Sound Effects

Hello!

I’m a passionate sound designer and recordist based in the heart of Europe, the Czech Republic. With a deep love for audio, I specialize in creating immersive soundscapes and capturing unique audio recordings. My work is driven by my commitment to bringing stories to life through sound. Whether it’s for film, music, or interactive media, I aspire to provide sound libraries that will empower creators to design sonic experiences that resonate with audiences and transcend the ordinary.

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Water & Ocean Sounds Streams, rivers, waterfalls Play Track 125 sounds included, 99 mins total $20
This library covers a wide range of flowing waters. From the gentle bubbling of small mountain streams to the terrifying roar of gigantic waterfalls.

The extensive collection includes 125 tracks with a total length of approximately 99 minutes, recorded in more than 10 locations across Austria and Slovenia.

Microphone setup:
- Shure VP88
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Car Sound Effects Tatra 613 Play Track 63 sounds included $100
This library covers sounds of Tatra 613 car, equipped with V8 engine from mid 1980s.

The driving section contains 54 tracks with a total length of about 33 minutes. These tracks include engine ramps and driving sequences at various constant RPMs, suitable for game implementation. Additionally, there are takes featuring more common driving and pass-bys, which are better suited for linear media usage. Interior and exterior mixes are also included.

The foley section comprises 9 tracks with a total length of 2 minutes. It covers basic sounds, such as opening and closing doors, hood and trunk, gearstick shifts and handbrake usage.

Microphone setup:
- Shure VP88 – Cabin / Exterior
- Neumann KM184 – Cabin
- Sennheiser MKH8040 – Left exhaust
- Sennheiser MKH8040 – Right exhaust
- Shure SM11 – Engine bay
- Neumann KMR81i – Foley
- Tascam DR40 (XY) – Exterior
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Car Sound Effects Trabant 601 Play Track 72 sounds included $100
This library covers the sounds of the Trabant 601, equipped with a two-cylinder, two-stroke Otto-type engine from the late 1980s.

The driving section contains 48 tracks with a total length of about 36 minutes. These tracks include engine ramps and driving sequences at various constant RPMs, suitable for game implementation. Additionally, there are takes featuring more common driving and pass-bys, which are better suited for linear media usage. Interior and exterior mixes are also included.

The foley section comprises 23 tracks with a total length of 8 minutes. It covers all basic sounds, such as opening and closing doors, hood and trunk, gearstick shifts, handbrake usage, and horn sounds. These sounds were primarily captured from a close perspective using a shotgun microphone.

Microphone setup:
- Sennheiser MKH8040 (ORTF) – Cabin
- Neumann KMR81i – Cabin / Foley
- Neumann KM184 – Exhaust
- Shure SM11 – Engine bay
- Shure VP88 (M/S) – Exterior
- Tascam DR40 (XY) – Exterior
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Foley Sound Effects Next door remodeling Play Track 20 sounds included $10

Next door remodeling sound library is a collection of construction and remodeling noises, meticulously recorded from an adjacent apartment. This compilation covers a diverse range of sounds of hammers, jackhammers, and drills, all amplified by the acoustics of the room in which the sounds were recorded and the concrete panel structure of the building itself.

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Insect Sound Effects Insects of Central Europe Play Track 53 sounds included $50

Insects of Central Europe is a unique collection of single insect sounds.

With an array of over 50 tracks, this library offers more than 40 minutes of high-quality audio material. These recordings were captured in the heart of Central Europe, specifically in the Czech Republic.

The library predominantly features grasshoppers, bugs, and crickets, captured across a variety of locations and times of the day, providing a diverse range of audio landscapes for you to explore and utilize in your projects.

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With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.

Wylie Stateman

Supervising sound editor,
The Hateful Eight, Inglourious Basterds, Kill Bill: Vol. 1

A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.

Gabriel Guy

Re-recording Mixer, Walt Disney Animation Studios:
Frozen, Big Hero 6

A Sound Effect is a great asset to have discovered.

We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.

We’ll definitely be back!

Wayne Pashley

Supervising Sound Editor/Re-recording Mixer, The Lego Movie & Mad Max: Fury Road

There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!

A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.

And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!

David Farmer

Sound designer:
Lord of the Rings & The Hobbit trilogies

We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.

The purchase experience is really smooth and quick, and delivery is almost instant.

I'll definitely come back to them again in the future!

Charles Deenen

Director, Digital - Source Sound Inc.

A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!