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Home Sound Effects

Sound of Essen

Sound of Essen is a blog and sound effects library label offering high class sound recordings from the city of Essen. It started in 2017 as an official project for the European Green Capital 2017. Always on the search for sound – underwater, in machines, vehicles and nature – sounds were downloaded from over 70 countries in 2017. In 2018 we decided to put up our first full sound effects libraray for sale usable for game audio (lot’s of loops) TV, art and audioplays. More libraries are in the making.

  • This library features crowds from 4 to 800 people. The highlight surely is very rare to come by recordings from inside a cinema (crowd chatting, leaving, afterparty, cueing, and clapping for the movie at the premiere). But with this library, you get lots of interior and exterior recordings of applause (in churches, at concerts, performances & press conferences.
    Also, there is quite a lot of walla. Mostly in German language, there is also lots of indistinct talking that can be placed in any background.

    Most of these recordings were performed with a matched pair of Earthworks QTC50 on a stand in ab configuration, so they have a very nice stereo image and no movement during the takes.

    Some recordings feature hard to recreate crowd sounds like laughing, or camera clicking (motors) at a press confrerence, clearing throats, children applauding or playing or multiple feet walking. There is also a recording of a theatre / opera rehearsal on stage (no singing).

    I had planned a bigger crowds library, but due to Corona, my recordings in music stadiums & at sporting events got canceled. If If I record and release them at a later point, you will get them at a discount when you bought this library. I thought I release it anyway, as many editors can’t record crowd atmos and loop group atm.

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  • This is a selection of more than 30 different elevators, displaying a broad variety in sound. The whole library was recorded in 192 kHz (with Earthworks QTC50) as elevators often have high pitched metal sounds, squeaks and electrical hum up there, which makes great material for extreme pitch shifting. In addition to the omnis, which get you a very accurate impression of the space, a harsher, more direct pair of microphones were used in m/s on a lot of recordings. You could even build a surround version from these mics together.

    The library focuses on the most important sounds for games and movies, elevators going up & down as well as doors sliding open and closing. Besides, I recorded atmos, buttons and footsteps wherever possible. I also added some studio foley takes to add a selection of rattles, squeaks, metal impacts, doors etc. to create the exact elevator sound that suits your needs.

    The elevators range from a 1929 wooden paternoster, metallic freight elevators/goods lifts to a 90s futuristic Kone disc drive and 2015s all-glass cabins. Carrying a maximum of 2 people to 33 people. Recorded in universities, offices, hotels, warehouses, industry, town halls, private households, malls and many more.

    The meta-data allows you to sort by year, kg, people, brand, action and of course character.

    You like to hear it rattle, squeak, groan, grind, slide, clatter and hiss (yeah, lots of fan noise)? This is one for you.

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  • The harvester Claas Lexion 530 Library contains all the sounds a decent harvester produces on the field in one day. We were allowed to accompany this gigantic 300+ horsepower machine on the field and document all its activities. It roars and sounds harsh and dangerous.

    Whether you are looking for realistic farm sounds or want to design a futuristic vehicle. The harvester files are ready to use or very easy to manipulate as they deliver sounds across all frequencies captured with high end equipment. Both helium-3 harvesting spaceships and apocalypse scrap transporters can be produced in just a few steps.

    In addition to the standard exterior recordings such as bypass, away and up, the library also includes on-board recordings from the cab, from the platform, as well as various mic positions such as directly above and beside the cutting knives, on the belt, at the unloading pipe and many more. In addition, there are selected foley sounds, as well as a few distant atmo sounds.

    70% of the revenue will benefit the non-profit association “Bulldogs for Kids e.V.” and by this benefit chronical ill children.

    The Farming Machine Bundle:

    You can also get this library as part of The Farming Machine Bundle, containing the files of “Harvester Klaas Lexion 530 (SOE001)” and “Kramer KL11 Oldtimer Tractor (1955) (SOE002)“, as well as 165mb of additional tractor recordings (on board mono files of the tractor Fendt 304 LSA).
  • There are a lot of door sound libraries but I was missing the key sounds with variations on a project two years ago. After that, I started specifically recording key and lock sounds whenever I heared an interesting door or lid. I tried to capture the four most common performances (put the key in, remove the key, open the lock and close the lock) each at different speed (slow, medium, fast). This is a selection from these recordings. Some are captured in 192kHz with Earthworks QTC 50 to capture high frequencies, waiting to be pitched down several octaves and still remaining crispy.
    There are little locks from piggy banks and caskets, wooden cabinets, metal lockers, appartment doors with plastic keys, locks on regular homes and much more.
    In addition I added a few key drops on different surfaces (mats, parquet flooring, tiles, concrete…) and jingles.

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  • This Sound Effect Library features a hundred recordings of Kramer KL(11) Oldtimer Tractor. The tractor was built in 1955 in Germany. It is a four stroke single cylinder engine. No cabine and the Diesel motor delivers 11HP. On two bonus recordings a Lanz LK30 potato spinner was attached to the tractor.

    Recording positions include Exterior (AB, M/S & mono), On Board (At the fan-belt [sch-sch], at the cylinder-head [tok-tok], at the exhaust [pop-pop] and in a little distance to the side – also stereo-mixdowns of all mic-positions for quick editing) as well as some SFX recordings with a contact mic. The tracor performed start, stop, on, off, idle, driving and various constant speeds / rpms as well as ramps, accelerating & gear shifts. All edited and mastered for quick browsing and easy matching of the different events.

    This tractor is still being used, so if you are looking for authentic farming machinery sounds from today or from the past or want to create a unique sounding fantasy vehicle – this one is for you.

    The Farming Machine Bundle:
    You can also get this library as part of The Farming Machine Bundle, containing the files of “Kramer KL11 Oldtimer Tractor (1955) (SOE002)” and “Harvester Klaas Lexion 530 (SOE001)“, as well as 165mb of additional tractor recordings (on board mono files of the tractor Fendt 304 LSA).
  • I went there, so you don't have to. The nerv wrecking sounds of a fork scraped across a plate, the annoying scratches of fingernails on a coated pot are as well part of this library as many similar and sometimes less unpleasant sounds.

    The major part of this library has been recorded in 192kHz with Earthworks QTC 50 microphones. Frequencies up to over 90 kHz are captured with plenty of the noises and allow for decent pitch and bend fun. Plastic, wood, metal, glass, porcelaine, syntetic leather and rubber has been used to perform squeaks, screeches, squeals, creaks, groans and scratches. Each material has been dragged and rubbed against each other in different speed and with varying pressure to make sure to get multiple variations of each sound.

    This versatile library is a rich resource and a starting point for creature sound design, iron weapon action, robotic and machine movements and many more. Also great for music production – check the demo. Anything that should make the audience goose bumps or sound old an tortured will profit from “QUEETSH”.

    Caution: some sounds might be considered unpleasent / annoying.

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  • This library is great to quickly place samples for rolling objects but also a never ending collection of source sounds & textures for all things releated to rolling, rumbling, driving, rotating and spinning.

    I wanted to cover a lot of grounds, so I have objects rolling on grass, cobblestone, concrete, tar, wood, steel, plastic, carpet …
    and these objects include cars, bikes, balls, skateboards, stones, push carts, tires, garbage cans, a buggy, a wheelchair and much more.
    In addition, there are a lot of sounds in here I already used for designing otherworldy atmos or futuristic weapons, so lots of options here.

    Most sounds are mono recordings with the mic following (or being attached to) the object. But there is also a section with bypass sounds in stereo and some onboard recordings in stereo. And not only the onboard of a car without motor rolling across different types of cobblestone, but also mics attached inside a garbage can which then was rolled through the streets.

    This library contains my go-to sounds for all things rolling and most sounds have been recorded in 192kHz/24bit with Earthworks QTC50 mics to allow a maximum pitch / slowing down action. As the library evolved and grew over different years, a broad range of mics have been used. DPA 4060s, DPA 4061, Shure SM 57, JrF Contact C Series, Neumann KMR 81i, Ambient Emesser and on a few recordings I used other sample rates like 96/24 or 48/24.

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  • This mini -library contains sounds from a reptile shelter. They take in injured, negelcted or abandond reptiles and take care of them. They finance through a small zoo and due to corona had significant loss in income. 50% of the sales of this library will directly be donated to the shelter. For more information check: https://www.reptilien-auffangstation.de/

    The recordings contain sounds from 14 different species. With the focus on reptiles, it also features amphibians, mammals and birds.
    Ever needed a realistic hiss of an Arabian Cobra, the roar of a Nile crocodile, the sweet chirping of a Djungarian hamster, or the whistling sound of a Reticulated Phyton coming out of cold water? Here you go. With two mic positions in 192kHz I followed around the tails of big (Diamondback-) and small (Massasauga-) Rattlesnakes. I even recorded the purr of giant lizards (monitors).

    If you don’t need these specific animals, these growls, sizzling, and calls are a great source sounds for dragons, dinosaurs, monsters and other beasts. Also great to add as a layer in vehicle sound design or as sweeteners to add the noise of a dart frog to your jungle atmo.
    These recordings are hard to come by and my mics were nearly hit by poison, that crystalizes and stays venomous for years to come as well as they got nearly eaten by a crocodile (was very scary indeed with me at the other end of the (way too short) boom pole)

    The best part, the handling with the animals was very thoughtful. No animals were tortured or stressed. They had some great animal voices at the shelter, that didn’t want to speak during the recording session, so we let them sleep and didn’t take any animals away from their hide.

    Full List: Arabian Cobra, Diamondback Rattlesnake, Diamond Dove, Djungarian Hamster, Domestic Chicken, Domestic Goat, Nile Crocodile, Massasauga Rattler, Papua Monitor, Puff Adder, Reticulated Phyton, Ring Tailed Lemur, Yellow-Banded Poison Dart Frog and, well, a fish tank with my hydrophone with some weird electronic sounds from the heating.

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  • Weather Tonal Wind Play Track 51 sounds included, 75 mins total $33

    These sounds will sweeten and add character to your wind sounds. Lots of whistling, squeaking, howling and singing wind. From low rumbles, mid honks to harsh high frequency blows, this modular library is the perfect construction kit for creating otherwordly swirls and heavy storms.
    The sounds were recorded at the windorgan in Vlissingen(NL) in Zoutelande(NL) and in Essen(GER).

    In addition to the original wind sounds creating tones on objects, you will get a few rattling flagpoles, waving flags and singing flag cords. And some bonus windmill sounds.
    Also 2/5th of the sounds are delivered in stereo, the focus is on mono sounds. I captured the very sweetspot where the wind created unique tones. To focus on these rare events, I mostly used a single spot mic. In winds up to 48 mph you will have carefully selected mic positions for a broad variety of wind torturing different objects.

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