– nominated for Sound Editing & Sound Mixing
Nominees for Sound Editing: Matthew E. Taylor, Sound Supervisor, Tim Farrell, Sound Editor, Henry Cohen, Sound Editor, Michael Schapiro, Sound Editor, Sean Heissinger, Sound Editor, Clay Weber, Sound Editor, Moira Marquis, Music Editor, Stan Jones, Music Editor, Alyson Dee Moore, Foley Artist, Chris Moriana, Foley Artist
Nominees for Sound Mixing: Peter J. Devlin, CAS, Production Mixer, Todd M. Grace, CAS, Re-Recording Mixer, Edward C. Carr III, CAS, Re-Recording Mixer, Michael Perfitt, Scoring Mixer
– nominated for Sound Editing & Sound Mixing
Nominees for Sound Editing: Bobby Mackston, Co-Supervising Sound Editor/ ADR Editor, Paul Hammond, Co-Supervising Sound Editor/ Dialogue Editor, Sean Garnhart, Sound Effects Editor, Vincent Guisetti, Foley Artist
Nominees for Sound Mixing: Ben Patrick, Production Mixer, John W. Cook ll, Re-Recording Mixer, Bill Freesh, Re-Recording Mixer
– nominated for Sound Editing & Sound Mixing
Nominees for Sound Editing: Craig Henighan, Co-Supervising Sound Editor, William Files, Co-Supervising Sound Editor, Ryan Cole, Sound Editor, Kerry Dean Williams, Sound Editor, Angelo Palazzo, Sound Editor, Katie Halliday, Sound Editor, David Klotz, Music Editor, Steve Baine, Foley Artist
Nominees for Sound Mixing: Michael Rayle, Production Mixer, Mark Paterson, Re-Recording Mixer, William Files, Re-Recording Mixer, Craig Henighan, Re-Recording Mixer
– nominated for Sound Editing & Sound Mixing
Nominees for Sound Editing: Sue Gamsaragan Cahill, Supervising Sound Editor, Benjamin L. Cook, MPSE, Sound Designer, Shaughnessy Hare, Special Effects Editor, Jane Boegel-Koch, Dialogue Editor, Tim Tuchrello, Dialogue Editor, Sara Bencivenga, ADR Editor, Brendan Croxon, Foley Editor, Adrian Medhurst, Foley Artist, Christopher Kaller, Music Editor
Nominees for Sound Mixing: Geoffrey Patterson, Production Mixer, Keith Rogers, Re-Recording Mixer, Benjamin L. Cook, Re-Recording Mixer
– nominated for Sound Mixing & Music Composition
Nominees for Sound Mixing: Felipe ‘Flip” Borrero, CAS, Production Mixer, Larry Benjamin, CAS, Re-Recording Mixer, Kevin Valentine, Re-Recording Mixer, Phil McGowan, CAS, Scoring Mixer
Nominees for Music Composition: Danny Bensi, Composer, Saunder Jurriaans, Composer
– nominated for Sound Editing, Sound Mixing & Music Composition
Nominees for Sound Editing: Brad North, Supervising Sound Editor, Harry Cohen, Sound Designer, Jordan Wilby, Sound Effects Editor, Tiffany S. Griffith, Dialogue Editor, Antony Zeller, Foley Editor, A.J. Shapiro, Foley Editor, Sally Boldt, Music Editor, Zane Bruce, Foley Artist, Lindsay Pepper, Foley Artist
Nominees for Sound Mixing: Douglas Axtell, Production Mixer, Joe DeAngelis, Re-Recording Mixer, Chris Carpenter, Re-Recording Mixer
Nominees for Music Composition: Trent Reznor, Music and Lyrics, Atticus Ross, Music and Lyrics
Read about how composers Trent Reznor and Atticus Ross approached the series music here:
via DEADLINE: ‘Watchmen’ Composers Trent Reznor & Atticus Ross Talk Crafting Playful, Raunchy Sound For “Punk Rock” HBO Drama
and via BACKSTAGE: Trent Reznor + Atticus Ross Discuss Taking Their Nine Inch Nails Sound to ‘Watchmen’
– nominated for Sound Editing, Sound Mixing & Music Composition
The Sound Of The Mandalorian | Dolby Institute Podcast
Nominees for Sound Editing: David Acord, Co-Supervising Sound Editor/Sound Designer, Matthew Wood, Co-Supervising Sound Editor, Bonnie Wild, Sound Effects Editor, James Spencer, Dialogue Editor, Richard Quinn, ADR Editor, Richard Gould, Foley Editor, Stephanie McNally, Music Editor, Ryan Rubin, Music Editor, Ronni Brown, Foley Artist, Jana Vance, Foley Artist
Nominees for Sound Mixing: Shawn Holden, Production Mixer, Bonnie Wild, Re-Recording Mixer, Chris Fogel, Scoring Mixer
Nominees for Music Composition: Ludwig Göransson, Composer
Read about composer’s Ludwig Göransson approached to the score here:
via LA Times: ‘Black Panther’ composer Ludwig Göransson brings new sounds to ‘Star Wars’ series ‘The Mandalorian’
and via Variety: Composer Takes Music for the ‘Star Wars’ Series ‘The Mandalorian’ to a New Universe
Interested in the creation of Baby Yoda’s voice? Check out this story:
via Flickering Myth: The Mandalorian sound designer on creating Baby Yoda’s voice
– nominated for Sound Editing & Sound Mixing
Nominees for Sound Editing: Eric Milano, Sound Design
Nominees for Sound Mixing: Eric Milano, Re-Recording Mixer
Popular on A Sound Effect right now - article continues below:
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Cinematic & Trailer Sound Effects Spells Variations Vol 3 Play Track 247 sounds included, 16 mins total $14Spell Variations Vol. 3 brings a fresh wave of magical creativity and sonic variety. This collection dives deep into the mystical realm, offering everything from shimmering chime spells and celestial choirs, to demonic voices that feel torn from the depths of hell, along with earth-based magic, electric spells, powerful invocations, and more.
Inside, you’ll find 247 sound effects across 27 distinct types of magic, each with multiple variations. As with our previous volumes, these variations ensure each spell feels unique, even when reused throughout different moments in your project.
Each spell type is neatly organized into individual folders, giving you total flexibility when designing magical scenes, gameplay effects, or transitions. Whether you need a subtle magical aura or a powerful blast, you’ll have the perfect sound at your fingertips.
All sounds were recorded, edited, and mastered at 192 kHz / 24-bit, delivering high-end quality and broad adaptability. This library is perfect for professional sound designers and creators looking for high-quality, drag-and-drop magical sounds for games, trailers, animations, or any audiovisual production.
More about the pack
. Intuitive file naming
. All you’ll ever need regarding magical sounds [Use them again & again
. Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter
campaign, wherever you need to, as much as you want to.
. Totally mono compatibility
. All sounds have several variations.
. Use your imagination and feel free to use any sound for a creature other than the one described, remember that the world of sound is totally subjective.
. For any questions or problems: khronstudio@gmail.com
18 %OFF -
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– nominated for Sound Editing & Sound Mixing
Nominees for Sound Editing: Nick Forshager, Co-Supervising Sound Editor, Todd Toon, Co-Supervising Sound Editor, Kathryn Madsen, ADR Editor, Jane Boegel, Dialogue Editor, Luke Gibleon, Sound Effects Editor, Jason Tregoe Newman, Music Editor, Bryant J. Fuhrmann, Music Editor, Jeff Cranford, Foley Editor, Gregg Barbanell, Foley Artist, Alex Ullrich, Foley Artist
Nominees for Sound Mixing: Phillip W. Palmer, CAS, Production Mixer, Larry Benjamin, CAS, Re-Recording Mixer, Kevin Valentine, Re-Recording Mixer, Stacy Michaels, Foley Mixer
For more on how Production sound mixer Phillip Palmer captured ‘El Camino: A Breaking Bad Movie,’ check out: ‘Lectrosonics Captures El Camino’ via Pro Sound News
– nominated for Sound Editing
Nominees for Sound Editing: Wade Barnett, Sound Supervisor, David Barbee, Sound Effects Editor, Mason Kopekian, Foley Editor, Brian Dunlop, Dialogue Editor, Ryan Briley, ADR Editor, Chris Newlin, Music Editor, Christopher Brooks, Music Editor, Joe Sabella, Foley Artist, Jesi Ruppel, Foley Artist
– nominated for Sound Mixing & Music Composition
Nominees for Sound Mixing: Mathew Price, CAS, Production Sound Mixer, Ron Bochar, Re-Recording Mixer, George A. Lara, Foley Mixer, David Boulton, ADR Mixer
Nominees for Music Composition (Original Music & Lyrics) : Thomas Mizer, Music & Lyrics, Curtis Moore, Music & Lyrics
Check out an exclusive video interview with Production sound mixer Mathew Price and Re-recording mixer Ron Bochar on ‘The Marvelous Mrs. Maisel,’ here: ‘Ron Bochar and Mathew Price (‘The Marvelous Mrs. Maisel’ sound mixers) on capturing stand-up comedy and music acts’ via Gold Derby
Composer Nathan Barr on distinctly different music for ‘The Great,’ ‘Hollywood’ and ‘Carnival Row’
Nominees for Sound Mixing: John Bauman, CAS, Production Mixer, Joe Earle, CAS, Re-Recording Mixer, Doug Andham, CAS, Re-Recording Mixer, Bob Lacivita, CAS, ADR Mixer
Nominees for Music Composition: Nathan Barr, Composer
Outstanding Sound Editing For A Limited Series, Movie Or Special – 2020
Outstanding Sound Editing For A Nonfiction Or Reality Program (Single Or Multi-Camera) – 2020
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour) – 2020
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation – 2020
Outstanding Sound Mixing For A Comedy Or Drama Series (Half-Hour) And Animation – 2020
Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour) – 2020
Outstanding Sound Mixing For A Limited Series Or Movie – 2020
Outstanding Sound Mixing For A Nonfiction Or Reality Program (Single Or Multi-Camera) – 2020
Outstanding Sound Mixing For A Variety Series Or Special – 2020
Outstanding Music Composition for A Series (Original Dramatic Score) – 2020
Outstanding Music Composition for A Documentary Series Or Special (Original Dramatic Score) – 2020
Outstanding Original Main Title Theme Music – 2020
Outstanding Original Music And Lyrics – 2020
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Cinematic & Trailer Sound Effects Spells Variations Vol 3 Play Track 247 sounds included, 16 mins total $14
Spell Variations Vol. 3 brings a fresh wave of magical creativity and sonic variety. This collection dives deep into the mystical realm, offering everything from shimmering chime spells and celestial choirs, to demonic voices that feel torn from the depths of hell, along with earth-based magic, electric spells, powerful invocations, and more.
Inside, you’ll find 247 sound effects across 27 distinct types of magic, each with multiple variations. As with our previous volumes, these variations ensure each spell feels unique, even when reused throughout different moments in your project.
Each spell type is neatly organized into individual folders, giving you total flexibility when designing magical scenes, gameplay effects, or transitions. Whether you need a subtle magical aura or a powerful blast, you’ll have the perfect sound at your fingertips.
All sounds were recorded, edited, and mastered at 192 kHz / 24-bit, delivering high-end quality and broad adaptability. This library is perfect for professional sound designers and creators looking for high-quality, drag-and-drop magical sounds for games, trailers, animations, or any audiovisual production.
More about the pack
. Intuitive file naming
. All you’ll ever need regarding magical sounds [Use them again & again
. Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter
campaign, wherever you need to, as much as you want to.
. Totally mono compatibility
. All sounds have several variations.
. Use your imagination and feel free to use any sound for a creature other than the one described, remember that the world of sound is totally subjective.
. For any questions or problems: khronstudio@gmail.com
18 %OFF -
88 %OFF -
