• 0
    $0
    • No products in the cart.
  • 0
    $0
    • No products in the cart.

Home distant thunder

distant thunder

  • Yogyakarta Thunder is a raw, immersive field recording project that captures the electric soul of a storm in Kulon Progo, a rugged region west of Yogyakarta. Recorded entirely on location, this album documents the raw force of thunder, the whisper of wind through tropical trees, and the intense silence between lightning strikes.

    Every track is a real moment—unfiltered and alive—delivering the atmosphere of a storm as it unfolds in the heart of Java. From distant rumbles to sky-splitting crashes, Yogyakarta Thunder invites listeners into a sonic experience that is both meditative and powerful.

    Created by Sound Effect Stack, this album is part of our mission to bring authentic environmental sounds to life. Whether you’re a sound artist, ambient enthusiast, or simply drawn to the rhythm of nature, Yogyakarta Thunder offers a deep connection to the elements.

    Let the storm tell its story.

  • Environments & Ambiences Alaska: Rain Play Track 24+ sounds included, 141 mins total From: $70

    DESCRIPTION:
    Alaska: Rain has the vast, beautiful crackling of arctic thunderstorms. Hear soothing rain deep in the boreal forest. Hear massive post-rain drips plopping and the musical call of Swainson’s Thrushes singing in the rain. Hear thunderclaps that ripple across glacial valleys and the soothing noise of a million raindrops on cottonwood leaves.
    • This library offers you a large collection of arctic rain. I hope you enjoy listening to the natural music of the weather as it sings through the boreal forests of Alaska.

    2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
    • Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
    • Carbon offset credits were purchased to offset my field recording travel for this library.

    KEY FEATURES:
    • A Cinela Kelly Rain Cover was used. So, all recordings were captured deep in the forest.
    • Rain in the boreal forest of cottonwood, birch, and spruce
    • Light, moderate, and heavy rain
    • Post-rain canopy drips broken loose by the wind
    • Rippling thunderclaps
    • All recordings include birds
    BLOG POST:
    • Read the full story in my blog post The Sounds of the Alaskan Arctic.
    • Hear an interview about my Alaskan Expedition on Episode 121 of the Tonebenders Podcast

    RECORDING TIPS – HOW TO RECORD RAIN:
    • Use microphones known to perform well in high humidity. I use Sennheiser microphones. View my full gear list – here.
    • Use cables made with Neutrik X-HD Series waterproof connectors. This keeps water from getting into your cable connection points.
    • Use a dry bag for your recorder. I like the Sea to Summit 65L bags because they have a wide mouth and can easily fit a recording bag through the opening.
    • Put your dry bag at least 25 feet away and cover it with local foliage. Otherwise you’ll just record the sound of rain hitting a dry bag.
    • Use a Cinela Pianissimo Double Mid/Side blimp with a Kelly Rain Cover.
    • Coat the inner cover of the Cinela Pianissimo with NixWax as Cinela directs on their website. This is a water repellant molecule that is also acoustically transparent. The water repellant causes the water to bead up and roll off while also letting the air through. Read more about how NixWax works – here.
    • The honeycomb of the Kelly Rain cover disperses drops as they hit the blimp which minimizes thumps. However, don’t use the Kelly Rain cover in areas with lots of insects because they tend to get stuck in the honeycomb, buzz for hours, and ruin recordings. The honeycomb cover also doubles as excellent protection for the blimp if a bear/moose/elk decides to chew on it.
    • Find a section of forest with low and dense deciduous leaves. These leaves catch the rain so drips don’t thump on the blimp. Occasional thumps during heavy rain are okay because they are easy to edit out in post.
    • Waterproofing a microphone blimp is totally game changing. I can now leave my rig out in the elements for 24 hours without fear of rain. Waterproof blimps and 32-bit float recorders have opened up a whole new world of recording for me  and I couldn’t be more excited.
    • Build a platform of local foliage to cover the blimp for extra protection. George Vlad has an excellent video on how to build a natural rain canopy – here.
    • I learned many of these rain recording techniques from George Vlad, so make sure you check out his work at Mindful Audio.

    TEXT MARKERS:
    • Named markers are included in each file to help find interesting events in an otherwise uniform waveform.
    • Markers are included in the Soundminer and BWAV description fields starting with the prefix “Marker Text”.
    FILE LIST & METADATA:
    • View larger version or Download CSV
    • A spectrogram is included for each audio file. Double click on the photo to enlarge.
    MORE INFO:
    • Read 40+ user reviews for Thomas Rex Beverly Audio
    • Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
    • Browse the Library Info Master List to compare specs on all my libraries.
    • Browse the Metadata Master List to search my entire catalog.
    • MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files.
    GEAR USED:
    • Sennheiser MKH8040 pair and MKH30 in Double Mid/Side
    • Sound Devices MixPre-6
    • Cinela Pianissimo Double Mid/Side Blimp
    • Cinela Kelly Rain Cover
    STEREO AND QUAD FILES:
    • Stereo: front mid/side decoded to left and right.
    • Quad: double mid/side decoded to quad.
  • Thunderstorm, thunder strike and rain recorded in ambisonic. Recorded in urban and natural environment. Clean long recordings.

    Check the sound list for additional info.

    tech note:

    Ambisonic recording (3D audio, VR360 audio) – Immersive Audio, Spatial audio;

    Recorded with Sennheiser Ambeo VR microphone (tripod, Rycote blimp/windjammer) and Sound Devices recorder. All channels matched with pink noise generator (ch. gain).
    B-format (Ambix) – RAW files and stereo files (binaural) rendered via Reaper/Ambeo (Sennheiser plugin), A to B format converter  and they are ready to use. FX library sound preview is in binaural stereo.

    25 %
    OFF
  • Weather Sound Effects Rain & Thunderstorms Play Track 77 sounds included, 58 mins total $60

    ‘Rain & Thunderstorms’ by Cinematic Sound Design delivers a collection of weather-themed ambiences, ready to cover your media productions needs.

    Inside you will find a palette of ambiences of Rain, Thunderstorms, Wind and more. We have used the flagship ‘Sound Devices 702’ based setup with high quality microphones to capture these sounds, delivering a detailed, rich sound dextures. These recordings have been gathered over the course of several years involving different places around Central & South of Europe.

    All sounds come 100% Royalty-Free, so no additional clearances are needed. This pack is a must-have addition to any cinematic project, that requires unique weather ambiences & backgrounds to complement the scene.

    Product Details:

    • 77 Ambience Recordings
    • 100% Royalty-Free
    • 24-Bit/96kHz

  • Nature & Countryside Ambiences Rainscapes Play Track 33 sounds included, 94 mins total $20

    Rainscapes is a collection of original and different rain and thunder sounds. It has been recorded in 96 khz / 24 bit stereo mode and is composed by urban rain sounds and countryside rain ambiences. In this library you will find continuous, intermittent heavy and light rain, thunderstorms, frozen rain and urban rain with cars passing by

  • Weather Sound Effects The Thunder Play Track 30 sounds included, 12 mins total $15

    This Library is a Collaboration Between Rz Post and Miguel Ramirez Sound where they recorded a thunderstorm in the Gulf of Mexico. In this library, you will expect 30 different variations of thunders from different perspectives and distances. Some of these are closer and powerful, where others are distant with rich rumble.

    After the thunder it goes the sound. This Library shows the Power of a Tropical Electric Storm in the Gulf of Mexico.

    Enjoy this sound Library, and we thank you for your support to keep bringing sound alive. In addition. Nobody got hurt or electrified! Enjoy our sounds!

  • Features:

    • 40+ audio files in 24 bit 48kHz WAV format
    • Several variants are provided for all sounds
    • All files are metadata-tagged
    • UCS compliant file naming
    • Available for commercial or personal use without attribution

    Includes:

    • Recorded thunder (close)
    • Recorded thunder (distant)
    • Recorded thunder (octave up)
    • Recorded thunder (distant, with rain)
    • Designed thunder

    View a list of included sounds here

Your location

Recent Reviews

What others are saying:

\n