Loki • Journey Into Mystery:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)
Nominees for Sound Editing: Matthew Wood, Co-Supervising Sound Editor • David Acord, Co-Supervising Sound Editor • Brad Semenoff, Sound Editor • Steve Slanec, Sound Editor • Kyrsten Mate, Sound Editor • Adam Kopald, Sound Editor • Joel Raabe, Sound Editor • Anele Onyekwere, Music Editor • Ed Hamilton, Music Editor • Nashia Wachsman, Music Editor • Shelley Roden, Foley Artist • John Roesch, Foley Artist
Behind the sound of Loki:
Read ‘Behind The Fun, Futuristic-Retro Sound Of ‘Loki’ On Disney+’ hereStar Trek: Strange New Worlds • Memento Mori:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)
Nominees for Sound Editing: Matthew E. Taylor, Co-Supervising Sound Editor • Michael Schapiro, Co-Supervising Sound Editor • Kip Smedley, Sound Designer • Clay Weber, Sound Editor • John Sanacore, Sound Editor • David Barbee, Sound Editor • Matt Decker, Music Editor • Alyson Dee Moore, Foley Artist • Rick Owens, Foley Artist • Chris Moriana, Foley Artist
Behind the sound of Star Trek: Strange New Worlds:
Read ‘Voyage Into The Sound Of ‘Star Trek: Strange New Worlds’ hereStranger Things • Chapter Seven: The Massacre At Hawkins Lab:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)
Nominees for Sound Editing: Craig Henighan, MPSE, Co-Supervising Sound Editor • Will Files, MPSE, Co-Supervising Sound Editor • Ryan Cole, MPSE, Sound Editor • Korey Pereira, MPSE, Sound Editor • Angelo Palazzo, MPSE, Sound Editor • Katie Halliday, MPSE, Sound Editor • Ken McGill, MPSE, Foley Editor • Steven Baine, Foley Artist • David Klotz, Music Editor • Lena Glikson-Nezhelskaya, Music Editor
NOMINATED:
Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)
Nominees for Sound Mixing: Will Files, CAS, Re-Recording Mixer • Mark Paterson, Re-Recording Mixer • Craig Henighan, CAS, Re-Recording Mixer • Michael P. Clark, CAS, Production Mixer
Behind the sound of Stranger Things:
The Duffer Brothers and Stranger Things Season 4 | Sound + Image Lab:
Arcane • When These Walls Come Tumbling Down:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
Nominees for Sound Editing: Brad Beaumont, MPSE, Co-Supervising Sound Editor / Sound Designer • Eliot Connors, MPSE, Co-Supervising Sound Editor / Sound Designer • Shannon Beaumont, ADR / Dialogue Editor • Alex Ephraim, MPSE, Foley Editor • Alexander Temple, Music Editor • Alex Seaver, Music Editor • Dan O’Connell, Foley Artist • John Cucci, Foley Artist
Behind the sound of Arcane:
The Sound & Music of Arcane: League of Legends
The Music and Sound Design of Arcane League of Legends
Cobra Kai • The Rise:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
Nominees for Sound Editing: Patrick Hogan, Sound Supervisor • Daniel Salas, Sound Editor • Jesse Pomeroy, Sound Editor • Gary DeLeone, Sound Editor • Nick Papalia, Sound Editor • Andres Locsey, Music Editor • Mitchell Cohen, Foley Artist
Behind the sound of Cobra Kai:
Read ‘Patrick Hogan (‘Cobra Kai’ supervising sound editor) on the intricacies of dialogue, ADR, sound effects and foley on the martial arts action comedy [Exclusive Video Interview]’ herePopular on A Sound Effect right now - article continues below:
-
15 %OFF -
Cinematic & Trailer Sound Effects Four Elements – Elemental Magic Play Track 3050 sounds included, 251 mins total $149
Master the Art of Bending the Elemental Forces
Unleash the raw power of fire, water, earth, and air with this comprehensive 9 GB sound library featuring 3050 high-quality sound effects across 630 files. Whether you’re designing cinematic soundscapes or enhancing video games Four Elements delivers the tools you need to harness the energy of the natural world.
Construction Kit – 2443 Sounds
A treasure trove of raw, organic, and processed sounds including seamless loops divided into Fire, Water, Air, Earth and Explosion categories. Customize every detail with an extensive selection of sound components.
- Organic Fire: Campfire sizzles, torch whooshes, and flame bursts.
- Processed Fire: Distorted impacts and unique crackles.
- Organic Earth: Rock crashes, gravel scrapes, and heavy stone hits.
- Processed Earth: Stylized rumbles and granular textures.
- Organic Water: Ocean waves, hydrophone bubbles, and fluid splashes.
- Processed Water: Underwater whooshes and stylized liquid smashes.
- Organic Air: Bamboo swishes, cloth movements, and pressure bursts.
- Processed Air: Filtered gusts and dynamic noise sweeps.
- Explosion: Firework detonations, Butane bursts, and cinematic impacts.
Building Blocks – 416 Sounds
Game-ready sound layers featuring Impacts, Whooshes, and Textures as seamless loops. Elevate transitions and enhance atmospheres with loops and pre-designed sound layers.
- Fire: Explosive bursts, blazing infernos, and warm embers.
- Earth: Ground-shaking impacts, crumbling terrain, and heavy collisions.
- Water: Cascading waves, serene rivers, and underwater ambiences.
- Air: Whispering breezes, stormy turbulence, and slicing gusts.
Design Kit – 192 Sounds
A collection of ready-to-use sound effects divided into Attack, Bend, and Explosion categories for quick integration into your projects. Perfect for high-energy scenes and immersive storytelling.
- Fire: Crackling flames, fiery bursts, and roaring infernos.
- Earth: Crushing impacts, shifting ground, and massive land eruptions.
- Water: Splashes, fluid manipulations, and crashing tidal waves.
- Air: Slicing winds, swirling currents, and thunderous gusts.
Four Elements gives you complete creative control, blending organic recordings with processed sound layers to meet the demands of any project. Master the forces of nature with Four Elements. Let your creativity ignite.
Keywords:
Elements, Fire, Water, Earth, Air, Wave, Water, Liquid, Rock, Cast, Stone, Pebble, Torch, Gas, Flame, Campfire, Sizzle, Burst, Scrape, Whoosh, Impact, Texture, Attack, Bend, Bending, Explosion, Processed, Surge, Quake, Hit, Flow, Burn, Ignite, Drop, Smack, Destruction, Rumble, Hiss, Blow, Wind, Cloth, Movement, Underwater, Bubble, Ocean, River, Lake, Firework, Firecracker, Bang, Blast, Detonation, Magic, Fantasy, Forces, Fire Magic, Water Magic, Earth Magic, Fire Air, Fire Effect, Fire Whoosh, Water Whoosh, Seamless Loop, Loop, Fire Cast, Water Cast, Earth Cast, Air Cast
-
50 %OFFEnds 1767135600 -
-
THE RAW SOUND OF CINEMATIC FIGHTING VIOLENT COMBAT is a professional sound effects library built for fight scenes that demand impact. Packed with punch sound effects, fight sound effects, and powerful combat sound effects, it delivers everything from raw realism to over-the-top cinematic action. With improved fidelity and greater variation than its predecessor CLOSE COMBAT, this collection gives sound designers production-ready audio for film, TV, and games.
From Realism to Cinematic ExaggerationDial in the tone you need with dedicated categories: Martial Arts, Grounded, Over The Top, and Gory. Whether it’s kung fu sound effects, karate sounds, or exaggerated wrestling hits, you can shift seamlessly from authentic to stylised.
Successor to Close CombatVIOLENT COMBAT builds on the legacy of CLOSE COMBAT with higher fidelity recordings, better-organised categories, and more variation. It’s the ideal companion, giving you the flexibility to cover every style of fight scene.
Sounds That Land With ForceRecorded with a wide range of props and techniques, each fighting sound effect has real weight. Where needed, selective pre-processing boosts impact, avoiding the flat results of real fight recordings.
Production-Ready and VersatileEqually at home in film, TV drama, high-end game audio, or immersive theatre. From knockout sound effects to stylised fight sequences, Violent Combat is ready to drop straight into your mix.
Included Sounds – KEYWORDS
AIR, BODYFALL, CLOTH, CRUNCH, FINISHER, FURNITURE, GORE, GRAB, GRAPPLE, IMPACT, KICK, LEATHER, MARTIAL ARTS, METAL, MOVEMENT, PLASTIC, PUNCH, SLAP, SWISH, SWOOSH, THROW, WHOOSH
20 %OFF20 %OFF20 %OFF20 %OFF -
15 %OFF
-
50 %OFF -
638 meticulously processed stereo fire spells sound effects recorded in 96 khz and 24 bits for high audio definition.
The collection comes with hundreds of variations, more than 1 hour of content and many different type of fire spells. It also includes source sounds for more flexibility for your projects.
This collection is perfect for any films, video games or trailers.
The library is fully focused on fire spells. You will find simple one shot magic firebolt, powerful high level fire spells, fire sword, berserker enchantments and so on. Spells such as fireball, firewall, rain of fire, meteor, fire nova, magma storm, pyroblast, sword of Avernus, etc. are included in this library.
38 %OFF -
Love, Death + Robots • In Vaulted Halls Entombed:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
Nominees for Sound Editing: Brad North, MPSE, Co-Supervising Sound Editor • Craig Henighan, MPSE, Co-Supervising Sound Editor • Anthony Zeller, Foley Editor • Jeff Charbonneau, Music Editor • Zane Bruce, Foley Artist • Lindsay Pepper, Foley Artist
Behind the sound of Love, Death + Robots:
Creating a Successful Anthology TV Series — LOVE DEATH + ROBOTS Season 3 | Sound + Image Lab:
Ted Lasso • Beard After Hours:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
Nominees for Sound Editing: Brent Findley, MPSE, Co-Supervising Sound Editor • Bernard Weiser, MPSE, Co-Supervising Sound Editor • Ashley Harvey, Dialogue Editor • Kip Smedley, Sound Effects Editor • Mark Cleary, Sound Effects Editor • Jordan McClain, Foley Editor • Sharyn Gersh, MPSE, Music Editor • Richard David Brown, Music Editor • Sanaa Kelley, Foley Artist • Matt Salib, Foley Artist
Behind the sound of Ted Lasso:
Read ‘Bringing Sound to Life on Ted Lasso Featuring Emmy-nominated Supervising Sound Editing Team’ here Read ‘Brent Findley, Bernard Weiser and Sanaa Kelley (‘Ted Lasso’ sound editors): ‘Everybody’s voice is on the table’ [Exclusive Video Interview]’ hereWhat We Do In The Shadows • The Escape:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
Nominees for Sound Editing: Steffan Falesitch, Sound Supervisor • Chris Kahwaty, MPSE, Dialogue Editor • David Barbee, MPSE, Sound Editor • John Guentner, Foley Editor • Sam Lewis, Foley Editor • Steve Griffen, Music Editor • Ellen Heuer, Foley Artist
Behind the sound of What We Do In The Shadows:
Read ‘The Sound Design of What We Do in the Shadows’ hereMidnight Mass • Book VII: Revelation:
NOMINATED:
Outstanding Sound Editing For A Limited Or Anthology Series, Movie Or Special
Nominees for Sound Editing: Trevor Gates, Co-Supervising Sound Editor • Jonathan Wales, Co-Supervising Sound Editor • Kristen Hirlinger, Dialogue Editor • Jason Dotts, Dialogue / ADR Editor • Michael Baird, Dialogue / ADR Editor • Paul Knox, Sound Effects Editor • Russell Topal, Sound Effects Editor • James Miller, Sound Effects Editor • Matthew Thomas Hall, Sound Effects Editor • Mark Coffey, Sound Effects Editor • Amy Barber, Foley Editor • Julia Huberman, Foley Editor • Brett “Snacky” Pierce, Music Editor • Ben Parker, Foley Artist • Jonathan Bruce, Foley Artist
Behind the sound of Midnight Mass:
Read ‘Making The Mesmerizing Sound Of ‘Midnight Mass’ here Read ‘How Sound Designer Jonathan Wales Gave Us Chills With Netflix’s ‘Midnight Mass’ here Read ‘Midnight Mass interview: The sounds of Crockett Island with supervising sound editor Jonathan Wales’ hereMoon Knight • Gods And Monsters:
NOMINATED:
Outstanding Sound Editing For A Limited Or Anthology Series, Movie Or Special
Nominees for Sound Editing: Bonnie Wild, Co-Supervising Sound Editor • Mac Smith, Co-Supervising Sound Editor • Kimberly Patrick, Sound Editor • Vanessa Lapato, Sound Editor • Matt Hartman, Sound Editor • Teresa Eckton, Sound Editor • Tim Farrell, Sound Editor • Leo Marcil, Sound Editor • Joel Raabe, Sound Editor • Ian Chase, Sound Editor • Anele Onyekwere, Music Editor • Stephanie Lowry, Music Editor • Carl Sealove, Music Editor • Dan O’Connell, Foley Artist • John Cucci, MPSE, Foley Artist
NOMINATED:
Outstanding Sound Mixing For A Limited Or Anthology Series Or Movie
Nominees for Sound Mixing: Bonnie Wild, Re-Recording Mixer • Scott R. Lewis, Re-Recording Mixer • Tamás Csaba, Production Mixer • Scott Michael Smith, Score Mixer
Behind the sound of Moon Knight:
Read ‘Making The Mystical Sound Of Marvel’s ‘Moon Knight’ here Read ‘Five Questions With… ‘Moon Knight’ Sound Team Mac Smith, Tim Farrell’ here Read ‘Mac Smith and Tim Farrell (‘Moon Knight’ sound team) on the ‘ballet’ of finding ‘the right sound’ to ‘grab your attention and get your ear’ [Exclusive Video Interview]’ hereThe Beatles: Get Back • Part 3: Days 17-22:
NOMINATED:
Outstanding Sound Editing For A Nonfiction Or Reality Program (Single Or Multi-Camera)
Nominees for Sound Editing: Martin Kwok, Supervising Sound Editor / Dialogue Editor • Emile De La Rey, Sound Editor • Matt Stutter, Sound Editor • Michael Donaldson, Foley Editor • Stephen Gallagher, Music Editor • Tane Upjohn-Beatson, Music Editor • Simon Riley, Foley Artist
NOMINATED:
Outstanding Sound Mixing For A Nonfiction Or Reality Program (Single or Multi-Camera)
Nominees for Sound Mixing: Michael Hedges, Re-Recording Mixer • Brent Burge, Re-Recording Mixer • Alexis Feodoroff, Re-Recording Mixer • Giles Martin, Music Mixer
Behind the sound of The Beatles: Get Back:
Read ‘The Beatles: Get Back Sound Editing Team on Revisiting and Cleaning Up Audio From 50 Years Ago for Peter Jackson’s Hit Docuseries’ hereSuccession • Too Much Birthday:
NOMINATED:
Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)
Nominees for Sound Mixing: Nicholas Renbeck, Re-Recording Mixer • Andy Kris, Re-Recording Mixer • Ken Ishii, Production Mixer
Behind the sound of Succession:
Read ‘Shaping The Subdued Sound Of ‘Succession’ herePam & Tommy • The Master Beta:
NOMINATED:
Outstanding Sound Mixing For A Limited Or Anthology Series Or Movie
Nominees for Sound Mixing: Nick Offord, Re-Recording Mixer • Ryan Collins, Re-Recording Mixer • Juan Cisneros, Production Mixer
Behind the sound of Pam & Tommy:
The Sound of ‘Pam & Tommy’
Only Murders In The Building • The Boy From 6B:
NOMINATED:
Outstanding Sound Mixing For A Comedy Or Drama Series (Half-Hour) And Animation
Nominees for Sound Mixing: Lindsey Alvarez, Re-Recording Mixer • Mathew Waters, CAS, Re-Recording Mixer • Joseph White Jr., Production Mixer
Behind the sound of Only Murders In The Building:
The Sound of ‘Only Murders In The Building’
‘Only Murders in the Building’ sound editor Mathew Waters: Dialogue-free ep. ‘like composing music’
See the complete list of 2022 Emmy nominees here
Please share this:
-
Cinematic & Trailer Sound Effects Four Elements – Elemental Magic Play Track 3050 sounds included, 251 mins total $149
Master the Art of Bending the Elemental Forces
Unleash the raw power of fire, water, earth, and air with this comprehensive 9 GB sound library featuring 3050 high-quality sound effects across 630 files. Whether you’re designing cinematic soundscapes or enhancing video games Four Elements delivers the tools you need to harness the energy of the natural world.
Construction Kit – 2443 Sounds
A treasure trove of raw, organic, and processed sounds including seamless loops divided into Fire, Water, Air, Earth and Explosion categories. Customize every detail with an extensive selection of sound components.
- Organic Fire: Campfire sizzles, torch whooshes, and flame bursts.
- Processed Fire: Distorted impacts and unique crackles.
- Organic Earth: Rock crashes, gravel scrapes, and heavy stone hits.
- Processed Earth: Stylized rumbles and granular textures.
- Organic Water: Ocean waves, hydrophone bubbles, and fluid splashes.
- Processed Water: Underwater whooshes and stylized liquid smashes.
- Organic Air: Bamboo swishes, cloth movements, and pressure bursts.
- Processed Air: Filtered gusts and dynamic noise sweeps.
- Explosion: Firework detonations, Butane bursts, and cinematic impacts.
Building Blocks – 416 Sounds
Game-ready sound layers featuring Impacts, Whooshes, and Textures as seamless loops. Elevate transitions and enhance atmospheres with loops and pre-designed sound layers.
- Fire: Explosive bursts, blazing infernos, and warm embers.
- Earth: Ground-shaking impacts, crumbling terrain, and heavy collisions.
- Water: Cascading waves, serene rivers, and underwater ambiences.
- Air: Whispering breezes, stormy turbulence, and slicing gusts.
Design Kit – 192 Sounds
A collection of ready-to-use sound effects divided into Attack, Bend, and Explosion categories for quick integration into your projects. Perfect for high-energy scenes and immersive storytelling.
- Fire: Crackling flames, fiery bursts, and roaring infernos.
- Earth: Crushing impacts, shifting ground, and massive land eruptions.
- Water: Splashes, fluid manipulations, and crashing tidal waves.
- Air: Slicing winds, swirling currents, and thunderous gusts.
Four Elements gives you complete creative control, blending organic recordings with processed sound layers to meet the demands of any project. Master the forces of nature with Four Elements. Let your creativity ignite.
Keywords:
Elements, Fire, Water, Earth, Air, Wave, Water, Liquid, Rock, Cast, Stone, Pebble, Torch, Gas, Flame, Campfire, Sizzle, Burst, Scrape, Whoosh, Impact, Texture, Attack, Bend, Bending, Explosion, Processed, Surge, Quake, Hit, Flow, Burn, Ignite, Drop, Smack, Destruction, Rumble, Hiss, Blow, Wind, Cloth, Movement, Underwater, Bubble, Ocean, River, Lake, Firework, Firecracker, Bang, Blast, Detonation, Magic, Fantasy, Forces, Fire Magic, Water Magic, Earth Magic, Fire Air, Fire Effect, Fire Whoosh, Water Whoosh, Seamless Loop, Loop, Fire Cast, Water Cast, Earth Cast, Air Cast
-
15 %OFF
-
50 %OFFEnds 1767135600
-
THE RAW SOUND OF CINEMATIC FIGHTING VIOLENT COMBAT is a professional sound effects library built for fight scenes that demand impact. Packed with punch sound effects, fight sound effects, and powerful combat sound effects, it delivers everything from raw realism to over-the-top cinematic action. With improved fidelity and greater variation than its predecessor CLOSE COMBAT, this collection gives sound designers production-ready audio for film, TV, and games.
From Realism to Cinematic ExaggerationDial in the tone you need with dedicated categories: Martial Arts, Grounded, Over The Top, and Gory. Whether it’s kung fu sound effects, karate sounds, or exaggerated wrestling hits, you can shift seamlessly from authentic to stylised.
Successor to Close CombatVIOLENT COMBAT builds on the legacy of CLOSE COMBAT with higher fidelity recordings, better-organised categories, and more variation. It’s the ideal companion, giving you the flexibility to cover every style of fight scene.
Sounds That Land With ForceRecorded with a wide range of props and techniques, each fighting sound effect has real weight. Where needed, selective pre-processing boosts impact, avoiding the flat results of real fight recordings.
Production-Ready and VersatileEqually at home in film, TV drama, high-end game audio, or immersive theatre. From knockout sound effects to stylised fight sequences, Violent Combat is ready to drop straight into your mix.
Included Sounds – KEYWORDS
AIR, BODYFALL, CLOTH, CRUNCH, FINISHER, FURNITURE, GORE, GRAB, GRAPPLE, IMPACT, KICK, LEATHER, MARTIAL ARTS, METAL, MOVEMENT, PLASTIC, PUNCH, SLAP, SWISH, SWOOSH, THROW, WHOOSH
20 %OFF20 %OFF20 %OFF20 %OFF -
15 %OFF
-
50 %OFF
-
638 meticulously processed stereo fire spells sound effects recorded in 96 khz and 24 bits for high audio definition.
The collection comes with hundreds of variations, more than 1 hour of content and many different type of fire spells. It also includes source sounds for more flexibility for your projects.
This collection is perfect for any films, video games or trailers.
The library is fully focused on fire spells. You will find simple one shot magic firebolt, powerful high level fire spells, fire sword, berserker enchantments and so on. Spells such as fireball, firewall, rain of fire, meteor, fire nova, magma storm, pyroblast, sword of Avernus, etc. are included in this library.
38 %OFF -