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Specification: Modified to 628 horse power, 486ci Dart engine block, Merlin heads, Fitech fuel injection, 3 inch Flowmaster Exhausts, 5 speed Richmond transmission.
Onboard perspective sounds are from six separate microphones.
Cabin Left, Cabin Right, Engine Left, Engine Right, Exhaust Left & Exhaust Right
External perspective sounds are from two stereo mics.
One for Tracking the moving car and the other from a fixed position.
Specification: 2022 Chrysler Voyager, 3.6 liters, v6, 287 horse power.
Onboard sounds are split into Cabin (in Stereo), Engine, and Exhaust perspectives.
Note that there are no Ramp sounds in this library. The vehicle was not able to perform this
maneuver. There are several MS Stereo and Rendered Stereo files. Editor/Sound Designer can
use Mid channel when mono is needed.
Specification: 2022 Jeep Grand Cherokee, Limited Edition, v6, 3.6 liters, 293 horse power
Onboard sounds are from 3 separate microphones: Cabin, Engine, and Exhaust
One MS (Mid-Side) stereo microphone was used to capture External perspective sounds from
fixed positions. There are MS (Mid Side) stereo and rendered stereo files from each of the
performances, including Foley effects. Editors can use channel 1 (left channel) when mono
source is needed.
Specification: 2020 Toyota Tacoma, model SR5 v6, 3.5 liters, 278 horse power.
Onboard sounds are from four separate microphones.
Cabin Left, Cabin Right, Engine, and Exhaust
Two stereo microphones were used to capture External perspective sounds from fixed positions.
There are MS (Mid Side) stereo and rendered stereo files from each of the external 1 perspective
performances. Foley effects were recorded from a stereo mic.
Onboard sounds are from four separate microphones.
Ch1 Engine Left, Ch2 Engine Right, Ch3 Exhaust Left & Ch4 Exhaust Right
Externals are from two separate stereo microphones.
Specification: 1988 Lamborghini Countach (LP5000 QV model), v12 and 455 horse power.
Onboard sounds are from 5 separate microphones.
Ch1 Cabin Left, Ch2 Cabin Right, Ch3 Engine, Ch4 Exhaust 1, Ch5 Exhaust 2.
2 stereo microphones were used to capture External perspective sounds (Tracking & Fixed)
positions.
Specification: 1964 Cessna 172 (Skyhawk) prop airplane
Onboard consists of 7 channels (Ambisonic for Cabin, mono for Cockpit, mono for hard left and
mono for hard right).
Files Port side and Starboard side from Onboard can be joined for wide
stereo effect.
External Tracking (microphone following the aircraft) was from a MS (Mid Side) stereo
microphone. Mid from left channel can be used as mono when mono is needed.
Specification: 1929 Ford Model A classic car, 4 Cylinder, 37 horse power.
Onboard sounds are from four separate microphones.
Cabin Left, Cabin Right, Engine, and Exhaust.
Foley effects and External perspective files are in stereo format.
Specification: Bell Huey Helicopter models in UH1D, UH1H, and UH1V
Onboard sounds are from four separate microphones.
Cabin Left, Cabin Right, Engine, and Exhaust
One stereo microphone was used to capture Foley Effects & External perspective sounds from
fixed positions.
Specification: 2022 Chevrolet Colorado, 4×4 truck, v6, 3.6 Liter, and 308 horse power.
The following is a 2018 Tesla Model X (100d) electric vehicle
single license sound effects library (with Metadata).
Onboard perspective sounds are in several formats (Binaural, Stereo, Ambisonic A Format,
Ambisonic B Format aka AmbiX, 5.1 Surround, and 7.1 Surround).
External perspective sounds and Foley Effects are in XY Stereo Format.
Use a plugin like HarpEx or similar to modify how you want the onboard perspective takes to
sound.
Specification: 2022 4Runner, SR5 model, 4×4, v6, 4.0L, 270hp.
Onboard sounds are from four separate microphones.
Cabin Left, Cabin Right, Engine, and Exhaust
One stereo microphone was used to capture External perspective sounds from fixed positions.
Onboard setting
Ch1-4 Ambisonic (B Format AmbiX)
Ch5 Stern Port Side (left side)
Ch6 Stern Starboard Side (right side)
Ch7 Bow (front)
Ch8-9 Handheld Stereo (left and right)
External & Foley Effects setting
Handheld Stereo (left and right) tracking the moving boat
Onboard sounds are from four separate microphones.
Ch1 Engine Left, Ch2 Engine Right, Ch3 Exhaust Left & Ch4 Exhaust Right
The following is an Ambisonic Sailboat Hunter 41 sound effects library with Metadata. There are
only Onboard sounds of this great sounding watercraft. In this set are Foley effects of lines, sails,
gears, buttons, etc along with soft wind sailing, hard wind sailing, bow cutting through water,
water churning at stern, and diesel engine powered movements.
The following is a 2020 Jeep Gladiator single license sound effects library (with Metadata).
Specification: 2020 Jeep Gladiator, 4×4, Overland model, 3.6L, v6, and 285 horse power.
Number of Wave Files: 163
Runtime: 94 combined minutes
Format: 32 bit 96 kHz wave files
Library size: 11.5 GB uncompressed, 7.2 GB compressed .rar file
Vehicle: Jeep Gladiator (Overland 3.6L)
Onboard sounds are from four separate microphones.
Ch1 Engine, Ch2 Exhaust, Ch3 CabL (Cabin Left), and Ch4 CabR (Cabin Right)
One stereo microphone was used to capture External perspective sounds from fixed positions
The following is a Husqvarna 701 Enduro Dirt Bike single license sound effects library (with Metadata).
Specification: 2017 Husqvarna 701 Enduro with Wings aftermarket exhaust, 4 Stroke, 6 speed,
and 67 horse power.
Number of Wave Files: 178
Runtime: 80 combined minutes
Format: 32 bit 96 kHz wave files
Library size: 6.8 GB uncompressed, 3.8 GB compressed .rar file
Onboard sounds are from three separate microphones.
Ch1 Engine, Ch2 Down Pipe (middle area), and Ch3 Exhaust
2 stereo microphones were used to capture External perspective sounds (Tracking & Fixed)
positions.
The following is a 2018 Lamborghini Huracan Performante super car single license sound effects library (with Metadata). After purchase there is a simple 2 step protocol to download the library (in .rar compressed format). There are no interior cabin sounds in this library. Please read the file names located below.
Specification: 2018, v10, 5.2 Liter, 631 HP, 4 Wheel Drive, Paddle Shifter driven
The Onboard recordings are in 3 channels (Engine and Exhaust 1, Exhaust 2). There are no interior cabin sounds. Drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also stereo mix versions of the OnBoard recordings. The External recording is in stereo tracking (following) the moving vehicle.
Definitions & FAQs:
Onboard: Sounds heard from driver and passenger perspectives (in or on the vehicle) External: Sounds heard from bystander’s point of view.
The following is a 2021 Chevrolet Malibu LT single license sound effects library (with Metadata).
Specification: 2021, 4 Cylinder, 1.5 Liter, 160 HP, Front Wheel Drive, Automatic Car
The Onboard recordings are in 2 channels (Engine and Exhaust). Drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also stereo mix versions of the OnBoard recordings. The External recording is in stereo from a fixed position.
Definitions & FAQs:
Onboard: Sounds heard from driver and passenger perspectives (in or on the vehicle)
External: Sounds heard from bystander’s point of view.
Ramp: When vehicle goes from idle smoothly up to red line in 1st gear, then smoothly back down to idle (popular for video game development)
If you need specific shots for your film, TV, and video game projects, Watson is available for hire to record all types of vehicles
The following is a 2021 Nissan Rogue Sport SUV single license sound effects library (with
Metadata).
Specification: 2021, 4 Cylinder, 2.0 Liter, 141 HP, Front Wheel Drive, Automatic SUV
The Onboard recordings are in 2 channels (Engine and Exhaust). Drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also stereo mix versions of the OnBoard recordings. The External recording is in stereo from a fixed position.
Definitions & FAQs:
Onboard: Sounds heard from driver and passenger perspectives (in or on the vehicle)
External: Sounds heard from bystander’s point of view.
If you need specific shots for your film, TV, and video game projects, Watson is available for hire to record all types of vehicles.
The following is a Large Airboat single license sound effects library (with Metadata).
Specification: 1970 18 feet Airboat with a 1947 AVCO Lycoming brand v6 aircraft motor
(8.8 liters, 350 horse power)
Number of Wave Files: 70
Runtime: 3 hours and 4 minutes
Format: 32 bit, 96 kHz wave files
Library size: 19.2 GB (uncompresed), 10.9 GB (compressed .rar file)
The Onboard recordings are in 3 and 4 separate channels (Helm, Motor, Exhaust, and Prop -> propelle)r. Drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also stereo mix versions of the OnBoard recordings. The External recording is in MS stereo (Mid-Side).
Definitions & FAQs:
This library can also be used if you need prop plane sounds (because of the aircraft engine).
Onboard: Sounds heard from driver and passenger perspectives (in or on the vehicle)
External: Sounds heard from bystander’s point of view.
If you need specific shots for your film, TV, and video game projects, Watson is available for hire to record all types of vehicles.
Special thanks to Captain Mike Reark!
The following is a 2020 Lexus LC500 sports car sound effects library (with Metadata).
Vehicle Type: Sports Car
Brand: Lexus
Model: LC500
Year: 2020
Specification: 471 Horse Power, v8, 5.0 Liter, 10 speed gasoline car
There are 37 minutes worth (4.37 GB), 63 ready to use wave files, in 32 Bit, 96 kHz and
additional takes in 24 Bit, 96 kHz. Files are divided into External Following, Foley, and Onboard
sounds. For Mac users we recommend UnRarX. For Windows users we recommend WinRar. The
Onboard recordings are in 4 separate mono wave files. Drag & drop or import each of the files
into your audio editing software, then align them for creative mixing. There are also stereo mixed
versions of the OnBoard recordings.
Onboard Settings:
Chan 1 = Engine Left, Chan 2 = Engine Right, Chan 3 = Exhaust Left, Chan 4 = Exhaust Right
External Settings:
Following (Stereo in Left & Right Channels, tracking the car)
Definitions & FAQs:
Onboard: Sounds heard from driver and passenger perspectives
External: Sounds heard from bystander’s point of view.
If you need specific shots for your film, TV, and video game projects, Watson is available for hire
to record all types of vehicles.
The following is a 2018 Nissan 370Z sports car sound effects library (with Metadata).
Vehicle Type: Sports Car
Brand: Nissan
Model: 370z
Year: 2018
Specification: Modified with an aftermarket HKS brand exhaust, 332 Horse Power, 3.7 Liter, v6,
6 speed manual, rear wheel drive, gasoline car
There are 68 minutes worth (23.7 GB), 170 ready to use wave files, in 32 Bit, 96 kHz. Files are
divided into External Following, External Static, Foley, and Onboard sounds. For Mac users we
recommend UnRarX. For Windows users we recommend WinRar. Ambisonic mic was placed in
Cab of the car. There are various rendered versions from the ambisonic recording (Ambisonic B
Format, 5.1 surround, 7.1 surround, and Stereo).
Onboard Settings:
Ch 1-4 = Cab in Ambisonic Format B, Ch 5 = Engine, Ch6 = Exhaust
External Settings:
Following (Stereo shotgun mic, tracking the moving vehicle)
Static (Stereo mic on a fixed stand for panning)
Definitions & FAQs:
Onboard: Sounds heard from driver and passenger perspectives
External: Sounds heard from bystander’s point of view.
If you need specific shots for your film, TV, and video game projects, Watson is available for hire
to record all types of vehicles.
The following is a 2021 Toyota Camry car sound effects library (with Metadata).
Vehicle Type: Sedan Car
Brand: Toyota
Model: Camry SE
Year: 2021
Specification: 203 Horse Power, Inline 4, 2.5 Liter, Front Wheel Drive, 8 speed gasoline car
There are 67 minutes worth (7.48 GB), 170 ready to use wave files, all in 32 Bit, 96 kHz. Files
are divided into External static, Foley, and Onboard sounds. For Mac users we recommend
UnRarX. For Windows users we recommend WinRar. The Onboard recordings are in 4 separate
mono wave files. Drag & drop or import each of the files into your audio editing software, then
align them for creative mixing. There are also stereo mix versions of the OnBoard recordings.
The External recordings are in stereo from a static (fixed) position.
Onboard Settings:
Chan 1 = Engine, Chan 2 = Cab Left, Chan 3 = Cab Right, Chan 4 = Exhaust
External Settings:
Static (Stereo in Left & Right Channels from a fixed position)
Definitions & FAQs:
Onboard: Sounds heard from driver and passenger perspectives
External: Sounds heard from bystander’s point of view.
If you need specific shots for your film, TV, and video game projects, Watson is available for hire
to record all types of vehicles.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.