He’d been recording in forests, canyons, parks, and wetlands, and I was curious to hear more about the project and his experiences.
He was kind enough to share the story – and not only that: He also shared the recordings he captured, and you can download those for free below! You’re welcome to use those recordings in whatever way you like.
Written by Rick Hernandez
My name is Rick Hernandez, I am a Sr. Sound Designer at Respawn Entertainment & Lead Sound Designer and Field Recordist at Melee Sound Design.
I’ve been recording out on the field for many years, but last year I decided to peruse it at a higher level and the result was the soundpack RUPTURE, published by SoundMorph – and I’ve just released the Dimensions door soundpack.
Recently I got inspired to go out on the field again to record surround ambiences when I rewatched the Soundtacker movie, which is a film about iconic audio recordist Gordon Hempton.
I love recording the sounds of nature and ambiences in surround sound, and I’ve been able to capture some really great recordings in the past, but the setup time and the results can be very frustrating. Setting up a tree with five different microphones takes time, a lot of testing and re adjusting, lots of cables and moving from place to place is very time consuming. Even after setting up everything meticulously, the results were mixed due to wind, weather, and inaccurate imaging.
But recently I got the opportunity to demo a DPA5100 Mobile Surround Microphone. The DPA 5100 is a solidly-built, multicapsuled Surround Sound microphone that uses Windtex fabric technology to nest an array of five capsules. The capsules are Omni-directional and make use of the DPA DiPMic (Directional Pressure Microphone). It is incredibly easy to setup and has a very wide and astonishingly accurate 5.1 imaging.
The DPA 5100 Mobile Surround Microphone
What I like most about the microphone is its wide dynamic range with having low sensitivity to wind noise which is so important when recording exterior ambiences. It also has and incredibly low noise floor and I can conveniently place it on a microphone stand and record surround ambiences in a flash. On to the recording…
[tweet_box]Surround field recording adventures in forests, canyons, parks, & wetlands[/tweet_box]
Location 1: Angeles National Forest (Pasadena)
The first location I visited was the Angeles National Forest in Pasadena. It has a pretty big waterfall with a long down stream of water leading up to it.
I wanted to record the more delicate steam rather than the white wash white noise of the waterfall. I got there in the early afternoon before the light drizzle and rains that were occurring that week in LA. As you can see from the videos, I was able to easily mount the 5100 on a mic stand and record both up and down the steam. For this field recording trip I took out my amazing Zoom F8 which has the ability to let me record from about 30 feet away using the F8 Control App on my iPad. After I recorded the steam, I also ended up recording the waterfall once I recorded the stream.. figured I was already there.
To hear the 5.1 recordings, click through to Soundcloud for each example and download there:
Want to save yourself some clicking and get all the 5.1 recordings in this story, in one go? Just enter your name and valid email address below to get the download link + the much-loved A Sound Effect newsletter:
NB: If you don’t receive the email with the download link, please check your spam folder. Oh, and existing newsletter subscribers can of course get the sounds too.
Location 2: Ballona Wetlands (Playa Del Rey)
After some lunch at the Switzer picnic area, I headed over to the west side to the Ballona Wetlands. It was starting to get darker and the rain that we had gotten in the days prior had brought out the wildlife. There were storks everywhere, frogs were singing and the insects were all about. These wetlands are one of the few remaining in the Los Angeles Basin. These wetlands have been the subject of a battle between developers and environmentalists that has been going on for over twenty years. Hopefully we can preserve this land and its amazing wildlife.
[tweet_box]Download +1GB worth of surround ambiences from forests, canyons, parks & wetlands[/tweet_box]
Popular on A Sound Effect right now - article continues below:
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“Old Engines Grab Bag” is a pack of numerous old, unique and characterful engines from early 1900s. It’s a massive collection of 56GB multitrack 192kHz recordings of old tractors and stationary engines, both diesel and gasoline fueled.
The intention wasn’t to cover vehicles driving, but to get isolated and very closely recorded mechanical elements of engines and exhaust pipes as a source material for sound design. There are many starts, idles, revs, offs, RPMs variations, backfires etc. Some are heavy and large sounding, some are small and funny. Tractors were captured EXT and most of stationary engines INT, but since they are very closely recorded there is just a little amount of reverb on most of them.
Most of engines are 1 or 2 cylinders and low horse power and their RPMs are also low. Thanks to this, many of those sounds aren’t tonal and can easily be used as additional layer with other design elements. They work great for adding vintage character, designing junky or funny vehicles, crazy huge steampunk machines or engines malfunction.
Sounds were recorded using multi-mic setup: Sanken CO-100k (most of the time pointing mechanical parts), Sennheiser MKH-8060 (mainly for isolated exhaust pipe), Schoeps CMC6XT mk41/mk8 (general image) and part also with Trance Audio Inducer contact mics (adding unique mechanical perspective).
The library is delivered as multitrack 192kHz files, as well as stereo mix of all microphones. Thanks to using microphones with extended frequency range, drastic pitch changes can be applied.
All files have extensive metadata created in Soundminer, including leg picker with microphone labels.
Demo files include pitched sounds, which are not delivered with library.
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Royal Cannon is a mini sound library created by sound designer Barney Oram. It features recordings of a British royal cannon salute, fired by six WW1 field guns in February of 2020, to mark the 68th anniversary of Queen Elizabeth II’s accession to the throne. All sounds in the library are contained within one single 192kHz 24bit WAV file, with 23 individual takes contained within.
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Behind the Scenes Video:
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Location 3: Simi Valley Canyon (Simi Valley)
The next day I went to record at the Simi Valley Canyon. The Simi Valley is a synclinal valley in Southern California connected to the San Fernando Valley. It is an enclosed valley surrounded by mountains and hills. Again there were many birds and other wildlife due to heavy rainfall in the days prior.
One of my favorite things in this location was the local Acorn woodpecker. It’s a small sized bird that when pecking at trees to find food produces a really loud sound the echoes through the valley. I was perched up and elevated on a mountain looking over a neighborhood and the echo on the recordings was very unique.
Location 4: La Crescenta Two Strike Park (La Crescenta)
As I made my way back home from Simi Valley it was about 9:00pm and completely dark. It was raining, so I decided to go to a nearby park near my house that has lots of trees and other vegetation. The rain falling and dripping down the dozens of trees in the surrounding area and creating splashes and puddles that created some really interesting sonic textures. I used the OC5100 Outdoor Cover that is included with the mic to protect the mic from rain and unwanted contact mic sounds. In the past I’ve had to rig an enclosure with hair hog in a process that is impractical and time consuming so the OC5100 is invaluable to anyone recording rain on under rainy conditions.
Recording with surround ambiences was a blast with the DPA 5100. All the gear I needed was my Zoom F8, the DPA 5100 with its cable and both the Outdoor Cover/Windjammer and a microphone stand.
The Zoom F8 Recorder and Zoom Control
The recordings I was able to capture with the Zoom F8 and DPA 5100 were amazing and I’m really happy with the imaging I got from the locations recorded.
Technology is an amazing thing, and with the latest advancements that DPA and Zoom have done in recent years it is now possible to go out on the field and capture pristine sounding Surround Recordings without having to live out of your van.
Please share this:
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“Old Engines Grab Bag” is a pack of numerous old, unique and characterful engines from early 1900s. It’s a massive collection of 56GB multitrack 192kHz recordings of old tractors and stationary engines, both diesel and gasoline fueled.
The intention wasn’t to cover vehicles driving, but to get isolated and very closely recorded mechanical elements of engines and exhaust pipes as a source material for sound design. There are many starts, idles, revs, offs, RPMs variations, backfires etc. Some are heavy and large sounding, some are small and funny. Tractors were captured EXT and most of stationary engines INT, but since they are very closely recorded there is just a little amount of reverb on most of them.
Most of engines are 1 or 2 cylinders and low horse power and their RPMs are also low. Thanks to this, many of those sounds aren’t tonal and can easily be used as additional layer with other design elements. They work great for adding vintage character, designing junky or funny vehicles, crazy huge steampunk machines or engines malfunction.
Sounds were recorded using multi-mic setup: Sanken CO-100k (most of the time pointing mechanical parts), Sennheiser MKH-8060 (mainly for isolated exhaust pipe), Schoeps CMC6XT mk41/mk8 (general image) and part also with Trance Audio Inducer contact mics (adding unique mechanical perspective).
The library is delivered as multitrack 192kHz files, as well as stereo mix of all microphones. Thanks to using microphones with extended frequency range, drastic pitch changes can be applied.
All files have extensive metadata created in Soundminer, including leg picker with microphone labels.Demo files include pitched sounds, which are not delivered with library.
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30 %OFF
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User Interface (UI) Sound Effects Casual UI Play Track 3345 sounds included
From: $129From: $103.20CASUAL SOUND IN SERIOUS QUALITY Capture the attention with our expertly created UI sound effects, designed to delight and engage. Crafted for menu navigation, gameplay, rewards, and more to cover the core aspects of any casual game, video, or mobile experience. This collection is set to be go-to pool of sounds and will make your user interface sound design quick and easy. Drag, drop, and finish!
Upgrade your UICASUAL UI covers a wide spectrum of sounds specifically designed for every aspect of a user interface and brings a playful dose of life into every tap, swipe, and click. With 15 categories, these high-quality, diverse sounds are created to be your UI sound foundation, providing you with the immediate flexibility you need to create an engaging auditory landscape.
Feedback soundsGaming and interactive content rely on sound to give feedback for actions and information. This casual games sound effects library was curated to give everything you need to build a positive and easy-going sonic base for your UI. From the excitement of discovering new game levels to achieving major milestones, these sounds transform user interactions into fun, memorable moments and keep audiences eager for more.
From arcade to how-to
With sounds that span from quirky and playful to neatly informative, CASUAL UI is a treasure trove designed to meet diverse creative needs – from positive videos to explainer content, and more – making it an indispensable tool in any content creator’s arsenal.
INCLUDED SOUNDS – KEYWORDS
CLICK, PLOP, WIPE, WHOOSH, CARD, COIN, POOF, EXPLOSION, IMPACT, SHIMMER, RATTLE, EFFECT, MATERIAL WOOD, MATERIAL PAPER, MATERIAL LIQUID, MATERIAL ROCK, UI, GAME, INTERFACE, MOBILE20 %OFFEnds 171451439920 %OFFEnds 171451439920 %OFFEnds 171451439920 %OFFEnds 1714514399 -
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Royal Cannon is a mini sound library created by sound designer Barney Oram. It features recordings of a British royal cannon salute, fired by six WW1 field guns in February of 2020, to mark the 68th anniversary of Queen Elizabeth II’s accession to the throne. All sounds in the library are contained within one single 192kHz 24bit WAV file, with 23 individual takes contained within.
These recordings were made using the Neumann 191, and have been decoded into a stereo file. The recordings have had some light cleanup but have been left mostly natural, with the sounds of the soldiers shouting and reloading the guns still audible.
This library includes detailed SoundMiner metadata and utilizes the UCS system for ease of integration into your library.
Behind the Scenes Video:
50 %OFFEnds 1714514399 -
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30 %OFF
Nice recordings! Whereabouts in Simi Valley did you go to record? I find it difficult to record good nature ambiences in LA without the ever-present traffic noise.
Hi Rick,
Great recordings. Do you find the DPA too noisy for very quiet ambience? I did a very quiet recording with stereo kit 4060s recently and thinking I am hearing some self-noise on the mic, it is hard to differentiate from the ambience itself though.
Thanks
Thanks Rick! From one sound person to another, these will be a nice addition to the 5.1 SFX library.