Product Description
The Audi A4 (B8) sound library captures the refined acoustic signature and modern engineering profile of Audi’s iconic executive saloon. Recorded using a multi-channel rig featuring small diaphragm condensers, omnis, boundary capsules and contact transducers paired with dual field recorders, this collection delivers pristine audio assets for contemporary German passenger cars, interactive game audio implementation and detailed automotive Foley.
By combining phase-aligned four-perspective driving passes – including direct chassis contact microphone recordings, with steady-state RPM holds and a deep catalog of interior and exterior mechanical interactions, this package provides unmatched flexibility for blending engine tone, tailpipe exhaust notes, isolated cabin acoustics and raw mechanical resonance.
Synchronized four-perspective driving setup: Phase-aligned multi-track recordings capturing four distinct channels: engine bay, tailpipe exhaust, interior cabin and chassis contact microphone, allowing precise sound design customization, accurate interior-to-exterior perspective blending and heavy sub-harmonic processing.
Steady RPM holds and dynamic road maneuvers: Features steady-state 2000 RPM and 3000 RPM holds across all four perspectives alongside cornering sequences, speed fluctuations, U-turns, reverse tracking, neutral coasting, revving routines, rapid departures and dynamic pass-bys.
Comprehensive modern Audi Foley catalog: Includes multi-take variations of front and rear door latches, electronic central locking, internal electronic parking brake actuations, CD player mechanisms, steering column adjustments, seatbelt ratchets, power windows and tactile multimedia controls.
Universal Category System integration: Fully organized under standard UCS metadata rules for instant indexing, tagging and seamless integration into professional audio post-production workflows and middleware environments.
Technical specifications
Audio quality: 32-bit float / 192 kHz (Ultra-high resolution for heavy pitching, time-stretching and sound design synthesis)
Workflow: Fully UCS compliant (Universal Category System)
Microphones: Shure KSM137, Line Audio Omni1, FEL Clippy XLR EM272, Sonorous Objects SO.3 and JrF C-Series Pro+ Contact Microphones
Recorders: Sound Devices MixPre-6 II and Zoom F3
Content: 260 WAV files (Quad-perspective driving passes, contact mic chassis vibrations, steady-state RPM holds, engine startup routines and an extensive interior/exterior Foley archive)