Ever wonder what the story is behind the iconic THX sound? The Twenty Thousand Hertz podcast just published an interesting new interview with Andy Moorer, creator of that sound – hear it below:
Since 1983 one of the most memorable parts of going to the movies has been the THX certification played during the previews. The accompanying sound logo called “The Deep Note” has fascinated, terrified, and mystified audiences for over three decades. What is THX really? How was “The Deep Note” created? And why does it elicit such a reaction from those who hear it? Featuring Andy Moorer, creator of “The Deep Note” and global director of marketing for THX, Rob Cowles. This episode was written & produced by Kevin Edds.
Twenty Thousand Hertz: THX Deep Note Part 1:
Twenty Thousand Hertz: THX Deep Note Part 2:
MASSIVE, METALLIC, MIND-BLOWING IMPACTS FOR THE SILVER SCREEN
Get ready to pound the theatres with this edgy, hard hitting collection of brazen SFX. Let your audience know you mean business with the enormous sound to back it up.
Coll Anderson ‘s famed Battle Crowds library is the world’s largest collection of battle crowd sound effects, covering huge crowds as they’re deep in battle, celebrating and cheering, screaming, yelling, protesting, begging, crying and much more, as well as troop movements and marching through fields, forests, and around buildings, individual call-outs, marching and more. If you’re looking for the ultimate collection of battle crowd sounds for huge clashes, civil unrest and protests, or smaller skirmishes – captured from multiple perspectives – this is it!
Recorded by renowned innovators of film sound design Ann Kroeber and Alan Splet, the Stallion library features an incredible variety of charismatic horse sound effects including movements and vocalizations.
Intensify your projects with rumbling racing gallops, thumping canters, steady trots, and heavy rhythmic breathing. Bring creatures to life with the emotive whinny and neigh sounds of mustang stallions plus strong snorts, charming grunts, light nickers, and guttural exhales.
Many of these horse sounds were recorded for major feature films including The Black Stallion, The Horse Whisperer, and Hidalgo. Splet’s work on The Black Stallion won him a Special Achievement Academy Award® for Sound Editing. This recognition was largely due to the quality and depth of the source recordings he and Kroeber created.
Using a unique custom microphone rig (one mic fastened under the belly, another placed in front of the nose), the galloping sound effects in this library achieve an extraordinary dramatic quality with the horse’s powerful footsteps captured in harmony with its breathing.
Get an array of horse footsteps at your fingertips – moving at every gait and on various surfaces from gravelly dirt to shallow water, grass, sand, cobblestone and more. The Stallion library also includes miscellaneous sounds like chewing, saddle creaks, stretching leather, and scraping carriage wheels.
Following the libraries Cinematic Winds and Industrial Sounds with Soul, Stallion is the third exclusive release by Pro Sound Effects curated from Sound Mountain: Kroeber and Splet’s venerable private recording collection created over decades of film sound work with celebrated directors like David Lynch, Carroll Ballard, and Peter Weir. Kroeber has since worked on or supplied sounds for film, TV, and games – including 6 movies that won an Academy Award® in sound, and 7 additional nominations.
This comprehensive sound library is where you can find: sounds of wind in urban and nature environment, room tones, wind recorded in car, wind whistling under doors and windows, at the sea-boats mast and hardware, in trees, in buildings corridors, lobby, attic etc. Check the list of sounds for full info. All files are metadata tagged, with detailed description of equipment used object of recording etc.
Recorded with high end recording equipment: Sennheisers MKHs, mics; Rycote blimps, Sound Devices 744T recorder, Sound Devices MixPre mixer, Mogami cables, etc.
Maximum peak level on all recordings is -5 dBFS (for great dynamic range, great headroom), originally recorded with great headroom keeping in mind and to maintain great dynamic range of this natural phenomena.
Binaural soundscapes from Grand Central Station – recorded to have plenty of background (and some mid & foreground) voices without anything too recognizable – so you can add your own dialogue in the foreground, OR loop sections you like most without it being obvious. The central concourse soundscapes are fairly static – but others move at walking speed – between different locations from street level entrances, through the concourse to the platform. There’s even a couple of revolving doors and an empty escalator/platform to add your action onto. Recorded on (my) dummy head with high-quality omni mics – listening back in headphones instantly immerses you in the middle of the sound field. Binaural stereo – the next best thing to being there! And all with just two channels. So put your headphones on and take a little trip – with the Audio Ninja.
This library consists of sounds of authentic British sirens recorded during a 3 month period in London including while in Covid-19 lockdown. The sirens source vehicles include ambulances, police cars, and fire trucks. Recoding techniques include recording with a spaced pair of 2 DPA 4060’s in DPA BLM6000 Boundary Layer Mount with wind protection as well as following the source with Sennheiser 8060 shotgun when opportunity allowed. As a result, the library offers 48 sounds recorded in 24bit/96kHz format delivered in 64 files with a total runtime of approximately 12 minutes. The sound was edited in RX7 to remove the occasional sounds of birds.
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