Videos by Michael Cullen. Thanks to Mark Kilborn for finding the videos
Beginning a Session, Track Creation and Organization, Importing Picturelock and AAF/OMF, Dialogue Editing, Editing Backgrounds, Sound Effects Editing, Foley Cueing and Editing, Editing ADR and Group Dialogue, Music Stems Editing, Arranging Music for Changed Picturelock, Track Groups and Stereo Panning Automation, VCA Tracks and Submaster AUX Track Busses
This is the 1st tutorial of the series to learn how to sound design and mix for films. In this video, we talk about organizing and setting up your session to being the sound editorial process:
In this video, we talk about creating your editorial tracks and then adding a 2 POP:
In this video, we talk about importing your picturelock video file and your AAF/OMF file and then ensuring that everything is in sync:
In this video, we talk about selecting the cleanest takes on a shot by shot basis, finding fill, and cleaning up your takes.
In this video, we talk about finding mono and stereo files to create your backgrounds:
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Get the sounds of an old Piaggio Zip 49cc, a 2 stroke scooter from 1999. Its peculiar sound makes it an inestimable tool for film and games, whether it is a karting game, a sandbox or a drama movie.
The library contains 72 onboard, 36 external and 38 foley recordings. Onboard recordings consist of 3 channels (two exhaust and one engine). A mix of these 3 channels has been included. Each single channel is included as well, so it can be layered as you please and make a different mix of the onboard recordings. External files include a stereo setup and a following shotgun.
The riding recordings, where many different actions are happening, contain descriptive markers to highlight interesting events in an otherwise featureless waveform. These markers can be read in programs such as Izotope RX, Reaper and Soundminer. The markers are also included as .txt files in a separate folder.
All files come in 96 kHz/24 bit with embedded metadata.
Gear used: Zoom F8, DPA 4066, Sanken Cos11, Sennheiser 416, Sony D100.
Sounds includedFalse starts, startups, shutdowns, idles, revving, accelerations, decelerations, constant RPM at different speeds, passbys at different speeds and distances, approaches, driving away, kick starts, kickstands, horn, switching on and of with and without keys, light switch, opening and closing storage compartment.
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This is the 6th tutorial of the series to learn how to sound design and mix for films. In this video, we talk about finding mono and stereo files to cut your sound effects. If you can’t hear MetaDigger with Pro Tools open, try using VB-Audio’s free VoiceMeeter Banana software to virtually route your audio out.
In this video, we talk about the four-step process of cueing, recording, editing, and re-integrating your foley into your main session. This is the 7th tutorial of the series to learn how to sound design and mix for films:
In this video, we talk about editing ADR (Automated Dialogue Replacement) and Group/Walla dialogue:
In this video, we talk about editing music stems and score:
In this video, we talk about editing a score to fit a new picturelock:
In this video, we talk about creating track groups and creating panning automation for stereo environments:
In this video, we talk about creating track groups and creating panning automation for stereo environments:
You can watch the released film here. Please note that there is mature content (swearing) in the film.
(via @Mark Kilborn – learn more about Soundtuts here)
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17 %OFFEnds 1530136800
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Get the sounds of an old Piaggio Zip 49cc, a 2 stroke scooter from 1999. Its peculiar sound makes it an inestimable tool for film and games, whether it is a karting game, a sandbox or a drama movie.
The library contains 72 onboard, 36 external and 38 foley recordings. Onboard recordings consist of 3 channels (two exhaust and one engine). A mix of these 3 channels has been included. Each single channel is included as well, so it can be layered as you please and make a different mix of the onboard recordings. External files include a stereo setup and a following shotgun.
The riding recordings, where many different actions are happening, contain descriptive markers to highlight interesting events in an otherwise featureless waveform. These markers can be read in programs such as Izotope RX, Reaper and Soundminer. The markers are also included as .txt files in a separate folder.
All files come in 96 kHz/24 bit with embedded metadata.
Gear used: Zoom F8, DPA 4066, Sanken Cos11, Sennheiser 416, Sony D100.
Sounds includedFalse starts, startups, shutdowns, idles, revving, accelerations, decelerations, constant RPM at different speeds, passbys at different speeds and distances, approaches, driving away, kick starts, kickstands, horn, switching on and of with and without keys, light switch, opening and closing storage compartment.
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