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Plug-Ins and Standalone tools for all of you mixing and sound design needs
FutzBox is a distortion and noise generator plug-in for creating low fidelity versions of audio signals.
Typical post productions require distorted, or ‘futzed’ versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less DSP power than conventional convolution based products. Furthermore, SIMs can be scaled in real-time and changed on the fly.
In addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required. Original and distorted audio can be mixed in real-time to accommodate scene changes or other automation requirements.
Features
• Library of Synthetic Impulse Models (SIMs)
• Configurable ‘futz’ effects including filtering, EQ, and distortion
• Flexible noise generator with ducking capability
• Hyper-sensitive gate for signal dropout effects
• Double Precision Processing
• Ultra Low Latency
• Mono and Stereo versions
Formats
• Native v6: AAX Native, AU, VST
Glass Bottle Percussion is a cinematic instrument built from 400+ sample recordings of antique glass bottles.
Our Audio Craftsmen meticulously edited, balanced and programmed 4 round robins and 3 velocity layers for each bottle, before integrating them into our Kontakt interface, giving Film Composers and Music Producers a suite of unique textures to use in their tracks. These sounds are perfect for trailer percussion loops, rhythmic tension, electronic music and film score cues with an exotic tonality.
The Main Articulations include: Drumstick Hits, Hand Taps, Bottle Top Hits, Drum Beater Hits, Nail Taps, Rolls, Scrapes and Wobbles.
But we didn’t stop there… As always with our Kontakt library releases, our in-house Composers designed an eclectic array of designed patches. Pads, choirs, drones, oil drums, screams, plucks and even karate chops give the user both tonal and atonal material to layer with their percussion, and build a haunting, glassy texture into their sound.
The 344 Audio Kontakt interface provides a variety of controls that encourage experimentation with the patches. The built in Arpeggiator is great for generating hundreds of percussion variations on the fly, while the Main View provides a set of parameters perfect for shaping the sounds your way.
Kontakt 5.8.1 or higher is required.
NOTE: This library does not run in the free ‘Kontakt Player’
Designing vehicle sounds for motion picture? Done with the engine? Let’s tackle the other 50% – tire, wheel and chassis interactions.
Create highly dynamic and authentic skids, bumps, friction, rolling noise and much more with a high variety of wheel configurations, ground materials and perspectives. Customize and automate everything in real-time!
GRIP requires a free iLok account
Grotta is Max4Live device developed to creatively work with the Outer Fields sound libraries and any other recording.
It’s an audio effect implementing a real-time granular synthesis algorithm using a multi-voices audio scanner that creates a constant stream of destructured crossfading sections of the input sound source.
Pitch, size, windowing and density of each grain can be modulated to create a deep variety of sound processing with an additional blurring effect provided on-chain to generate vast and dense soundscapes.
Please note: Ableton Live (not included) is required to use this product
Igniter is the new industry standard for creating any real-world or sci-fi vehicle and engine sound effects with ease. Whether you work in audio post or game audio, Igniter enables you to design, perform and automate any complex vehicle behaviour directly in your DAW – from sports cars, motorbikes, planes, helicopters, spacecraft and other engine sounds to moving ambiences, textures, Foley or whatever sparks your imagination.
Igniter is the only solution of its kind to come jam-packed with over 20 performable vehicles and 614 audio assets from vehicles including Aston Martin, Ferrari, Porsche, Tesla, Harley Davidson, Huey UH-1H, Agusta Westland 119x, CH-47D Chinook, Bombardier Challenger, Cessna 560XL, skids, sweeteners and much more. Recordings come from Watson Wu, The Recordist, Sounding Sweet, George Vlad, Echo Peak and Flysound.
Igniter is the new industry standard for creating any real-world or sci-fi vehicle and engine sound effects with ease and at unbeatable value. Whether you work in audio post or game audio, Igniter enables you to design, perform and automate any complex vehicle behaviour directly in your DAW – from sports cars, motorbikes, planes, helicopters, spacecraft and other engine sounds to moving ambiences, textures, Foley or whatever sparks your imagination.
Igniter is the only solution of its kind to come jam-packed with over 20 performable vehicles and 1,943 audio assets from vehicles including Aston Martin, Ferrari, Porsche, Tesla, Harley Davidson, Huey UH-1H, Agusta Westland 119x, CH-47D Chinook, Bombardier Challenger, Cessna 560XL, skids, sweeteners and much more. Recordings come from Watson Wu, The Recordist, Sounding Sweet, George Vlad, Echo Peak and Flysound.
For vehicle fanatics, Igniter Full Tank comes with 75GB of additional library content including onboard recordings, ramps & static rev bands, Foley sounds, skids, slides and much more!
“Infinite” specializes in dark drones, wide ambiances and thrilling textures that play with great depth and large stage.
Each of the 160 included samples was carefully handcrafted by treating various sources with a complex chain of hardware FX units. The resulting sounds can be used out of the box whenever it comes to the creation of impressive background layers or establishing otherworldly movie scenes.
The library contains two folders: North and South.
The sounds in the North folder still have trace elements of harmonic structures while the South folder provides textures without decent pitch.
All contained sounds have looppoints embedded so that they can play infinitely in the true sense of the word.
This is achieved best with the two additional Kontakt 4 instruments that have all sounds layered across the keyboard.
Nevertheless, the delivered WAV files can be loaded into any modern software sample with loop support.
MAC OSX – WINDOWS
Interakt is a reinvented, game-changing standalone software
Developed for the purpose of creating high quality sound effects that can be used in interactive media such as video games, animations, apps, films, music, and other multimedia productions. Get ahead of any production timeline by creating your own sound bank that will cover all your unique production needs.
Designed with an easy-to-use interface, users can create limitless sounds combinations by melding preexisting SFX with sampling sections to blend into new and optimized sound effects. Achieve ultimate customization by altering sound precisely to your own unique production needs with Interakt.
Interakt is an interactive sound library software that is compatible with midi keyboards and computer keys. Utilize batch exporting, real-time playback, and more streamlined functionality for a faster workflow that will accelerate any production time.
KING OF STRINGS is the first Octobass sample library for Ni Kontakt.
Featuring the sampling of the unique custom made “Bohr-Moneta” Octobass.
There are only 4 octobasses in the world, this instrument is the perfect way to add the power of a rare bass instrument to your music compositions, giving an organic flavor without sacrificing the natural rough sound of a string instrument.
NOTE: KING OF STRINGS is an instrument for Ni Kontakt, it requires full version of Kontakt 5.8 or highter versions
The Krotos Everything Bundle combines our full plugin catalog with the complete Krotos sound library collection to deliver the most content and best value bundle we’ve ever produced.
Equip your studio with the world’s most powerful sound design software and sound effects packages that will allow you to design and perform your own unique sound effects, without restrictions, while injecting more fun into the process.
The Full Krotos Sound Design Software Package
Krotos Everything Bundle includes the complete Krotos software line: Dehumaniser 2, Reformer Pro, Weaponiser Fully Loaded, Igniter Full Tank and Concept. Offering flexible, intuitive and efficient workflows for sound design, audio post-production, and game-audio applications.
Streamline your process and discover new approaches for designing any sound effect including – but not limited to – creatures, animals, weapons, textures, vehicles, Foley, synthesis and other unique sound effects – advancing creativity and shortening the critical path from your imagination to the final mix.
The Complete Krotos Library Range Included
Our collection of professionally recorded and designed libraries contains our full range of Krotos-made sound libraries for Weaponiser and Reformer Pro. Over 100.5GB (23,905 sounds) of comprehensive assets are included to inspire your creativity and enhance your projects at the best possible value.
Krotos Everything Bundle gets you 30% off individual product prices – the best way to purchase the full Krotos software and library range all-in-one for your studio, facility or freelance setup!
Please note that this Bundle does not contain Reformer Libraries from BOOM, Soundbits, Sounddogs, Coll Anderson, or any other 3rd party library supplier or Weaponiser libraries from Paul Stoughton, or any 3rd party designer.
It only contains content included as part of Krotos Plugins, or Krotos produced libraries.
INCLUDES:
• Reformer Pro
• Weaponiser Fully Loaded
• Dehumaniser 2
• Igniter Full Tank
• Concept 2
• Dehumaniser Simple Monsters
• Simple Concept
• Krotos Starter Sound Effects Library
• Baby Tigers Sound Library
• Otters Sound Library
• Parrots Sound Library
• Clothes & Materials Foley SFX Lib.Vol. 1
• Clothes & Materials Foley SFX Lib.Vol. 2
• Electronics Sound Effects Library
• Elements Sound Effects Library
• Rocks Sound Effects Library
• Surfaces Sound Effects Library
• Mechanical SFX Library Vol. 1
• CinematicWhooshes & Transitions SFXLib.
• Everyday Foley SFX Library
• Ultimate Footsteps SFX Library
• Ammo & Reloads SFXs Library
• Battle Sound Effects Library
• Explosions Sound Effects Library
• Futurism Sound Effects Library
• Mechanical SFX Library Volume 2
• Modern Cinematic SFX Library
• Tortured Metal SFX Library
Lexicon PSP 42 is a high-quality digital stereo delay and phrase sampler plug-in (VST and RTAS, AAX for Windows; VST and RTAS, AAX for Mac OS classic and AudioUnit, VST, RTAS for Mac OSX Universal Binary) based on the legendary Lexicon PCM 42 processor famous for its distinctive sound and unique concept. Lexicon PSP 42 has been carefully designed to accurately reproduce the flexibility and warmth of this renowned classic. This has been accomplished by incorporating precise tape saturation algorithm and a delay line operating with variable sampling rate which simulates physical properties of vintage tape machine delays. The plug-in has been designed with consideration to preserve maximum signal quality at every processing stage.
The Lexicon PSP 42 is capable of generating wide variety of delay-based effects ranging from tempo-locked feedback delay with high frequency absorption and tape saturation to flanging and phasing effects. A flexible modulation section for continuous delay time and pitch control allows the user to add subtle animation or swing to the processed signal as well as to create unpredictable, alien sounds when pushed to its limits. The freely adjustable delay line sampling frequency makes Lexicon PSP 42 a good tool for creating low-fi effects that sound smooth thanks to the superior characteristics of employed interpolation algorithm. Close attention has been paid to make the unit operate without audible clicks or pops.
PSP is the sole developer and manufacturer of the Lexicon PSP 42. Functionality and sound of the Lexicon PSP 42 have been approved by Lexicon. PSP is responsible for all customer support.
McDSP brings its award winning plug-in arsenal from the studio to the stage with the Live Pack II bundle.
McDSP plug-ins ultra low latency, great sonic flexibility, and seamless integration on the Avid VENUE S6L live sound system make Live Pack II a must-have for any FOH or monitoring engineer.
The McDSP Live Pack II plug-ins can also operate in Pro Tools as an AAX DSP or AAX Native plug-in, or as an AU, VST, or VST3 plug-in on other DAWs for both Mac OS and Windows.
Includes:
• Channel G
• AE600 Active EQ
• 6050 Ultimate Channel Strip
• ML8000 Advanced Limiter
• ML4000 Mastering Limiter
• NF575 Noise Filter
• NR800 Noise Reduction
• EC-300 Echo Collection
• 6034 Multi-Band Compressor
• DE555
• FutzBox
• SA-2 Dialog Processor
Formats
• HD v6: AAX DSP/Native, AU, VST
The MC2000 is a high-end multi-band compressor plug-in designed to emulate the sounds of vintage and modern compressors.
MC2000 is 3 plug-ins:
• MC202 – two-band compression
• MC303 – three-band compression
• MC404 – four-band compression
The MC2000 gives the user complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique and unprecedented articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent compression bands.
Features
• Compression curve modeling
• Multiple peak detection circuits
• Adjustable crossover filters
• Multi-band control linking
• Analog Saturation Modeling
• Double Precision Processing
• Ultra Low Latency
• Mono and Stereo versions
Formats
• HD v6: AAX DSP/Native, AU, VST
The MC2000 is a high-end multi-band compressor plug-in designed to emulate the sounds of vintage and modern compressors.
MC2000 is 3 plug-ins:
• MC202 – two-band compression
• MC303 – three-band compression
• MC404 – four-band compression
The MC2000 gives the user complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique and unprecedented articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent compression bands.
Features
• Compression curve modeling
• Multiple peak detection circuits
• Adjustable crossover filters
• Multi-band control linking
• Analog Saturation Modeling
• Double Precision Processing
• Ultra Low Latency
• Mono and Stereo versions
Formats
• Native v6: AAX Native, AU, VST
This bundle includes our popular Metal source material library and ALL future derived sound design libraries from Metal Hits, Scrapes & Squeaks. The first derived library is Metal Souls.
The Metal Forge ensemble included is a simplified version of our Forge ensemble. It comes pre-loaded with various Metal samples for the ability to quickly create new sounds from the provided material.
Metal Souls
I spent a great deal of time exploring pitch manipulation with this library. Much of it relied on rendered processing to acquire the aesthetic that I wanted. My vision was to make something ethereal and vocal but also a bit vague.
Metal Hits, Scrapes & Squeaks
Props include objects such as sheet metal, sledgehammers, paint cans, metal buckets, metal grating, metal marbles, cups, pots and pans, dry ice (contributing squeaks and squeals), metal bars, metal stands, chains and more.
FabFilter Micro’s single filter is smooth and creamy, yet easily turns into raw saturation and self-oscillation when tweaked using the interactive filter display. It features low-pass and high-pass shapes and an envelope follower to modulate the cut-off frequency.
With the individual Input Gain and Output Gain parameters, you can fully control the saturation of the internal filter, making FabFilter Micro not only ideally suited for basic filtering tasks, but also capable of beautiful distortion and analog saturation effects.
Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, AltiVec and SSE optimization, and much more!
Features
The ML4000 is two plug-ins:
• ML1 – mastering limiter
• ML4 – multi-band Gate, Expander, and Compressor fed into the ML1 mastering limiter
The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive.
The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band’s Gate, Expander, and Compressor can be configured separately or linked together. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands. Multiple real-time metering options in each band allow quick visualization of all signal dynamics.
The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies.
Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.
The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.
Features
• Brick wall look-ahead limiter
• Multi-stage peak detection and limiting
• Unique limiter Knee and Mode controls
• Multi-band Gate, Expander (up/down), Compressor
• Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band
• Multiple real-time metering options
• Adjustable crossover filters
• Multi-band control linking
• Analog Saturation Modeling
• Double Precision Processing
• Low Latency
Formats
• HD v6: AAX DSP/Native, AU, VST
The ML4000 is two plug-ins:
• ML1 – mastering limiter
• ML4 – multi-band Gate, Expander, and Compressor fed into the ML1 mastering limiter
The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive.
The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band’s Gate, Expander, and Compressor can be configured separately or linked together. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands. Multiple real-time metering options in each band allow quick visualization of all signal dynamics.
The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies.
Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.
The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.
Features
• Brick wall look-ahead limiter
• Multi-stage peak detection and limiting
• Unique limiter Knee and Mode controls
• Multi-band Gate, Expander (up/down), Compressor
• Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band
• Multiple real-time metering options
• Adjustable crossover filters
• Multi-band control linking
• Analog Saturation Modeling
• Double Precision Processing
• Low Latency
Formats
• Native v6: AAX Native, AU, VST
The ML8000 Advanced Limiter is the next generation of limiter technology, using two completely separate stages of processing for significantly improved peak level adjustment.
The first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed McDSP ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.
The second stage of the ML8000, the Master Limiter, is a precise recreation of the patented ML4000 limiter algorithm, right down to the limiter modes. The Master Limiter also includes filter design enhancements to further reduce peak distortion.
The ML8000 8-bands of processing are easily controlled from the response plot, large gain faders beneath, and convenient threshold markers aligned to each band’s input meter. Text readouts can be adjusted from the keyboard, or controlled with mouse movement. Any number of bands can be linked to another band, and each band can be solo’ed or have its key input monitored.
Visual feedback, multiple metering sources, and an intuitive user interface make the ML8000 an easy choice for the audio professional.
Features
• Brick wall look-ahead limiter
• Multi-stage and multi-band peak detection and limiting
• Unique limiter Knee, Mode, and Focus controls
• Snap function instantly sets multi-band thresholds to signal levels
• Double precision processing
• Low latency
• Mono and stereo versions
Formats
• HD v6: AAX DSP/Native, AU, VST
The ML8000 Advanced Limiter is the next generation of limiter technology, using two completely separate stages of processing for significantly improved peak level adjustment.
The first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed McDSP ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.
The second stage of the ML8000, the Master Limiter, is a precise recreation of the patented ML4000 limiter algorithm, right down to the limiter modes. The Master Limiter also includes filter design enhancements to further reduce peak distortion.
The ML8000 8-bands of processing are easily controlled from the response plot, large gain faders beneath, and convenient threshold markers aligned to each band’s input meter. Text readouts can be adjusted from the keyboard, or controlled with mouse movement. Any number of bands can be linked to another band, and each band can be solo’ed or have its key input monitored.
Visual feedback, multiple metering sources, and an intuitive user interface make the ML8000 an easy choice for the audio professional.
Features
• Brick wall look-ahead limiter
• Multi-stage and multi-band peak detection and limiting
• Unique limiter Knee, Mode, and Focus controls
• Snap function instantly sets multi-band thresholds to signal levels
• Double precision processing
• Low latency
• Mono and stereo versions
Formats
• Native v6: AAX Native, AU, VST
Motion Texures is a broad library with a narrow purpose: to draw sonic lines and create gently moving sonic textures.
The concept is that consistent sound of friction will translate well to visual design elements that have CG and text movement on screen.
We recorded the friction sounds of dozens of small to medium sized props in constant motion. Major categories include metal, plastic, cloth, wood and skin. Some of the most interesting sounds came from the props that had small cavities such as the spray can lid and the water bottle. The constant changing of the cavity state relative to the mics creates strange vocal sounds.
Once the sounds were recorded we employed a proprietary smoothing process as a second pass to the sounds and provided them in addition to the original textures. These smoothed out sounds still have the organic quality of the original recordings, but with far fewer transient events. The end result are sounds that feel straighter than the more circular sounding original textures.
Inside of the Kontakt instruments we stacked layers and effects to create a broad base of deep and interesting textures. Many of the Kontakt presets mangle the sounds far beyond recognition of the original recordings.
The NF575 Noise Filter is a high resolution filter set designed to remove a wide variety of noise types from audio.
Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.
Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.
Features
• High Pass Filtering (HPF) with slopes up to 36 dB/Oct
• Low Pass Filtering (LPF) with slopes up to 36 dB/Oct
• Five bands of notch filtering with linkable frequency control
• Analog Saturation Modeling
• Double Precision Processing
• Ultra Low Latency
• Mono and Stereo versions
Formats
• HD v6: AAX DSP/Native, AU, VST
The NF575 Noise Filter is a high resolution filter set designed to remove a wide variety of noise types from audio.
Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.
Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.
Features
• High Pass Filtering (HPF) with slopes up to 36 dB/Oct
• Low Pass Filtering (LPF) with slopes up to 36 dB/Oct
• Five bands of notch filtering with linkable frequency control
• Analog Saturation Modeling
• Double Precision Processing
• Ultra Low Latency
• Mono and Stereo versions
Formats
• Native v6: AAX Native, AU, VST
The NR800 is a real-time noise reduction processor, useful for music production, post production, and live sound.
The NR800 operates with no internal latency, and does not contaminate the original source material with artifacts such as those found by noise reduction plug-ins that utilize transform-based processing.
The NR800 operates on mostly broad band frequencies, but can also be focused in a narrow portion of the frequency spectrum using noise reduction focus points. A set of input filters and be configured with slopes up to 36 dB/Oct, and can be set at frequencies independent of noise reduction focus points.
Several noise reduction modes can be selected from the NR Mode control to provide a range of smooth to aggressive noise reduction amounts. A Range control can be used to scale the overall noise reduction from 100% to 0% (off). An ‘x2’ mode will also double the noise reduction amounts in all bands, when less finely tuned adjustment is needed, or when noise problems are severe. The Response time controls how fast the noise reduction recovers from a ‘noise event’. An NR Bias selector allows different noise reduction amounts to be activated when ‘snapping’ the noise reduction gain and thresholds to the input signal.
Each of the 8 bands in the NR800 has a noise reduction amount fader and noise detection threshold marker, and the usual McDSP linking control capabilities from a master (M) and linked (L) control button paradigm. Each band may also be individually bypassed or soloed to audition incoming noise amounts.
Features
• HPF and LPF pre-filtering
• Eight bands of focusable noise reduction
• Noise reduction mode and bias options
• Overall noise reduction range and response control
• McDSP Emmy Award winning engineering
Formats
• HD v6: AAX DSP/Native, AU, VST
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.