Home Drones & Mood Sound Effects
Atmospheric drones and ambiences – light and dark, beautiful and eerie, lively and serene
Thousands of high quality sound effects (48-192kHz 24Bit) from PMSFX recorded with top tier gear (Sennheiser, DPA, Sound Devices, Ambient, Sony etc) and processed with some of the best plugins and outboard on the market.
All SFX have baked-in Soundminer’s meta data.
Included packs:
FORGOTTEN NEONS (96KHZ 24BIT | 1.1GB | 415 FILES | META DATA)
LOFI TERMINAL (96KHZ 24BIT | 157.7MB | 195 FILES | STEREO | META DATA)
BLURRY DREAMS (96KHZ 24BIT | 616.3MB | 203 FILES | STEREO | META DATA)
OBSCURE FREQUENCIES (96KHZ 24BIT | 3.4GB | 336 FILES | STEREO + MONO | META DATA)
CineDrop (96KHZ 24BIT | 414.5MB | 57 FILES | STEREO | META DATA)
Cinescapes II (96KHZ 24BIT | 962.75MB | 20 FILES | STEREO | META DATA | LOOPS SEAMLESSLY)
Cinescapes (96KHZ 24BIT | 741.5MB | 20 FILES | STEREO | META DATA | LOOPS SEAMLESSLY)
Cinenergy (96KHZ 24BIT | 550.4MB | 130 FILES | STEREO | META DATA)
FOUNDATION SERIES: SCI-FI (96KHZ 24BIT | 739.8MB | 164 FILES | META DATA)
SCIFI ATMOS (96KHZ 24BIT | 1.32GB | 30 FILES | 38MIN | STEREO | META DATA)
Industrial Terror – Hits & Transitions (96KHZ 24BIT | 804.5MB | 145 FILES | STEREO | META DATA)
Industrial Terror – Textures (96KHZ 24BIT | 731.1MB | 66 FILES | STEREO | LOOPS SEAMLESSLY | META DATA)
Industrial Terror (96KHZ 24BIT | 690MB | 210 FILES | STEREO | META DATA)
DARKSCAPES (96KHZ 24BIT | 1.24GB | 30 FILES | 35MIN | STEREO | META DATA)
MicroBots (96-192KHZ 24BIT | 187.7MB | 293 FILES | STEREO + MONO | META DATA)
IN MOTION (96KHZ 24BIT | 1.59GB | 40 FILES | META DATA)
CYBERSPHERE (96KHZ 24BIT | 1.14GB | 340 FILES | META DATA)
BLOODBATH (96-192KHZ 24BIT | 959.9MB | 360 FILES | META DATA)
GHOSTLY AIR (96KHZ 24BIT | 311.9MB | 33 FILES | STEREO | META DATA)
SCI-FI MECHANICS (96KHZ 24BIT | 636.6MB | 301 FILES | META DATA)
SYNTHASSAULT (96KHZ 24BIT | 1.18GB | 320 FILES | META DATA)
BONE BREAKS (192KHZ 24BIT | 56.1MB | 57 FILES | META DATA)
HI-TECH ELEMENTS (96KHZ 24BIT | 25.2MB |35 FILES | META DATA)
MONSTRUM (96KHZ 24BIT | 38.1MB | 38 FILES | MONO | META DATA)
RESOSCAPES (48KHZ24BIT | 235.5MB | 10 FILES | 13M30S | META DATA | LOOPS SEAMLESSLY)
EERIE LFE PULSE (48KHZ 24BIT | 47.71MB | 5 FILES | META DATA | LOOPS SEAMLESSLY)
Haunted Doors [DESIGNED & SOURCE] (96-192KHZ 24BIT | 420MB | 209 FILES | MONO&STEREO | META DATA)
Books Alive (192KHZ 24BIT | 488.4MB | 434 FILES | MONO | META DATA)
Point and Shoot (96KHZ 24BIT | 94.3MB | 200 FILES | MONO | META DATA)
Kitchen Foley (96KHZ 24BIT | 240MB | 241 FILES | MONO | META DATA)
Mediterránia (96KHZ 24BIT | 2.18GB | 30 FILES | 62 MINUTES | META DATA)
Tactical Backpack (96KHZ 24BIT | 42.4MB | 72 FILES | MONO | META DATA)
Back Alley Rain (192KHZ 24BIT | 1.1GB | 20 FILES | STEREO | META DATA | LOOPS SEAMLESSLY)
Just Coins (192KHZ 24BIT | 289.2MB | 287 FILES | MONO | META DATA)
Old Drawers (192KHZ 24BIT | 209.35MB | 151 FILES | MONO | META DATA)
Along The Grid (48KHZ 24BIT | 321MB | 8 THEMES | 54 LOOPS | META DATA | LOOPS SEAMLESSLY)
SynthRunner (96KHZ 24BIT | 107.5MB | 3 FILES 1 MIN EACH | META DATA | LOOPS SEAMLESSLY)
DIGITAL ILLUSIONS (48KHZ 24BIT | 313MB | 5 THEMES | 35 FILES | META DATA | LOOPS SEAMLESSLY)
INFECTED (48KHZ 24BIT | 44.1MB | 1 THEMES | 10 LOOPS 14s EACH | META DATA | LOOPS SEAMLESSLY)
STEPS: Dirt & Gravel (96KHZ 24BIT | 120.5MB | 96 FILES | MONO + STEREO | META DATA)
WASHER (96KHZ 24BIT | 2GB | 121 FILES | MONO + STEREO | 56m 35s | META DATA)
Empty City Rain (96KHZ 24BIT | 437MB | 12 FILES | STEREO | META DATA)
Costal Spain (96KHZ 24BIT | 2.57GB | 21 FILES | STEREO | 74m 04s | META DATA)
Point and Shoot Fuji Cam (192KHZ 24BIT | 357MB | 346 FILES | META DATA)
Abstract Guns (96KHZ 24BIT | 86MB | 165 FILES | META DATA)
Shattering Bricks (192KHZ 24BIT | 647MB | 232FILES | META DATA)
Rocky Impacts (192KHZ 24BIT | 647MB | 262FILES | META DATA)
Glitchy Circuits (96KHZ 24BIT | 613MB | 220FILES | META DATA)
STEPS: Dry Grass & Shrubs (192KHZ 24BIT | 202MB | 226FILES | META DATA)
Ancient Sea Ruins (192KHZ 24BIT | 3.7GB | 10FILES | META DATA)
Foundation Series SCI-FI 2 (96KHZ 24BIT | 1.1GB | 627FILES | META DATA)
Mini Printer (192KHZ 24BIT | 328MB | 178FILES | META DATA)
NanoTech (96KHZ 24BIT | 180MB | 226FILES | META DATA)
Back Alley Rain II (192KHZ 24BIT | 1.1GB | 12FILES | META DATA)
Phone Foley (192KHZ 24BIT | 85MB | 76FILES | META DATA)
Windy Hill (192KHZ 24BIT | 1.7GB | 8FILES | META DATA)
Magic Metal (96KHZ 24BIT | 1.1GB | 160FILES | META DATA)
Lethal Blow (96-192KHZ 24BIT | 0.5GB | 983FILES | META DATA)
Rain Designer (96-192KHZ 24BIT | 7GB | 396FILES | META DATA)
Sci-fi Gunnery (96KHZ 24BIT | 404MB | 580FILES | META DATA)
Bullet Bys & Impacts (96KHZ 24BIT | 3.7GB | 130FILES | META DATA)
Timeless SLR’s (192KHZ 24BIT | 2.12GB | 1392FILES | META DATA)
Mechanical Morphs & Mutationss (96KHZ 24BIT | 1GB | 336FILES | META DATA)
SCIFI PASS BY [DESIGNER SRIES] (96KHZ 24BIT | 6.8GB | 742FILES | META DATA)
Citroen C2 (192KHZ 24BIT | 7.8GB | 443FILES | META DATA)
Erika Typewriter (192KHZ 24BIT | 217GB | 166FILES | META DATA)
Continental Wanderer Typewriter (192KHZ 24BIT | 882MB | 681FILES | META DATA)
Dark Future (96KHZ 24BIT | 1.74GB | 414FILES | META DATA)
Steps: Snow & Ice (192KHZ 24BIT | 110MB | 119FILES | META DATA)
Microbots 2 (96KHZ 24BIT | 720MB | 922FILES | META DATA)
Glitchy Circuits 2 (96KHZ 24BIT | 2.7GB | 1494FILES | META DATA)
Rocky Impacts 2 (96KHZ 24BIT | 669MB | 585FILES | META DATA)
CEM RIVER (192KHZ 24BIT | 3.8GB | 32FILES | META DATA)
LAKE SKADAR (192KHZ 24BIT | 10.6GB | 52FILES | META DATA)
MOUNTAIN RAIN (192KHZ 24BIT | 11.95GB | 75FILES | META DATA)
OLD WOOD FLOOR (192KHZ 24BIT | 214MB | 310FILES | META DATA)
METAL FRICTION (96KHZ 24BIT | 1.28GB | 272FILES | META DATA)
ANIME MOTION (96KHZ 24BIT | 343MB | 100FILES | META DATA)
MOUNTAIN AIR (192KHZ 24BIT | 20GB | 87FILES | META DATA)
CINEMATIC HORROR IMAPCTS (96KHZ 24BIT | 1GB | 216FILES | META DATA)
The Sci Fi | Bundle contains 16 jampacked scifi-related sound effects libraries from SoundBits at an very convincing price-performance ratio.
Everything you need for your next on screend space oddyssey. You get morphing deep space atmospheres, space ship ambiences, interstellar drones, futuristic and steampunk’ish whooshes, pass-bys and blasts, brutal impacts and of course several hundred computer, interface and UI sound effects.
All the horror-related sound effects libraries in one huge bundle. That’s 15 libraries featuring all kinds of scary, shocking and gory sound effects. Build eerie to hard stopping atmospheres with the “ANGST | Surrounding Horror Soundscapes” – Series. Create terrifying stingers, shockers and transitions with “Just Transitions | Creepy Trailers”, the squeaking and scraping “Just Metal” libraries, Just Chains and “Unsettling Creaks & Squeaks. Get the audience fully immersed into brutal splatter scenes with “Just Gore” and its add-on “Just More Gore” and finally give any monstrous monster, crawling creature or frightened, despaired or dying human a voice with the three “Screams & Shouts” libraries.
Discover one of the biggest collections of bells ever recorded with nearly 6 hours of sound.
Beautiful Bells BUNDLE contains the solo ringing of 76 swinging bells and 135 stationary bells, captured in 62 bell towers, carillons, chapels, churches, cathedrals, basilicas and clock towers across France, with unprecedented quality. Most of the sounds were recorded inside bell towers.
Swinging bells are struck by a hanging clapper. They have a natural pitch modulation due to the Doppler effect, and a timbre modulation due to varying orientation. They produce a deep and lively sound and are mostly used to announce masses, religious holidays, weddings and funerals.
Stationary bells are struck by external hammers. They have a steady and rich tone, with a long sustain. They are mostly used as musical instruments in carillons, to indicate the hour in clock chimes or to alert the population in tocsins.
Every bell size and pitch is represented in this library, from huge 10 ton bourdon to tiny carillon bells weighing a few kilograms. You will find bells founded from 14th to 21st century with a great variety of timbres and tunings, over a range of more than 5 octaves. The sounds are sorted by note from D2 to G7.
The library contains 2 carillons with 54 bells and 10 bells, available as sound files and virtual instruments (NI Kontakt and EXS24 with round robin).
You will also get 15 peals of multiple bells, called plenum.
By sorting the solo sounds by location, you can recreate authentic bell combinations. You also have the freedom to create any custom combination or use the sounds as instruments in musical scores.
All the sounds in this library were recorded in bell towers or as close as possible to provide great sonic precision and optimal signal-to-noise ratio.
Over 12,000 kilometers were traveled during six months to get you one of the most exhaustive swinging bell collection ever recorded.
• Contains BEAUTIFUL BELLS Vol 1 & BEAUTIFUL BELLS Vol 2
• A total of 227 sounds recorded in 62 locations
• Wide variety of bells (size, age, tuning)
• Contains the ringing of 10 bourdons
• 2 carillons virtual instruments
• Contains peals of multiple bells
• Contains a collection of 10 small ancient bells
• All notes from D2 to G7
• Metadata with detailed information about each bell
• 96KHz/24bit
• Very low noise
• Metadata UCS-compliant
• Mainly recorded with Sennheiser MKH 8040
All Antisample sound effects in one bundle.
Dive down in the dark abyss and experience the cold otherworlds with sharp currents and muddy bottom…
Following the legacy of Dive Deep 1 from 2016, here comes Dive Deep 2 with a new generation of underwater ambiences. The sounds of rushing, bubbling currents have been created with more impressive details, clarity and definition. And there are other design styles at your disposal too, such as flat pads, grainy trickling, otherworldly drones or deep kicking moves.
The all-time classic ARP 2600 was a synthesizer that was an immediate hit with musicians and sound designers when it was released in 1971. Most famously, it’s the very synth that Ben Burtt used to give R2D2 his unmistakeable voice.
Semi-modular in nature and with many handy features like voltage modifiers, lag control, ring modulation, a comprehensive noise generator, sample & hold, and 3 independent oscillators, it comes equipped with more features than you’ll find in many of today’s analog synthesizers.
Thanks to the Alan R. Pearlman Foundation and the non-profit studio The Record Co. I was able to access an original, mint condition ARP 2600 that is beautifully maintained and lock myself in a studio with it to capture nearly 7 hours worth of raw sound design material.
Putting the 2600’s immense sound design potential to use, I created this library to help you give robots a voice, create otherworldly ambiances, score computers with the obligatory “bleep bloops”, and craft larger than life weapons with a distinct retro SciFi flair. I also captured the physical, mechanical sounds of patching cords and moving faders on the synth using a pair of LOM Uši Pro. These sounds are included in a dedicated subfolder.
The resulting sounds range from droid chatter at various root pitches, impacts, drones, noise, and lots of other sonic source that begs to be pitch-shifted and mangled. In fact, the ARP 2600’s pristine analog circuitry and my high-end recording chain capturing it at 192 kHz means that most of the final material features high-frequency content ranging up to nearly 90 kHz!
This means that you can pitch-shift most of these sounds down by up to 2 octaves and uncover new harmonic content along the way. By recording at 32 Bit with the ultra low-noise Zoom F6 and Rheingold Music cables, these recordings are extremely clean and hold up well to intense processing.
While highly abstract in nature, these sounds are a great basis for building:
Metadata: UCS file naming, SoundMiner, Soundly, BWF
Recording Specs: 24 Bit / 192 kHz for the majority of files. 96 kHz for files with less ultrasonic content, Stereo and Mono recordings.
File Format: WAV
Gear used: Genuine ARP 2600 Model 3620 (1974), LOM Uśi Pro Mics, Zoom F6, Rheingold Music Cables, Radial Pro D2 DI Box
Processing: Level adjustment, crossfades, spectral noise reduction for recordings using built-in spring reverb.
Design the futuristic user interface of your electric dreams with this feature complete bundle of next-gen, forward thinking science-fiction sounds.
Inside Sci-Fi Interface Bundle you’ll find original frequency modulated content coming from a wide array of sources like complex modular synth squelches, simple sinusoidal beeps and bleeps from hardware, complex software patches generating both futuristic and retro sounds, electromagnetic recordings from a multitude of home appliances, long evolving takes of digital machine hums and other experimental soundscapes, synthetic drones, odd clanging rhythms and this is just scratching the surface.
The bulk of this library is comprised of thousands of micro one-shot sound effects, all edited, mixed, cleaned up and ready to be dropped onto any science-fiction based project. Given the variety and cheer number of sounds present, you can create completely new and original content by layering and mashing these high resolution files with one another, mangle and destroy them with samplers, use complex effects chains to remodel something slick and clean onto industrial noises and make use of the Atmospheres folder and its long evolving files to generate background ambiences and computerized beeping. Your imagination is the limit.
With over 18GB of content spread through 723 minutes, you’re guaranteed to find the perfect futuristic sound effect for your UI/UX projects.
Sci-Fi Interface Bundle contains:
In this bundle you get all currently available parts of the ANGST | Surrounding Horror Series:
ANGST is a collaboration of the sound designers Bony Stoev and Saro Sahihi is the long awaited successor and main chapter of “Surrounding Horror – Prologue”.
It brings you a comprehensive collection of thrilling, abstract horror ambience sound effects in 5.1 surround (SMPTE).
Each soundscape was painstakingly handcrafted to 2:30 minute length with lots of frightening and terrifying sonic events.
It gives your horror-related production just the right amount of heart-stopping texture, leaving your audience with fear crawling up their spines to hold ’em tight.
Also in this bundle is a huge and versatile bundle of construction-kit layers, which can be combined to countless variations and serve as inspiration for your own dreadful sonic nightmares. Some layers were left dry, others were treated with FX. Some are mixed in 5.1 surround others in stereo. To give you both flexibility and instant usability at hand.
Additionally you get all sounds from the Surround Horror Soundscapes library downmixed to stereo.
Cymbals From Hell Bundle is a disturbing collection of sound effects which includes three of our most popular horror libraries. Bringing you the nastiest, harshest set of designed elements and raw recordings, this bundle has more than 420 files with a total run time of 430+ mins. (18.94 GB).
Two of the included libraries are made in collaboration with Igor Tikhonov from KEDR Audio, who captured various types of gongs, Tibetan bowls, various bells in several performances using both Mid-Side and A/B microphone techniques to encapsulate an extensive stereo-field and different textures. Cymbals From Hell Vol. 1 has been recorded in a studio environment and played by a professional percussionist, with the intention of providing the most dynamic range and disturbing playing style. Our Audio Craftsmen carefully edited and designed the sounds to make the most frightening and bizarre effects.
This bundle contains harsh-bowed cymbals, distorted gong rumbles, horror stingers, heavy drones, risers, cinematic, mangled hits, gut rumbling sub sounds, dark-unsetting chimes, magical bells, weird sci-fi drones and much, much more.
This array of sounds is perfect for your films, video games and other projects, giving you everything you need to build compelling horror and sci-fi soundscapes.
You will be saving almost 30% of the total cost of the individual libraries when purchasing this bundle, an excellent value for money addition to your horror sound effects libraries.
The Reverses Bundle is a versatile collection of recordings and designed sounds that have been flipped 180 degrees!
To make this bundle, our Audio Craftsmen recorded a vast array of sounds ranging all the way down to subsonic frequencies. Glass, voices, water, impacts, animals, tools, guitar strings, church bells, paper and many more materials and sources were captured, edited and designed. For the pièce de résistance: our Craftsmen made a sonic U-turn and reversed every sound!
The result is a sonic emporium of avant-garde, dynamic sounds ideal for tension-building and flashback scenes in your Film, TV & Game projects.
The entire bundle is delivered at 24Bit 192kHz and tagged with extensive Metadata for ease of use.
Also included in LT Underwater Bundle 2!
The library has been recorded on small and medium-sized trip motorboats in Montenegro, Adriatic Sea. Rather than image of a specific boat model, this collection includes a set of universal elements with plenty of variations and perspectives, both realistic sources and stylized designs.
Boat ride / overwater – engine roar with more or less rushing water hiss, mic onboard
Boat ride / overwater – without the sounds of engine – universal rushing water around a fast moving object
Boat ride / underwater – sounds of a fast movement underwater
Waves splashing on a hull / underwater – boat is not moving, different wave intensities
Designed underwater – adding more interesting variations and emotions to the previous categories – stylized / multi-layered / spacious / diffused / distant / deep / eerie
Gear used:
Ambient Sound Fish 1 MKII hydrophone – includes ultrasonics
Aquarian H2A hydrophone
Sound Devices Pre6 recorder
Sony PCMD100 handheld recorder
Rode SoundFiled NT-SF1
Key features:
• 94 files – 19 source overwater, 20 source underwater, 55 designed underwater
• 24 Bit / 96 kHz native resolution mono/stereo
• meta-tagged in Soundly
• each filename includes the full tag line
Geophonic Design Bundle is a diverse collection of unique and abstract designed sounds with infrasonic frequencies which go as low as 10Hz. The bundle includes three libraries with a total runtime of 217+ mins (7.01 GB) that have strong sci-fi & horror vibes perfect for your films, video games, documentaries and other projects that require a mysterious and ominous soundscape.
Our Audio Craftsmen used a ‘Geophone’ which is a seismic measurement device used to record seismic waves and vibrations of the earth, to record low heavy vibrations and rumbles of various surfaces and materials, hits and interactions of wood, metal, trees, soil, clay and other natural ingredients. We have also captured sounds from window glass, busy roads with vehicle pass bys, metal posts and rails with impacts, water passing through pipes, metal containers, plastic buckets and much, much more.
All of the included sounds were then precisely edited and designed by our dedicated in house team to build ambiences such as: outer space, underground bunkers, submarines, weather stations, underground sewers, a labyrinth of metal pipes, nuclear wastelands, research bases, boulder movement, metal ghost voices, spirits calling, subsonic water texture, tree bark connection, wind interference and many more. In addition, all the files are available in 24Bit 96kHz and with UCS compliant metadata to integrate seamlessly with your workflow.
The sounds will also make a great addition to your library as layered textures, to build a mysterious atmosphere in your projects, and will be perfect as drones and ambiences for futuristic, sci-fi and horror scenes.
You will be saving 25% of the total cost of the individual libraries when purchasing this bundle, an excellent value for money addition to your sci-fi/horror sound effects libraries.
Geophonic Design – Vol.1
Geophonic Design – Vol.2
Geophonic Design – Vol.3
The Omen music pack is a collection of 15 seamless loops of dark fantasy music, perfect for dungeon-themed games. Each track features haunting melodies, eerie soundscapes, and ominous tones that will transport players to a world of danger and mystery. Some tracks include percussion, while others offer a version without for greater flexibility in gameplay. Whether exploring ancient ruins or battling fierce monsters, The Omen music pack will set the mood and enhance the immersive experience of any dungeon game.
Listen on SoundCloud
Make your battle scenes more intense with our action packed War Drums music loops pack! 10 tracks that loop seamlessly, and can be used individually or perhaps combined with your choice of music drones (where there is no obvious tempo to interfere with the tempo of the drum tracks). Perfect choice for fantasy RPG battle scenes, war preparation, boss fights, or any project where intensity is required.
Enhance your game with this Sci-Fi Menu Music Pack, featuring seamless loops designed for background ambiance in space-themed interfaces. Ideal for menus and GUIs, this collection offers immersive, ambient soundscapes that elevate the sci-fi experience. Perfect for creating a captivating and futuristic game atmosphere.
6 shades of terror in 1.300+ sounds and almost 3 hours of duration. All 6 horror SFX packs are here in Ultimate Horror Bundle – you will get access to E-bow, Monsters & Humanoids, Haunted House, Gore, Space Horror and Eerie Drones & Textures SFX Packs – and set the bar high for all horror projects! Find the true sound of it with Vadi Sound Library.
About Ultimate Horror Bundle
With Eerie Drones and Textures, create fear inducing and mysterious spheres with the textures that are dark, bright, noisy, clean, grainy, metallic. Hear the ethereal choirs, unnerving strings, otherworldly hum and growls and run for your life! Carefully curated collection of Eerie Drones and Textures, in 71+ sounds, recorded and designed professionally.
With Space Horror, get 185+ sounds of spooky aliens, far away galaxies, terrifying malfunction noises from a distant spacecraft. Hear alien-like sound effects, UI textures, dark ambiences, sci-fi transitions, sci-fi horror sounds. It brings you the inhuman sound effects that will send chills down the spine and prepare to terrify your audience.
With Ebow Guitar Thriller, create a dark and ominous atmosphere with 152+ creepy guitar ebow – designed sound effects.
With Haunted House, come on in for 250+ sounds of mud impact, tv white noise, electricity, door slams, dark atmosphere sounds, creepy forest ambiences, footsteps, spooky winds, demonic entities, ghost vox and creaking. Create a dark and ominous atmosphere with creepy doors, windy sound effects and designed sound effects. Induce fear with textures that are dark, bright, noisy, clean, grainy, metallic.
With Monsters and Humanoids, simply terrify your audience. 351 sounds of dark ambience effects, creatures, gore and transition sound effects. Meet the horrendous monsters in attack or just idle and agitated! Hear the witches and otherworldly creatures laugh and chant! Create a dark and ominous atmosphere with creepy creatures’ designed sound effects. Induce fear and uneasiness, horror and terror!
With Gore, grab the 220+ fresh gore sounds for your toolkit; from gushing bloody flesh sounds to bone break and snap sounds, flesh, stab with knives swords sharp objects and hand.
Bringing you the inhuman sound effects that will send chills down the spine and prepare to terrify your audience. Stand out with your sci-fi, horror and thriller projects with 1.049 fresh sound files – 1300+ sounds.
All sounds are available in 24-bit / 96kHz with intuitive naming. These were designed delicately so that you have the right tone for your related projects and room for further sound manipulation. And the usual Vadi Sound craft and attention to detail!
What else you may need
You may also want to check out our Cinematic Series and Cinematic Whooshes and Transitions for further cinematic trailers and Ultimate Medieval Bundle for specific historical projects.
Akelarre is a sound library inspired by folk and cosmic horror stories that provides a unique palette of cinematic dark soundscapes and sound effects. These wicked designed sounds are divided into categories such as scary creatures and monsters, eerie strings, mysterious drones, dark soundscapes and otherworldly SFX.
Most of the sound sources are field recording based and they have been designed through granular synthesis, convolution and plate reverbs, and other effects. The uncommon sounds that compose Akelarre offer an original sound library to use on your compositions and productions for film, games, music and anything in between.
All files contain extensive metadata following UCS (Universal Category System) with file description and keywords to help you quickly find the sounds. Metadata can be read and processed by the most common audio management tools. Compatibility with Windows + Mac. All files are .wav and compatible with all the main DAWs and video editing software.
Includes
• Scary Monsters/Creatures
• Uncanny Roars
• Creepy Spells
• Dark Ambiences
• Eerie Strings
• Crispy Metallic SFX
• Metallic Smashes
• Eerie Drones
• Spooky Birds
• Ice
• Wind
Created and Manufactured by Ana Quiroga
Introducing the “Modern Toolkit” Bundle, a dynamic compilation of four exceptional products: The Prime Accord, Kinetix, Black Saturnalia, and Corrosive Touch.
Crafted with precision and vision, “The Prime Accord” offers a unique take on trailer SFX, featuring Corrupted Voices, Twisted Signatures, Risers, Heavy Impacts, and Drastic Sub Booms—all centered around prime numbers. “Black Saturnalia,” born from Black Friday and Christmas packs, presents a versatile range, including Risers, Impacts, Sub Booms, Blasts, Drones, and Signature sounds. “Kinetix,” a cinematic toolkit, captures the essence of motion in sound, providing dynamic energy through alarms, chains, gears, hits, pulses, and more. Completing the ensemble, “Corrosive Touch” delivers cutting-edge stingers transcended into a variety of SFX, including Signature Sounds, Transitional Elements, Ultra Low Sub Booms, and Stutters. The Modern Toolkit empowers your compositions with a comprehensive and contemporary palette for crafting impactful trailer music.
Corrosive Touch – “Heavy Abrasive Stingers” Sample Library: Corrosive Touch is our unique offering for trailer stingers and SFX. In typical ASTS fashion we decided we wanted to make insane, cutting edge stingers, but take it one step further. We did so by taking sound elements from our stingers and processing them into a variety of SFX such as: Signature Sounds, Transitional Elements, Ultra Low Sub Booms, Stutters, Impacts, and more!
We wanted to keep the modern composer in mind, and give them a well rounded toolkit of sounds all sourced from our one of a kind stinger sets.
Kinetix – “Sonics in Motion” Sample Library: Kinetix is our cinematic toolkit that is all about capturing the essence of motion in sound. We created this sample library to serve as a unique way to give your tracks dynamic energy. Contains alarms, chains, gears, ticks, hits, pings, pulses, swells, risers, and more. Unleash the power of motion!
The Prime Accord – “Visceral Trailer SFX” Sample Library: COMPLETE EDITION: The Prime Accord is our unique spin on trailer SFX. Created with a specific vision and a whole lot of love by James Brown, The Prime Accord brings some of the most unique and cutting edge sound design in the cinematic space. The Prime Accord was a initially created to act as a modular set of sample packs, each one focused on a particular set of sounds, all relating to prime numbers. The complete edition takes all five of those packs and bundles them into one cohesive product.
Includes Corrupted Voices, Twisted Signatures, Risers and Transitional Elements, Heavy Impacts, and Drastic Sub Booms.
Black Saturnalia – “Trailer SFX Toolkit” Sample Library: Black Saturnalia is our all rounder sample pack for trailer SFX.
Released initially as our Black Friday and Christmas packs, Black Saturnalia is a combination of those two products.
Includes Risers, Impacts, Sub Booms, Blasts, Drones, Signature sounds, and much more!
This collaboration of the sound designers Bony Stoev and Saro Sahihi is the long awaited successor and main chapter of “Surrounding Horror – Prologue”.
It brings you a comprehensive collection of thrilling, abstract horror ambience sound effects in 5.1 surround.
Each soundscape was painstakingly handcrafted to 2:30 minute length with lots of frightening and terrifying sonic events.
It gives your horror-related production just the right amount of heart-stopping texture, leaving your audience with fear crawling up their spines to hold ’em tight.
Also available: the “ANGST | Surrounding Horror – Construction Kit” (or get the Bundle).
The Construction Kit for “ANGST | Surrounding Horror” also is part of the collaboration of sound designer Bony Stoevand Saro Sahihi.
Here you’ll find some of the designed layers that were used to craft the Surround Horror Soundscapes and many newly created layers of fear.
It’s a huge conglomeration of abstract, disturbing sound layers, which can be combined to countless variations or serve as inspiration for your own dreadful sonic nightmares.
It’s a mixture of 250 stereo and 110 surround, dry and wet, loopable sound elements, each with a duration of 0:45, 1:00 or 1:30 min.
To give you both flexibility and instant usability at hand.
It’s also available as a BUNDLE containing also the “Designed Soundscapes” and “Stereo Downmixes”
A massive electro-acoustic drone SFX library reft from a custom designed and hand-built instrument! These drones were coaxed from a unique instrument using the power of air. No harsh picking or plucking, just assorted techniques for moving air deftly across the strings.
The guitar, Yvaine, was recorded simultaneously via two tracks (one direct and another amped and mic’d) and was set to 23 different tunings to encompass the full spectrum of her voice, character, and soul. The tunings are as follows:
All5ths | B6th | Capo12th | CassianoPereiraViana | CrossnoteF | Cuba | DADGAD | DropB | Hawaiian | Koto | OpenA | OpenC | OpenD | OpenE | OpenF | OpenG | OpenPage | Orkney | Ostrich | Pentatonic | “Spira” | Standard | TheEdge
The files range from uber clean and harmonic to gritty, crackling, and distorted. For some of the overdriven amped recordings, we even experimented with creative NR settings for the modulation of artificial harmonics…and kept some of the more colorful results! Between the two different tracks, multiple takes were made per strength, per position, per recording. Depending on which takes were best, some of the DI and amped captures matched, while others were physically different. This offers unique layering capabilities for some sets while allowing for variety in others. Some of the sets are missing particular strength recordings at specific positions. But if a capture wasn’t appropriate, we didn’t include it.
This is a bountiful collection of droning goodness. Use it for good.
CATASHHH – Tonal ambiences from industrial labs
notes
Some time ago I was asked to record some interviews in a company where they perform tests, analyses and experiments on different products for the wood and furniture industry.
Being there I was captivated by all the sounds I heard in every single space I entered. Every time it was like discovering a new world.
Thus, I decided to record them.
Please, enjoy the sounds and feel free to get in touch with me for any feedback at [email protected]
tags
drones & moods, industrial environments, room tones, lab ambiences, testing machines, industrial robots, factory machines, industrial presses, hydraulic press, assembly line, industrial warehouses and factories, air conditioners, machines fans, air conditioning, heating fans, HVAC systems, box fans, ceiling fans, testing and analysis laboratories, interior perspective, laboratory ventilation, whistling and refrigerator buzzing, airy with rattling of vents or equipment
info
> tonal ambiences from industrial labs, sound patterns, room tones, tonal moods, industrial machines
> 32 sounds, 61 minutes total time running
> the number identifies the location, the letter identifies a position or a different time of the day
>all sounds recorded in a stereo ORTF configuration with Neumann KM140 (pair), Sound Devices Mixpre3, 96 kHz – 24 bit or MONO with Neumann KMR 82i
> UCS Metadata
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