Home Instruments Page 14
Various musical instruments
The “Cedar” library series is a collection of libraries, comprised of three different instruments:
– Ponticello (the present one)
– Sul Tasto
– Bizzarro
Each volume is a single Kontakt instrument with a peculiar timbral personality. The entire series is created recording sounds from a luthier classical guitar. They can be used for composing and producing purposes – like an acoustic percussion setup – as well as for soundtrack composition and sound design in films, video games and any other multimedia product. “Ponticello” and “Sul Tasto” also feature a dedicated effects page that can be used to process the sounds in the library with several processors, both send and insert effects. They are “percussion oriented” sounds, while “Bizzarro” is a keyboard instrument.
Introduction to “Ponticello”
The instrument contains 10 sets of sounds, called “Engines”. Each set has a dedicated channel strip in the interface and can be processed with a dedicated sub-page. You can also choose an individual audio output for further processing in your favorite DAW with effect plugins of your choice. Each sound has been recorded with two different mic placements, and you can mix them to your taste.
The “AR_K Facility” is a collection of libraries, comprised of several volumes, each of which has a single or multiple Kontakt instruments. The entire series is centered on unusual percussion sounds with a lot of editing possibilities and several onboard effects. Each Volume (called “Level n”) has a distinctive set of basic sounds that can be used for composing and producing purposes – like a drum machine – as well as for soundtrack composition and sound design in films, videogames and any other multimedia product.
The second volume (called “Level 2”) is a collection of five different instruments with several percussion sounds and a lot of sound manipulation possibilities each.
The instruments in the library are:
– Crushing Anvil
– Deep Space Craze
– Devil’s Forge
– Iron Screeches
– Robotik Breakdown
The “AR_K Facility” is a collection of libraries, comprised of several volumes, each of which has a single or multiple Kontakt instruments. The entire series is centered on unusual percussion sounds with a lot of editing possibilities and several onboard effects. Each Volume (called “Level n”) has a distinctive set of basic sounds that can be used for composing and producing purposes – like a drum machine – as well as for soundtrack composition and sound design in films, videogames and any other multimedia product.
The first volume (called “Level 1”) is a single instrument library with several percussion sounds and a lot of sound manipulation possibilities.
Specifications:
– 5 Sound Engines
– EQ and Compressor per Engine
– 6 Insert effects
– 2 Send (master) effects
– 10 custom made IRs for the Reverb
– Light weight: 12,8 MB
– Sample format: 44,1 kHz, 24 Bit, NCW, stereo
– Requires Kontakt 5.6.5 or above (FULL VERSION)
– Version 1.0 (August 2019)
CINEMASSIVE is a library of 110 cinematic presets for Ni Massive.
All presets are meticulosly crafted to provide a new sonic weapon for modern hybrid trailer music composers, cinematic composers, film music and sound designers .
Please note: Requires Native Instruments Massive – not included, but can be purchased separately here.
This library contains a wide selection of musical and non-musical instruments, toys and noisemakers.
You will find a wide variety of bells, whistles, cymbals, horns, blocks, drums, toys, shakers, crankers, etc. Can be utilized in a multitude of ways. For example, fill out a musical arrangement, for cartoon effects, goofy UI, etc!
Music is only heard in the demo. Downloads are high resolution and without background music.
Explore the Vibrant Soundscape of South Africa with Our “Vuvuzela” sound effects library!
Dive into the rhythmic echoes of culture and celebration with our collection of Vuvuzela sounds, a truly iconic symbol of South African spirit. This library features an assortment of Vuvuzela recordings, captured from an array of distances and intensities, ensuring you have the perfect blast of sound for any project.
Whether you’re after the raw energy of a stadium atmosphere or a subtle hint of the bustling streets our mono and stereo recordings offer flexibility for your sound design needs.
Unlock the heartbeat of South Africa with these dynamic sounds that are sure to captivate and inspire!
Also available as part of the “South African Bundle” collection.
Get an elite cache of cinematic power and creative expression. Collision FX delivers an exceptional pallete of sound to design, compose, score, sweeten and create astonishingly impressive cinematic elements that absolutely get noticed. Built on a sonic foundation of cinematic source FX, composers, musicians, DJ’s and sound designers alike are empowered with unmatched inspiration for creating breathtaking cinematic dynamics and orchestrated elements.
Bo Ho – Kontakt Edition, is a new library of weird and wonderful sounds created from a cymbal being played with a violin bow. It consists of 52 clean recordings in WAV format, plus 8 manipulated, effected versions of some of the files, also in WAV format.
In addition to this, there are 15 Kontakt Instruments made up of different effects to all 60 WAV files, mapped to 60 keys on the keyboard, creating 900 individual sounds / drones / underscores when played with the full Kontakt Player (5.6.8 or above).
The sounds range from the haunting and the subtle, to the distorted ear bleeder and everything in between. The WAV files can be used on their own, or manipulated in any way. The Kontakt Instruments are all unlocked and fully editable, making the possibilities of different versions of the files infinite.
This library is a must for theatre / film / TV sound designers and for sound artists or for anyone who appreciates and uses strange sounds for any project.
Please note that the Kontakt instruments will only play on the full, latest version (5.6.8 or above).
Have you ever dreamt of attacking a piano with a metal mallet? Dream no more! This library is available in two versions, a discounted bundle, and also in the further discounted “2017 InspectorJ Bundle” for 50% off!
The sounds have been mapped to Kontakt 5 patches for quicker playing (requires the full version of Kontakt 5), but the raw files are also included. The five different samplers offer you a wide variety of durations:
• Damped instantly (84 sounds; five octaves)
• Damped after 1 second (97 sounds; seven octaves)
• Damped after 2 seconds (97 sounds; seven octaves)
• Damped after 5 seconds (88 sounds; six octaves)
• Sustained fully (97 sounds; seven octaves)
HARMONICS is a new designed sound collection that explores the inner beauty of resonating metals to create an extensive set of inspiring sonic material for sound design and film scoring – proudly presented by SampleTraxx.
Metal happens to have the right combination of speed of sound and decay. Different metal shapes produce a broad spectrum of soundscapes and tones.
HARMONICS investigates this hidden magic by designing and layering these unique timbres.
The result is an extensive set of designed evolving textures and designed metal elements which are great to create sound cues in minutes, metal hits, passby-reverses and evolving drones.
The nature of this soundpack doesn’t call for compressor or maximizer. Close attention has been paid to preserve the original dynamic excursion of each sound and fully enjoy its natural vibration and evolution.
Having a wide dynamic range guarantees more freedom in layering and arranging different elements to create endless variations.
The sonic material contained in the pack is all presented in a designed fashion and different levels of design are provided: from simple elements to evolving multilayered soundscapes and textures, all based on metallic sources. No external sounds apart from metals have been added to the mix.
Features:
86 Designed Textures and Elements (dur. up to 1’10″)
37 Hits (Hi and Low Designed Hits)
10 Drones
26 Pass-by Reverse
9 Tibetan Bowl (Raw Recordings)
9 Kontakt Instruments -Kontakt 5.5 full required for these (free player not supported)
Note: the WAV themselves files can be used without Kontakt
The first VST/AAX/AU plug-in from SoundMorph, DUST is a synthesizer plugin based on a real-time particle simulation, where each particle is a separate granulating sound source. The motion of each particle is determined by the flow field, which determines the force applied to each particle at each point.
Just like how the flow of a river determines the path of a leaf floating down in it. This is our most ambitious software release to date, and you are going to love it! Not only is DUST addictive to play with, but it generates some of the coolest sounds you've ever created.
• Presets by Richard Divine, Ivo Ivanov, Robert Clouth, Yan David
• 8 particle emitters
• convolution reverb
• Binaural Audio Panning
• Save and recall presets
• Custom Flow Field equations
• over 60 sounds included
• import your own sounds
• 4 modulation options on parameters
• Available in VST, VST3, AAX and Audio Unit format
• Compatible with Mac and PC (32 bit and 64 bit)
• Compatible with most major Daws
An Intel® Mac with Mac OS X 10.9 (or later), OR a PC with Windows 7 (or later); Multicore processor; 2 GB RAM; 1024×768 display.
“Infinite” specializes in dark drones, wide ambiances and thrilling textures that play with great depth and large stage.
Each of the 160 included samples was carefully handcrafted by treating various sources with a complex chain of hardware FX units. The resulting sounds can be used out of the box whenever it comes to the creation of impressive background layers or establishing otherworldly movie scenes.
The library contains two folders: North and South.
The sounds in the North folder still have trace elements of harmonic structures while the South folder provides textures without decent pitch.
All contained sounds have looppoints embedded so that they can play infinitely in the true sense of the word.
This is achieved best with the two additional Kontakt 4 instruments that have all sounds layered across the keyboard.
Nevertheless, the delivered WAV files can be loaded into any modern software sample with loop support.
The Burroughs Protectograph that we acquired was manufactured around the turn of the 20th century and had a single unique function – to stamp and emboss checks for banks. The Burroughs corporation has been around since 1886, and was an early force in the adding machine, check stamper and typewriter industries. This Protectograph version had an electric mechanism that would move large printheads down through a ribbon and would stamp a check hard and repeatedly for as long as the print key was held down. Our machine was acquired in perfect working condition.
Its keys have a short through but a satisfying clack, and the punch mechanism is a huge whir stamp sound than can cycle if the punch button is held down. We rolled with the case both on and off, which revealed very different sounds from the main electric mechanisms.
We ran the whole session with three perspectives miked up – front by the keys, in the back by the punch and a wide perspective perfect for bgfx placement. The front and back mics were Schoeps CMC6.MK4 and the wide mic was an AT 4050 in omni about 5 feet away. Listen to the straight examples give a clear accounting of the type of sounds we got from this machine, and the bent examples show what can really be done with those sounds and the Kontakt instrument.
Need electric sounds such as sparks, current flows and electric arcs? Electronic Drain is a collection of electric and electronic sources specifically designed for movies, audio logos and trailers. The library includes new and experimental sound material generated using the most cutting-edge digital signal processing techniques.
Providing digital, organic, raw and designed sounds Electronic Drain delivers a rich sonic complexity and a wide range of possible variations. Sounds have been further processed and looped in Kontakt to offer a larger number of possible combinations.
Electronic Drain comes with 1.1 GB and 300 .Wav files + 11 Kontakt instruments. The Kontakt instruments require the full Kontakt 5 or higher – the .wav files can be used without Kontakt.
FOOTSTEPS is practically a whole rack of shoes compiled into one single outstanding playable KONTAKT 5 instrument: it comprises boots, dress shoes, high heels, leather shoes and sneakers. We got accurate recordings of paces on all sorts of different grounds: wood, concrete, gravel, metal, sand and parquet. In addition, we added a lot of generic sound layers that can be easily added to the mix. Those layers include sounds of cloth, leather, metal, grass, water and snow.
DOOM is a modern sound effects library of cutting-edge cinematic impacts, complex stingers, one-shot tones and dark percussive elements with a dirty, authentic sound.
The follow-up to the popular Raptus SFX library, DOOM features a full spectrum of original sound effects, dedicated to sound designers, sound editors and composers needing a high-impact, destruction feel in their productions.
DOOM is delivered with 10 Kontakt preset banks and 3 Multis to get instant inspiration, as well as stand-alone WAV files. A full version of Native Instrument’s Kontakt is required to use the Kontakt patches. Without Kontakt, you can use the included WAV files.
Get the next level of cutting-edge sound effects with DOOM:
Aphelion brings you a slew of powerful cinematic sound effects, suited for trailers, videos, film, music and games. The library comes jam-packed with 760 24 bit, 96kHz sound effects in total, processed and designed for maximum impact.
We've got a long history doing factory sounds for world-leading synth and virtual instrument developers across the globe, but this is our debut release under our own name – hope you enjoy it!
This is an updated version of Aphelion which features 842 samples, 334 loops at 110 BPM, 468 Kontakt Presets and 94 Kontakt Multi-sounds, an optional, brand-new Kontakt GUI, additional Pulses, Drones, Ambient soundscapes and more
Swell is a performable Kontakt instrument and sound effects library designed to create natural sounding cymbal swells with a variety of different cymbals and performances. Cymbals include gongs, orchestral suspended cymbals, crashes, chinas, sizzle ride, and others.
Swell is divided into 2 parts: natural and designed.
The natural collection has recordings that are unaltered from their original performances and was created to produce clean, musical, natural sounding swells.
The designed collection uses samples based on the natural recordings that have been transformed into entirely new and different sounds using heavy processing and layering. It was created to produce interesting design and transition sounds quickly and easily. Swell includes over 200 fully designed rises.
In addition to the carefully recorded sounds we have created a truly useful and flexible Kontakt instrument. This instrument ties the mod wheel to an entire matrix of effect parameters that you can manipulate in real time for instant complexity.
Little Boxes is a curated collection of four unique sound sets designed to compliment one another sonically and texturally. These textures move from acoustic to electroacoustic to analog synthesis – all programmed into beautiful Kontakt 4 instruments (full NI Kontakt
4.2.3 or later required).
A small device meant to be hung flat on the wall, the balls will swing and strike the strings if the ground begins to move.
This box was shaken, plucked, strummed, performed and ebowed to produce a beautiful palette of acoustic string textures.
In Kontakt those sounds evolved into a group of instruments that ran from folksy, zither like patches to lush, shimmering pads.
800+ sounds from one of the most complex and varied sounding instruments that we’ve come across in our junk shop travels. Broken strings, creaky wood and a great resonant cavity gave us a massive collection of sounds ready to be bent and twisted.
This is a fretless German harp zither, which differs in quality significantly from concert zithers, which have several strings with fretted necks beneath them. This version was manufactured by Friederich Menzenhauer, the father of the zither in the US. Zithers of this kind are notoriously difficult to identify because they contain no distinguishing marks on the bodies themselves, and the only branding is on the paper label deteriorating inside the soundhole.
Our version had been worn beyond all repair through decades of age and neglect. Broken strings, creaky wood and a great resonant cavity gave us a massive collection of sounds ready to be bent and twisted.
We did much more than just throw a couple of mics up and pluck – this instrument was recorded with a stethoscope mic, a lav inside the cavity, overhead xy, room mics, and more. We banged, scraped, bowed, ebowed, and thumped every last noise out of this one in three separate sessions. The end result was a collection of about 5 Gb of edited stereo 24 bit 96k sound.
The Kontakt instruments are where the real magic happens with this instrument. There are presets for horror string hits, angelic and demonic pads, old creaks and more. The zither barely survived, but it gave us an array of sounds that are very different from what you’ll get from a properly tuned and maintained instrument. It is the uniqueness of the decay that gives our zither its character.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
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The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.