Beautifully crafted and curated royalty-free and metadata rich sound effects libraries, designed to augment your sonic toolbox
Discover the obscure sounds of 24 film cameras designed between the 1930s and 1970s. Carefully organised into 159 files, the 20th Century Cameras library offers over 3900+ sounds recorded at pristine 24bit/96kHz, thus allowing you to not only use the mechanical sounds of the cameras for their intended purpose, but also for sound design.
In order to help you navigate through the plethora of sounds available, rich SoundMiner metadata has been carefully crafted in order to describe the sounds as simply as possible, using multiple keywords and terms, where needed.
The library contains mostly mechanical sounds, such as the sound of shutter release at different shutter speeds, knobs, latches, wheels, and more, in addition to some Foley sounds as well. Due to the age of the cameras, most of the shutter release sounds have slight variations between them, even at the same shutter speed.
The library also comes with a free eBook which can be viewed and downloaded here.
In addition to the SoundMiner metadata sheet down below, the eBook provides information as to how older cameras work, and more details as to how each of the cameras recorded for the library work. The book goes into a fair bit of detail as to what sounds each camera offers, without getting too technical.
If you would like to hear more, here is a slightly extended version of the video preview:
Finding the right door sound can be a pain, thus Abandoned Doors was recorded with that need in mind.
All the 1400+ sounds were recorded in abandoned mansions and houses with unique sonic characteristics, in stereo, usually from two perspectives (inside the room and in the hallway), allowing you a great deal of choice and offering sonic diversity.
Additionally, splitting the stereo tracks into mono will give you two more slightly different perspectives on each sound.
The Abandoned Doors library offers a multitude of door recordings, ranging from heavy wooden doors found in turn of the century mansions to cheap old doors in an abandoned warehouse, being opened, closed, slammed, knocked on, kicked, banged on, and even hit with a bat.
Whilst most door libraries simply name files ‘door open 01’, etc, Abandoned Doors has been carefully tagged with rich SoundMiner metadata and multiple keywords, giving you a clearer image of what a file contains just by reading the title. For more information on what kinds of sounds are present in the library, feel free to consult the metadata file down below.
Also, if you’d like to know more about how I recorded this library, read my blog post here.
Buy Abandoned Doors today and augment your sonic toolbox with over 1400+ door related sound effects, recorded at 24bit/96kHz in unique and inaccessible locations.
Discover nearly 7 hours of individually flavoured, hauntingly musical and ever-evolving drones, packaged neatly into 79 of the kind of audio files that you can never have enough of.
In many ways, Aberrant Drones is the sister library of the Augmentation Elements library, as it provides you with the creative tools required to augment your sound design.
Whilst the Augmentation Elements library arms you with tools such as whooshes, risers and stings, allowing you to sweeten specific elements of your sound design, the Aberrant Drones library allows you to augment the mood of an entire scene. Each audio file is populated with richly descriptive SoundMiner metadata, making it easier than ever before to sift through hours of abstract drones.
This is why the metadata is usually described in terms of feeling and mood, like so:
Augment your creative tool-box with Aberrant Drones, and transform your sound design work!
Breathe fear and awe into your work with Atmospheric Dread, carefully designed and ever-evolving drones, intertwined with swelling textures.
Inspired by the sound of films such as Arrival, Blade Runner 2049, Interstellar, Alien: Covenant, Prometheus, and more, I’ve created a new Drone library, all whilst listening to the feedback from Aberrant Drones users, and reviewers.
I’ve not only worked on improving the quality of the soundscapes further, but I’ve also broken down files into more manageable chunks, up to around 6 minutes long, and brutally cut out whatever did not feel like it should go in the library.
As a result, Atmospheric Dread is a smaller library, at least compared to the massive Aberrant Drones, whilst delivering 63 minutes of gut-wrenching, eye-widening, and fear-inducing soundscapes.
The library is comprised of 24bit/96kHz .WAV files, all stuffed to the brim with rich, and descriptive SoundMiner metadata, thus allowing you to find what you need immediately.
Frustration. You’ve spent hours on a project, only to end up with a sound scape that feels incomplete. The action scene feels empty, the weapons don’t sound heavy enough, the transitions don’t pack enough of a punch, the space ship doesn’t feel large enough and the monsters aren’t sufficiently scary.
The Augmentation Elements library has been built with this problem in mind. Due to the library’s abstract nature, the Risers, Stings, Swells and Whooshes can be molded and manipulated into adding that missing element that you’re looking for, and sweetening the whole mix.
In order to save you time and help you quickly find the sounds that you need, SoundMiner metadata has been carefully created for each individual file. There are no ‘Scream, 1’ and ‘Scream, 2’ in this library! Every single file is individually described, and the use of numbers is not employed!
Have a look at the metadata list further down the page!
Now, Your futuristic energy weapons don’t sound full enough? Try layering some of the stings and swells underneath them.
That large space ship doesn’t seem large enough? Grab some whooshes and pan them to your heart’s delight.
The alien doesn’t sound scary enough? Some of the stings sound eerily close to vocalizations. Grab them and run wild.
Are crucial transitions in your film lacking punch? Drag some of those risers into your DAW and see which one fits best!
Discover everything from the peaceful sound of waves gently streaming through slippery rocks, from inside a hollow, beached buoy, and on the beach, directly facing the sea, to the full force of mother nature, being recorded from twenty feet above, as massive waves crash onto a cliff face, salty water permeating the air
The 30 separate audio files, free of seagulls, people, or ships, will provide you with a variety of pure and colourful recordings, which you can never have enough of. They bring character to any scene you might choose to lend them to, at the fraction of the cost and time required to go out and record them yourself!
In addition to that, every single file in this library has been carefully tagged with rich, descriptive SoundMiner metadata, which will save you time when navigating it and allow you to finish projects much faster! The metadata consists of intuitive, visual keywords which allow you to more quickly and efficiently find the files you need!
This library is useful for, but not limited to: Feature Films, TV Series, Short Films, YouTube Videos, Games, Meditation, and more!
Also, if you’d like to know more about how I recorded this library, read my blog post here.
We all know what central London sounds like. It’s noisy, crowded, and full of people trying to sell you watches. Ok, maybe that last point wasn’t that relevant, but have you ever wondered what lies beyond?
A short drive towards the suburbs will reveal a world filled with warm beer, cricket, and endless parks, where deer roam free.
When planning this library, the intention was to capture the quieter side of the metropolis, all year round! As a result, this library will receive multiple updates over the coming months. There will be one more summer update soon, along with an autumn update, winter update, and spring update.
So far, the first version of the library contains 15 .WAV stereo files at 96kHz/24 bit, recorded with a Sony PCM-D100/1, and contains approximately 35 minutes of summer ambiances in different locations throughout suburban London. Over the following months, I’ll keep traveling around the suburbs, collecting more and more ambiances, each update representing its own season.
Each file has been carefully edited in iZotope RX in order to remove as much unwanted noise as possible, such as random shouting, barking, etc. This will provide you with clean ambiences that will add character to your projects, without distracting the audience. That being said, do please note that the recordings contain some amount of traffic noise, and some also contain airplane noise. This is, of course, unavoidable when recording in a city such as London.
In addition to that, each file has been filled to the brim with SoundMiner metadata, allowing you to quickly search through the files, waste less time and dedicate more time to what you love doing!
Discover the quaint charm of a sleepy Northern English town, on a cold and windy night, the sound of windchimes shimmering through the air.
The Dormant Village Library was recorded in a small village in North Yorkshire, England, on the night before Christmas. It was very cold and windy, and there were almost no people around, as everyone was sipping hot cocoa in their homes.
The library was recorded in a few different locations, some close to the little traffic that was still present, and some further away. The recordings were then polished and edited down to just about 12 minutes, preserving the essence of the location.
In addition to the descriptive SoundMiner metadata embedded in the files, I have also added markers in iZotope RX, which can be read in some versions of SoundMiner, Reaper, etc.
The markers indicate small sonic events, such as distant, melodic windchimes, or when the wind picks up, allowing you to understand what happens throughout the recording without having to listen to the whole thing.
Have you ever wanted waterfall recordings with character, and texture, as opposed to hours of white noise?
Discover the roaring sound of a hidden waterfall, crashing on jagged rocks, pure ice-cold mountain water permeating the air.
The waterfall, hidden in the Carpathian mountains, is small enough that it still has texture and movement, whilst retaining that unmistakable roaring sound.
Recorded from different perspectives, distances and angles, over an hour and a half of recordings have been edited down to just over 11 minutes of audio at 24bit/96kHz, containing the essence of the waterfall.
The files are tagged with rich SoundMiner metadata, explaining in detail the perspective from which each sound was recorded.
The vividly descriptive and meticulously chosen SoundMiner metadata that has been embedded into each of the 217 files allows you to save minutes, even hours, of painful searching through libraries, trying to find that elusive sound! Now it is easier than ever, due to metadata that has been crafted with humans, and not search engines, in mind!
The main library consists of: rummaging through broken glass with a metallic object, smashing broken shards of glass, breaking different size windows and pieces of glass, and hitting thick glass at different intensities without breaking it.
The bonus library contains 21 different variations of a glass bottle breaking on rocks and two variations of a bottle bouncing off the rocks without breaking. The length of all the files ranges between 1 and 3 seconds long.
This library was recorded outside on a very quiet day, with no wind, insects, birds or traffic. iZotope RX was then used to eliminate the small amounts of background noise that was present. As a result, all the recordings are dry, clean and have no reverb.
This library is useful for, but not limited to: Feature Films, TV Series, Short Films, YouTube Videos, Games, and more!
The Dot Matrix sound effects library is made up of two parts: A full 3-minute recording of an Epson LQ 570 dot matrix printer at work and 511 short files meticulously edited to isolate each movement that the device makes whilst printing. These movements have been categorised into 5 different folders:
1) Short bursts, with 295 different variations
2) Double bursts, with 25 different variations
3) Triple bursts, with 98 different variations
4) Long bursts, with 45 different variations
5) Servo sounds, with 48 different variations
The recordings have not been manipulated in any way other than being edited into smaller files, as to not limit your options when using the sounds creatively.
In total, you will receive 512 .wav files, each containing SoundMiner metadata, recorded at 96k/24bit in order to allow for a high level of manipulation.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.