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Home Formats Universal Category System (UCS) Page 62

Universal Category System (UCS)

Sound effects libraries where the file names and metadata follow the Universal Category System (UCS), championed by renowned sound supervisor Tim Nielsen & more

  • Car Sound Effects Ford Focus 1998 compact car Play Track 234 sounds included, 30 mins total $65

    All files are recorded 32bit, 192 kHz, with RØDE NTG1, RØDELink Lav and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.

  • A collection of sounds recorded in Italy during the year 2023

    Some highlights from this collection include: areas of Florence, Lucca, and Milan

    Download includes the following:
    14 Audio Files / 777 mb / 40 minutes
    24-bit / 48 kHz
    UCS Compliant Meta-data (with Artwork included)
    True Channel Integrity (Actual Mono/Stereo/Multi-Channel)
    QCed Editorial

  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, RØDELink Lav and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.

  • Recordings of a Magnum 7250 tractor from Case IH, known for its robust performance and efficiency. This titan in agriculture boasts a turbocharged 8.7-liter engine that roars with 250 horsepower.

    This library contains multiple tracks of interior, onboard and exterior passbys, start-stops, idle, revs, constant loops at various RPM as well as acceleration and deceleration ramps for use in granular synthesis tools.

    Specifications : CASE IH Magnum 7250, 1995, 6 cylinders, 8300cc, 245hp.

     

    Multiple mic perspectives

    This sound pack includes 9 synchronized channels of exterior and onboard perspectives. The exterior recordings are mono and stereo, while the onboard microphones capture the engine, the exhaust and the cabin perspective.


    Gear used

    Sound Devices MixPre-6 II • Sound Devices 722 • Zoom F6 • Neumann Kmr81i • LOM Usi Pro• Sennheiser MKH 8040 • Sennheiser MKH30 • Oktava MK012 • Shure SM57


    Metadata

    This sound library is UCS compliant and comes with fully embedded metadatas compatible with Soundly, Soundminer and Basehead.

  • NSL –French Trains is a 86 Files Sound-Pack essentially composed of Railway Related Sounds. You will have access to many samples: Rails Textures, High Speed Trains, Interiors, Stations, Level Crossing, and many more…

  • Bundles Racing Bundle Vol. 1 Play Track 71 sounds included $60

    Racing Bundle Vol. 1 comprises recordings from a variety of racing types and classes to transport your audience track side and experience the thrill of the race.

    Our Audio Craftsmen captured recordings at a Sprint Car event, and SUV Dirt Track racing event, both in Ontario Canada. Alongside a Stock Car event in Bradford, England. This 4.43GB collection includes three volumes:

    Sprint Car Racing Vol. 1:

    A collection of Sprint Car sound effects. Includes sounds such as; Engine accelerations, Drifting, High RPM Revs, Pass Bys and more.

    SUV Dirt Track Racing Vol. 1:

    An extensive collection of a Ford F-150 2004 and Ford Explorer 2004 sound effects. Includes sounds such as; Drivers getting in and out of vehicles, Engine on and off, Racing and more.

    Stock Car Racing Vol. 1:

    A collection of Formula 1 and Formula 2 Stock Car sound effects. Includes sounds such as; Race start and stops, Commentator presence, Revving and more.

    This bundle is ideal for those looking to elevate levels of realism and immersion to their creative projects.

    All sounds in Sprint Car Racing Vol. 1 & SUV Dirt Track Racing Vol. 1 are delivered in 24Bit 48kHz format. All sounds in Stock Car Racing Vol. 1 are delivered in a high-quality 24Bit 192kHz allowing for further sonic manipulation. They have been meticulously edited and tagged with extensive UCS compliant metadata for easy organization and use.

    50 %
    OFF
  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, RØDELink Lav and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • NSL – Planes & Airports is a 86 Files Sound-Pack essentially composed of Planes sounds. You will have access to many samples: Tarmac Backgrounds, Turbines, Jet Engines, Flight Roomtones, Airports Hall & Security Checkpoints, and many more…

  • This soundlibrary arises from recordings with plugins and effects.

    After working these sounds in post production, this library comes with 15 incredible drone sounds that will bring your vídeo, trailer or movie to life.

    Size: 276 MB
    Files: 19 • Including metadata
    Sample Rate: 48kHz – 24 Bit WAV
    Duration: Approx. 16 min
    Gear: Virtual Plugins
    Delivery: Instant – blazingly-fast – digital download on Bandcamp
    License type: Royalty-Free

    Come to say hello:
    www.ferreirathesoundguy.com
    www.instagram.com/ferreirathesoundguy
    www.facebook.com/ferreirathesoundguy

  • All files are recorded 32bit, 192 kHz, with Shure KSM137, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • Elevate your film, TV, and video game projects to new heights with our Immersive Dark Drones Audio Library. Embrace the darkness, the suspense, and the mystique like never before. This isn’t just sound; it’s an experience.

    Unveiling our 50th audio library – a testament to our unwavering commitment to innovation and excellence in sound design & field recording. Prepare to embark on an auditory journey like never before! It’s a new Milestone in our catalog: Our 50th Audio library!

    Breaking new ground, we proudly present our first third-order ambisonic library. Why is this so significant? Because it takes the immersive experience to an entirely new level, capturing sound with unparalleled precision and depth. Feel the shivers down your spine as you’re enveloped by every haunting whisper, every ethereal echo.

    But there’s more. In our relentless pursuit of perfection, we’re thrilled to introduce our first 9.1.6 Dolby Atmos library. The third-order resolution takes this format to heights previously unattainable. Picture yourself in the midst of the sound, where the line between reality and imagination blurs. It’s not just listening; it’s living the sound.

     

    Key Features:

    50th Audio Library Milestone: A testament to our dedication to audio excellence, delivering our best yet.

    Third-Order Ambisonic Technology: An immersive experience like never before. Sound that surrounds, captivates, and transports you.

    9.1.6 Dolby Atmos: Unmatched sound precision and resolution. Step into the heart of the audio, where every nuance comes to life.

    Versatile Mixing Options: 16 channel Third Order Ambisonic, 9.1.6 ATMOS Bed, 5.1, First Order Ambisonic, and Stereo downmixes included in the collection. Customize your sound to perfection. Tailor the experience to your specific needs, whether you seek the enveloping embrace of high-order ambisonics or the classic simplicity of stereo.

    As always, all the sounds that this collection is composed of have been obtained and recorded on an ambisonic format. Besides, all the recordings include metadata in English and Spanish, and they are compatible with software of sound library management like Soundminnner.

    We have decoded all the Third Order Ambisonic recordings with Audio Brewers plugin into 9.1.6 Dolby ATMOS bed configuration, using the top channels to create totally outstanding ambiences tracks ready to use! Audio Brewers tools give use amazing control over high order AmbiX configurations with top notch CPU optimization! Ambisonics recordings are the way to go for VR and modern Film Sound Post Production workflows.

  • This soundlibrary arises from recordings with the LOM Géofon microphone on metals such as fans, household appliances, trolley, among others.

    After working these sounds in post production, this library comes with 22 incredible drone sounds that will bring your vídeo, trailer or movie to life.

  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1, FEL Pluggy XLR EM272, FEL Clippy XLR EM272 and Sonorous Objects SO.3 microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • This library contains 22 amusement park ambience from Europe. Recorded in ambisonic format then convert into various formats. From play area with happy crowd to food chort and gift shop. It can fit perfetfly into any film or game production set in amusement park.

    – LOOP READY –

    All sounds are edited into a perfect loop for easy editing.

    – INCLUDING STEREO VERSION –

    In addition to the Ambisonic files, the ambisonic edition also contains all files in Stereo and Binural format.

     

  • Car Sound Effects 2009 Ford Eco Sport (1.6L 4 Cylinder) Play Track 816 sounds included $120

    The Ford Eco Sport Sound Effects library features 130 files, totaling 10.6GB of recordings. This collection features the sounds of a Ford SUV 1.6L 4 Cylinder Engine Each file in this collection has been meticulously edited and mastered to give you an instant ready-to-use vehicle library.

    EULA_Single User Agreement  – 2009 Ford EcoSport 4 Cylinder 1.6L_Metadata

  • Reverb Chamber Designed Vol. 3 contains low frequency rumbles, whooshes and impacts designed from recordings captured in a reverb chamber.

    Our Audio Craftsmen manipulated voice, objects and actions in a live, reflective room to create richly reverberant sounds. Using creative techniques, these were then processed into ominous and forboding low frequency elements.

    These sounds’ dark and otherwordly tonality makes them perfect for use in horror, thriller, dystopian and sci-fi projects for film, TV, and games. This collection can also be applied to trailers and transitions, building tension, and a sense of dread.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Reverb Chamber Designed Vol. 2 contains radio interference stingers, title sounds and glitches designed from recordings captured in a reverb chamber.

    Our Audio Craftsmen manipulated voice, objects and actions in a live, reflective room to create richly reverberant sounds. Using creative techniques, these were then processed into radio interference sounds with a darkly reverberant and eerie edge.

    These sounds’ dark and otherwordly tonality makes them perfect for use in horror, thriller dystopian and sci-fi projects for film, TV and games. You can apply them to titles and transitions for a sense of mystery, or design otherwordly creations. Emulate technology coming alive, an alien visit, gremlins on the phone line, or a paranormal haunting with this eclectic range of glitches and stuttering static.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • An unusual collection of sounds with an unusual story.

     

    The Story

     

    I was working in an older mix room, originally designed for tape machines and lots of outboard gear.  5 large racks worth of outboard gear right behind the mix position.  Over the years most of the outboard gear was removed and eventually replaced with blank metal spacer panels.  While I was mixing I kept hearing odd resonances and ringing sounds in my mix.  Eventually I figured out that some of the panels were being excited by sounds in my mix.  After the session ended I started tapping on the panels to see which ones were the culprits.  I soon discovered that it sounded interesting so I grabbed some mics out of the studio and started recording the results.  First by tapping the plates with my finger, then with a wooden drumstick, and then with a homemade rubber mallet.  I also used the rubber mallet as a friction mallet getting a cool groan sound.

     

    The Sounds

     

    A collection of interesting metal hits with lots of harmonic content using three different striking methods with different kinds of attacks.  I found that there were 6 panels that had unique sound qualities when struck.  These are ideal for making cinematic hits and sweeteners, and bell like sounds.   Also there are a number of interesting metal groans made by using the homemade friction mallet.  These work for metal groans and creaks but are also evocative of animal or creature sounds.  Recorded at 192k/24bit.  These sounds are made to be pitched down to find their true potential.

  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Shure KSM 137, FEL Clippy XLR EM272 and Sonorous Objects SO.3 microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.

    Recording Automobilwerk Eisenach Wartburg 353 compact car
  • Dig into the eerie depths of Noise Box. Sampled from the enigmatic ‘Moonlight’ made by Tetsuo Noise Box. This library offers 354 samples. Every part of the noise box is sampled as a one shot and useful for designing with metal hit and scrape sounds. Perfect starter material for crafting suspense, horror, and sci-fi atmospheres.

    To get you started…  We include 61 designed textures as ready to use samples.  These processed designed sounds highlight the creative potential of the raw one shots. Also, we include four Kontakt presets for quick access to the samples and inspire performance, emulating the experience of playing our noise box.

    Useful for sound design and creative cinematic scoring!

    Kontakt 6.8.0 or higher is required.
    NOTE: This library does not run in the free ‘Kontakt Player’
  • From the ashes of a Wurlitzer baby grand piano, we bring you a unique sample library for media sound design. Perfect for suspense and horror in films and games. Surprisingly good at emulating distant artillery hits and other destruction. Crunches. Bangs. Metal scrapes. Wood shattered. Strings scraped with saws and performed with sledgehammers…  not felt.

    119 stereo one-shots of the acoustic dismantling. 77 crafted soundscapes and designed effects crafted from processing the original sounds. And…  a playable Kontakt patch of unusual and slightly out of tune string plucks with multiple round robins for natural variation (delivered at 48kHz for memory optimization).  All recorded in stereo using Schoeps microphones arranged in mid-side stereo technique. Edited and tagged with UCS metadata for fast and clear search results.

    Kontakt 6.8.0 or higher is required.
    NOTE: This library does not run in the free ‘Kontakt Player’
  • Animal Sound Effects Creatures Monsters Vol. 1 Play Track 300 sounds included, 15 mins total $149.99

    In this library you will find sounds include roars, pacings, growls, attacks, grunts, breaths, eating and others.
    These sounds are perfect for use in movies, games, documentaries, etc.

    These sounds were all designed with plugins.
    After working these sounds in post production, this library comes with 300 incredible creatures and monsters sounds.

  • Reverb Chamber Drones Vol. 1 features unusual drones captured in a reverb chamber.

    Our Audio Craftsmen played recordings of objects, actions and ambiences in a live room to produce sounds with rich reverberation. These were then layered, manipulated and designed into 21 unusual, unsettling, abstract ambiences.

    This library is a perfect addition to Film, TV & Game productions with a dark, otherworldly, or experimental tone. Use these sounds in in sci-fi, thriller, horror and fantasy projects to unsettle and intrigue your audiences.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Ambisonic Sound Effects Fiat 500 1.2 69CV 2019 Play Track 94 sounds included, 60 mins total $100

    Step into the world of the Fiat 500 1.2 2019 audio library, a meticulously crafted collection that offers a comprehensive and immersive auditory experience. This unique library captures the essence of the iconic Fiat 500, known for its compact size, retro charm, and efficient 1.2-liter engine producing 69 horsepower. The approach taken during the recordings was a multi-microphone setup, strategically placed to capture every aspect of the vehicle’s sonic personality.

    Let’s start with the interior perspective. Equipped with an ambisonic interior microphone, this collection presents an intimate soundscape, placing you in the driver’s seat of the Fiat 500. Experience the subtle purr of the engine as it ignites, delivering just the right amount of power. Hear the gentle hum of the car’s components, the clicks and clacks of buttons and switches, and the comforting sound of the gearbox as it shifts seamlessly through the gears. Immerse yourself in the ambience of the cabin, capturing the vibrations, echoes, and nuances that make each journey unique.

    The engine, a focal point of this library, has been meticulously recorded with a dedicated microphone, capturing the raw power and distinctive tone of the 1.2-liter engine. Experience the growl as the engine revs, the throaty roar as it accelerates, and the gentle hum as it idles. This library goes beyond the engine itself, providing additional depth with dedicated microphones on the exhaust and tire. The exhaust microphone delivers the symphony of the Fiat 500’s exhaust note, meanwhile, the tire microphone captures the distinctive sounds of the rubber meeting the road, allowing you to experience the tactile feedback of each turn, acceleration, and brake maneuver.

    With this meticulously recorded multi-microphone approach, this library offers a comprehensive sonic palette for sound designers, game developers, filmmakers, and car enthusiasts alike. Whether you’re crafting realistic driving scenes, building immersive virtual worlds, or seeking inspiration for your creative projects, this library provides a rich and detailed soundscape, allowing you to bring the essence of the Fiat 500 to life with authenticity and precision.

    All of the ON ROAD recordings are multi-MIC takes with:

    1 – ENGINE
    2 – EXHAUST
    3 – TIRE / WHEEL
    4 – MONO BOOM (MONO DOWNMIX OF STEREO PASSBY WHEN AVAILABLE OR MONO BOOM OPERATOR FOR STADY RECORDINGS)
    5 – MONO INT
    6-9 AMBIX INT AMBIENT

    All of them recorded in perfect sync, and available in a single poly-wav file, perfect for Soundminer spotting!

     

    We recorded around 94 beautiful tracks, 48Khz and 24 bits HD. As always, top quality recordings specially designed for film audio projects.

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