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Home Sound Effects Drones & Moods Binaural Orchestra Sound Effects

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Binaural Orchestra Sound Effects

$120 $80

The BINAURAL ORCHESTRA SOUND EFFECTS library delivers 1340 unique orchestral sounds from 13 different instruments – including violin, cello, tuba, double bass, contrabassoon, trombone, trumpet, musical saw, flute, piccolo, clarinet, marimba,  and a wind machine.

All instruments recorded in musician perspective with an binaural microphone, in listener perspective with an dummy head microphone and mono. Each instrument plays different notes of the harmonic series with three variations of each fundamental frequency. Furthermore plays each instrument three glissando or transposition variations. The recordings took place in a great-sounding concert hall.

The library is perfectly suited for sound designers, composers and musicians. All sounds are in WAV, 24 bit & 48 kHz and include metadata.

Licensor: Depth of Sound – Sound Design
Categories: , , , , .
Type: Orchestra sound effects / recordings
Specs: 1340 files • 1340+ sounds • 24 Bit / 48 kHz • 1.85 GB • Includes metadata
Delivery:
Instant - blazingly-fast - digital download
License type:
Single user, royalty-free - for a multi-user license, click here
75 binaural violin sounds in musician perspective (includes glissando versions)
75 dummy head violin sounds in listener perspective (includes glissando versions)
75 mono violin sounds (includes glissando versions)

45 binaural cello sounds in musician perspective (includes glissando versions)
45 dummy head cello sounds in listener perspective (includes glissando versions)
45 mono cello sounds (includes glissando versions)

27 binaural tuba sounds in musician perspective (includes transposition versions)
27 dummy head tuba sounds in listener perspective (includes transposition versions)
27 mono tuba sounds (includes transposition versions)

45 binaural double bass sounds in musician perspective (includes glissando versions)
45 dummy head double bass sounds in listener perspective (includes glissando versions)
45 mono double bass sounds (includes glissando versions)

21 binaural contrabassoon sounds in musician perspective (includes transposition versions)
21 dummy head contrabassoon sounds in listener perspective (includes transposition versions)
21 mono contrabassoon sounds (includes transposition versions)

37 binaural trombone sounds in musician perspective (includes glissando versions)
18 dummy head trombone sounds in listener perspective (includes glissando versions)
37 mono trombone sounds (includes glissando versions)

24 binaural trumpet sounds in musician perspective
24 dummy head trumpet sounds in listener perspective
24 mono trumpet sounds

32 binaural musical saw sounds in musician perspective (includes transposition versions)
32 dummy head musical saw sounds in listener perspective (includes transposition versions)
32 mono musical saw sounds (includes transposition versions)

39 binaural flute sounds in musician perspective
39 dummy head flute sounds in listener perspective
39 mono flute sounds

27 binaural piccolo sounds in musician perspective
27 dummy head piccolo sounds in listener perspective
27 mono piccolo sounds

27 binaural clarinet sounds in musician perspective
27 dummy head clarinet sounds in listener perspective
27 mono clarinet sounds

51 binaural marimba sounds in musician perspective (includes transposition versions)
51 dummy head marimba sounds in listener perspective (includes transposition versions)
51 mono marimba sounds (includes transposition versions)

3 binaural wind machine sounds in musician perspective
3 dummy head wind machine sounds in listener perspective
3 mono wind machine sounds

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André Klar is a German sound designer, field recordist, location sound mixer, re-recording mixer and lecturer for sound design. He studied sound engineering from 2007 to 2009 in Leipzig, Germany and operates since 2009 the company “Depth of Sound – Sound Design”. Between 2011 and 2013, as a product sound designer, he was involved in the research of new sounds for the electromobility. He is working on sound design for commercials, short films, documentaries and teaches film sound and sound design at the SAE Institute Leipzig. He also researches noise, silence and biophony in the context of modern sound design.