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Home Sound Effects

IVO VICIC SOUND LIBRARIES

IVO VICIC SOUND LIBRARIES

Sounds of nature, soundscapes, everyday ambiances, anthrophony sounds and other.

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  • Ambisonic Sound Effects Ambisonic, Wind vol.2 Play Track 92 sounds included, 344 mins total $25

    Wind recorded in Ambisonic audio format. Natural and urban environment recordings. Room tone or windy interiors included.

    Recorded with Sennheiser Ambeo VR microphone and Sound Devices recorder. See the track list for additional info.

    B-format (RAW) and Binaural files. Audio preview is in Binaural (best with headphones).

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  • City Life Sound Effects Walla, Public Places Play Track 137+ sounds included, 304 mins total $29

    Walla, Public Places sounds and ambiences.

    Walla backgrounds and public ambiences, sound textures. European languages. Recorded in European countries.
    In most of the recordings languages are indistinguishable, background babbling, hum, ambience. In some cases language can be recognized and this is mentioned in the name of the file.
    Check the sound list to see  if this is what you’re looking for.
    High quality audio recorded with care (detailed description of audio/mic technique used is in metadata chunk).
  • Environments & Ambiences Wind vol.2 Play Track 137+ sounds included, 340 mins total $39

    Wind in urban and natural environments, recorded all year round. Windy room tones, wind whistling under doors and windows, wind on the boats, in trees, in the city, windy ambiences, lakes, mountains etc. Check the list of sounds for full info. All files are metadata tagged, with detailed description of equipment, mic technique used and position of mics.

     

    Recording equipment used: Sennheisers MKH serie mics, LOM Usi, Primo, Rode mics; Rycote blimps, Sound Devices recorder/mixer, Sony and Tascam hand recorders with LOM Usi mics (in Rycote BBG windshields); Mogami cables, tripods, etc.

    Maximum peak level on all recordings is -5 dBFS (for great dynamic range, great headroom), originally recorded with great headroom keeping in mind and to maintain great dynamic range of this natural phenomena.

     

  • Train, Train Station, Railway Ambience

    Including: train sounds, trains passing by, different perspectives and distances, In urban and remote area etc.; Many types of trains, locomotives, service train vehicles etc.; Train horns;

    Mechanical, pneumatics sounds. Train stationary sounds.

    Train station/railway ambience, both interior (inside building, room tone) end exterior. Crowd. PA announcement, train operator whistling etc.. Train station soundwalk. Restaurant…Train station in city and in rural; Rail crossing; Train room tone. Locomotive room tone; 

    Structure borne sound of train passing by, sound recorded with contact mics on railways; Recorded in daytime and nighttime, all year round. Total time is approx. 280 mins. Comprehensive train FX library. European railways, trains, recorded in Europe.

    Various microphone setups used as well as microphones. Depends on application. Description and equipment info in metadata chunk.
    Edited RAW recordings ready to use. No dynamic manipulation (compressors/limiters) used, max. peak level: -5dBFS. No recorder’s limiter used during recording – full dynamic recordings.

     

  • Environments & Ambiences Spring Ambiences Play Track 59+ sounds included, 159 mins total $27

    Spring ambiences and textures recorded in nature, rural areas and in urban environments like parks etc.

    Spring Recordings full of life recorded in forests, meadows, river/stream area, with chirping birds, buzzing insects and other characteristic Spring sounds. Recordings of early Spring included (more silent ambiences).  „Background“ ambiences included as well as more present, louder, soundscapes (of various habitats/places). Check the sound list for additional info.

     All recordings are traffic free except those recorded intentionally with traffic sounds in urban and rural environments.

    Recorded in various microphone techniques like MS, NOS, SASS…and with following microphones: Sennheiser MKH 60/40/30, AKG C391b/Ck94; LOM Usi ; Rode NT1a etc. Recorder/mixer Sound Devices, Sony, Tascam (equipment list included in metadata chunk).

    Dynamic range is always great, max peak level is well below -5dBFS. No compressors/limiters are used in editing nor recording.

     

     

  • European mountain forest: animals and soundscapes vol.2 sound library with more than 6h of finest nature recordings. In this volume you can find following nature habitats recorded: mountain forest, forest/ woodlands, meadows, bush-lands, mountain/hill slopes, river/stream, lake/pond. Here you can find animal sounds/vocalization and soundscapes, ambiences.  Recorded in all seasons. Nocturnal recordings included.(Individual clean recordings /see track list/ with scientific names included in the metadata description chunk.)

    Highlighted animal sounds in this library are: owls, wild pigs/boar, dormice, frogs, woodlands birds, meadows/mountain slopes birds. But, apart of this here you can find other animals like deer, marten, fox, jackal, wolf etc.

    Soundscapes or background ambiences of different habitats are included too. Recordings of activity like animals walking, running, drinking etc., are captured too.

    Recorded in many microphone techniques, arrays (SASS) and with parabolic mic. Files are ready to use.

    Max peak levels do not exceed -5dBFs.

     

  • Natural soundscapes in Ambisonic recorded in Summer, late Summer, Autumn and late Autumn. Forests, meadows, lake, river, streams ambiences. Nocturnal recordings included. Immersive recordings.

    Recorded with Sennheiser Ambeo VR mic (Rycote blimp) and Sound Devices recorder

    (all ch. matched with noise generator). Metadata tagged with info. Mic position is upright.

    RAW files: B-format, Ambix (4 ch.) and Binaural stereo (preview is in Binaural stereo).

    Check the sound list for add. info.

  • Rivers, Lakes and Streams recorded in Ambisonic

    Many different sound perspectives. Ambisonic or “immersive audio” approach kept in mind while recording. Ambiences as well as close up (“surrounded by medium”) recordings. Recorded in all seasons, during all year.

    Clean recording without birds and other unwanted sounds and recordings (ambiences) recorded with birds and other ambient sounds intentionally. 26,5 GB or 544 mins of  high quality recordings.

    Recorded with Sennheiser Ambeo VR mic. (Rycote blimp) and Sound Devices recorder. Audio files included: B-format, Ambix and Binaural. Preview is in Binaural (stereo).

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  • Textures, recordings and soundscapes of the sea, coastline, harbour, harbour-industry, port, beach in summer, boats, ship, seagulls and other

    (for film and multimedia ready)

    This sound library contains:

    Recordings of the boats, fisherman boat/ship (in navigation, in the port), powerboat, big ship, etc. Variety of sound perspectives, from super close to distant ones. Some recordings are intentionally recorded in mono with shotgun microphone (Sennheiser MKH 60-P48) to get direct clean sound (for use in video Foley or in audio post) on vessels in navigation.

    Close up recordings of the sea (surface), cavity in the rocks, peddles washed by the sea, walking on the beach,…many different sea waves sounds are captured, sound of the sea storms, rough sea, etc. Check the sound list for additional info.

    Soundscapes of the seaside (remote ones included), shores, harbour (industry)small port ambiances; soundscapes of the coastline. Nocturnal sounds/recording included.

    17.2 GB or 5h 24min of high quality recordings recorded over years in all seasons and in all weather/sea conditions.

    Recorded with professional audio equipment, Sound Devices Recorder/mixer, and Sennheiser mics mostly. Majority of the recordings are recorded in MS stereo (excellent mono compatibility for film, radio program etc.), but in other stereo techniques like XY, AB, NOS as well for more precise focus on detail or wider stereo image (regarding the object of rec.). Metadata tagged with a detailed description of mic positioning, mic tech. and equipment used.

     Max peak level is around -5dBFS. No compressors or dynamic tools were used in editing nor limiters during recording (natural dynamic of the recordings maintained).

     

     

  • Sound of the sea, coastline, port, small port harbor, people, ship, boats etc. Recorded during year, all seasons.

    Many sound perspectives. Ambisonic or “immersive audio” approach kept in mind while recording.

    24,2 GB of high quality recording of the sea environment.

     

    Recorded with Sennheiser Ambeo VR mic. (Rycote blimp) and Sound Devices recorder. Audio files included: B-format, Ambix and Binaural. Preview is in Binaural (stereo).

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  • Environments & Ambiences Wind Turbine, Wind Farm Play Track 82 sounds included, 115 mins total $28

    Wind Turbine, Wind Farm ambiences driven by moderate to strong wind.

    This FX library consists of 25 different recording positions. Including: close, mid and far distance sounds perspectives as well as behind the rotor blades and sideways position. Wind farm ambience recordings with wind in grass or/and crickets (gentle). Clean, close up and mid distance recordings with only a variety of rotor blades sounds, many different  perspectives. There are some loop ready recordings. Body of Turbine (tower) is recorded with contact mics.

    Full total time is approx. 115 mins (all recordings, with multichannel or separated channels included). Full time of stereo ready files is approx. 37 mins. Recorded in MS stereo, Double MS (surround ready) and with contact mics (structure borne sound). Separated RAW mono Ch. provided gives you freedom to mix the recordings to your own taste: front to side to rear ratio. Stereo recordings are ready to use. Recordings are organized in folders by the recording setup: 01 MS stereo; 02 Double MS; 03 Contact mics.

    This FX library include:

    -Stereo files (ready to use)

    -Multichannel, separated (or RAW) files: Mid-Side-Rear separated channels (booth for MS and double MS recordings as well)

    -Contact mics files (single channel or two channels in sync-“Stereo”)

    Recorded with:

    Sennheiser 60MKH-P48, 40MKH-P48, 30MKH-P48; JRF Contact mics; Sound Devices 744T/Mix Pre Recorder; Rycote Blimps; Mogami Cables; Manfrotto Tripod;

  • Ambisonic Sound Effects Ambisonic – Beach in Summer Play Track 26+ sounds included, 125 mins total $13

    Beach Ambiences and Textures recorded in Summer.

    Sound of the sea, people, children, boats etc. Crowds, people on the beach enjoying Summer.

    Many sound perspectives. On the beach (middle of the beach), beach in distance (ambient sounds like crickets, cicadas, included) , people close, distant, all around, footsteps close, distant, swimming, jumping into water, sea surface close and other.

    European languages (but mostly in background-indistinguishable), recorded in Mediterranean, Adriatic sea.

    Recorded  with Sennheiser Ambeo VR mic. and Sound Devices recorder. Audio files included: B-format, Ambix and Binaural. Preview is in Binaural (stereo).

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  • City Life Sound Effects Beach in Summer Play Track 25+ sounds included, 95 mins total $13

    Beach Ambiences and Textures recorded in Summer.

    Sound of the sea, people, children, boats etc. Crowds, people on the beach enjoying Summer.

     Many sound perspectives. On the beach, beach in distance, people close, distant, all around, footsteps close, distant, swimming, jumping into water and other

    European languages (but mostly in background-indistinguishable), recorded in Mediterranean, Adriatic sea.

    Recorded in AB, XY and NOS stereo

  • Natural soundscapes in Ambisonic recorded in Spring and early Summer. Forests, meadows, lake, river, streams ambiences. Long recordings. Birds, wind, background wind in trees, branches, wind in grass…  Spring ambiences with intense birds song. Immersive recordings.

    Recorded with Sennheiser Ambeo VR mic (Rycote blimps) and Sound Devices recorder

    (all ch. matched with noise generator). Metadata tagged with info. Mic position is upright.

    RAW files: B-format, Ambix (4 ch.) and Binaural stereo (preview is in Binaural stereo).

    Check the sound list for add. info.

  • Water & Ocean Sounds Underwater textures Play Track 116 sounds included, 166 mins total $23

    Underwater recordings of the river, lake (pond) and stream recorded with one or two hydrophones.

    Underwater sound textures, ambiences and different strange sounds like: deep underwater bass rumbling, bubbles in water stream, flowing of water under the ice and many others.

    The „Stereo“ recordings are actually two mono channels (or hydrophones) spaced approx. 1 m and placed in water flow to get some depth or left to right (or vice versa) channel effect. You can mix those two channels to get depth or other effect to your taste. Recorded in all seasons and water levels/speed. Recording with “LOOP” marks in the name are loop ready and can be repeated continuously.

    All recordings are recorded with Aquarian audio H2-a XLR hydrophones and Sound Devices field mixer (preamps are Lundahl input transformers for warmth of the sound). Recorded many years with various recorders (but preampy and hydrophones are always the same).

    Max peak level is around -5dBFS. No compressors or dynamic tools were used in editing.

  • Underwater recordings of the sea recorded with one or two hydrophones.

    Geophony and anthrophony underwater sounds: sounds of the waves, shallows, deep sea, port, harbour, diving, ship, sea traffic and other. Underwater ambiences and textures.

    Note that the background crackling of the sea is present in the majority of the recordings. 

    All recordings are recorded with Aquarian audio H2-a XLR hydrophones and Sound Devices field mixer (preamps are Lundahl input transformers for warmth of the sound). Special suspension for the hydrophones is used to avoid (handling) rumble. For “stereo” recordings hydrophones were spaced 1m apart  to get some time difference (or Depth of field). There is a mono recordings recorded with one hydrophone too. 

    Max peak level is around -5dBFS. No compressors or dynamic tools were used in editing.

  • Nature & Countryside Ambiences River, Lake, Stream Play Track 250+ sounds included, 459 mins total $31

    Recordings of rivers, lakes and streams in stereo.

    250 files, long recordings.  Many  perspectives captured, various distances, positions, „expressions“ of water, rivers, lakes, streams…

    (sound for video perspectives having in mind while recording)

    River, lake and streams ambiences, some are with birds (mentioned in name)… Flows in ditches, channels, urban environment, dam, well facility, watermill and others. Recordings are from all seasons even recorded in ice covered streams. There are some recordings „loop ready“; this means they are not faded in/out but loop edited for repeating if needed (shorter ones).

    Recorded in MS, XY, AB; NOS, Spaced,  Parabolic (very distant flow), etc., mosty with Sennheiser and AKG microphones, Sound Devices recorder/mixer. Files are without any dynamic manipulation (compression) with max. peak around -5dBFS.

    Metadata tagged with description of equipment used on each recording. Recorded with great care with pro grade equipment. Noise (pollution) free. Various perspectives and sounds, check the sound list for add. info.

     

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  • Ice Sound Effects Ice – Multichannel recordings Play Track 110+ sounds included, 187 mins total $39

    Multichannel recordings of the ice (in sync): stereo, mono and underwater/under ice recordings. Audio tool for further sound design, production etc.

    Multichannel, recordings of the ice; Surface/underwater recordings of the ice. Check the sound list for info/ object of recording.

    Each multichannel recording (or position/place of recording) is in a separate folder. Each channel/recording is Metadata tagged with description of equipment/format/character. Each multichannel recording (each folder) consist of:

    –        4 Ch STEREO Mix, all channels mixed together (surface and underwater), ready for use stereo file

    –        Ch 01-MID, mono file, front/MID microphone-cardioid, RAW

    –        Ch 02-SIDE, mono file, SIDE microphone-figure of eight, RAW

    –        Ch 03-HYDRO LEFT, mono file, Left side hydrophone, RAW

    –        Ch 04-HYDRO Right, mono file, Right side hydrophone, RAW

    –        STEREO HYDRO Mix, stereo file, two hydrophones mixed together, ready to use underwater/ice stereo file

    –        STEREO (surface) file

    You can use mono channels to create your own mix (or use it as mono) or use a stereo-ready to use file (or combination of both).

    Using mono recordings/files for multichannel mixing can be very creative for SFX, or maybe in film, for example, to accompany first surface (frame) and then underwater (frame) separated, or half submerged camera (frame).

    For mixing stereo (surface) files (microphones) you will need an MS matrix (plugin). This is a very creative tool which allows you to control the amount of stereo field or front to side ratio of the sound captured. If you are not familiar with MS there is a ready to use stereo (surface) file and you can use/mix it with underwater/ice file(s).

    (for MS: Sennheiser MKH40 – front microphone/cardioid and Sennheiser MKH40-side microphone/ figure of eight.) Hydrophones are Aquarian audio H2a XLR.

     

  • Ice Sound Effects Ice FX Vol. 2 Play Track 73+ sounds included, 63 mins total $30

    Recordings of the ice recorded in: stereo, underwater (two hydrophones) and with contact mics placed directly on ice, ice sheets.

    Great tool for sound designers. Recordings are RAW, no EQ or compressors are used in editing. There is a headroom on these recordings, max peak level is around -5dBFS and is recorded that way.

    There are two folders, with stereo recordings and with underwater and contact mics recordings.

    Metadata tagged with description of equipment used on each recording. Recorded with great care with pro grade equipment. Noise (pollution) free. Various perspectives and sounds, check the sound list for add. info.

  • Natural soundscapes in Ambisonic recorded in Winter, early Spring and Spring. Forests, meadows, lake, river, streams ambiences. Long recordings. Birds, wind, background wind in trees, branches, dead grass… Winter (quiet) ambiences. Spring ambiences with intense birds song. Immersive recordings.

    Recorded with Sennheiser Ambeo VR mic (Rycote blimps) and Sound Devices recorder

    (all ch. matched with noise generator). Metadata tagged with info. Mic position is upright.

    RAW files: B-format, Ambix (4 ch.) and Binaural stereo (preview is in Binaural stereo).

    Check the sound list for add. info.

  • Thunderstorm, thunder strike and rain recorded in ambisonic. Recorded in urban and natural environment. Clean long recordings.

    Check the sound list for additional info.

    tech note:

    Ambisonic recording (3D audio, VR360 audio) – Immersive Audio, Spatial audio;

    Recorded with Sennheiser Ambeo VR microphone (tripod, Rycote blimp/windjammer) and Sound Devices recorder. All channels matched with pink noise generator (ch. gain).
    B-format (Ambix) – RAW files and stereo files (binaural) rendered via Reaper/Ambeo (Sennheiser plugin), A to B format converter  and they are ready to use. FX library sound preview is in binaural stereo.

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  • Car Sound Effects Ford Ranger Play Track 141+ sounds included, 154 mins total $33

    Ford Ranger 4×4 truck, 24/96 FX sound library.
    Car in drive, on road and off road, exterior and interior of the car, booth in drive and stationary. Parts of the car, sensors, engine etc.
    Many perspectives of the car in drive and stationary – from close to distant, from left to right, from front to…around the car.
    Off road drive in low gear ratio (4×4) and high gear ratio included. During recording microphones are positioned on the vehicle body, roof etc.
    Normal, road drive like city/suburbs drive, highway drive, open road drive also included.
    Interior “room tone” of the vehicle in drive/stationary is also included. Check the sound list for add info.

    Various microphone setups used as well as microphones. Description and equipment info in metadata chunk. Recorded with Sound Devices recorder.
    RAW recordings without any dynamic manipulation (compressors/limiters) with max. peak level: -5dBFS.

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  • European mountain forest Soundscapes, Ambiences and Textures,
    sound library with more than 5h 30 mins of recordings. In total 11.6 GB, 100 files of high-quality recordings.
    Long nature recordings. Without noise pollution and air traffic.
    Soundscapes of the forest recorded in all seasons.
    Soundscapes and ambiences, backgrounds and textures for your project. Some recordings are
    more present others are more in the background. Nocturnal recording included as well as “background silence”.
    Anthrophony (human made) sounds in the woods included (logging, vehicles, etc.).
    The maximum peak level on all recordings is -5 dBFS (for great dynamic range, great headroom, no dynamic compressors are applied on recordings). Recorded with various microphones and microphone techniques. Recording info included in metadata chunk (equipment, microphone technique).

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  • Crickets, insects, soundscapes/recordings, recorded in Ambisonic. Recorded in spring  summer and early autumn. Daytime and nocturnal recordings, with wind in background or without. With birds and without birds in background. Close or distant perspectives. In nature environment, urban or in rural area. Check the sound list for additional info.

    tech note:

    Ambisonic recording (3D audio, VR360 audio) – Immersive Audio, Spatial audio;

    Recorded with Sennheiser Ambeo VR microphone (tripod, Rycote blimp/windjammer/ included) and Sound Devices recorder. All channels matched with pink noise generator.
    B-format (Ambix) – RAW files and stereo files (binaural) rendered via Reaper/Ambeo (Sennheiser plugin), A to B format converter  and they are ready to use.

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