Go behind the intense sound of a scene in DEADPOOL & WOLVERINE and hear about the many sounds that went into it, including layers of dialogue / effort, claws / swords / blood / gore, guns, Foley feet / body falls / props and more:
With Supervising Sound Editor / Re-Recording Mixer Craig Henighan, Supervising Sound Editor Ryan Cole, Re-Recording Mixer Lora Hirschberg, Foley artist Steve Baine & team + Hugh Jackman recording effort ADR
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With Supervising Sound Editor / Re-Recording Mixer Craig Henighan, Supervising Sound Editor Ryan Cole, Re-Recording Mixer Lora Hirschberg, Foley artist Steve Baine & team + Hugh Jackman recording effort ADR
In-depth interview: Designing & Mixing Fierce Fights for ‘Deadpool & Wolverine’:
In this exclusive A Sound Effect interview, supervising sound editors Craig Henighan (also effects re-recording mixer) and Ryan Cole, re-recording mixer Lora Hirschberg, and sound designer Eric A. Norris talk about crafting the music-led fights, designing sounds for the void and signature weapon sounds for the adamantium katana swords and claws, recording tons of loop group for the ‘100 Deadpools’ fight, and so much more:
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25 %OFF
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