Creative Emmy winners sound Asbjoern Andersen


The winners of the 2017 Creative Arts Emmys were found yesterday – a big congrats to all the winners & nominees!

Curious to know more about the creative sound work that went into those shows? Here are all the Creative Arts Emmy winners for sound + the stories on how their winning sound was created:



 

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR):
Westworld, The Bicameral Mind (HBO)

KEITH ROGERS, Re-Recording Mixer
SCOTT WEBER, Re-Recording Mixer
ROGER V. STEVENSON, CAS, Production Mixer
KYLE O’NEAL, ADR Mixer


Read the story behind the sound for Westworld

OUTSTANDING SOUND EDITING FOR A SERIES:
Stranger Things Chapter Eight: The Upside Down (Netflix)

BRADLEY NORTH, Sound Supervisor
CRAIG HENIGHAN, Sound Editor
JORDAN WILBY, Sound Editor
JONATHAN GOLODNER, Sound Editor
TIFFANY S. GRIFFITH, Sound Editor
SAM MUNOZ, Foley Editor
DAVID KLOTZ, Music Editor
NOEL VOUGHT, Foley Artist
GINGER GEARY, Foley Artist


Read the story behind the sound for Stranger Things

OUTSTANDING SOUND MIXING FOR A LIMITED SERIES OR MOVIE:
The Night Of – The Beach (HBO)

MICHAEL BARRY, Re-Recording Mixer
NICHOLAS RENBECK, Re-Recording Mixer
FELIX ANDREW, Production Mixer
LARRY HOFF, Production Mixer


Read the story behind the sound for The Night Of

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION:
Mozart In The Jungle – Now I Will Sing (Amazon)

ANDY D’ADDARIO, Re-Recording Mixer
GARY GEGAN, Re-Recording Mixer
MARCO FIUMARA, Production Mixer


Read the story behind the sound for Mozart In The Jungle

OUTSTANDING SOUND EDITING FOR A LIMITED SERIES, MOVIE OR SPECIAL:
The Night Of – Subtle Beast (HBO)

NICHOLAS RENBECK, Sound Supervisor
MARISSA LITTLEFIELD, Supervising ADR Editor
STEVE VISSCHER, Supervising Foley Editor
RUTH HERNANDEZ, ADR Editor
SARA STERN, Dialogue Editor
LUCIANO VIGNOLA, Dialogue Editor
ODIN BENITEZ, Dialogue Editor
WYATT SPRAGUE, Sound Effects Editor
ROLAND VAJS, Sound Effects Editor
RUY GARCIA, Sound Designer
WARREN SHAW, Sound Designer
HEATHER GROSS, Foley Editor
DAN EVANS FARKAS, Music Editor
GRANT CONWAY, Music Editor
MARKO COSTANZO, Foley Artist


Read the story behind the sound for The Night Of

OUTSTANDING ORIGINAL MAIN TITLE THEME MUSIC:
Stranger Things (Netflix)

MICHAEL STEIN, Theme by
KYLE DIXON, Theme by


Read the story behind the music for Stranger Things

OUTSTANDING MUSIC SUPERVISION:
Big Little Lies – You Get What You Need (HBO)

SUSAN JACOBS, Music Supervisor


Read the story behind the sound for Big Little Lies

OUTSTANDING MUSIC COMPOSITION FOR A LIMITED SERIES, MOVIE OR SPECIAL (ORIGINAL DRAMATIC SCORE):
Fargo – Aporia (FX Networks)

JEFF RUSSO, Music by


Read the story behind the music for Fargo

Bonus – video interview with composer Jeff Ruso:

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The full list of winners can be found here.

 

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  • Ambisonics New York Day & Night Play Track 22 sounds included, 45 mins total $60
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    One of the greatest cities in the world, New York is always a whirlwind of activity, with famous sites at every turn and never enough time to see them all. Some people come here to enjoy the Broadway shows; others come specifically to shop; and many come simply to see the sights: the Statue of Liberty, Empire State Building, Brooklyn Bridge, Central Park, historic neighborhoods, and numerous world famous museums. All of them offer unique perspectives of the city. Any time of year and any time of day there are an endless array of things to see and do in New York.

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  • Destruction & Impact Bodyfall vol 1-4 Play Track 929 - 3804+ sounds included From: $35

    Bodyfall is an exhaustive multi-volume sound library, designed in collaboration with prize-winning French Foley artist Florian Fabre, and recorded in the famous Hiventy foley studio.

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  • Trains Steam Trains Play Track 175 sounds included $40

    The Steam Trains library delivers 175 sound effects of three different types of steam train engines, and the clatter, rattle, and grinding of wagons.

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    Recorded with a Schoeps MK4/MK8 MS, paired with a Sound Devices 702 recorder. Some takes provide an alternative mix with recordings from an additional Sony PCM-D recorder.

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  • Mechanical Gearbox Play Track 3551 sounds included, 279 mins total $149.99

    We've ventured to obscure boutiques, prop houses and vintage shops to capture mechanical contraptions from around the world. Ranging from bizarre creations, to steampunk gadgetry, gizmos and machines, GEARBOX clocks in at over 10 GB of high definition, precision mastered sounds spanning across 2987 construction kit sounds and 584 designed sounds.

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    INTRODUCING BUILDING BLOCKS

    In addition to CONSTRUCTION KIT and DESIGNED SOUND content, GEARBOX features BUILDING BLOCKS. This category of sound consists of designed phrases and oneshots utilized for our designed machinery, empowering Sound Designers with maximum flexibility when trying to get that particular phrase from an existing DESIGNED SOUND. GEARBOX features over 468 BUILDING BLOCKS ranging from levers, hits, grinds, snaps, and more.

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  • Military M16 Halftrack Play Track 313 sounds included $299

    The World War II American M16 Halftrack anti-aircraft sound library features 313 sound effects in 18.86 gigabytes of audio. Based on the M3 Halftrack, this “multiple gun motor carriage” showcases 20 takes of up to 42 channels of performances from a White 160AX, 6-cylinder, 128 horsepower engine.

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  • Cars VW Polo 2003 Play Track 228 sounds included $249

    Recording of a Volkswagen Polo from 2003 with a 1.4L straight 4 cylinder, 16-valve petrol (79 horsepower) engine.

  • Cars Volvo P1800S 1966 Play Track 363 sounds included $249

    The 1966 Volvo P1800S sound fx collection features hours of recordings of a vintage Swedish sports car. 16 perspectives detail the B18 in-line 4 cylinder ohv 115 horsepower engine also similar to the models 1800S, 1800E and 1800ES.

    The sound library includes 363 sounds from 17 exterior and 12 onboard channels totalling over 15 gigabytes of audio. The performances include departure, passes, and approaches at slow, medium, and fast speeds while accelerating, with ramps, gear shifts, and at constant RPMs. The collection also has idles, horns, an Altiverb impulse response and an extensive range of performed effects.

  • This is a unique bicycle library that captures this characteristic bike in clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.

    The UglyBike is a typical old bicycle that’s working fine, but needs some TLC. It is a bicycle that’s just average, a little rattle a gentle scrape, a bike that everyone has had but got traded in for a newer one. A story of unrequited love.. :)

    Speeds and actions:
    Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.

    Five perspectives:
    1. Onboard Front: captures the whirring tire and surface sound.
    2. Onboard Pedal: nice overall combination of pedaling, crank creaks, chain rattle, tire and surface sounds.
    3. Onboard Rear: close up sound of the rear axle, with chain, sprocket and switching of gear.
    4. Tracking shot: mono recording of the passby, keeping the bike in focus while passing by.
    5. Static XY shot: stereo recording of the passby that emphasizes speed.

    Overview of perspectives and mic placement:

    Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
    All 3 onboard mics are edited in sync with one another to make layering easy.
    All Passbys, Arrivals and Departures move from Left to Right.

    Metadata & Markers:
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    Download complete metadata PDF

    If you have any questions about this, contact us!

    Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer or other database apps.

    Need more?
    The UglyBike library is part of the complete ‘City Bicycles’ library package available at www.frickandtraa.com. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off  bicycle passes captured in the city and bounces and rattles. The extra bicycles surfaces and additional effects are also available seperately here on ‘a Sound Effect’. If you’ve bought a single library and want to upgrade to the full package, contact us for a reduced price on the complete City Bicycles library. Every part of City Bicycles that you paid for will get you an extra reduction on the full package.

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    Responses:

    344 AUDIO:City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..

    The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.

    Watch a video created by Zdravko Djordjevic.

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