The Cave & His Dark Materials Sound Interview Asbjoern Andersen


Two excellent interviews just came out: The Tonebenders released a new episode featuring Sound supervisor Peter Albrechtsen, sound editor Rana Eid, and re-recording mixers Tim Neilsen and Lars Ginzel on the sound for The Cave, a gritty documentary about an underground hospital in war-torn Syria.

Technicolor POSTCAST released an interview with Recording Mixers Gareth Bull and James Ridgway on the sound for popular fantasy series His Dark Materials. Hear both interviews below:


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Technicolor POSTCAST: His Dark Materials

About the interview: ‘In this episode, we conclude our discussion about “His Dark Materials” with Re-Recording Mixers Gareth Bull and James Ridgway. The mixing duo discuss how they approached the sound scape for the production, working collaboratively with Supervising Sound Editor Dillon Bennett and Dialogue Editors Gavin Rose and Sebastian Dale to put their mark on the show.’ – via @Tonebenders

Hear the interview:
Tonebenders: The Sound of The Cave

About the interview: ‘We are joined by 4 Members of the sound team of the AMAZING new documentary The Cave from Oscar nominated director Feras Fayyad. Sound supervisor Peter Albrechtsen is joined by sound editor Rena Eid, and re-recording mixers Tim Neilsen and Lars Ginzel to talk about the unique sound design for this gritty doc about an underground hospital in war torn Syria. Mixed in ATMOS, the sound plays an unusually large role in telling this heartbreaking story.’ – via Technicolor Post

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A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:
 
 
  • A collection of raw recordings of various devices and a special bonus section created in collaboration with industry designers.


    This collection includes 256 raw stereo 24bit/96khz recordings of a multitude of devices including home appliances such as microwaves, washing machines, hair straighteners, face scrubber, vacuums, hand dryer and paper shredder. Recorded using a LOM Electrosluch City, Priezor and MixPre10T

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  • Horror Giant Pinecones Play Track 500+ sounds included, 44 mins total $79

    • In Giant Pinecones, get a visceral collection of scraped and eviscerated pinecones from the gray pine trees of Northern California. Scrape the razor-sharp hooks of the cone petals and hear guttural scrapes crackling with energy. Hear rolling cones popping and fluttering with rich stuttering tones. Hear fully open cone pedals squeaking with woody vocalizations like supernatural animals and hardy crunches filled with organic grit.
    • This library offers you an extensive collection of sounds from a unique organic sound source. Digger pinecone sounds are incredibly soft and intimate in real life, but when recorded from two inches they morph into a unique wooden sound source brimming with powerful glitchy and stuttering textures.

    2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
    • Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
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    FILE LIST & METADATA:
    • View larger version or Download CSV
    • A spectrogram is included for each audio file. Double click on the photo to enlarge.
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    • Read 40+ testimonials for Thomas Rex Beverly Audio
    • Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
    • Browse the Library Info Master List to compare specs on all my libraries.
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  • Sci-Fi Advanced Propulsion Play Track 1191 sounds included $99

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  • Spatial Roomtones & Interiors is an immersive collection of audio backgrounds for cinema, VR, videogames and any audiovisual or creative purposes.

    The audios provided in this library are high quality recordings with Zoom H2n recorder in propietary Spatial Audio mode, horizontal-only ambisonic alike mic layout stored in an AmbiX format. W, X, Y channels of AmbiX provide immersive audio through the horizontal plane and they allow to decode the recording into Mono, Stereo, Binaural, Quad, 5.0, 5.1, 7.1 and more layouts with dedicated Ambisonic processors. Z channel is empty.

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  • The following is a 2016 Bell 407 GX Helicopter single license
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    All 17 wave files at about 85 minutes long are in 24 Bit, 96 kHz. The Onboard recordings are in 4 separate mono wave files. Drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also ready to use stereo mix versions of the Onboard recordings. External recordings are in mono, stereo, and Ambisonic Format B wave files.

    Onboard Settings:

    Channel 1 Front Left
    Channel 2 Front Right
    Channel 3 Rear Left
    Channel 4 Rear Right

    Notes: If you need specific shots of this helicopter, Watson is available for hire to re-record this or similar sounding aircrafts.

    Special thanks to James, his crew, and to Chad Dion (photographer)!

    Definitions
    External = Sounds recorded from outside of the aircraft (flybys, etc)
    OnBoard = Recording perspectives on and in the aircraft

  • Recording of a 1972 Porsche 911 ST vintage sports car with a 2.5 liter 6 cylinder boxer dual ignition engine and race car tuning 280 hp.


    The German 1972 Porsche 911 ST sound fx collection includes 468 sound files in 45.46 gigabytes of audio. It features the sound of a vintage sports car with a 2.5 liter 6 cylinder boxer dual ignition engine and race car tuning 280 hp.

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  • Recording of a 1978 Japanese Yamaha ET 340 snowmobile with a 338cc, 2 stroke, 2 cylinder engine.


    The 1978 Japanese Yamaha ET 340 snowmobile sound collection gathers 174 clips in 8.47 gigabytes of field recordings. It showcases the sound of a 338cc, 2 stroke, 2 cylinder engine in 23 channels of audio.

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  • “The Shoe Collection: Soft Hardwood – Men’s Boat Shoe“ by Periscope Post & Audio, provides 22 high quality footsteps on soft hardwood floors with the boat shoe.  The audio files are recorded at 24bit, 192k with mono and stereo recordings.  The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe.  From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more!  There are several performances with each file to fit the right action you need.  That’s a whopping 454 footsteps between the mono and stereo files!

 
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