Asbjoern Andersen


Want to know what goes into making sound effects libraries? Go on Alaskan recording adventures with acclaimed field recordist Thomas Rex Beverly below:
Written by Thomas Rex Beverly
Please share:

Popular on A Sound Effect right now - article continues below:

  • Animal Sound Effects Animal Hyperrealism Vol III Play Track 1711 sounds included $136

    Animal Hyperrealism Vol III is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 1700 individual sounds in 279 files.

    The sounds were recorded in zoos and wildlife centers. The asset list includes but is not limited to: european red deers, monkeys, reindeers, hornbills camels, crickets, tamarins, boars, frogs, red ruffed lemurs, parrots, and many more.

    The content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image.
    Part of the cheats section of the library features samples recorded at 384KHz. For these sounds an additional microphone was employed, specifically the CMPA by Avisoft-Bioacoustics which records up to 200 KHz. This microphone was used to record most of the library but the 384KHz format was preserved only where energy was found beyond 96KHz not to occupy unnecessary disk space.
    All files are delivered as stereo bounce of these for mics, though in some instances an additional couple of CO100K was added to the sides.
    The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.

    Bonus: Two extra libraries included for free:
    This library also includes two additional releases from Mattia Cellotto - for free: Crunch Mode delivers 230 crunchy sounds made with a variety of vegetables, fresh bread, pizza crust and a selection of frozen goods. The Borax Experiment gets you 158 squishy, gory, slimy and gooey sounds.
    20 %
    OFF
    Ends 1733266800
  • – Evolved WATER Sound Library


    This isn’t just another water library, this is a professional’s dream library, and we feel you are all going to love it. Not only from all the source recordings, but also from all the incredible designed sounds. It really is an all around workhorse that will have you covered for everything WATER. With over 1600 files and over 3,000 sounds, this library is absolutely massive. Everything from rain, lakes, waterfalls, rivers, and bubbles all the way up to KYMA designed cinematic impacts. We spent over a year recording and designing this collection and are so proud to offer it to you for your toolbox!

    Why make another Water library? Because here at SoundMorph we always want to push the limits and quality of what is out on the current marketplace. Elements like WATER present a huge challenge to make modern and exciting. This is what we aimed for with this collection. Watch the Behind The Scenes video by clicking on the “How’s Made Button” to find out just how much went into making this colossal release. A new standard for any working sound professional!

    82 %
    OFF
    Ends 1733353199
  • Introducing “Explosive Symphony,” an electrifying library that puts the spotlight on the sheer power and intensity of explosions. From earth-shaking rock debris blasts to spine-tingling sci-fi detonations, this collection is a testament to the raw force of explosive events. Perfect for adding adrenaline-pumping impact to your projects, “Explosive Symphony” offers a dynamic range of explosion sounds that will leave your audience on the edge of their seats.

    50 %
    OFF
    Ends 1733439599
  • THE COMPLETE JUST SOUND EFFECTS COLLECTION
    Introducing the JSE Everything Bundle, your one-stop-shop for all your audio needs. This bundle includes every JUST SOUND EFFECTS sound library ever created by our team of sound designers and field recordists, giving you access to an extensive collection of high-quality sound effects.

    INCLUDED SOUND LIBRARIES

    80 %
    OFF
  • Magic & Fantasy Sound Effects Sorcery Play Track 2196 sounds included, 337 mins total $119.99

    Rock The Speakerbox presents Sorcery, the ultimate sound design toolkit for magic and enchantment.

    Harness the forces of light with white magic. Ignite the night with the unbridled power of fire and flame.Summon the darkest of evil with black magic and necromancy. Release the fury of a million volts by mastering the electron. Lay waste to your foes with the sheer might of water and acid. Conjure the frigid and unleash the frost with the power of ice.

    Recorded on stage and in the field, and designed by award winning sound designers, SORCERY contains 11.7 GB of HD quality content spread across 1992 construction kit sounds and 204 designed sounds. With spells, deflects, casts, blocks, beams and more, SORCERY provides sound designers and media content creators unrivaled wizardry at their fingertips.

    The extraordinary awaits within.

     

    KEYWORDS:

    Magic sounds, Spell sounds, Fantasy effects, Enchantment FX, Magical FX, Sorcery sounds, Fantasy spells, Enchanted sounds, Wizard SFX, Magic aura, Spell casting, Magical elements, Fantasy ambience, Potion sounds, Spellbook FX, Arcane magic, Enchanted FX, Magic toolkit, Fantasy creatures, Fantasy magic, Wizard effects, Magic spells, Sorcery toolkit, Magic swirls, Fantasy sound library, Mystical sounds, Sorcerer FX, Enchantment library, Magical toolkit, Fantasy sounds, Dark magic, Magic dust, Mystical ambience, Sorcery FX, Fantasy environment, Magical vibes, Fantasy aura, Spellbinding sounds, Magic whisper, Potion brewing, Magical world, Enchanted library, Magical creatures, Fantasy realms, Magic waves, Arcane library, Wizard spells, Magical FX library, Fantasy toolkit, Magical effects pack

    20 %
    OFF
    Ends 1733785199
Get more deals in the huge sale

I was lucky to have the opportunity to visit Alaska in June 2019. I have been inspired to travel to Alaska ever since reading One Man’s Wilderness by Richard Proenneke and The Place Where You Go to Listen by John Luther Adams. The endless light of the arctic summer is a magical place for field recording.

My Adventure Getting to Alaska

  1. One commercial flight from Philadelphia to Anchorage
  2. One bush plane flight to Lake Clark National Park
  3. One 5 mile boat ride across Lake Clark
  4. 120 miles hiking in search of recording locations

I needed to arrive in Anchorage, AK by 7:00am to catch my bush plane flight to Lake Clark National Park, so I planned my trip starting with the end in mind. I live in Philadelphia, PA so my adventure began with a 6 hour flight to Seattle, WA. I left Philly in the afternoon, spent the evening in the Seattle airport, and then caught a 1:00am flight to Anchorage, AK. Lake Clark National Park is 200 miles from any road and only accessible by bush plane. I had dreams of becoming a pilot as a kid, so I couldn’t have been more excited when I walked out of the hanger and saw the tiny four-person bush plane. The pilot cheerfully called out, “Hop in!” and I proceeded to climb in on the passenger side right next to the pilot! Our safety briefing consisted of “put your seatbelt on” and the implied understanding that if we have a crash landing, we will probably all die very quickly so there was no need to worry. Ha! After our almost nonexistent safety brief, we quickly taxied out onto the runway and took off. I was ready for my first bush plane flight!

Bush Plane Flight Path

We flew from Anchorage through a mountain pass in the Alaska Range towards the southwest. As the mountains towered above and around us, I gazed with wonder at the mountain valleys filled by massive sheets of moving ice. We were flying so close to the glaciers, I felt like I could almost reach out and touch them!

While the glaciers were very impressive to my untrained eyes, the pilot informed me that, unfortunately, many of the glaciers have shrunk dramatically during his career as a pilot. That said, I’m very thankful for the chance to have seen the glaciers before they disappear even more.

After an hour and a half, our plane touched down on a dirt runway in Lake Clark National Park.  Even though I was 24 hours into my journey at that point, I had a lot of adrenaline from the flight and was ready for the final leg of the trip: a 5 mile boat ride. Lake Clark is about 40 miles long and 5 miles wide. From the middle of the lake, I was surrounded by breathtaking mountains on all sides.

Part of what drew me to Lake Clark National Park was that it has very little infrastructure compared to national parks across the continental United States. Needless to say, I was thrilled to be off the grid for 14 whole days of recording adventures!

This trip culminated in 6 sound libraries:

  1. Alaska: Curious Bears
  2. Alaska: Rain
  3. Alaska: Wind
  4. Alaska: Quiet Nature
  5. Alaska: Active Nature
  6. Alaska: Lake Waves

Location Scouting and Gear Setup:

Whenever possible, I prefer to scout locations before recording. This ensures I have a chance to deeply listen to a place without the distraction of my recording gear. Therefore, after I had set up my recording equipment each day, I hiked 5-10 miles each afternoon in search of new locations.

When recording in a dense forest, it is not always intuitive which areas sound the best, so a lot of experimentation is needed. For example, if I find a location that has potential, I start by making short, loud yells to create echoes. I then listen to how the sound naturally moves through the terrain. My goal is to find resonant spaces.  

When I find a lovely spot. I sit and listen. I enjoy the space. I meditate.

Before leaving, I mark the location with a GPS waypoint on my Garmin inReach mini and then continue exploring. This way, I know exactly where to return the next day with my microphones.

When I return with my microphones, I will listen to the direction the echoes travel. For instance,  if I hear that my echoes resonate and clearly move to the southwest, I’ll orient my mics towards the southwest in order to capture the best acoustic perspective of the space.

Alaska: Curious Bears

During my Alaskan adventure, I typically left my Cinela blimp unattended in Lake Clark National Park for 12-18 hours a day over the course of my 14 day trip. On one of my hikes, I discovered a well-defined game trail and decided to place my microphones near it with the hopes of capturing sounds of passing wildlife.

When I returned several hours later to check on my equipment, I discovered my microphone blimp and tripod on the ground. Upon closer inspection, I noticed the grass was trampled all around the microphones. When I checked the recording, I was thrilled to find that a curious bear had seriously investigated my microphone blimp for 20 minutes before accidentally tipping over the tripod, scaring itself, and running off. Luckily, I got great recordings and my microphones and recorder were not damaged! There was definitely some bear slobber on the blimp though!

Alaska: Rain


Download the quad demo here

How to Record Rain:

  • Use microphones known to perform well in high humidity. I use Sennheiser microphones. View my full gear list – here.
  • Use cables made with Neutrik X-HD Series waterproof connectors. This keeps water from getting into your cable connection points.
  • Use a dry bag for your recorder. I like the Sea to Summit 65L bags because they have a wide mouth and can easily fit a recording bag through the opening.
  • Put your dry bag at least 25 feet away and cover it with local foliage. Otherwise you’ll just record the sound of rain hitting a dry bag.
  • Use a Cinela Pianissimo Double Mid/Side blimp with a Kelly Rain Cover.
  • Coat the inner cover of the Cinela Pianissimo with NixWax as Cinela directs on their website. This is a water repellant molecule that is also acoustically transparent. The water repellant causes the water to bead up and roll off while also letting the air through. Read more about how NixWax works – here.
  • The honeycomb of the Kelly Rain cover disperses drops as they hit the blimp which minimizes thumps. However, don’t use the Kelly Rain cover in areas with lots of insects because they tend to get stuck in the honeycomb, buzz for hours, and ruin recordings. The honeycomb cover also doubles as excellent protection for the blimp if a bear/moose/elk decides to chew on it.
  • Find a section of forest with low and dense deciduous leaves. These leaves catch the rain so drips don’t thump on the blimp. Occasional thumps during heavy rain are okay because they are easy to edit out in post.
  • Waterproofing a microphone blimp is totally game changing. I can now leave my rig out in the elements for 24 hours without fear of rain. Waterproof blimps and 32-bit float recorders have opened up a whole new world of recording for me  and I couldn’t be more excited.
  • Build a platform of local foliage to cover the blimp for extra protection. George Vlad has an excellent video on how to build a natural rain canopy – here.
  • I learned many of these rain recording techniques from George Vlad, so make sure you check out his work at Mindful Audio.

Alaska: Wind

Lake Clark is a massive 40 mile glacial lake with a major Alaska Range mountain pass at the north end of the lake. As a result of the area’s geography, wind whips down from the mountain pass and sails across the lake unimpeded. When I arrived in late May at Lake Clark National Park, the spring leaves were budding and so the boreal forest had a lovely, fresh pop of green. When the winds gusted over the lake and reached the boreal forest made up of cottonwood, birch, and spruce, the foliage came alive.

While I was in Lake Clark National Park, a strong storm came through with winds powerful enough to make 6-foot lake waves. This made for ideal wind recording conditions! It can be tricky to capture the sound of spring foliage without birdsongs, so the secret is to record during the day when there are extremely heavy winds. When winds are strong enough, birds tend to stop singing. Under these conditions, you can record daytime winds, even during springtime! Otherwise, you have to record wind at night while the majority of the wildlife sleeps or wait until winter for ideal wind recording conditions.


Download the quad demo here

My favorite recording of the Alaska: Wind library was from a mixed grove of cottonwoods and spruce. The short spruce needles mix with the deciduous leaves of the cottonwoods to create a rich, full-spectrum wind complete with the eerie squeaks and creaks of the forest. I also loved mixing the sound of distant lake waves with canopy wind. When you retreat about a mile from the lakeshore, the lake waves blend beautifully with the sound of the canopy foliage. I loved finding the perfect balance between the  lush canopy and a touch of distant water roaring from the waves. This balance gives the wind recordings a beautiful sense of power.

Alaska: Lake Waves

Since Lake Clark is massive, water conditions can vary from glassy to lapping to white-capped swells and sometimes these conditions can occur all on the same day! The size of the lake mixed with the rocky beach made for excellent recording conditions because mid-sized waves could form and crash without the roaring bass of an ocean beach.

If you ever want to record waves, I recommend you purchase knee or chest waders. Waders  are invaluable, especially when the water temperature is just above freezing. Thanks to the waders I was wearing, I was able to stand in the water among the rocks and capture lovely swishes and gurgles as the waves broke against the shoreline.

My favorite sound from my Alaska: Lake Waves library are the waves crackling like carbonated water! The “crackling” waves is an extremely soft sound created by a gentle wave breaking among small pebbles. I was able to capture this lovely sound by holding my DPA 4060s a few inches above the water as the wave broke.

Alaska: Quiet & Active Nature

These libraries feature the best quiet and active nature moments from over 200 hours of recording in the Alaskan wilderness. For these libraries, I focused on two ecosystems: lakeshore and boreal forest. 

The first half of my trip focused on the marshland around beaver ponds and Lake Clark’s shore. These recordings are full of resonant shorebirds, soothing water in the distance, and a lone moose tromping through the water right in front of my microphones!

I spent the  second half of my trip in the boreal forest. I left my rig out recording continuously with the help of my waterproof Cinela Pianissimo blimp and I used an Anker USB-C battery to power my Sound Devices MixPre-6. It can run 3 channels recording at 192kHz/24-bit for about 16 hours. I typically left  my mics in the woods from about 5:00pm until 11:00am the next day so that I could record long uninterrupted soundscapes. The next morning, I would hike out, change SD cards, switch the batteries, and move my microphones to a new recording location. Then, I would use the afternoon to scout new locations. As a result, I was able to record about 18 hours per day for 14 days. My microphones survived curious Grizzly Bear sniffs, moose licks, blustery winds, and several rainstorms!

Growing up in the American Southwest, I’ve grown accustomed to snakes, ticks, scorpions, and poisonous ivy. One of my favorite things about Alaska is the lack of dangerous creatures and plants! Of course, bears, moose and other large wildlife, can pose a dangerous threat, but I felt incredibly free bushwhacking without constantly watching for things that sting or bite. It is one of the best feelings in the world to wander freely through the boreal forest of Alaska.


Download the quad demo here

Download the quad demo here

Favorite Sounds of the Trip:

Owls are the cellos of the forest and I love catching more than one species in a recording. Hear Boreal Owls, Northern Saw-whet Owls, and Wilson’s Snipe singing their nighttime lullabies with an eerie counterpoint of voices.

https://youtu.be/qing93RqqjY

One bonus of leaving your rig out for drop and record sessions is that birds do incredibly close fly-bys!

https://youtu.be/ZhN-4_9aeE0

The Swainson’s Thrush has an incredibly rich song with a lovely rising melody. I was lucky to catch some incredibly close branch top dancing!

https://youtu.be/1ueFD89RcHs

There is nothing quite like the stately sound of a woodpecker knocking. They are the marimbas of the orchestral forest and I love when they come near my mics.

https://youtu.be/yps2-YvEwPw

Favorite Wildlife Moment:

One day while recording, I spent 30 minutes watching a Bald Eagle in a tree near the edge of Lake Clark. Patiently hoping he would make some sounds. Instead, he majestically took flight and began skimming the glassy water. He was so low to the water’s surface, the feathery tips of his giant wings skimmed the water!

He must have seen a fish because suddenly, he pulled up and prepared to dive. As he dove for his dinner, another eagle swooped in and attacked him mid-flight. Suddenly, the eagle fell out of the sky and wiped out into the ice cold lake. He was about half a mile out in the lake, flailing around. He tried multiple times to take off from the water, but was too waterlogged and heavy.

These birds are not evolved for water takeoffs and I was growing increasingly worried he was going to drown. Luckily, it turns out that Bald Eagles can swim! He started to sweep his massive wings back in forth in long breast strokes. He slowly started making progress toward the shore and although I was hopeful he might make it to the shore, he had a long way to go and the freezing water was obviously taking its toll. As he gradually slowed his pace I grew increasingly worried that he would not make it.

I ran down the shore to get a closer look and was thrilled to see him crawl onto the beach! He climbed out and shook out his soaked feathers. He looked exhausted, but happy to be alive.

Then, all of a sudden, he looked down at his talon…and he still had the salmon! He proceeded to feast on the fish and had an impromptu picnic on the beach. After warming up in the sun, he then flew off about 30 minutes later. It was such an amazing wildlife moment and I’ll remember it forever.

The trip flew by and although I was sad when the time came to leave, I knew this wouldn’t be my last time in Alaska. I’m captivated by the arctic, so stay tuned to hear about many more arctic recording adventures in the next few years. As always, thanks so much for listening.

If you want to learn more about this enchanting part of the world, I’d recommend these books:

  1. One Man’s Wilderness by Richard Proenneke
  2. The Place Where You Go to Listen by John Luther Adams
  3. The Farthest Place by John Luther Adams
  4. The Great Alone by Kristin Hannah
 

Please share this:


 



 
 
THE WORLD’S EASIEST WAY TO GET INDEPENDENT SOUND EFFECTS:
 
A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:

  • Magic & Fantasy Sound Effects Sorcery Play Track 2196 sounds included, 337 mins total $119.99

    Rock The Speakerbox presents Sorcery, the ultimate sound design toolkit for magic and enchantment.

    Harness the forces of light with white magic. Ignite the night with the unbridled power of fire and flame.Summon the darkest of evil with black magic and necromancy. Release the fury of a million volts by mastering the electron. Lay waste to your foes with the sheer might of water and acid. Conjure the frigid and unleash the frost with the power of ice.

    Recorded on stage and in the field, and designed by award winning sound designers, SORCERY contains 11.7 GB of HD quality content spread across 1992 construction kit sounds and 204 designed sounds. With spells, deflects, casts, blocks, beams and more, SORCERY provides sound designers and media content creators unrivaled wizardry at their fingertips.

    The extraordinary awaits within.

     

    KEYWORDS:

    Magic sounds, Spell sounds, Fantasy effects, Enchantment FX, Magical FX, Sorcery sounds, Fantasy spells, Enchanted sounds, Wizard SFX, Magic aura, Spell casting, Magical elements, Fantasy ambience, Potion sounds, Spellbook FX, Arcane magic, Enchanted FX, Magic toolkit, Fantasy creatures, Fantasy magic, Wizard effects, Magic spells, Sorcery toolkit, Magic swirls, Fantasy sound library, Mystical sounds, Sorcerer FX, Enchantment library, Magical toolkit, Fantasy sounds, Dark magic, Magic dust, Mystical ambience, Sorcery FX, Fantasy environment, Magical vibes, Fantasy aura, Spellbinding sounds, Magic whisper, Potion brewing, Magical world, Enchanted library, Magical creatures, Fantasy realms, Magic waves, Arcane library, Wizard spells, Magical FX library, Fantasy toolkit, Magical effects pack

    20 %
    OFF
    Ends 1733785199
  • I’ve Decided to Make This Small Instrument Free—Enjoy!
    Enjoy :)

    Snow Foley Instrument, a collection of pristine snow footsteps samples recorded with the legendary Sony PCM-D100 in the remote mountains of southern France. To enhance your sound design workflow, the samples are accompanied by user-friendly Kontakt and DSsampler instruments.

    Whether you’re crafting linear sound designs, immersive interactive experiences, or dynamic game environments, this versatile library has you covered. 

    Key Features: 

    • 8 Different Walking types
    • More than 200 unique samples
    • Recorded in real snow, in different depths
    • Stereo 96Khz 24bit
    • Kontakt & DSsampler
    • Midi Controlled Knobs
    Snow Floey Footsteps Demo

     

    *Runs in Kontakt or Free Kontakt Player version 7.7.3 or higher, and in DecentSampler 1.9.13 or higher.

  • – Evolved WATER Sound Library


    This isn’t just another water library, this is a professional’s dream library, and we feel you are all going to love it. Not only from all the source recordings, but also from all the incredible designed sounds. It really is an all around workhorse that will have you covered for everything WATER. With over 1600 files and over 3,000 sounds, this library is absolutely massive. Everything from rain, lakes, waterfalls, rivers, and bubbles all the way up to KYMA designed cinematic impacts. We spent over a year recording and designing this collection and are so proud to offer it to you for your toolbox!

    Why make another Water library? Because here at SoundMorph we always want to push the limits and quality of what is out on the current marketplace. Elements like WATER present a huge challenge to make modern and exciting. This is what we aimed for with this collection. Watch the Behind The Scenes video by clicking on the “How’s Made Button” to find out just how much went into making this colossal release. A new standard for any working sound professional!

    82 %
    OFF
    Ends 1733353199
Explore the full, unique collection here

Latest sound effects libraries:
 
  • Bicycle Sound Effects City Bicycles – Complete Bundle Play Track 633 sounds included, 330 mins total $120

    The complete package bundles all available City Bicycles-packages and is fully UCS compliant. The ‘Various Passbys + Bicycle Handling’ package is added as a free bonus!

    This is a unique bicycle library that captures four characteristic bikes in clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings, smooth or skidding stops. This package contains everything you need to create convincing sound design for a City Bicycle.

    Contents:

    Four bikes with distinct characteristics:
    1. Good bike: a smooth sounding retro bike that doesn’t rattle or squeak, really nice tire noise.
    2. Bad bike: an old worn bike with severe rattles and cranking, tends to let the chain fly off.
    3. Ugly bike: this bike gets you from A to B… but it won’t win awards for it’s looks.
    4. Racer bike: a vintage racer that’s pre-owned but still super slick.
    'City Bicycles'  Sound Library by Frick & Traa
    Five perspectives:
    1. Onboard Front: captures the whirring tire and surface sound.
    2. Onboard Pedal: nice overall combination of pedaling, crank creaks, chain rattle, tire and surface sounds.
    3. Onboard Rear: close up sound of the rear axle, with chain, sprocket and switching of gear.
    4. Tracking shot: mono recording of the passby, keeping the bike in focus while passing by.
    5. Static XY shot: stereo recording of the passby that emphasizes speed.

    Five perspectives:



    Overview of perspectives and mic placement

    *Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration. All 3 onboard mics are edited in sync with one another to make layering easy. All Passbys, Arrivals and Departures move from Left to Right.

    Speeds and actions:
    Three speeds for every bike and every surface (see below). Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.

    Five surfaces:

    We’ve recorded all Bikes on asphalt from all perspectives (onboard and roadside). Additionally, our most quiet bicycle (the Good Bike) was used to record 4 other surfaces from onboard perspectives.


    Five Surfaces:
    1. Asphalt: nice and clean, with smooth singing sound.**
    2. Large Bricks: nicely textured surface that makes the tires purr like a cat.**
    3. Gravel: a fresh crackling surface sound that you might find in a city park.
    4. Grit: classic bicycle path surface sounds that layers perfectly with the other surfaces.**
    5. Icy road: frozen asphalt with sparkling textures of ice crystals snapping under the wheels.

    **these surfaces are also recorded from Roadside Perspectives (passby: static and tracking)

    BONUS files:
    There are some sweeteners and extras to give your bike that extra layer of grit:
    1. Exterior recordings of various actions in multiple takes from rattles, bounces, shakes to roll-bys. Enough to make your bike sound just a little different.
    2. We also recorded 21 additional single passbys of various bicycles, from severely rattling to smooth riding bikes on small brick streets and alleys. Enough to expand your options to create a distinguished sound design.

    Metadata & Markers:

    FREE UPDATE to City Bicycles: now conforms to UCS with new metadata to quickly find your sounds.

    Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method that adheres to the Universal Category System. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window. We made a video that helps you navigate the library ans find your best bicycle sounds faster and easier.

    CategoryFull
    A quick way to filter out sounds you don’t need: like handling sounds or vice versa bicycle onboards.
    UserCategory
    Fastest way to find the type of action you need for all bicycles. Passby needed, just click and voila.
    OpenTier
    Once you’ve selected the bike you can open up OpenTier and audition and select the perspective you want to use.
    Scene &  Performer
    This field contains the type of bicycle to quickly navgiate to the bike you like.
    iXMLTrackLayout
    This is a neat little identifier you will find in the Waveform displays and you can see in a glance what Listening position you are.
    MicPerspective
    We have another way to find perspectives but it is more limited to distance to the recorded subject.
    So passbys are MED – EXT and handling are CU – EXT. Exterior? Of course: we recorded everything outside!
    UserComments
    We used this field to create the UserData and give you the minimal set of information about the recording in the filename.

    Additionally, we added Markers making specific sonic events are easy to spot in Soundminer and other apps.

    If you have any questions about this, please contact us info@frickandtraa.com!


    Single Bicycle packages:
    We also sell single packages for all the bicycles in this library.
    Here’s a handy comparison table:

    Reviews:
    344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9.

    The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.

    Watch a video created by Zdravko Djordjevic.

    City Bicycles sound examples
    20 %
    OFF
  • Animal Sound Effects Rural Ambiences and Textures vol.1 Play Track 130+ sounds included, 270 mins total $21

    Rural ambiences, farm animals, pastures, rural villages, forest, meadows, tractors, farm ambiences etc. Distant villages, daytime and nighttime recordings. Barnyard, henhouse, pigsty ambiences, lumberjack works etc. Check the sound list for full info.

    High quality recordings recorded in MS, XY, AB; NOS, etc., mostly with Sennheiser MKH microphones and Sound Devices recorder/mixer. Files are without any dynamic manipulation (compression) with max. peak around -5dBFS.

    25 %
    OFF
  • All files are recorded 32bit, 192 kHz, with Shure KSM 137, Line Audio Omni1, FEL Clippy XLR EM272, Sonorous Objects SO.3 and JrF C-Series Pro+ microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
    70 %
    OFF
    Ends 1733266799
  • Ambisonic Sounds – Sea Waves Loops Vol.2 – these are 16 sounds of sea waves recorded on a pebble beach at close range, 2 sounds with seagull voices, 4 sounds recorded on the beach during the beginning of a thunderstorm and 6 sounds recorded near the seashore in the early morning, in which in addition to the sound of the sea, the sounds of crickets can be heard.

  • Electricity Sound Effects Massive Electric Magic Play Track 2587 sounds included, 154 mins total $34.99

    MASSIVE ELECTRIC MAGIC – is an extensive sound library containing 2587 unique files of various types of electric magic. From Zaps, Cracks and Buzzing to Lightning Energy chains. All of our libraries comply with the Universal Category System naming convention standard, allowing for accurate and easy granular searches.

    30 %
    OFF

   

Leave a Reply

Your email address will not be published. Required fields are marked *

HTML tags are not allowed.