Creative Emmy winners sound Asbjoern Andersen


The winners of the 2017 Creative Arts Emmys were found yesterday – a big congrats to all the winners & nominees!

Curious to know more about the creative sound work that went into those shows? Here are all the Creative Arts Emmy winners for sound + the stories on how their winning sound was created:



 

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR):
Westworld, The Bicameral Mind (HBO)

KEITH ROGERS, Re-Recording Mixer
SCOTT WEBER, Re-Recording Mixer
ROGER V. STEVENSON, CAS, Production Mixer
KYLE O’NEAL, ADR Mixer


Read the story behind the sound for Westworld

OUTSTANDING SOUND EDITING FOR A SERIES:
Stranger Things Chapter Eight: The Upside Down (Netflix)

BRADLEY NORTH, Sound Supervisor
CRAIG HENIGHAN, Sound Editor
JORDAN WILBY, Sound Editor
JONATHAN GOLODNER, Sound Editor
TIFFANY S. GRIFFITH, Sound Editor
SAM MUNOZ, Foley Editor
DAVID KLOTZ, Music Editor
NOEL VOUGHT, Foley Artist
GINGER GEARY, Foley Artist


Read the story behind the sound for Stranger Things

OUTSTANDING SOUND MIXING FOR A LIMITED SERIES OR MOVIE:
The Night Of – The Beach (HBO)

MICHAEL BARRY, Re-Recording Mixer
NICHOLAS RENBECK, Re-Recording Mixer
FELIX ANDREW, Production Mixer
LARRY HOFF, Production Mixer


Read the story behind the sound for The Night Of

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION:
Mozart In The Jungle – Now I Will Sing (Amazon)

ANDY D’ADDARIO, Re-Recording Mixer
GARY GEGAN, Re-Recording Mixer
MARCO FIUMARA, Production Mixer


Read the story behind the sound for Mozart In The Jungle

OUTSTANDING SOUND EDITING FOR A LIMITED SERIES, MOVIE OR SPECIAL:
The Night Of – Subtle Beast (HBO)

NICHOLAS RENBECK, Sound Supervisor
MARISSA LITTLEFIELD, Supervising ADR Editor
STEVE VISSCHER, Supervising Foley Editor
RUTH HERNANDEZ, ADR Editor
SARA STERN, Dialogue Editor
LUCIANO VIGNOLA, Dialogue Editor
ODIN BENITEZ, Dialogue Editor
WYATT SPRAGUE, Sound Effects Editor
ROLAND VAJS, Sound Effects Editor
RUY GARCIA, Sound Designer
WARREN SHAW, Sound Designer
HEATHER GROSS, Foley Editor
DAN EVANS FARKAS, Music Editor
GRANT CONWAY, Music Editor
MARKO COSTANZO, Foley Artist


Read the story behind the sound for The Night Of

OUTSTANDING ORIGINAL MAIN TITLE THEME MUSIC:
Stranger Things (Netflix)

MICHAEL STEIN, Theme by
KYLE DIXON, Theme by


Read the story behind the music for Stranger Things

OUTSTANDING MUSIC SUPERVISION:
Big Little Lies – You Get What You Need (HBO)

SUSAN JACOBS, Music Supervisor


Read the story behind the sound for Big Little Lies

OUTSTANDING MUSIC COMPOSITION FOR A LIMITED SERIES, MOVIE OR SPECIAL (ORIGINAL DRAMATIC SCORE):
Fargo – Aporia (FX Networks)

JEFF RUSSO, Music by


Read the story behind the music for Fargo

Bonus – video interview with composer Jeff Ruso:



JEFF RUSSO interview on The Audio Spotlight by Oliver Sadie


The full list of winners can be found here.

 

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A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:

  • Cinematic & Trailer Sound Effects Collision Play Track 3735 sounds included, 250 mins total $112.49

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  • Foley Sound Effects Peugeot Boxer 2002 van Play Track 236 sounds included, 45 mins total $65
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  • Hello Creators!

    Here’s my new pack: “RPG Inventory Sounds“

     

    YouTube Preview

    List of SFX included

     

    The approach for this pack was to create sounds for the inventory all RPG/Fantasy video games have.

    I recorded some bags and items I have in my home :)

    There are different types of SFX inside this pack: bag, remove items, coins, equipment, clothes, food, stones, armour, etc…

    They can be used in different styles of video games or other media projects.

    I hope you enjoy implementing this sounds in your project!

     

    Related Packs (created by me)

    Inventory Sounds – Volume 01

    Click Sounds (UI SFX)

     

    Making-Off

    All this sounds were originally recorded with a Zoom H6 (cardiod microphone), and were edited in Logic Pro X, almost no processing was made, it was mainly editing the recorded material but also I used the plugin “Phaseplant” as a sampler.

     

    Some considerations

    1. Keep in mind this sounds can be used in a variety of situations, I put a name to the SFX but this doesn’t mean it can’t be used in other contexts.

    Check out this guide that maybe will help you

    2. The sounds are in 44.1Khz/16 bit format. I have the original files at 96khz/24bit also, if you need this format, please contact me.

     

    Contact

    Any doubt, any idea, any proposal, please contact me on: The.Sound.Guild.SFX@gmail.com

     

    Check all my packs

    https://www.asoundeffect.com/sounddesigner/the-sound-guild/

     

    Cover Image Credits

    https://www.istockphoto.com/en/vector/dice-d20-for-playing-dnd-gm1492638988-5165…

     

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