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GainWalkers is a London (UK) based Audio specialist collective focused on Production & Post-production Sound Services founded by Pablo Valverde. Extensive experience in all kind of audiovisual storytellings. Our sound has been used for clients such as Google, McLaren, Pepsi, Electronic Arts, BBC and Jaguar, among others. Listened to our work at www.gainwalkers.com
Get the true sound of Barcelona, Spain, in this sound effects library: It features recordings from places such as a market, coffee shop, park, beach, boulevard, metro, square, parking lot, burger bar, airport, fountain, train, construction site, station, shop and many more. In total, more than 3 hours of authentic Barcelona recordings are included!
Cicadas is a collection of summer ambiences recorded in Southern Spain over the course of 2018 summer. You will get massive chorus in different densities and areas, individual chirps, and a designed section.
The temperatures during this time of the year are so high, ranging from 30ºC to 45ºC (86ºF to 113ºF), that cicadas are always present in daytime. The higher the temperatures, the more cicadas chirp. Having this in mind, some recordings from early June have less cicadas than the ones recorded in July and August. In addition to this, there are recordings both in the morning, where the cicadas are not so many but are already present, and in the evening, chirping all of them as a chorus after a whole day under the sun. The library contains:
All files come in 96 kHz / 24 bit and with embedded metadata, both in Soundminer and BWAV.
Featuring more than 250 minutes of cicadas recordings plus 65 minutes from the Designed Section.
In City Balcony Ambiences you will get the sounds of 10 different stereo recordings of city atmospheres, all of them recorded from the perspective of a balcony.
Recordings have been done during different periods of a day and in different locations:
Recordings feature sounds such as traffic, people talking, pedestrians walking by; cars, trams, trucks, motorbikes and scooters passbys, dogs barking, all of them from a distant perspective.
Descriptive markers have been included to highlight interesting events in an otherwise featureless waveform. These markers can be read in programs such as Izotope RX, Reaper, and Soundminer. The markers are also included as .txt files in separate folder.
All files (except one) have been recorded in 96 kHz/24 bit, with Soundminer and BWAV embedded metadata. Recordings go from 4 minutes up to 22.
COUNTRYSIDEÂ WINTER – Ambisonics brings you 15 ambisonic atmospheres recorded during different times of a day in winter: early morning, morning, afternoon, evening and night.
All these recordings have been done in Sierra Morena, Andalusia (Spain). Being winter, birds tend to be much quiet and insects are almost gone, so most of the ambiences are pretty silent. You will hear mainly birds such as sparrows, doves and woodpeckers. At night dogs and roosters make an appearance.
Recordings have been done with a Sennheiser Ambeo + Zoom F8. All files are in 96 kHz/24 bit and meta-tagged.
This Ambisonics sound effects library contains the original recordings in A-Format (no processing whatsoever) and in B-format (AmbiX). By using Harpex, 5.1 (LRCLfeLsRs) and stereo (ORTF) mixdowns have been also added. Note that the Lfe channel is mute. It hasn’t been removed to follow the SMPTE path order.
The Ambisonics version contains all the formats. Stereo version only includes the stereo files.
Soundcloud demo plays the stereo version.
Daily Doors brings you 147Â household doors (those ones present in every project) opening and closing, recorded simultaneously from a close and a distant perspective. One of the main problems with doors is that they tend to sound “too close”. A door will sound different depending on where the microphone is placed. By using two different mics, we tried to achieve that goal and match the camera point of view.
Close perspective is around 50 centimeters far away from the source, whereas the distant one is around 2-3 meters far away, depending on the room size.
Distant perspective is in M/S. Both M/S Decoded and RAW are included in the library, so you can play with it as you please: using only the close one, using both close and distant, using just the distant one, decoding it to mono, wider… The list is endless.
Unless it wasn’t possible due to the nature of the sound, all sounds were recorded in two different intensities: Hard and Soft. Each file contains at least 3 different takes opening and closing, making a total of more than 1400 door sounds.
Some other actions, apart from opening and closing, have been also included, such as knocking on doors, slamming, forcing handles, locking and unlocking doors, door chains and latches.
All files are in 96 kHz/24 bit and meta-tagged, both in Soundminer and BWAV.
Gear Used:
Close Perspective: Sennheiser 8050, Sennheiser 416
Distant Perspective: Sennheiser 418, AKG CK93 & 94, Zoom H2n
Recorders: Zoom F8, Sound Devices 633
Front Door, Kitchen, Living Room, Bathroom, Bedrooms, Hallway, Backyard, Terrace, Fridges, Freezers, Ovens, Windows, Wardrobes, Washing Machine, Cabinets, Drawers, Microwaves, Dryer, Dishwasher, Squeaky Knobs, Latches, Door Chains, Wooden Doors, Sliding Doors.
HYDRO CONTACT brings you 273 audio files recorded with a contact mic and a hydrophone over the course of a year, in order to get you covered for any kind of underwater scene, in the outer space, for pitch shifting, time stretching or to add a weird tone to your soundscape.
Recorded at 96 kHz and 24 bits, this collection provides underwater motion, waves, bubbles, impacts, hits, hums, buzzes, car foley, rumbles, bouncing, dripping water, dragging items, blasts, switches, engines, underwater screams, exotic musical instruments and many more sounds, ideal to take your sound design imagination a step further.
All files are metadata tagged and named.
London Crowds brings you 20 stereo crowd recordings featuring different situations and locations: Luton and Stansted airports; Liverpool Street, King’s Cross, Victoria and Marylebone stations; a pub, a classroom, a terrace bar, an auditorium, a campus university and a few networking events. Crowds go from 10 people up to a cocktail event with dozens of people.
19 out of 20 locations are interior, so traffic noise is either minimum or absent. English (with British accent) is obviously present in all the files.
Files come in 24 bit and 96/48 kHz. Total length of the library is 105 minutes.
OLD STUFFÂ is a collection of old and worn sounds that will help you define the mood of a scene or can be used for any kind of sound design process. The library includes hums, buzzes, whirs, creaks, squeals from many different sources: doorknobs, doors, elevators, fridges, freezers, speakers, toilets, fans, and heaters. A peculiar garage soundscape is also included. Most of the sounds included are used on a daily basis.
All these different nuances and hues make this library a worthwhile tool for both film and game sound designers.
Get the sounds of an old Piaggio Zip 49cc, a 2 stroke scooter from 1999. Its peculiar sound makes it an inestimable tool for film and games, whether it is a karting game, a sandbox or a drama movie.
The library contains 72Â onboard, 36 external and 38 foley recordings. Onboard recordings consist of 3 channels (two exhaust and one engine). A mix of these 3 channels has been included. Each single channel is included as well, so it can be layered as you please and make a different mix of the onboard recordings. External files include a stereo setup and a following shotgun.
The riding recordings, where many different actions are happening, contain descriptive markers to highlight interesting events in an otherwise featureless waveform. These markers can be read in programs such as Izotope RX, Reaper and Soundminer. The markers are also included as .txt files in a separate folder.
All files come in 96 kHz/24 bit with embedded metadata.
Gear used: Zoom F8, DPA 4066, Sanken Cos11, Sennheiser 416, Sony D100.
False starts, startups, shutdowns, idles, revving, accelerations, decelerations, constant RPM at different speeds, passbys at different speeds and distances, approaches, driving away, kick starts, kickstands, horn, switching on and of with and without keys, light switch, opening and closing storage compartment.
In Residential Ambiences you will get the sounds of 15 different recordings of residential atmospheres with a duration of 10 minutes each so there’s no need to loop.
Recordings have been done during five different periods of a day. Each one includes three versions:
Recordings feature sounds such as dozens of birds singing in the early morning, dove calls in the morning as the same time traffic gets noisier, human activities in the background in the afternoon distant traffic and voices in the evening, and sirens wailing in distance at night.
Some of the birds included are: doves, sparrows, crows, a cock, woodpeckers, blackcaps, magpies, and pigeons.
Since some of the files are extremely quiet (mainly in the evening and at night), descriptive markers have been included to highlight interesting events in an otherwise featureless waveform. These markers can be read in programs such as Izotope RX, Reaper, and Soundminer. The markers are also included as .txt files in separate folder.
All files have been recorded in 96 kHz/24 bit with Soundminer and BWAV embedded metadata.
RESIDENTIAL SEAGULLS features 18 stereo tracks of seagulls in a residential area. All recordings have been taken from backyards where the city noise is very close to zero.
Key Points:
As usual, all files come in 24 bit and 96 kHz, with Soundminer embedded metadata.
Following Residential Ambiences approach, RESIDENTIAL WINTER – Ambisonics brings you 15 ambisonic residential atmospheres recorded during different times of a day in winter: early morning, morning, afternoon, evening and night.
In these recordings you will hear birds chirping, traffic, sirens wailing in distance, dogs barking, cats meowing and rooster calls. Recording done at night and in the early morning are very quite due to the absence of traffic.
Recordings have been done with a Sennheiser Ambeo + Zoom F8. All files are in 96 kHz/24 bit and meta-tagged.
This Ambisonics sound effects library contains the original recordings in A-Format (no processing whatsoever) and in B-format (AmbiX). By using Harpex, 5.1 (LRCLfeLsRs) and stereo (ORTF) mixdowns have been also added. Note that the Lfe channel is mute. It hasn’t been removed to follow the SMPTE path order.
The Ambisonics version contains all the formats. Stereo version only includes the stereo files.
Soundcloud demo plays the stereo version.
This library is a collection of 60 Sci-Fi atmospheres, all loop seamlessly, which can be used to represent alien worlds, drones ambiences, spacecrafts, futuristic engines, nuclear facilities, celestial spaces, generators, dark elements and from outer space. Mainly inspired by the Alien saga.
Each file has a duration of one minute with subtle changes over time. Ideal sounds to use as a layer in your sound design or for those project where music and sound design are pretty close.
Files have been designed on the basis of two different TVs buzzing, making a total of 32 buzz files, which have also been included in the collection. Calibrated to -24 LUFS. You can experiment with them to create more sounds, or use them as what they are, a TV buzz.
All files come in 96 kHz/24 bit, with a very descriptive metadata, based on what the sounds represent and which kind of feeling and mood they suggest to the listener.
Soundcloud preview includes all the designed sounds.
This sound library features stereo recordings from 7 different cities of Spain (Madrid, Barcelona, Seville, Bilbao, Cordoba, San Sebastian and Malaga). Some of the locations include are a hospital, a school, a market, a beach, several train stations, cafeterias, bar terraces and many more. All recordings, unless it’s specified, are free of birds and traffic sounds, which will allow you to mix your tracks as you please. If you are in need of crowd ambiences from Spain, this is the go-to library.
There are 57 recordings included, most ambiences are 2-3 minutes in length and there are more than 190 minutes of crowd recordings in total. Files are 96/24 and 48/24.
All tracks have full Soundminer embedded Metadata.
SPANISH PRIMARY SCHOOL brings you interior and exterior stereo recordings of a primary school located in Cordoba, Spain.
Key features:
TOURIST CROWDS is a collection of 30 stereo recordings, specially designed for scenes set in tourist places and points where a mix of different languages is a must. Spanish, English, Chinese, Japanese, Dutch, French… you name it.
In order to avoid unobtrusively sounds, all files are stealth recordings. Therefore, equipment used consists of small handheld recorders (Sony D100 and Zoom H2n). A couple of Clippy stereo mics were also used, plugged into the D100.
Files come in 24 bit and 96 & 48 kHz, with embedded metadata.
Have a scene at an airport? Maybe a temple? A central station? I got you covered.
Transport features dozens of vehicles recordings – cars, trains, trucks, planes, motorbikes, etc., – that have taken place in a urban environment, covering your needs for background transportation. The goal of this library is to help sound editors quickly find that background traffic that is often needed. All the recordings are ready to be used in a non-intrusiveness way in any media where vehicles play a remote or central role.
Key features:
Urban Rain is a sound library that delivers 50 city rain sounds recorded in 96 kHz/24 bit, with Soundminer and BWAV embedded metadata. The library contains various types of rain at different intensities, from very light to downpour. Several thunder claps and rumbles are present as well. Locations are as follows: a terrace, a balcony, a backyard, several streets, a rooftop, a garage, inside a car, a loft (from inside), Chelsea FC Stadium and two patios (interior). All files have been recorded at night so human activity is minimum, although you will hear a tiny bit of traffic rumble in the background.
The library also includes 8 Ambisonics files (B-Format, both in FuMa and ambiX, along with a downmix in stereo) and other sounds related to water in the citylife, such as pipes, a drain and a gutter, which are loopable. By using the free SoundField SurroundZone 2 plugin you can convert the B-format files into your preferred format (stereo, 5.0, 5.1, 7.1).
Descriptive markers have been added to several files to highlight interesting events in an otherwise featureless waveform. These markers can be read in programs such as Izotope RX, Reaper, and Soundminer. The markers are also included as .txt files in separate folder.
The total length of the library is 200 minutes.
Gear used: Zoom F8, Sennheiser Ambeo, Sony D100.
Urban Rain II brings you 53 urban rain sounds captured at various indoor and outdoor locations. Recorded at night or at quiet times so it’s free of unwanted sounds, this library includes light, medium and heavy rain over different locations and surfaces.
Key features:
Water Flowing features lots of flowing, from a single drip to the roar of the ocean. All recordings are completely clear and free from any birds and traffic in the background. This library contains recordings of waves, rivers, streams, waterfalls, drips onto different surfaces, sprinklers, pipes, street drains and much more, with near and distant perspectives of calm and turbulent flows.
Key features:
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
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There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
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A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
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