– nominated for Sound Editing & Sound Mixing
Nominees for Sound Editing: Matthew E. Taylor, Sound Supervisor, Tim Farrell, Sound Editor, Henry Cohen, Sound Editor, Michael Schapiro, Sound Editor, Sean Heissinger, Sound Editor, Clay Weber, Sound Editor, Moira Marquis, Music Editor, Stan Jones, Music Editor, Alyson Dee Moore, Foley Artist, Chris Moriana, Foley Artist
Nominees for Sound Mixing: Peter J. Devlin, CAS, Production Mixer, Todd M. Grace, CAS, Re-Recording Mixer, Edward C. Carr III, CAS, Re-Recording Mixer, Michael Perfitt, Scoring Mixer
– nominated for Sound Editing & Sound Mixing
Nominees for Sound Editing: Bobby Mackston, Co-Supervising Sound Editor/ ADR Editor, Paul Hammond, Co-Supervising Sound Editor/ Dialogue Editor, Sean Garnhart, Sound Effects Editor, Vincent Guisetti, Foley Artist
Nominees for Sound Mixing: Ben Patrick, Production Mixer, John W. Cook ll, Re-Recording Mixer, Bill Freesh, Re-Recording Mixer
– nominated for Sound Editing & Sound Mixing
Nominees for Sound Editing: Craig Henighan, Co-Supervising Sound Editor, William Files, Co-Supervising Sound Editor, Ryan Cole, Sound Editor, Kerry Dean Williams, Sound Editor, Angelo Palazzo, Sound Editor, Katie Halliday, Sound Editor, David Klotz, Music Editor, Steve Baine, Foley Artist
Nominees for Sound Mixing: Michael Rayle, Production Mixer, Mark Paterson, Re-Recording Mixer, William Files, Re-Recording Mixer, Craig Henighan, Re-Recording Mixer
– nominated for Sound Editing & Sound Mixing
Nominees for Sound Editing: Sue Gamsaragan Cahill, Supervising Sound Editor, Benjamin L. Cook, MPSE, Sound Designer, Shaughnessy Hare, Special Effects Editor, Jane Boegel-Koch, Dialogue Editor, Tim Tuchrello, Dialogue Editor, Sara Bencivenga, ADR Editor, Brendan Croxon, Foley Editor, Adrian Medhurst, Foley Artist, Christopher Kaller, Music Editor
Nominees for Sound Mixing: Geoffrey Patterson, Production Mixer, Keith Rogers, Re-Recording Mixer, Benjamin L. Cook, Re-Recording Mixer
– nominated for Sound Mixing & Music Composition
Nominees for Sound Mixing: Felipe ‘Flip” Borrero, CAS, Production Mixer, Larry Benjamin, CAS, Re-Recording Mixer, Kevin Valentine, Re-Recording Mixer, Phil McGowan, CAS, Scoring Mixer
Nominees for Music Composition: Danny Bensi, Composer, Saunder Jurriaans, Composer
– nominated for Sound Editing, Sound Mixing & Music Composition
Nominees for Sound Editing: Brad North, Supervising Sound Editor, Harry Cohen, Sound Designer, Jordan Wilby, Sound Effects Editor, Tiffany S. Griffith, Dialogue Editor, Antony Zeller, Foley Editor, A.J. Shapiro, Foley Editor, Sally Boldt, Music Editor, Zane Bruce, Foley Artist, Lindsay Pepper, Foley Artist
Nominees for Sound Mixing: Douglas Axtell, Production Mixer, Joe DeAngelis, Re-Recording Mixer, Chris Carpenter, Re-Recording Mixer
Nominees for Music Composition: Trent Reznor, Music and Lyrics, Atticus Ross, Music and Lyrics
Read about how composers Trent Reznor and Atticus Ross approached the series music here:
via DEADLINE: ‘Watchmen’ Composers Trent Reznor & Atticus Ross Talk Crafting Playful, Raunchy Sound For “Punk Rock” HBO Drama
and via BACKSTAGE: Trent Reznor + Atticus Ross Discuss Taking Their Nine Inch Nails Sound to ‘Watchmen’
– nominated for Sound Editing, Sound Mixing & Music Composition
The Sound Of The Mandalorian | Dolby Institute Podcast
Nominees for Sound Editing: David Acord, Co-Supervising Sound Editor/Sound Designer, Matthew Wood, Co-Supervising Sound Editor, Bonnie Wild, Sound Effects Editor, James Spencer, Dialogue Editor, Richard Quinn, ADR Editor, Richard Gould, Foley Editor, Stephanie McNally, Music Editor, Ryan Rubin, Music Editor, Ronni Brown, Foley Artist, Jana Vance, Foley Artist
Nominees for Sound Mixing: Shawn Holden, Production Mixer, Bonnie Wild, Re-Recording Mixer, Chris Fogel, Scoring Mixer
Nominees for Music Composition: Ludwig Göransson, Composer
Read about composer’s Ludwig Göransson approached to the score here:
via LA Times: ‘Black Panther’ composer Ludwig Göransson brings new sounds to ‘Star Wars’ series ‘The Mandalorian’
and via Variety: Composer Takes Music for the ‘Star Wars’ Series ‘The Mandalorian’ to a New Universe
Interested in the creation of Baby Yoda’s voice? Check out this story:
via Flickering Myth: The Mandalorian sound designer on creating Baby Yoda’s voice
– nominated for Sound Editing & Sound Mixing
Nominees for Sound Editing: Eric Milano, Sound Design
Nominees for Sound Mixing: Eric Milano, Re-Recording Mixer
Popular on A Sound Effect right now - article continues below:
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Cinematic & Trailer Sound Effects Four Elements – Elemental Magic Play Track 3050 sounds included, 251 mins total $149
Master the Art of Bending the Elemental Forces
Unleash the raw power of fire, water, earth, and air with this comprehensive 9 GB sound library featuring 3050 high-quality sound effects across 630 files. Whether you’re designing cinematic soundscapes or enhancing video games Four Elements delivers the tools you need to harness the energy of the natural world.
Construction Kit – 2443 Sounds
A treasure trove of raw, organic, and processed sounds including seamless loops divided into Fire, Water, Air, Earth and Explosion categories. Customize every detail with an extensive selection of sound components.
- Organic Fire: Campfire sizzles, torch whooshes, and flame bursts.
- Processed Fire: Distorted impacts and unique crackles.
- Organic Earth: Rock crashes, gravel scrapes, and heavy stone hits.
- Processed Earth: Stylized rumbles and granular textures.
- Organic Water: Ocean waves, hydrophone bubbles, and fluid splashes.
- Processed Water: Underwater whooshes and stylized liquid smashes.
- Organic Air: Bamboo swishes, cloth movements, and pressure bursts.
- Processed Air: Filtered gusts and dynamic noise sweeps.
- Explosion: Firework detonations, Butane bursts, and cinematic impacts.
Building Blocks – 416 Sounds
Game-ready sound layers featuring Impacts, Whooshes, and Textures as seamless loops. Elevate transitions and enhance atmospheres with loops and pre-designed sound layers.
- Fire: Explosive bursts, blazing infernos, and warm embers.
- Earth: Ground-shaking impacts, crumbling terrain, and heavy collisions.
- Water: Cascading waves, serene rivers, and underwater ambiences.
- Air: Whispering breezes, stormy turbulence, and slicing gusts.
Design Kit – 192 Sounds
A collection of ready-to-use sound effects divided into Attack, Bend, and Explosion categories for quick integration into your projects. Perfect for high-energy scenes and immersive storytelling.
- Fire: Crackling flames, fiery bursts, and roaring infernos.
- Earth: Crushing impacts, shifting ground, and massive land eruptions.
- Water: Splashes, fluid manipulations, and crashing tidal waves.
- Air: Slicing winds, swirling currents, and thunderous gusts.
Four Elements gives you complete creative control, blending organic recordings with processed sound layers to meet the demands of any project. Master the forces of nature with Four Elements. Let your creativity ignite.
Keywords:
Elements, Fire, Water, Earth, Air, Wave, Water, Liquid, Rock, Cast, Stone, Pebble, Torch, Gas, Flame, Campfire, Sizzle, Burst, Scrape, Whoosh, Impact, Texture, Attack, Bend, Bending, Explosion, Processed, Surge, Quake, Hit, Flow, Burn, Ignite, Drop, Smack, Destruction, Rumble, Hiss, Blow, Wind, Cloth, Movement, Underwater, Bubble, Ocean, River, Lake, Firework, Firecracker, Bang, Blast, Detonation, Magic, Fantasy, Forces, Fire Magic, Water Magic, Earth Magic, Fire Air, Fire Effect, Fire Whoosh, Water Whoosh, Seamless Loop, Loop, Fire Cast, Water Cast, Earth Cast, Air Cast
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THE RAW SOUND OF CINEMATIC FIGHTING VIOLENT COMBAT is a professional sound effects library built for fight scenes that demand impact. Packed with punch sound effects, fight sound effects, and powerful combat sound effects, it delivers everything from raw realism to over-the-top cinematic action. With improved fidelity and greater variation than its predecessor CLOSE COMBAT, this collection gives sound designers production-ready audio for film, TV, and games.
From Realism to Cinematic ExaggerationDial in the tone you need with dedicated categories: Martial Arts, Grounded, Over The Top, and Gory. Whether it’s kung fu sound effects, karate sounds, or exaggerated wrestling hits, you can shift seamlessly from authentic to stylised.
Successor to Close CombatVIOLENT COMBAT builds on the legacy of CLOSE COMBAT with higher fidelity recordings, better-organised categories, and more variation. It’s the ideal companion, giving you the flexibility to cover every style of fight scene.
Sounds That Land With ForceRecorded with a wide range of props and techniques, each fighting sound effect has real weight. Where needed, selective pre-processing boosts impact, avoiding the flat results of real fight recordings.
Production-Ready and VersatileEqually at home in film, TV drama, high-end game audio, or immersive theatre. From knockout sound effects to stylised fight sequences, Violent Combat is ready to drop straight into your mix.
Included Sounds – KEYWORDS
AIR, BODYFALL, CLOTH, CRUNCH, FINISHER, FURNITURE, GORE, GRAB, GRAPPLE, IMPACT, KICK, LEATHER, MARTIAL ARTS, METAL, MOVEMENT, PLASTIC, PUNCH, SLAP, SWISH, SWOOSH, THROW, WHOOSH
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50 %OFF -
638 meticulously processed stereo fire spells sound effects recorded in 96 khz and 24 bits for high audio definition.
The collection comes with hundreds of variations, more than 1 hour of content and many different type of fire spells. It also includes source sounds for more flexibility for your projects.
This collection is perfect for any films, video games or trailers.
The library is fully focused on fire spells. You will find simple one shot magic firebolt, powerful high level fire spells, fire sword, berserker enchantments and so on. Spells such as fireball, firewall, rain of fire, meteor, fire nova, magma storm, pyroblast, sword of Avernus, etc. are included in this library.
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– nominated for Sound Editing & Sound Mixing
Nominees for Sound Editing: Nick Forshager, Co-Supervising Sound Editor, Todd Toon, Co-Supervising Sound Editor, Kathryn Madsen, ADR Editor, Jane Boegel, Dialogue Editor, Luke Gibleon, Sound Effects Editor, Jason Tregoe Newman, Music Editor, Bryant J. Fuhrmann, Music Editor, Jeff Cranford, Foley Editor, Gregg Barbanell, Foley Artist, Alex Ullrich, Foley Artist
Nominees for Sound Mixing: Phillip W. Palmer, CAS, Production Mixer, Larry Benjamin, CAS, Re-Recording Mixer, Kevin Valentine, Re-Recording Mixer, Stacy Michaels, Foley Mixer
For more on how Production sound mixer Phillip Palmer captured ‘El Camino: A Breaking Bad Movie,’ check out: ‘Lectrosonics Captures El Camino’ via Pro Sound News
– nominated for Sound Editing
Nominees for Sound Editing: Wade Barnett, Sound Supervisor, David Barbee, Sound Effects Editor, Mason Kopekian, Foley Editor, Brian Dunlop, Dialogue Editor, Ryan Briley, ADR Editor, Chris Newlin, Music Editor, Christopher Brooks, Music Editor, Joe Sabella, Foley Artist, Jesi Ruppel, Foley Artist
– nominated for Sound Mixing & Music Composition
Nominees for Sound Mixing: Mathew Price, CAS, Production Sound Mixer, Ron Bochar, Re-Recording Mixer, George A. Lara, Foley Mixer, David Boulton, ADR Mixer
Nominees for Music Composition (Original Music & Lyrics) : Thomas Mizer, Music & Lyrics, Curtis Moore, Music & Lyrics
Check out an exclusive video interview with Production sound mixer Mathew Price and Re-recording mixer Ron Bochar on ‘The Marvelous Mrs. Maisel,’ here: ‘Ron Bochar and Mathew Price (‘The Marvelous Mrs. Maisel’ sound mixers) on capturing stand-up comedy and music acts’ via Gold Derby
Composer Nathan Barr on distinctly different music for ‘The Great,’ ‘Hollywood’ and ‘Carnival Row’
Nominees for Sound Mixing: John Bauman, CAS, Production Mixer, Joe Earle, CAS, Re-Recording Mixer, Doug Andham, CAS, Re-Recording Mixer, Bob Lacivita, CAS, ADR Mixer
Nominees for Music Composition: Nathan Barr, Composer
Outstanding Sound Editing For A Limited Series, Movie Or Special – 2020
Outstanding Sound Editing For A Nonfiction Or Reality Program (Single Or Multi-Camera) – 2020
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour) – 2020
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation – 2020
Outstanding Sound Mixing For A Comedy Or Drama Series (Half-Hour) And Animation – 2020
Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour) – 2020
Outstanding Sound Mixing For A Limited Series Or Movie – 2020
Outstanding Sound Mixing For A Nonfiction Or Reality Program (Single Or Multi-Camera) – 2020
Outstanding Sound Mixing For A Variety Series Or Special – 2020
Outstanding Music Composition for A Series (Original Dramatic Score) – 2020
Outstanding Music Composition for A Documentary Series Or Special (Original Dramatic Score) – 2020
Outstanding Original Main Title Theme Music – 2020
Outstanding Original Music And Lyrics – 2020
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Cinematic & Trailer Sound Effects Four Elements – Elemental Magic Play Track 3050 sounds included, 251 mins total $149
Master the Art of Bending the Elemental Forces
Unleash the raw power of fire, water, earth, and air with this comprehensive 9 GB sound library featuring 3050 high-quality sound effects across 630 files. Whether you’re designing cinematic soundscapes or enhancing video games Four Elements delivers the tools you need to harness the energy of the natural world.
Construction Kit – 2443 Sounds
A treasure trove of raw, organic, and processed sounds including seamless loops divided into Fire, Water, Air, Earth and Explosion categories. Customize every detail with an extensive selection of sound components.
- Organic Fire: Campfire sizzles, torch whooshes, and flame bursts.
- Processed Fire: Distorted impacts and unique crackles.
- Organic Earth: Rock crashes, gravel scrapes, and heavy stone hits.
- Processed Earth: Stylized rumbles and granular textures.
- Organic Water: Ocean waves, hydrophone bubbles, and fluid splashes.
- Processed Water: Underwater whooshes and stylized liquid smashes.
- Organic Air: Bamboo swishes, cloth movements, and pressure bursts.
- Processed Air: Filtered gusts and dynamic noise sweeps.
- Explosion: Firework detonations, Butane bursts, and cinematic impacts.
Building Blocks – 416 Sounds
Game-ready sound layers featuring Impacts, Whooshes, and Textures as seamless loops. Elevate transitions and enhance atmospheres with loops and pre-designed sound layers.
- Fire: Explosive bursts, blazing infernos, and warm embers.
- Earth: Ground-shaking impacts, crumbling terrain, and heavy collisions.
- Water: Cascading waves, serene rivers, and underwater ambiences.
- Air: Whispering breezes, stormy turbulence, and slicing gusts.
Design Kit – 192 Sounds
A collection of ready-to-use sound effects divided into Attack, Bend, and Explosion categories for quick integration into your projects. Perfect for high-energy scenes and immersive storytelling.
- Fire: Crackling flames, fiery bursts, and roaring infernos.
- Earth: Crushing impacts, shifting ground, and massive land eruptions.
- Water: Splashes, fluid manipulations, and crashing tidal waves.
- Air: Slicing winds, swirling currents, and thunderous gusts.
Four Elements gives you complete creative control, blending organic recordings with processed sound layers to meet the demands of any project. Master the forces of nature with Four Elements. Let your creativity ignite.
Keywords:
Elements, Fire, Water, Earth, Air, Wave, Water, Liquid, Rock, Cast, Stone, Pebble, Torch, Gas, Flame, Campfire, Sizzle, Burst, Scrape, Whoosh, Impact, Texture, Attack, Bend, Bending, Explosion, Processed, Surge, Quake, Hit, Flow, Burn, Ignite, Drop, Smack, Destruction, Rumble, Hiss, Blow, Wind, Cloth, Movement, Underwater, Bubble, Ocean, River, Lake, Firework, Firecracker, Bang, Blast, Detonation, Magic, Fantasy, Forces, Fire Magic, Water Magic, Earth Magic, Fire Air, Fire Effect, Fire Whoosh, Water Whoosh, Seamless Loop, Loop, Fire Cast, Water Cast, Earth Cast, Air Cast
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50 %OFFEnds 1767135600
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THE RAW SOUND OF CINEMATIC FIGHTING VIOLENT COMBAT is a professional sound effects library built for fight scenes that demand impact. Packed with punch sound effects, fight sound effects, and powerful combat sound effects, it delivers everything from raw realism to over-the-top cinematic action. With improved fidelity and greater variation than its predecessor CLOSE COMBAT, this collection gives sound designers production-ready audio for film, TV, and games.
From Realism to Cinematic ExaggerationDial in the tone you need with dedicated categories: Martial Arts, Grounded, Over The Top, and Gory. Whether it’s kung fu sound effects, karate sounds, or exaggerated wrestling hits, you can shift seamlessly from authentic to stylised.
Successor to Close CombatVIOLENT COMBAT builds on the legacy of CLOSE COMBAT with higher fidelity recordings, better-organised categories, and more variation. It’s the ideal companion, giving you the flexibility to cover every style of fight scene.
Sounds That Land With ForceRecorded with a wide range of props and techniques, each fighting sound effect has real weight. Where needed, selective pre-processing boosts impact, avoiding the flat results of real fight recordings.
Production-Ready and VersatileEqually at home in film, TV drama, high-end game audio, or immersive theatre. From knockout sound effects to stylised fight sequences, Violent Combat is ready to drop straight into your mix.
Included Sounds – KEYWORDS
AIR, BODYFALL, CLOTH, CRUNCH, FINISHER, FURNITURE, GORE, GRAB, GRAPPLE, IMPACT, KICK, LEATHER, MARTIAL ARTS, METAL, MOVEMENT, PLASTIC, PUNCH, SLAP, SWISH, SWOOSH, THROW, WHOOSH
20 %OFF20 %OFF20 %OFF20 %OFF -
15 %OFF
-
50 %OFF
-
638 meticulously processed stereo fire spells sound effects recorded in 96 khz and 24 bits for high audio definition.
The collection comes with hundreds of variations, more than 1 hour of content and many different type of fire spells. It also includes source sounds for more flexibility for your projects.
This collection is perfect for any films, video games or trailers.
The library is fully focused on fire spells. You will find simple one shot magic firebolt, powerful high level fire spells, fire sword, berserker enchantments and so on. Spells such as fireball, firewall, rain of fire, meteor, fire nova, magma storm, pyroblast, sword of Avernus, etc. are included in this library.
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