, games, advertisements and other aspiring creative projects.
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