These podcasts are all members of the Audio Podcast Alliance. → Learn more here
Hear all the episodes below:
Laurence Anslow, who recently recorded and mixed the score for the recent “Percy Jackson” series and also worked on “Ghostbusters: Frozen Empire”, joins us this week. He is at the top of the game, and yet his workflows as a score recordist and mixer, are a complete mystery to many in audio post. So I asked him to come on the show and talk us through what a orchestral score recording session is like, how he delivers his tracks and who he is interacting with the most from the rest of the sound team. I learned a lot while talking with Laurence and I hope you are able to gain a bunch of knowledge as well.
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“I took a day to record a chainsaw in the middle of the Kent countryside.”
…In this episode Martyn Harries (@martynthemixer) talks all things gore with the Supervising Sound Editor Ryan Hatton (@ryanhattonn) and the Re-Recording mixer Rob Ackerman (@ackerman.rob) behind “Winnie-the-Pooh: Blood and Honey 2”.
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Martha Mutiso, a Kenyan-based freelance tour leader and conservation storyteller, joins us today. Passionate about nature, conservation, and ecotourism, Martha’s work spans photography, filming, writing and the captivating art of field recording. Her mission is to preserve the dwindling sounds of nature and inspire change through storytelling. Through Ecoescapades.org, she showcases the wonders of our planet through impactful blog articles that resonate with audiences worldwide.
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Composer Lennie Moore wrote such gorgeous music for “Outcast – A New Beginning” that it made me mad, no exaggeration. It’s so pleasing harmonically with fantastic melodies and transitions, and outstanding musicianship from the soloists and performers. Live choir, live soloists, live orchestra – and you can tell. The music has breath and life.
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Today’s guest is Aaron Cherof, a composer based in Seattle. He has been composing for indie games for well over a decade and has most recently worked on two games that have become huge hits, such as “Cobalt Core” and “Minecraft”. In this episode, we talk about how Aaron has spent 15 years as a composer before he was able to go full-time. We also talk about the importance of creating work, even when you’re not getting hired to work on projects, how to find your own musical voice as a composer, and so much more.
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The Audio Podcast Alliance gives you a hand-picked selection of the world’s best podcasts about sound – here are the members:
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