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Dark Drone Soundscape Vol.2 is a set of soundscapes for creating atmosphere in horror games, movies and sci-fi. They allow you to immerse yourself in a world of mysterious and frightening sounds, creating a feeling of presence in uncharted space.
With the help of seamless loops and sounds of Dark Drone Soundscape, you will be able to create unique soundscapes that will keep your audience on the edge of their seats and make them feel like they are part of an exciting adventure. These sounds are perfect for creating a tense and mystical atmosphere, which is necessary for the successful development of the plot in your projects.
All sounds and loops in the Dark Drone Soundscape sound pack are created using a hybrid analog-digital hardware synthesizer, recorded and mixed in 24 Bit 96 kHz format.
Dark Drone Soundscape Vol.2 includes sound effects such as:
Each sound effect in this sample pack has 10 variations of different tones (from low to high pitch), looped and non-looped versions.
Demos of all sounds of “Dark Drone Soundscape” (one version, mid-tone) with watermark are available to download here.
Found of sci-fi sound effects? Get whoosh, hum, drone and wing sounds performed with a tuneable rubber band sword (also called wind wand). This musical instrument was used in any possible way to bring you a wide range of expressive textures.
Sound material can be used to create any type of futuristic sound effect: space ships, helicopters, wings, laser, hum, ambiances, engines. It’s up to you.
Recorded with Sennheiser MKH 8040 in ORTF configuration and a mono MKH 8050, you can choose whether you want a wide stereo image or a restrained mono sound. Stereo and mono mics are coincident so you can mix both files without phase issues.
• 96KHz/24bit
• Both stereo and mono recordings
• Recorded with Sennheiser MKH 8040 and MKH 8050
• Metadata UCS-compliant
This is a sound library with a wide range of science fiction interior ambiences.
Features:
The all-time classic ARP 2600 was a synthesizer that was an immediate hit with musicians and sound designers when it was released in 1971. Most famously, it’s the very synth that Ben Burtt used to give R2D2 his unmistakeable voice.
Semi-modular in nature and with many handy features like voltage modifiers, lag control, ring modulation, a comprehensive noise generator, sample & hold, and 3 independent oscillators, it comes equipped with more features than you’ll find in many of today’s analog synthesizers.
Thanks to the Alan R. Pearlman Foundation and the non-profit studio The Record Co. I was able to access an original, mint condition ARP 2600 that is beautifully maintained and lock myself in a studio with it to capture nearly 7 hours worth of raw sound design material.
Putting the 2600’s immense sound design potential to use, I created this library to help you give robots a voice, create otherworldly ambiances, score computers with the obligatory “bleep bloops”, and craft larger than life weapons with a distinct retro SciFi flair. I also captured the physical, mechanical sounds of patching cords and moving faders on the synth using a pair of LOM UÅ¡i Pro. These sounds are included in a dedicated subfolder.
The resulting sounds range from droid chatter at various root pitches, impacts, drones, noise, and lots of other sonic source that begs to be pitch-shifted and mangled. In fact, the ARP 2600’s pristine analog circuitry and my high-end recording chain capturing it at 192 kHz means that most of the final material features high-frequency content ranging up to nearly 90 kHz!
This means that you can pitch-shift most of these sounds down by up to 2 octaves and uncover new harmonic content along the way. By recording at 32 Bit with the ultra low-noise Zoom F6 and Rheingold Music cables, these recordings are extremely clean and hold up well to intense processing.
While highly abstract in nature, these sounds are a great basis for building:
Metadata: UCS file naming, SoundMiner, Soundly, BWF
Recording Specs: 24 Bit / 192 kHz for the majority of files. 96 kHz for files with less ultrasonic content, Stereo and Mono recordings.
File Format: WAV
Gear used: Genuine ARP 2600 Model 3620 (1974), LOM Uśi Pro Mics, Zoom F6, Rheingold Music Cables, Radial Pro D2 DI Box
Processing:Â Level adjustment, crossfades, spectral noise reduction for recordings using built-in spring reverb.
Jump to light speed and conquer the galaxies of your SCI-FI WARFARE project with this comprehensive, meticulously recorded, edited and mastered sound effects collection of any FUTURISTIC VEHICLES & SPACESHIPS needed for WAR in SPACE! Perfect for use in any SCIENCE FICTION themed or shooting video game or film, animation, or any other project that requires the Highest Quality futuristic SPACESHIPS, VEHICLES, or VESSEL sounds!
Designed by our team of AAA-industry veterans and huge fans of STAR WARS, STAR TREK, BATTLESTAR GALACTICA, and many more, FUTURISTIC VEHICLES is the most complete one of a kind SFX library that will add a massive value for your audience to your sci-fi project!
Whether you have squadrons needing SMALL VEHICLES like:
Or MEDIUM-sized spaceships like:
Or HUGE spaceships like:
No matter the size of your futuristic vessel, this pack delivers all you could want for your SCI-FIÂ VEHICLEÂ needs!
Also included are:
Included are also extremely rare background ambience sounds for SPACESHIPS INTERIOR BACKGROUND ENVIRONMENT AMBIENCE LOOPS.
FREE GIFT: We’ve included free sounds from our Vehicle libraries, that are a perfect fit for futuristic vehicles!
DOWNLOAD NOW to take your project to light speed with DRIVING, DIVING, FLYING, HANDLING, SHOOTING and MORE!
With over 510 audio files and 170 original cinematic-quality sounds, we went the extra mile by creating multiple sound variations for each vehicle/weapon, various vehicle sizes, and numerous actions and maneuvers that each performs, handling noises and other foley, alternate sound sequences and looping versions of moving or idle engines, mechanics, lasers and laser beams, startups, shutdowns, hits / detonations / explosions and more.
All spaceship engine sounds are designed to seamlessly re-produce a complete start-to-finish process:
1. Engines ON
2. Idle Engine Loop
3. Take Off
4. Flying Loop
5. Landing
6. Idle Engine Loop
7. Engines OFF
If placed in order and crossfaded a few milliseconds in between sounds, the most realistic and smoothest sound for spaceship engines will be produced!
ADDITIONAL FEATURES:
MASSIVE SAVINGS: The Sci-Fi Sound Effects Bundle combines essential futuristic sounds—weapons, spaceship engines, vehicles, robots of all shapes and sizes, ambiences, alien creatures, voiceovers, and more—into one comprehensive package. Save significantly by purchasing the bundle instead of individual packs. Click here to explore the bundle and save!
Interesting Interiors is a collection of recordings hand-picked by sound designer and recordist Chris Sweetman from his personal collection. They deliver a selection of interesting beds, ambiences and interior sounds, including both real and surreal sounds to play with.
This collection includes 3 rare recordings of the derelict Star Wars stage at Elstree before its demolition in 1995, as well as large drills from an interior perspective that could be mistaken for huge alarms or horns, an extremely detailed sewer recording, rain falling down an elevator shaft and much more.
Ok, ok, before you hit the preview button…back in school a friend made a short film with lots of fighting and light sabres. Who doesn’t want to try their hand at making those? This was my valiant attempt as a fledgling sound designer. They ain't the real thing but perhaps useful nonetheless. Enjoy!
“Sci-Fi Textures and Loops” are unique sound effects in WAV 24 Bit 96 kHz format that are suitable for creating a dark, mysterious, alien atmosphere when creating science fiction films, games, and music tracks.
“Sci-Fi Textures and Loops” are unique sound effects in WAV 24 Bit 96 kHz format that are suitable for creating a dark, mysterious, alien atmosphere when creating science fiction films, games, and music tracks.
“Sci-Fi Textures and Loops” are unique sound effects in WAV 24 Bit 96 kHz format that are suitable for creating a dark, mysterious, alien atmosphere when creating science fiction films, games, and music tracks.
“Sci-Fi Textures and Loops” are unique sound effects in WAV 24 Bit 96 kHz format that are suitable for creating a dark, mysterious, alien atmosphere when creating science fiction films, games, and music tracks.
“Sci-Fi Textures and Loops” are unique sound effects in WAV 24 Bit 96 kHz format that are suitable for creating a dark, mysterious, alien atmosphere when creating science fiction films, games, and music tracks.
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