New sound stories worth reading Asbjoern Andersen

It's time for another roundup of the interesting audio stories you can find from our audio communities. In this recap, you can learn about creating the demanding sound design of Detroit, designing the sound of Coco, and complex soundscapes with Sound Particles. You can also read thoughts about running an ideal indie studio, living a day without sound, and approaching the sound for a level of Call of Duty: Infinite Warfare. Happy reading!
Please share:
Behind the tense sound of ‘Detroit’ – with Oscar-winning sound designer Paul Ottosson:

Capturing the best performance doesn’t always mean it’s the clearest take, especially when crowds are involved. In this piece, Jennifer Walden speaks with sound designer Paul N.J. Ottosson about this conundrum in designing the sound for Detroit. From cleaning performances of large crowds to balancing scenes with delicately-placed audio sources, Paul gives us a look at how he and the sound team met the demands of this challenging project:

Read the in-depth interview about the tense sound of ‘Detroit’

Building the Dream Work Environment at A Shell in the Pit:

As an audio studio owner, you are in charge of not of only the schedules and budgets, but also the trust and personal happiness of your team members. Adriane Kuzminski interviews Gord McGladdery, owner of A Shell in the Pit, about how he began his studio and what he looks for in prospective projects. From appreciating the Vancouver community to meditating on Excel sheets, Gord shares insight into why his studio can work on the projects they are most passionate about:

Read the in-depth interview about A Shell in the Pit

Sound Particles explored: Imagine – and create – thousands of sounds around you:

Nuno Fonseca gives us a look into Sound Particles, his CGI-like program that uses – you guessed it – particle systems to generate dynamic 3-dimensional environments. Used in AAA games like Battlefield 1 and blockbusters like Justice League and Wonder Woman, this powerful tool creates complex soundscapes – up to millions of particles – without making you give up the control or detail of your design:

Read the in-depth story about Sound Particles

Great reads from the sound community:


A Day Without Sound: On the Audiokinetic blog, Dr. Karen Collins shares her experience of blocking out sound for a day (with the help of two layers of earplugs). She talks about everyday experiences – going for a walk, feeding the dog, preparing a meal – and how the audio cues we’re exposed to both cause us to anticipate audible feedback and feel a little anxiety about the ones out of our control.
Shifting Perspective in FPS Sound Design: On his blog, Brian Johnson shares his approach in designing the sound for the “Operation Blood Storm” level in Call of Duty: Infinite Warfare. Brian gives us a beat-by-beat breakdown of the internal and external cues that direct the character’s focus and how he subtly created a cohesive and dramatic audio experience.
Coco’s sound story — music, guitars and bones: Over at Post Perspective, our good friend Jennifer Walden speaks with the Skywalker Sound team behind the movie’s excellent sound design. Features supervising sound editor/sound designer/re-recording mixer Christopher Boyes, co-supervising sound editor J.R. Grubbs.


Please share this:


A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:
  • Materials & Texture Granular Play Track 400+ sounds included $54.45 incl. vat

    GRANULAR is the ultimate source library for anyone looking to add compelling and distinctive granular textures into their sound design; it contains designed sounds, a large collection of processed sounds, and some additional raw recordings.
    This library is the culmination of many hours of exploration and experimentation in the area of granular sound processing, using a variety of plugins, audio tools, recording techniques and processes.
    GRANULAR features 395 24bit / 96kHz WAV files, each embedded with full metadata.

  • Animals & Creatures Real Snakes Play Track 22+ sounds included $18.15 incl. vat

    Need real snake sounds? This compact, hand-picked pack delivers recordings of actual snakes hissing, inhaling and exhaling, shaking, rattling – and striking. Features snakes such as Boa, Eastern Diamondback Rattlesnake, Mexican Rattler, African Puff Adder, and Gopher Snake.

  • Animals & Creatures WINGS Play Track 1444+ sounds included
    5 out of 5
    From: $119.79

    We are extremely proud to present our first library, WINGS – a one-of-a-kind sound library.

    From tiny insects to small birds, from fairies to dragons, WINGS offers a creative palette with a diverse range of sounds to choose from.

    With over 1400 files (more than 4 GB for the 192 kHz version ) we’re confident you will find the perfect sound.

    When purchasing WINGS you get 2 packs, our Design category that includes 180 files and the Source category that offers more than 1200 sounds. Featuring the very best of our foley sessions.

    All single flaps have been careful edited, allowing for unique speed or rate adjustments.

    Pick your preferred version at the introductory prices below:

Explore the full, unique collection here
Just enter your details below to get the newsletter and free sound effects (soundlist):

Leave a Reply

Your email address will not be published. Required fields are marked *

HTML tags are not allowed.