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Glass and Metal Clouds are the result of experimenting with the tonal and noise elements of a glass or metal impact via granular processing. Various household objects were struck and recorded, ranging from metal shovels, desk legs and brass ornaments to glass and crystal objects – basically anything that would ring after it was struck.
The recordings were then sent through ‘Clouds’ and processed with gentle, chaotic modulation by a combination of sloth chaos modules and standard cyclic modulation resulting in drones that gently sweep between musical tonal sounds and the random noise produced by the strike and are ever evolving; some more than others.
Sometimes some surprising sounds came out of the drones and I let them run, some were kept quite constant with only a subtle amount of modulation so there is a lot of variation in the pack.
The sounds came from my need as a sound designer to embed strange mood, emotion and feeling of uncertainty into everyday ambience.
Equipment used:
Sennheiser MKH 60/30/8040 • Sound Devices MixPre6 • Mutable Instruments Clouds/Tides • Nonlinear Circuits Super/Stasis/Sloth
Matt Waites is a sound effects editor and sound designer based in the UK. Matt has worked on feature films and tv dramas for the last 6 years, previously working in music.
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