Watch the video first if you want to avoid spoilers. Here is the full list, in the order they appear:
1
Saving Private Ryan (1998)
Director: Steven Spielberg
Sound Designer: Gary Rydstrom
The soundscape of the landing at Normandy is epic and personal in turns, thanks in large part to the soundscape the audience is immersed in.
2
Das Boot (1981)
Director: Wolfgang Petersen
Sound Design By: Milan Bor, Trevor Pyke, Mike la Mare
So much of the sound that creates the claustrophobic atmosphere of the German submarine had to be-recreated in post by master artists who worked on this film.
3
M (1931)
Director: Fritz Lang
Sound Design: Fritz Lang
One of the earliest “talkies” M had the opportunity to be truly experimental in its sound design… and the results are amazing.
4
Stalker (1979)
Director: Andrei Tarkovsky
Stalker paints its bizarre landscape with sound every bit as much as it does with image.
5
A Man Escaped
Director: Rober Bresson
Thanks to the focused minimalism of sound, we feel the prisoner’s anxiety about being dissevered as much as he does.
6
Gravity (2013)
Director: Alfonso Cuarón
Sound Design By: Glenn Freemantle
There is no sound in space, but there is vibration – Because the sound effects are so limited in Gravity, the audience forced to feel the same isolation and urgency as the characters.
7
Star Wars (1977)
Director: George Lucas
Sound Design By: Ben Burtt
Ben Burtt’s creative use of real-world sounds to populate a sci-fi/fantasy universe gives this classic film that right combination of fantastic and familiar.
8
Wall-E (2008)
Director: Andrew Stanton
Sound (and voices) By: Ben Burtt
Ben Burrt returns to the sci-fi world to create all the sounds that made Wall-E so charming, the abandoned Earth so desolate, and the futuristic space ship so… futuristic.
9
Eraserhead (1977)
Director: David Lynch
Sound By: Alan Splet
The torturous industrialized environment of Eraserhead pretty much wouldn’t exist without the sound to pull it off.
10
The Conversation (1974)
Director: Francis Ford Coppola
Sound Design By: Walter Murch
Halfway through this story about a paranoid surveillance technician, traditional dialogue drops away, forcing us to live in the same soundscape as Harry Caul.