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Glass sound effects
34 different firearm sound effects: revolver, pistols firing, pistols firing with silencer, Assault rifles, MG and Sub MG firing, and firing with Suppressors, Sniper rifle firing, Missile launcher firing and missile flyby sounds,
Shotguns firings and firing sounds with suppressors, Grenade Launchers firing sounds.
5 Single shots for each weapon, firing loops, rapid shots, reloads, magazine eject and insert sounds, gun handling sounds, shell dropping sounds for different weapon, bullet whiz sounds and bullet hits, ricochets on different surfaces.
Also collection includes bullet whiz sounds, ricochets and bullet impacts on different surfaces: Human body, glass(big, medium, small), pottery, soft surfaces, plastic, car windshield, concrete, ground, metal, tinplate, wood. 4 hit sound samples for each.
The sound files were cleaned and prepared for use.
Foley Plus 2 is a smattering of sounds from the Foley and sound effects vault of owner, David Fienup.
There is cloth, footsteps, smart phones, keyboards, microphone handling, food and drink, a wide variety of props, glassware, skin, appliances, leather, metal, plastic, bottles, cans, furniture, paper, sports, water, tools, and much more. Please check out the track list, as there are far too many to name!
This collection includes both ultra-clean, in-studio Foley and sound effects, as well as field recordings.
Beer Glasses Vol. 1 is a meticulously curated collection designed to elevate your audio productions with the delicate and distinct sounds associated with handling and using Pintglasses and Tankard/Steins.
This library encompasses an array of sounds from the gentle pick-up to the satisfying pour, immerse your audience in the world of classic glassware, and add a touch of Britain to your soundscapes.
All sounds are delivered in a high-quality 24Bit 96kHz format, allowing for further sonic manipulation. They have been meticulously edited and tagged with extensive UCS compliant metadata for easy organization and use
Junkyard Destruction is a unique library of vehicle destruction that is perfect for all of your mayhem needs.
We had a full day of all-access recording at a local junkyard. With 5 mic arrays set up, we crushed, tossed and threw rocks and stuff at a few dozen cars.
The result was a collection of complex, crunchy and 100% authentic vehicle crashes and impacts that have use far beyond their original context. The stars of the show are the high impact metal, glass and plastic debris, and the easter eggs are the forklift revs, small rock impacts, and genuine junkyard ambiences included in the pack.
Every drop and crush is delivered with carefully time aligned and mastered mic arrays both split out and mastered together.
In addition to the mic splits and mastered recordings, we’ve also generated dozens of deigned wrecks, impacts, debris fields and rock scatters with sound particles. All presented with perfect UCS metadata and ready to drop straight in to your next disaster.
Enjoy!
It’s a Celebration for your ears!
Including:
– Champagne Pops Clicks and Pouring
– Balloon Animal Making
– Balloon squeaks, Bursting and Blowing up + Air Releasing
– Party Poppers
– In tune and out of tune party blowers (Noise Makers)
All recorded and exported in 24 192Khz
Perfect for party / party setup scenes
Periscope Post & Audio presents: Bang, Smash, Crash! An action packed sound effect library that truly lives up to its name. This library contains 177 audio files that bring wreck and destruction to life through multiple microphone perspectives on each sound. The sounds were created using a sledgehammer and crowbar while destroying a microwave, captured in mono on both the Sennheiser MKH8050 and the MKH60, and in stereo with the Sennheiser MKH8050 and MKH30, and the Shure SM57. Also included are recordings of a sledgehammer smashing and breaking rocks, using the Sennheiser MKH20 and the MKH60 for mono, and the Sennheiser MKH8050 and MKH30, and the Shure SM57 for stereo. Recorded at 24bit, 192k, with a handful of rock hits being recorded at 48k. From quick hits, to long crunchy drags, this library is a perfect addition to your collection, and brings ‘walking on broken glass’ to life! All of these awesome sounds give you an extraordinary 828 different pulverizing performances, which is over 3,000 sounds between each mic!
These sound files are also UCS metadata tagged
Cinematic Feel is a plus to have for your cinematic productions and to add loudness to your mix. A package of Bass Drop, Boom, Bram, Downshifter, Drone, Riser, Rumble, Stinger, Whoosh and more. Dark, Light, Electronic and Natural feel.
All that you need to make it huge!!
Each sound has been meticulously edited individually, All files were recorded and are delivered in 24bit 96kHz Broadcast Wave files, all embedded with metadata information for easy import and ensure fast and easy workflow.
Unleash the chaotic symphony of destruction with our Glass Smashing & Breaking Sound Library. Immerse yourself in 20 high-quality, meticulously recorded sound effects, perfect for professionals looking to add authentic audio to their projects.
Whether it’s for a dramatic scene or to enhance an audio narrative, our Glass Smashing & Breaking Sound Library is your go-to resource for high-impact sounds.
Explore the sound of destruction like never before. Add the Glass Smashing & Breaking Sound Library to your collection today.
‘JUNKYARD’ by Flysound is a comprehensive sound catalog of pure destruction and action. We made exterior recordings of impacts, falling metal, glass, construction debris including metal pipes and doors. We performed light and heavy strikes, single and multiple striking variants. We captured screeching, shredding, grinding chaos – in short the destruction of everything in sight, with the help of an excavator and collapsible construction equipment.
The 3.9GB, 96kHz/24bit synced and multi-channel recordings have comprehensive metadata tags giving full position, microphone, and action detail. We did it with orchestra-grade studio equipment and field kit, by professionals, for professionals, ready to be used as authentic sound, ready to be arranged into seamless edits and proper 5.1 or Atmos post-production. The metadata has been written to adhere to the Universal Category System.
This library features a vast variety of garbage including glass, recycling and rubbish, falling through chutes and colliding with large plastic bins.
All sounds were recorded using the Schoeps CCM8/CCM4 mid-side microphone, stereo pair of Sennheiser MKH 8020s and Sound Devices 788T.
Mid-Side recordings are presented in their raw, uncoded format as well as decoded stereo files for efficient editing. Recordings have been processed using the Control V2 plugin by Brainworx.
Visit edible-audio.com for behind the scenes photos, contact information, sound library updates and exclusive deals.
This sound library contains 546 files with 273+ unique sounds of impact, breaks and debris of ceramics, glass and various metal objects. All sounds are recorded at 24 bit / 96 kHz using 2 microphones, the Diety S-Mic 2 and the Sennheiser MKE 600. All sounds are named acording to the metadata standard “UCS”.
The second library in the ‘Glassware Resonance’ series brings you more high quality glass ring and clink sounds to enrich the audio of your next project.
‘Glassware Resonance Two’ nicely compliments the first ‘Glassware Resonance‘ library by adding 22 new glass objects – closely recorded in a quiet room with the Sony D100 handheld recorder.
These sounds are really useful when you want to add that high-frequency impact layer to your user interface elements, or even experiment with the tail sounds to create otherworldly drone ambiences.
You get the sounds in both 24 bit / 96kHz + in 16 bit / 44 kHz for more convenient ways of utilizing the sounds in games and other media.
Don’t forget to check out the ‘Glassware Resonance Bundle’ which gives you both of the libraries with a special bundle discount price!
Whether you’re crafting, mining, building, or battling for survival, this pack has everything you need to bring your game to life! Designed for sandbox, adventure, and survival games, this massive collection delivers high-quality, royalty-free sounds covering crafting, resource gathering, combat, UI interactions, and more.
🎮 What’s Inside?
✔️ Crisp wood, stone, and metal interactions
✔️ Mining, breaking, and chopping sounds
✔️ Combat-ready weapon swings, impacts, and damage effects
✔️ Footsteps on various surfaces
✔️ UI clicks, pickups, and inventory sounds
✔️ Extra details like drinking, eating, trap setting, and more
Perfect for indie devs, game studios, and content creators, this pack is your go-to solution for crafting a rich, immersive game world.
💎 DESIGNED (ULTRA)
Perfect for films, video content, and games, this pack provides ready-to-use, professionally designed sound effects, tailored for creators who need polished sounds without extra processing. The Ultra High Resolution version may contain more variations and audio files than the High Resolution pack, with pristine 192 kHz quality that ensures excellent flexibility for projects requiring additional processing.
KEYWORDS
Crafting, Survival, Resource Gathering, Exploration, Adventure, Fantasy, Wilderness, Environment, Nature, DIY, Outdoors, Building, Tools, Harvesting, Survivalist, Quest, Terrain, Craftsmanship, Discovery
🎧 Grab the “Mini Craft & Survival” SFX Pack now and start building your world!
360 tracks placed into 18 different categories and folders. Filled with every day sound effects and ambiences to import directly into your project.
Ambiences, transportation, water & liquids, food & kitchen, animals, machines, hits & impacts, burn & flames, misc fx, historical, steam train locomotive, electricity & glitch, footsteps, glass breaking & smash, tools, levers, toys, doors.
These sounds were recorded in the past 10 years and span from Tivoli theme park, kitchen and cooking sounds, animals, huge window glass smashes, gas canisters impacts, to helicopters, steam trains, trucks passing inside tunnels, motorcycles, multiple tracks of thunder, and juicy liquid suction sounds.
Common for all sounds are, that they have been hand picked and mastered for easy use.
All 360 tracks are 96/24, recorded with a various amount of microphones. UCS ready. Bundled version is 13.8GB.
Printer Destruction is the result of destroying a desktop Canon MX450 printer/scanner with a 4lb Collins Axe. The collection also includes the printer being dropped from a height of 4 feet, as well as rummaging through the debris.
Footsteps Vol. 3 is the third instalment in our popular Footsteps library series. Our Audio Craftsmen performed a series of runs, walks, jumps, hops and scuffs on a variety of surfaces found in our acoustically-treated Foley pits.
Footsteps were recorded using wooden pallets, broken glass and wet concrete. Check out Footsteps Vol. 1 and Vol. 2 for more surfaces and textures.
These sounds provide you with natural, unprocessed sounds that can be used to add a sense of realism to your projects or manipulated further for a variety of film, TV and video game genres.
All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.
2020 will be a historic year. COVID-19 has changed our life, and we have been locked in our homes for months. During these months we have been collaborating with crowdsource audio projects, but we have also recorded our homes!!
Here is a huge recording session of my HOUSE! recorded in Mono, with 416 Mics and zoom recorders, you have the best collection of ambiences and household elements in both RAW and Compressed format, included in a STEREO LR file. (L RAW / R COMPRESS)
All our libraries are UCS compliant (universalcategorysystem.com). In this new category system all files contain extensive metadata like file description, Category & Subcategory. Metadata can be read and processed by the most common audio libraries management tools . Starting with Full support from Soundminer and more audio tools adopting this system, we are adopting metadata UCS system in our files!
CLICKS, SWIPES, SCROLLS, NOTIFICATIONS, APPROVALS, DENIALS, WARNINGS, MESSAGES, PICK-UP ITEMS, COINS, TRINKETS, and OBJECT SOUNDS are all in this concise set of 300 interface sound files! Each and every CHIME, DING, PLUCK, POP, TUNE, HIT, ALARM, BLEEP, ZAP, SPLASH, THUMP, WHOOSH, ALERT and much much more has been carefully constructed with a distinct feel using GLASS, WOOD, and ELECTRICITY themed sounds, covering all shapes, sizes and paces you’ll ever need for specific elemental UI sounds!
PERFECT FOR:
…and all other audio-visual productions
ADDITIONAL FEATURES:
GET THE MOST COMPLETE MUSICAL USER INTERFACE NOW!
Discover a unique collection of breaking, crashing, and handling sounds designed to elevate your audio projects. “Smash The Glass” features the visceral, high-impact sounds of squeaks, smashes, drags, and drops, meticulously recorded from various glass objects like bottles, panes, and more. Whether you’re designing for film, games, or immersive media, this library delivers the crisp and dynamic sounds you need.
About Smash The Glass
A collection of 330 pristine audio files, capturing the raw essence of glass in motion—breaking, smashing, and shattering in vivid detail.
The sounds are carefully categorized into:
Action: Smash, Drag, Drop, Break, Shatter, Crash, Squeak
Object: Glass Bottles, Containers, Cups, Household Glass Items
Surface: Stone, Concrete, Ceramic, Metal, Wood, Glass-on-Glass
Style: Close-Up, Distant, Light, Heavy, Quick, Slow, Singular, Multiples
Why Choose Smash The Glass?
Find the true sound of shattering creativity with “Smash The Glass” from Vadi Sound Library!
Nolan Sound Library – ALL IN ONE Bundle.
Get 1825+ Files in one bundle: Trains, Norway Nature, Nature Soundscapes, Radio Noises, Motocross, Foley Sounds, Spain Ambiences, Planes, Airports, New York Life, Mountains Winds, Forests and many more…
Also includes the NSL in ATMOS Format for big productions.
Skillfully performed using glasses as instruments, Sonomar Collection: Crystal Sing features 46 clean, high quality recordings of ringing vibrations perfectly suited for your harmonic tonal needs. This unique collection contains sonorous ringing tones at various pitches as well as sharp squeaks and rubs. Use the raw recordings to add hypnotic resonant layers to your projects, or alter them to experience the depth of Crystal Sing’s harmonic range.
To capture these sounds, sound designer and recordist Martin Pinsonnault (Big Little Lies, Dallas Buyers Club) and the Sonomar team used six different types of glasses including Ricard, cognac and champagne flute glasses. The tonal vibrations created by rubbing a wet finger along the rim of the glass were recorded in 192kHz with MKH-8040 microphones in ORTF setup. Each glass produced its own pitch and tone dependent on its size, shape, and the amount of water added. The rich high frequency response and minimal noise make these clean harmonic tones ideal for pitching and processing.
Each sound file is embedded with comprehensive metadata to help you find the exact sound effect you need with fast, pinpoint search. Enable creativity with detailed descriptions of each recording and their specific sonic qualities. Advanced metadata fields include translated French descriptions and additional info to ensure compatibility across any database search platform such as Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.
Sonomar Collection: Crystal Sing is also included in Pro Sound Effects’ CORE: Standard.
Shattered Glass is a sound library dedicated to the raw and detailed recording of glass destruction. Captured with ultrasonic microphones, these sounds are ideal for both realistic and designed applications.
The collection includes a wide variety of breaking types and actions: footsteps on fragments, impacts, crashes, drops, friction, sweeping, and debris handled either individually or in groups. Sources range from windows and bottles to drinking glasses, windshields, neon tubes, mugs, ceramic plates, and more, offering a broad palette of glass tones and textures in mono and stereo.
From subtle crunches to explosive smashes, this library delivers versatile material for foley, sound design, and destruction moments in film or games.
Ultrasonic content
Recorded in close up using a Sanken CO-100K and a MKH8040, these sounds capture the finest details and ultrasonic content, perfect for extreme pitch and speed modulation.
Gear used
MixPre-6 II • Sanken CO-100K • KMKH8040 • MKH30 • MKH416
Metadata
This sound library is UCS compliant and comes with fully embedded metadata compatible with Soundly, Soundminer and Basehead.
HD Game Materials is made for sound design. Capturing 8,300 ultra high-quality material sounds recorded at 192kHz / 32-bit, this library gives you professional source recordings that will stand the test of time. Whether you’re designing AAA games, cinematic trailers, detailed foley, or intricate immersive audio soundscapes, these sounds are ready for extreme processing. Perfect for stretching, pitching, layering, mashing, mixing and mangling without losing fidelity.
HD Game Materials – 192k 32bit High Resolution Source for Game and Film Sound Designers is a precision-crafted source SFX library made for professionals who require uncompromising quality and efficiency. With ultra-detailed 192kHz/32-bit fidelity, it provides a permanent, reusable foundation for sound designers needing studio-grade SFX to fuel advanced interactive sound design. It’s a future-proof investment too, because all of the high-resolution source materials are meticulously engineered to preserve sonic integrity in any project and with any of today’s cutting-edge audio processing technologies. Even more, HD Game Materials eliminates the labor-intensive cycle of planning, recording, editing, cataloging, and metadata tagging, saving you time and production costs. Now you can prioritize what truly matters: delivering high impact sound design and dynamic story-driven audio experiences. Do it now and for a long long time to come with HD Game Materials – High Resolution Source for Game and Film Sound Designers.
Are you in need of smashing, crashing and sounds of breaking?
Do you need your scene to sound like a bull in a china shop, without having to break all your own things?
Well great! I broke my plates just for you!
Please buy this pack so I can replace them…
Here is a collection of various glass and ceramic smashes, crashes, dragging and dropping debris, that should suit many editing needs!
Recorded in 192Khz 32bit float and exported in 32/192 kHz to give full flexibility in edit
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.