• 0
    $0
    • No products in the cart.
  • 0
    $0
    • No products in the cart.

Home Destruction & Impact Sounds Page 5

Destruction & Impact Sounds

Destruction sound libraries, impact sounds, bomb blasts, full-on slams & smashes, metal, wood, glass and rock debris, breaking and destruction sound effects & recordings – they’re all here, for the sound of utter destruction.

  • A variety of wood based recordings are morphed into a unique audio experience that bends the boundaries between recognisable source and unusual wooden textures.

    Cinematic Wood Symphony offers subtle movement and satisfying cracks, terrifying wooden stress and forced pressure, aggressive impacts and designed explosions, wooden vibrations, playful squeaks and annoying screeches, low pitched rattling and rumbling experimental textures.

    Choose from designed wooden goodness or sculpt your own cinematic wooden awesomeness with source material. 

    This Sound Library is a part of the Slava Pogorelsky – Complete Bundle.

    WHAT SOUND PROFESSIONALS SAY:

    Victor Mercader – AAA Sound Designer (Apex Legends)
    “I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine.”

    Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror)
    “Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”

    Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ)
    “Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”

    Ginno Legaspi – SoundBytes Music Magazine‎
    “The spotlight of ‘Cinematic Wood Symphony’ is the wide range of complex sounds that can be dropped in your sound design projects. I love the Wood Movement and Tonal sounds, and I’m sure thriller and horror music composers will be delighted with the Friction and Impact sounds. If your cinematic projects are lacking texture and impact sounds ‘Cinematic Wood Symphony’ is a library to be considered – especially if you’re looking beyond common wood sounds.”

    Yarron Katz – AAA Composer and Sound Designer
    “Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”

  • Welcome to the world's biggest explosion sound effects library:

    When you carry the word „BOOM“ in your company name, your first dedicated explosion sound effects library should be a decent one. For the recordings, we teamed up with the sound department of EA DICE (Battlefield, Star Wars Battlefront) and we created the biggest explosion sound FX library ever. DICE uses the recordings heavily to impressively blow up the world in their AAA title Battlefield V and now you can get the recordings and our ready-to-use designed sounds in stereo and 5.1 surround for your very own projects. It’s a highly explosive pack with 13.4GB of explosion sound effects.

    Urban Explosions Construction Kit:

    Recorded in real urban environments
    Why Urban Explosions? Most explosions in movies, games or trailers don’t happen out on a plain field, they happen in urban environments with buildings around them that shape the character of the explosion sound in a very specific way. The special thing about our urban explosions sound FX library is that it has been recorded in a real urban environment, so you get super-realistic reverbs and tails instead of artificially processed post-production reverbs or tails that don’t sound urban at all. For the sake of completeness, we also recorded a non-urban explosion on a plain field, so you’re covered here as well.

    Multi-Channel Recordings with up to 42 Channels
    We had a lot of microphones with us and we placed them in all possible positions around the explosion spot. We have very close mics, close mics, medium distance mics, distant mics, mics in front of buildings, mics behind buildings, mics inside of buildings. Each explosion in the URBAN EXPLOSIONS CONSTRUCTION KIT comes with a minimum of 24 channels, including a 4 channel ambisonic file, so you can simply drag all channels to your DAW and easily mix the sound exactly as you want.

    Sweeteners
    You’re looking for a more supernatural sound or your mix misses a bit of impact, smack, punch, tail, cackling, rumbling or character? No problem, the CONSTRUCTION KIT has a lot of great high-quality sweeteners that will easily enrich your mix in the desired way.

    Urban Explosions Designed:

    Incredibly versatile
    Our DESIGNED edition comes with a myriad of ready-to-use explosion sound FX in the categories INDOOR, NEUTRAL & URBAN, each of them in SMALL, MEDIUM & LARGE explosion sizes. Beyond that, you have the choice between MEDIUM and FAR distances, FAST or SLOW explosions and a MODERN, SOFT, CRISP or DISTORTED character. With this range of sounds, you’re certainly sure to find the right one for your scene.

    Stereo & 5.1 Surround
    In addition to the stereo version our sound designers created 5.1 surround versions for each sound so you are fully prepared to implement your creative surround vision with ease.

    Designed by 4 Award-Winning Sound Designers
    We consider sound design as a craftsmanship and we’re very happy and proud to rely on the talent of four awesome sound designers that really know their trade.

    Urban Explosions Bundle:

    THE BUNDLE – The best of both worlds at a discounted price
    The Bundle gives you the full sound design power as it contains both – the DESIGNED and the CONSTRUCTION KIT edition at a discounted price.

  • “Thin Ice” is a handy collection of gripping ice sound effects.

    It offers raw sound materials encompassing 315 sounds of cracklings, frictions, impacts, and squashes.

  • Materials & Texture Sound Effects Snow & Ice Play Track 1700+ sounds included, 90 mins total $30

    Snow & Ice is an extensive collection of various ice and snow sounds recorded in quiet rural locations in Northern Finland between 2015-2017. The library contains 1700+ sounds / 2.9 GB worth of material recorded and mastered in 96KHz 24bit quality, so they are more than ready for pitch shifting and other heavy audio processing.

    Among the biggest highlights of this library are the industry’s first glassy yet heavier sounding ice lantern breaks which will definitely be useful in adding unique twist to your material sound design. The library also comes with a huge variety of snow and ice debris sounds, snow block breaks and even footsteps on frozen snow and ice debris.

    You get the sounds in two formats: 96 kHz, 24 bit and in 44.1 KHz, 16 bit, for more convenient ways of utilizing the sounds in games and other media.

    FOOTSTEPS:

    Frozen Snow Packed Run • Frozen Snow Packed Scuffs • Frozen Snow Packed Stomps • Frozen Snow Packed Walk • Frozen Snow Road Walk • Frozen Snow Run • Frozen Snow Walk • Frozen Wood Terrace Walk • Frozen Ice Shard Debris Scuffs • Frozen Ice Shard Debris Stomps • Frozen Ice Shard Debris Walk

    ICE:

    Ice Debris Fall • Ice Debris Rattle Continuous Loop • Ice Debris Rattle Heavy • Ice Debris Rattle Light • Ice Debris Smash To Ground Heavy • Ice Debris Smash To Ground Light • Ice Lantern Collision • Ice Lantern Large Break Smash • Ice Lantern Small Break Smash • Ice Shard Break Smash • Ice Shard Crack Snap • Ice Shard Small Group Rattle • Ice Shard Small Hit Collision Rattle • Ice Shard Small Rattle

    SNOW / MISC:

    Snow Block Large Collision • Snow Block Large Hit Collision • Snow Block Large Hit Rattle Scrape • Snow Block Large Smash Break • Snow Block Medium Hit Collision • Snow Block Medium Hit Rattle Scrape • Snow Block Medium Move Friction Loop Fast • Snow Block Medium Short Friction • Snow Block Small Collision • Snow Block Small Group Rattle • Snow Block Small Hit Collision • Snow Block Small Hit Rattle Scrape • Snow Block Small Large Fall On Snow • Snow Block Small Move Friction Loop Fast • Snow Block Small Move Friction Loop Slow • Snow Block Small Short Friction • Snow Block Small Smash Break • Snow Block Small Smash Ground • Snow Crack Snap • Snow Debris Rattle • Snow Ice Shard Small Crush • Snow Pressure Squeeze Crunch • Snowfall On Cardboard Light • Snowfall On Plastic Bag Light • Snowpusher Move • Wood Block Hit Snow • Wood Log Hit Snow • Metal Shovel Snow Debris Dig

  • The Soundcatcher visited an old abandoned theatre and recorded “The Glas Smash Sessions“. It contains a lot of great material for your next smash project where you need massive impacts and splintering sound effects.

  • Destruction & Impact Sounds Dust, Dirt & Rocks Play Track 160 sounds included, 11 mins total $30

    Fully UCS compliant

    Crisp, clean various types of pebble, dust, dirt and grit debris along with smashing rock impacts.
    Great for adding some subtle detail to your ‘after the explosion’ sound.

    I recorded all these sounds with my brothers during a trip home to Ireland.
    Close to our home (out in the middle of nowhere), there is a little quarry with a lot of sand, dust, stones, rocks and some grass. There was also a broken plough there that gave some nice stone on metal impact sounds.

    Equipment:
    Line Audio OM1s
    Line Audio CM3s
    Røde NTG3

  • The Rock Slides sound effects library includes 57 recordings of various small rock, pebble, and other debris slides.

    There were multiple microphone positions used, but the two most common were a stereo microphone placed on the middle of the slope, capturing the slides from left – center – right as they slid down the mountain.

    The other was the stereo microphone placed at the bottom of the slope as the rocks traveled down the slope towards the microphone. This captured more of a crescendo with the sound of rocks growing louder as they travel closer to the microphone.

  • Fighting Game includes 2500 SFX & loops – After months of sonic conflict, 14 voice acting warriors, and countless source recording and editing sessions, we happily present you with Fighting Game – fight scene and close combat sound effects library. Never surrender or retreat from a sound design battle again. Now YOU get to become the ultimate fighter and master sensei to almost any type of game audio project where combat sound effects, aggressive voice articulations, are needed. It’s the most supercharged, conflict-generating sound FX library available. Strike now and get this highly versatile and wide-ranging production suite, a genuine knockout with Mortal Kombat & martial arts styled sounds effects, male and female karate voice vocalizations & royalty-free production music loops. All game-ready.

    Don’t get caught with your hands down to a client again or compromise on quality work – now it’s easier than ever to exchange blows to the face, create fight scenes with weight & emotion as well as inflict high levels of audio precision on your projects! With the Fighting Game, the battle has already been won. Kick off an action-packed adventure today! Hi-yah!

    Fighting Game Includes:

    • 2500 sound effects & loops
    • 600+ designed game ready – combat sound effects
    • 900+ source/organic sound effects – build your own combat sounds or sweeten
    • 800+ fighting voice sound effects (from 14 voice actors)
    • 100+ royalty-free gameplay & menu music loops
    • Over 2.5 GB of audio samples
    • Over 73 minutes of game audio & SFX
    • All in 96k/24bit .wav

    20 %
    OFF
  • Break’n’Shards is a high-resolution, ultrasonic-grade library about much more than hitting and breaking. Its also about shards: stepping, jumping and stomping, friction sliding, scooping up, pouring ground and more. Bright, sharp, screeching and crackling delicate details.

    20 %
    OFF
  • Wood Sound Effects Bunretsu Play Track 281+ sounds included, 78 mins total $13

    A collection of rending, snapping, and striking bamboo SFX + some extra added goodies.

    28 %
    OFF
  • Wooden planks Action offers high quality and high resolution recordings of all kinds of wooden action including impacts, splintering, breaks, creaks, rummages. Recorded with a Sennheiser MKH 416 @ 24 Bits and 192 KHz.

  • Explosive Energy is a sound design toolkit built for creating next-gen sci-fi explosions.
    This library is divided into 3 modular categories (transient, body, tails), allowing you to mix and match layers and build your own unique explosion designs.

    • 217 files
    • 1,106 total sounds
    • 96k/24bit
    • 3 modular categories to mix and match
  • Did you drop something? Turns out recordist Mikkel Nielsen from SonicSalute dropped a LOT of objects for you, so you don't have to! The drop sound effects are divided into 4 different recording categories: Closeup interior recordings, off-screen impacts and crashes in large halls, grainy debris in large halls, and “Next Door” room recordings. The Falling Objects library comes with 89 tracks with 1000+ falling object sounds in total.

    Closeup interior recordings (studio recordings):

    Books and Magazines • Cables • Cameras • Cardboard Boxes • Clothes • Coins • Computer Keyboard • Cutlery • DVD Cases • Handbags • Leather Cases • Pens and Pencils • Plastic Cups • Suitcases • Tin Cans • Toys

    Large Halls Impacts / Crashes / Dragging / Moving / Scraping/ Off-Screen recordings:

    Metal Bars and rails • Glass • Glass Shards debris • Porcelain • Plastic • Sand debris • A bench :D

    Next Door Room sound recordings
    – objects being dropped:

    Books • Cutlery • Plastic Toys • Empty Plastic Bottles • Pencils/Pens/Keys/Plastic

  • The vividly descriptive and meticulously chosen SoundMiner metadata that has been embedded into each of the 217 files allows you to save minutes, even hours, of painful searching through libraries, trying to find that elusive sound! Now it is easier than ever, due to metadata that has been crafted with humans, and not search engines, in mind!

    The main library consists of: rummaging through broken glass with a metallic object, smashing broken shards of glass, breaking different size windows and pieces of glass, and hitting thick glass at different intensities without breaking it.

    The bonus library contains 21 different variations of a glass bottle breaking on rocks and two variations of a bottle bouncing off the rocks without breaking. The length of all the files ranges between 1 and 3 seconds long.

    This library was recorded outside on a very quiet day, with no wind, insects, birds or traffic. iZotope RX was then used to eliminate the small amounts of background noise that was present. As a result, all the recordings are dry, clean and have no reverb.

    This library is useful for, but not limited to: Feature Films, TV Series, Short Films, YouTube Videos, Games, and more!

    If you have any questions about this library, feel free to quickly send me an e-mail. I tend to reply within minutes.
    10 %
    OFF
    Ends 1767135600
  • Need well-recorded balloon and rubber sounds? ‘Balloons’ is a high quality sound effects library that has everything you need for that – from blowing air into balloons, balloon collisions and balloon rubbing to balloon pops.

    This library was recorded with Sound Devices 702 recorder and a stereo pair of Line Audio CM3 microphones in a silent studio room.

    You get the sounds in two formats: 96 KHz 24 bit and in 44.1 KHz 16 bit, for more convenient ways of utilizing the sounds in games and other media.

  • This sound library was carefully recorded, processed and crafted to offer a unique toolset for your nightmarish design needs.

    Featuring creeping dread of bowed metal wires and strings, as well as menacing stabs and frantic hits. Double bass raw recordings and designed sound effects provide exciting opportunities for unique and twisted layering.

    Explore and manipulate meticulously edited source material, drag and drop designed sound effects for instant terror or add gritty details and raw power to music compositions.

    With plenty of experimentation and unique processing, this library introduces a fresh sound palette for horror sound design and music.

    This Sound Library is a part of the Slava Pogorelsky – Complete Bundle.

    WHAT SOUND PROFESSIONALS SAY:

    Victor Mercader – AAA Sound Designer (Apex Legends)
    “I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine.”

    Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror)
    “Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”

    Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ)
    “Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”

    Ginno Legaspi – SoundBytes Music Magazine‎
    “‘Evil Strings Tortured Wires’ is an all-scary affair with plenty of really good, nightmarish, imaginative sounds from authentic materials, like double bass, dulcimer strings and metal wires. Sound-wise, this sample pack is clean and carefully recorded. The editing and processing of sounds is top notch, with sound design techniques applied very professionally. Overall, very gritty and not for the faint of heart.”

    Yarron Katz – AAA Composer and Sound Designer
    “Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”

  • Get 25 minutes of continuous fireworks recordings from New Year's Eve in Berlin – captured in true 5.0 surround sound!

    Recorded with an INA 5 surround microphone array, comes with 5 full range channels (23 – 20.000 Hz) – no LFE (0.1) channel needed.

    Other highlights:

    • Discrete L/R/C/LS/RS routing – just drop 5 tracks into your DAW
    • Compatible with the ITU-R BS.775 recommendation, no Ambisonics, no plug-in needed, just drag the 5 tracks into your DAW
    • Realistic sound location, true to the original sound color
    • 24 Bit / 96 kHz / high dynamic range recording
    • Equipment: 5x Rode NT1, RME UCX, RME Quadmic 2
    • Royalty free, instantly downloadable

  • What is the difference in sound is between a clink with two wine glasses vs. a wine glass and a martini glass?  How about two different size wine glasses?

    It can get meticulous, but attention to detail is everything in foley work… enter Glassware Foley, by Frontier Sound FX.

    Glasware Foley is a comprehensive compilation of glassware and plate foley effects, recorded at 24bit/96k in a sound isolated recording studio with a stereo AKG c414 setup.  

    Sound effects include:

    Clinks • Stirs • Set downs • Pick ups • Rattles • Crashes & Smashes
     

    Features the following combinations of glassware:

    Large-Rimmed Wine Glass • Small-Rimmed Wine Glass • Tall Wine Glass • Glass Coffee Mug • Martini Glass • Glass Plate

    Perfect for foley work in party, kitchen, and dining room scenes. Get the meticulous recording in foley over with, and without the mess!

  • Introducing “Explosive Symphony,” an electrifying library that puts the spotlight on the sheer power and intensity of explosions. From earth-shaking rock debris blasts to spine-tingling sci-fi detonations, this collection is a testament to the raw force of explosive events. Perfect for adding adrenaline-pumping impact to your projects, “Explosive Symphony” offers a dynamic range of explosion sounds that will leave your audience on the edge of their seats.

  • The second part of the tournament begins!

    This is the second volume of our “Fight Fury” library series, in which you will find at your disposal 445 high-quality sound effects so that you can create the best fighting experience in your video games, movies or audio projects.

    In this volume we have focused on sounds that we thought were missing in our first volume, such as various announcer voices, special hits, special bone breaking effects, a high variety of bone and blood sounds, etc. (See full list of sounds in the Metadata PDF).

    All of our sound effects have been previously recorded with ultrasonic microphones such as the Sanken CO-100K at 192kHz-96kHz and 24-bit, later edited at 192kHz and finally also distributed at 192kHz – 24-bit, so whether you are a sound designer or just want to drag any of the sounds into your project, you will be guaranteed the highest possible quality.

    For this library, you can separately purchase the construction kit called “Veggie Fury”, with which we have created all the bone, gut and blood sounds, so that you too can create your own version of these sounds.

    More about the pack
    – Intuitive file naming
    – All you’ll ever need regarding magical elemental sounds [Use them again & again
    – Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
    – Totally mono compatibility
    – All sounds have several variations.
    – Use your imagination and feel free to use any sound for a creature other than the one described, remember that the world of sound is totally subjective.
    – For any questions or problems: [email protected]

    Features
    – 445 unique fight sounds
    – Format: 192KHz / 24 bits
    – Do Sound FX loop No
    – Minutes of audio provided: 7 minutes and 25 second

  • AntiSystem, a brand new collection of 570+ Horror Sci-fi one-shot samples and loops with a technoid approach, created in collaboration with South American sound designer Matias Cerviño and SampleTraxx.

    Antisystem delivers tension and excitement with a genre-crossing, detailed hard-hitting sound design. Especially suitable for horror and sci-fi projects, it brings to the table a complete arsenal of unmistakable signature sound effects.

    1,6 GB of WAV samples with Key Information, 15 Categories, and 17 Kontakt Instruments ready to be fired in your next project.

    Inject a new wave of sonic madness!


    Categories:
    Atmosphere
    Atmospheric Elements
    Cinematic Movement
    Crescendo
    Feedback Larsen
    Glitch Stutter
    Hit Design 1
    Hit Design 2
    Loops with Kontakt tempo sync
    Low Hit
    Low Key Elements
    Ramp Up Woosh By
    Reverse
    Rise
    Topping Elements


    Features:
    1.6 GB of content
    15 Categories
    570+ Wav samples 48/24 with key information
    17 Kontakt Instruments – Full version 5.8 needed
    Kontakt Free Player not supported

    40 %
    OFF
  • Shattering Bricks is a collection of 243 brick & rock impact sound effects.
    Brick shatters, impacts, hits, tumbles and more

    Collection consist of 154 designed sound effects and 89 source sound effects. All sound effects were recorded with two Sennheiser MKH8040
    at superb 192KHZ. Recording session took place in a quiet canyon between mountains.

    All SFX have baked-in Soundminer’s meta data.

    Download includes additional 44.1kHz 16Bit version for Unreal Engine.
    RECORDED WITH: Sound Devices MixPre 6 + 2 x Sennheiser MKH 8040
    EDITED AND MASTERED WITH: Pro Tools, BOOM ReCenter, iZotope RX, Brusfri, FabFilter, ReFuse, Reaktor

  • “Eradication” is an exciting small pack of 25 Planet Explosions.
    If your project needs the sounds of destruction of planets, moons or the sun this unique library of big and energetic blasts can be a great tool for your next Sci-fi production.

  • A massive collection of metal hits, drops, crashes, drags, and scrapes. It includes iron, steel, and metal. There is a mix of massive impacts and falls, as well as subtle debris moves and drags.

    The takes are captured with a variety of perspectives. Most takes include close (mono), medium distant (stereo), and distant (stereo).

Your location

Please share this

Recent Reviews

What others are saying:

\n