Women In Sound Asbjoern Andersen


Happy International Women's day! For starters, a few personal highlights from me: As regular visitors to A Sound Effect will know, two absolutely essential talents here on the team are Jennifer Walden and Adriane Kuzminski: I've worked with them for many years, and their insights, creativity, dedication and exceptional writing are an ongoing inspiration - it's a privilege to work with them.

I also want to thank Christa Giammattei for letting us sponsor her brilliant AUDIO INDUSTRY NEWS Instagram series, where she provides weekly recaps of what's happening in the world of sound.

And a big thanks to all the creatives, organizers, contributors and advocates for sharing their stories and ensuring their audio communities are welcoming and supportive. One person I'd like to highlight in particular is freelance dubbing mixer & sound effects editor Emma Butt for her relentless, ongoing fight for diversity and inclusivity in the audio community. It's sadly a battle that needs to be fought as there are still frustratingly few women and other minorities in sound.

But they are out there, and below you'll find a number of sound stories featuring inspiring women, podcasts, community groups and resources - and if we've missed any, please leave a comment below so we can get it on the list!


Please share:

Stories from A Sound Effect:

Making ‘A Murder at the End of the World’s Sound – with Gwen Yates Whittle
Sundance 2024: Behind the Edgy Sound of ‘Kneecap’ – with Louise Burton
Establishing the ’80s Era for ‘AIR’ – with Sound Supervisors Ai-Ling Lee and Susan Dawes
Crafting the Tense and Terrifying Sound of ‘Talk to Me’ – with Sound Supervisor Emma Bortignon
How Elemental’s Extraordinary Foley was Created – with Shelley Roden
Building the Fantastic-Plastic Sound of ‘Barbie’ – with Ai-Ling Lee
Stay updated on the latest in sound with AUDIO INDUSTRY NEWS – hosted by Christa Giammattei
The Adventurous Sound of ‘Indiana Jones and the Dial of Destiny’ – with Kyrsten Mate
Sounds of Horror & Emotional States – with Oscar winning sound supervisor/designer Karen Baker Landers
Shaping the Sound of Star Wars – with Emmy, MPSE, & CAS award-winning Sound Supervisor Bonnie Wild
Dialogue Editing and Sound Design – with supervising sound editor/sound designer Becky Sullivan
Making ‘Hello Tomorrow!’s Remarkable Retro-Futuristic Sound – with Mary Ellen Porto
What It Takes To Get Started And Succeed As A Game Composer – with Winifred Phillips
Guide to Getting into Game Audio – by Megan Frazier
The Composer Success Series: Composing For Theatre – with Elyssa Samsel & Kate Anderson
Behind the Fun, Futuristic-retro Sound of ‘Loki’ on Disney+ – with Bonnie Wild
Behind the Harrowing Sound of ‘The Underground Railroad’ – with Onnalee Blank
Handling the Sound of The Handmaid’s Tale – with Jane Tattersall
Co-Oping on the Game Sound and Score for ‘It Takes Two’ – with Anne-Sophie Mongeau
The Composer Success Series: Composing for film – with Pinar Toprak & Nainita Desai
The Composer Success Series: Composing for Television – with Sherri Chung & Cindy O’Connor
How Raya and the Last Dragon’s superb sound was made – with Nia Hansen
Finding the Sound of Soul – with Coya Elliott
Creating the exciting sound design for the ‘Pirates in Batavia’ amusement park ride – with Ana Monte
The Mission of ‘Women Who Are Sound’ – with Anna Bertmark and Anna Sulley
Telling ‘The Trial of the Chicago 7’ Through Sound – with Renee Tondelli
How To Actually Live as an Audio Freelancer – by Melissa Pons
The Psychology of Sound Design – with Ai-Ling Lee
How to succeed in UI/UX Sound Design, ADR Recording, & Audio Programming – with Emma Butt
How to succeed in Sound Editing, Sound for Advertising, and Production Sound – with Lucy J Mitchell
How to succeed in sound design for Film, Documentaries, and Trailers – with Nia Hansen
Experienced Foley Artist Alyson Dee Moore talks to George Haddad about a life in Foley
Video: Foley Artist Tara Blume recreates the iconic sounds of ‘Evil Dead II’ from home
What it takes to do sound at NASA – with Alexandria Perryman, NASA Audio Engineer
Designing the Futuristic Sound and Music of Westworld Season 3 – with Susan Cahill
Behind the great sound of The Mandalorian – with Bonnie Wild
Creating the sound for Velvet Buzzsaw’s mix of horror, humor, and high art – with Margit Pfeiffer
How ‘First Man’ takes your ears on a supersonic adventure – with Ai-Ling Lee and Milly Iatrou
Indie Audio Adventures: Telling BestLuck’s beautiful story through sound – with Gina Zdanowicz
Ant-Man and the Wasp – Creating Big Sound for Tiny Superheroes – with Katy Wood
Ototoxicity: Is your medication damaging your hearing? – with Karen Collins


Podcasts:

The Soundgirls Podcast
Level with Emily Reese – an excellent audio podcast hosted by, of course, Emily Reese
Soundtracking – a brilliant film sound podcast hosted by Edith Bowman


Groups & resources:

Soundgirls – SoundGirls supports women working in professional audio and music production by highlighting their success and providing a place for them to connect, network, and share advice and experiences.
The EQL Directory – A Database for Women and Gender Non-Conforming Audio Professionals
A Composer’s Guide to Game Music – a book by Winifred Phillips
Women in Audio – a book by Leslie Gaston-Bird
We Make Noise – Advancing global gender equity through the power of music and technology
Audio Treehouse Community Slack – The Audio Treehouse provides a safe space for aspiring and current audio professionals of all underrepresented genders/sexes in the industry.
Black Girls Code – A non-profit organization that introduces programming and technology to a new generation of coders, coders who will become builders of technological innovation and of their own futures.
IGDA Women in Games SIG – The IGDA Women in Games (WIG) Special Interest Group (SIG) was formed to create a positive impact on the game industry with respect to gender balance in the workplace and the marketplace.
Sound Women Network – This Facebook group is for all women who work in audio (radio, podcasting, music, streaming, management, engineering and beyond).
Women in Film & Television UK – Women in Film & TV (UK) is the leading membership organisation for women working in creative media in the UK and part of an international network of over 13,000 women.
Women in Audio – a book by Leslie Gaston-Bird
Women in Games Boston – Women in Games Boston is a networking event for women who make games and their allies.
Women in Games International – Women in Games International (WIGI), made up of both female and male professionals, works to promote the inclusion and advancement of women in the global games industry.
Women in Games – Women in Games (WIGJ) is a not for profit organisation that works to recruit more women into the games industry and to support those already in the industry.
Women’s Audio Mission – Women’s Audio Mission is a San Francisco/Oakland-based nonprofit organization, and the only professional recording studio in the world built and run by women, which attracts over 2,000 underserved women and girls every year to STEM and creative technology studies that inspire them to amplify their voices and become the innovators of tomorrow.
Wonder Women Tech – Wonder Women Tech (WWT) is a 501(c)(3) nonprofit organization and ecosystem that produces year-round programming and national and international conferences that highlight, educate, and celebrate women and the underrepresented in STEAM industries (Science, Technology, Engineering, Arts, Math), innovation and entrepreneurialism.
Yorkshire Sound Women – Collaboration, skill shares and mentoring for women interested in and working with music and sound technology

 

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THE WORLD’S EASIEST WAY TO GET INDEPENDENT SOUND EFFECTS:
 
A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:

  • Whoosh Sound Effects Swish and Flick Play Track 1992 sounds included $60

    Swish and Flick is a sound pack featuring a collection of high-quality whooshes, designed whooshes, whoosh source, and tonal content.
    This pack features 1992 sounds across 138 .wav files (20 Designed, 118 Source) exported at 192kHz/24bit. Aimed at professional sound designers and editors looking for clean, mastered, ready to use assets with plenty of variation for game audio or linear media.
    Recorded on the SD 788T with Schoeps MK 4 & 8 along with the CMD42 digital preamplifiers, as well as an MKH 8040 XY pair (among others), and meticulously cleaned up in iZotope RX while persevering optimal signal to noise and frequency content.
    Detailed UCS meta data is embedded.
    Thanks for taking a listen!

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  • Uncategorized Overkill – Gore And Splatter Play Track 3390 sounds included, 160 mins total $112.49

    Unleash pure audio carnage with OVERKILL – a brutally detailed 5.7 GB sound library featuring 3390 hyperreal gore sound effects across 607 files. Whether you’re designing subtle, skin-crawling tension or full-blown splatter mayhem, Overkill gives you the raw, visceral tools to cover the entire spectrum of gore – from nuanced realism to over-the-top brutality.

     

    DESIGN KIT (360 Sounds – 60 Files)

    A collection of brutally crafted, drag-and-drop sound effects, organized into game-ready actions and categories.

    • Stab: Precise, piercing attacks with bladed weapons like knives, daggers, and swords.
    • Hit: Brutal strikes using blades such as machetes, katanas, and sabres.
    • Cut: Clean or messy slices delivered by weapons like katanas, knives, machetes, and sabres.
    • Slam: Heavy, crushing blows with blunt weapons like warhammers, morning stars, flails, crowbars – and even axes used with brute force.
    • Crush: Full-on head or body crushes – whatever happens when too much pressure turns flesh and bone into pulp.
    • Explode: Full-on body explosions – when guts, bones, and blood violently erupt in every direction at once.

    All of these categories are featured in both a realistic, organic style and an exaggerated, highly stylized, over-the-top version.

    In addition the Design Kit features Projectile Impacts from Guns, Shotguns and Arrows.

     

    BUILDING BLOCKS (384 Sounds – 64 Files)

    The goal behind our Building Blocks is to provide pre-designed sound layers that streamline your workflow. We’ve created straightforward, easy-to-use categories that let you quickly build new sounds or enhance your own designs.

    All following categories are available in both Wet and Dry:

    • Impact: Ideal as punchy sweeteners for heavy weapon hits and brutal moments.
    • Whoosh: Quick, clean lead-ins to enhance any kind of gore sound.
    • Crack: Perfect for highlighting the snap of shattered bones and broken bodies.
    • Tail: Drag and drop to add lingering, gruesome sustain to your gore effects.

     

    CONSTRUCTION KIT (2653 Sounds – 483 Files)

    For our Construction Kit, we wanted to give you the best of both worlds to meet (or should we say meat) all your needs. You’ll get cleaned raw recordings for full flexibility in your own processing, plus pre-processed and layered sounds to spark creativity, fuel inspiration, and give you everything you need for hyperrealistic gore design.

    Our Construction Kit includes:

    • Blood: Vile drips, juicy splatters, and bone-chilling squeezes.
    • Gut: Rich with drops, impacts, squishes, and visceral movement.
    • Flesh: Brutal impacts, rips, strains, and movements.
    • Bone: Crisp breaks and sharp snaps.
    • Texture: Hyperrealistic wet and dry constant textures.
    • Weapon: Resonant metal slices, stabs, and hits, as well as whooshes for weapon hits and ricochets.
    25 %
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  • UNLEASH THE SOUND OF UNSTOPPABLE POWER

    SUPERHEROES – SPEED & STRENGTH is the definitive superhero sound effects collection, capturing the raw intensity, high-speed movements, and groundbreaking impacts of cinematic action.

    Crafted for professionals, it delivers superhuman momentum and powerful action sounds ideal for film, trailers, AAA games, and post-production. Every superhero sound is engineered for precision, realism, and relentless cinematic energy.

    SUPERHEROES - SPEED & STRENGTH | Sound Effects | Trailer

    Pure Superhero Sound

    Go beyond generic action sound effects with the first dedicated superhero sound effects library. Every superhero sound is meticulously crafted to enhance speed, strength, and impact, delivering energetic whooshes and crushing hits that feel grounded yet extraordinary.

    Hybrid Sound Design Mastery

    Achieve a perfect balance of superhero energy and real-world authenticity. Expertly processed organic recordings, creating dynamic action sounds ideal for high-stakes cinematic scenes, impactful trailers, and immersive gaming experiences.

    Perfect for Professional Sound Designers
    Whether working on blockbuster films, action-packed trailers, or AAA game titles, SUPERHEROES – SPEED & STRENGTH is a professional-grade toolkit built for sound designers who demand powerful, cinematic, and impactful sound design at the highest quality.


    INCLUDED SOUNDS – KEYWORDS
    ABILITIES, AIR, BURST, COLLISION, DASH, EXPLOSION, FIGHTING PUNCH, FIGHTING WHOOSH, FLASH, FLIGHT LAND, FLIGHT SONIC BOOM, FLIGHT TAKE OFF, FLUTTER, HYPER SPEED, IMPACT, KNOCKOUT, LIGHTNING FAST, MOTION, MOVEMENT, ORGANIC ENERGY, PARTICLES, POWER PUNCH, SPRINT, WHOOSH, ZAP
    20 %
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    20 %
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    20 %
    OFF
    20 %
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Explore the full, unique collection here

Latest sound effects libraries:
 
  • UNLEASH THE SOUND OF UNSTOPPABLE POWER

    SUPERHEROES – SPEED & STRENGTH is the definitive superhero sound effects collection, capturing the raw intensity, high-speed movements, and groundbreaking impacts of cinematic action.

    Crafted for professionals, it delivers superhuman momentum and powerful action sounds ideal for film, trailers, AAA games, and post-production. Every superhero sound is engineered for precision, realism, and relentless cinematic energy.

    SUPERHEROES - SPEED & STRENGTH | Sound Effects | Trailer

    Pure Superhero Sound

    Go beyond generic action sound effects with the first dedicated superhero sound effects library. Every superhero sound is meticulously crafted to enhance speed, strength, and impact, delivering energetic whooshes and crushing hits that feel grounded yet extraordinary.

    Hybrid Sound Design Mastery

    Achieve a perfect balance of superhero energy and real-world authenticity. Expertly processed organic recordings, creating dynamic action sounds ideal for high-stakes cinematic scenes, impactful trailers, and immersive gaming experiences.

    Perfect for Professional Sound Designers
    Whether working on blockbuster films, action-packed trailers, or AAA game titles, SUPERHEROES – SPEED & STRENGTH is a professional-grade toolkit built for sound designers who demand powerful, cinematic, and impactful sound design at the highest quality.


    INCLUDED SOUNDS – KEYWORDS
    ABILITIES, AIR, BURST, COLLISION, DASH, EXPLOSION, FIGHTING PUNCH, FIGHTING WHOOSH, FLASH, FLIGHT LAND, FLIGHT SONIC BOOM, FLIGHT TAKE OFF, FLUTTER, HYPER SPEED, IMPACT, KNOCKOUT, LIGHTNING FAST, MOTION, MOVEMENT, ORGANIC ENERGY, PARTICLES, POWER PUNCH, SPRINT, WHOOSH, ZAP
    20 %
    OFF
    20 %
    OFF
    20 %
    OFF
    20 %
    OFF
  • Uncategorized Overkill – Gore And Splatter Play Track 3390 sounds included, 160 mins total $112.49

    Unleash pure audio carnage with OVERKILL – a brutally detailed 5.7 GB sound library featuring 3390 hyperreal gore sound effects across 607 files. Whether you’re designing subtle, skin-crawling tension or full-blown splatter mayhem, Overkill gives you the raw, visceral tools to cover the entire spectrum of gore – from nuanced realism to over-the-top brutality.

     

    DESIGN KIT (360 Sounds – 60 Files)

    A collection of brutally crafted, drag-and-drop sound effects, organized into game-ready actions and categories.

    • Stab: Precise, piercing attacks with bladed weapons like knives, daggers, and swords.
    • Hit: Brutal strikes using blades such as machetes, katanas, and sabres.
    • Cut: Clean or messy slices delivered by weapons like katanas, knives, machetes, and sabres.
    • Slam: Heavy, crushing blows with blunt weapons like warhammers, morning stars, flails, crowbars – and even axes used with brute force.
    • Crush: Full-on head or body crushes – whatever happens when too much pressure turns flesh and bone into pulp.
    • Explode: Full-on body explosions – when guts, bones, and blood violently erupt in every direction at once.

    All of these categories are featured in both a realistic, organic style and an exaggerated, highly stylized, over-the-top version.

    In addition the Design Kit features Projectile Impacts from Guns, Shotguns and Arrows.

     

    BUILDING BLOCKS (384 Sounds – 64 Files)

    The goal behind our Building Blocks is to provide pre-designed sound layers that streamline your workflow. We’ve created straightforward, easy-to-use categories that let you quickly build new sounds or enhance your own designs.

    All following categories are available in both Wet and Dry:

    • Impact: Ideal as punchy sweeteners for heavy weapon hits and brutal moments.
    • Whoosh: Quick, clean lead-ins to enhance any kind of gore sound.
    • Crack: Perfect for highlighting the snap of shattered bones and broken bodies.
    • Tail: Drag and drop to add lingering, gruesome sustain to your gore effects.

     

    CONSTRUCTION KIT (2653 Sounds – 483 Files)

    For our Construction Kit, we wanted to give you the best of both worlds to meet (or should we say meat) all your needs. You’ll get cleaned raw recordings for full flexibility in your own processing, plus pre-processed and layered sounds to spark creativity, fuel inspiration, and give you everything you need for hyperrealistic gore design.

    Our Construction Kit includes:

    • Blood: Vile drips, juicy splatters, and bone-chilling squeezes.
    • Gut: Rich with drops, impacts, squishes, and visceral movement.
    • Flesh: Brutal impacts, rips, strains, and movements.
    • Bone: Crisp breaks and sharp snaps.
    • Texture: Hyperrealistic wet and dry constant textures.
    • Weapon: Resonant metal slices, stabs, and hits, as well as whooshes for weapon hits and ricochets.
    25 %
    OFF
  • Bundles MASTERGUN – NSV Play Track 872 sounds included $125

    The Master Gun NSV Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 26 channels including 12 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • Whoosh Sound Effects Swish and Flick Play Track 1992 sounds included $60

    Swish and Flick is a sound pack featuring a collection of high-quality whooshes, designed whooshes, whoosh source, and tonal content.
    This pack features 1992 sounds across 138 .wav files (20 Designed, 118 Source) exported at 192kHz/24bit. Aimed at professional sound designers and editors looking for clean, mastered, ready to use assets with plenty of variation for game audio or linear media.
    Recorded on the SD 788T with Schoeps MK 4 & 8 along with the CMD42 digital preamplifiers, as well as an MKH 8040 XY pair (among others), and meticulously cleaned up in iZotope RX while persevering optimal signal to noise and frequency content.
    Detailed UCS meta data is embedded.
    Thanks for taking a listen!

    20 %
    OFF
  • Bundles MASTERGUN – HK21E Play Track 1521 sounds included $60

    The Master Gun HK21E Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.


   

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