Sound Effects

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Featured Sound Creators Aston Martin DB9 Play Track 8+ sounds included, 12 mins total $119

Get the sounds of an Aston Martin DB9 with a 5.9 litres V12 engine and 456 hps. The recording consists of eight channels, interior left and right, exhausts left and right and four engine channels.

It contains start, stop, idle, blipping, revving on constant rpms without gear, accelerations, decelerations and driving. Full surround drive away and drive by added in the end. The recording length is 11 min 59 s.

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Car Sound Effects Jeep Cherokee -94 Play Track 9+ sounds included, 47 mins total $179

Very in-depth recordings of this 4-wheel drive with an inline six cylinder engine.

The first part consists of eight onboard microphones, two interior, three engine and three on exhausts. The exhaust on this vehicle has been modified and has a really rich sound. The second part is 8 channels of external microphones in surround. The total recording time is about 48 minutes (internal 42 min, external 6min).

It consists of real traffic driving, startup, idle, blips, shutdown, steady rpm:s without gear, steady rpms driving with load, accel/deceleration ramps at different speeds and even horn, switches and doorslams recorded.

Pro Tools session and cue list included. The recording length is 47 min 54 s.

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Motorcycle Sound Effects Yamaha 24MX 125 cc Play Track 11+ sounds included, 19 mins total $179

Get the sounds of a Yamaha 24MX 125 cc dirtbike – featuring onboard and exterior recordings.

The recording consists of 11 channels, two exhaust, driver back, chain, two engine, intake and 4 synced exterior channels, left, right, surround and following shotgun. It contains several start, stop, idle, blips, revving at constant rpms without gear, various accelerations and decelerations, driving while braking to get even rpms etc.

Driver back channel is missing for the first startup, and chain channel suffers from bad contact last startup, but we decided to keep those in since they still contain many useful parts. The recording length is 19 min 3 s.

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Car Sound Effects Plymouth Hemi Cuda 1971 Play Track 125+ sounds included, 37 mins total $249

In-depth recording of a Plymouth Cuda Convertible from 1971 with the extremely rare 426 Hemi engine and a 4-speed transmission.

Only two of these with the manual transmission were produced in 1971 so this car is obviously a clone but a very well built one. An original 1971 HemiCuda convertible is today extremely valuable, selling prices up to $5 million. The engine has 2 x 4-port Carter carburator and is (under)rated 425 horsepower by the factory.

The recording contains eight onboard microphones for interior, engine, intake and exhausts, and eight channels of exterior material.

It includes startup, idle, shutdown, driving at steady rpms, steady rpms in neutral, cruising, ramps, accelerations and decelerations through gears, approaches, passbys, aways as well as some foley like doors, hoods and knobs. Total recording length is 37m 39s.

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Car Sound Effects Plymouth Road Runner 440 Sixpack 1970 Play Track 100+ sounds included, 32 mins total $249

A very in-depth multitrack recording of a Plymouth Road Runner 440 Sixpack from 1970.

The car has the 440cubic inches engine with the famous 3 x 2 barrel setup. The rating from factory was 390 horsepower. This car has the three geared automatic transmission.

The recording has eight onboard microphones, L+R interior, two engine, intake, L+R exhausts and finally a back center exhausts microphone. Exterior recording consists of four different stereo pairs, all in sync with the onboards.

The recording includes startup, idle, shutdown, blips, standing steady rpms, cruising, driving at steady rpms, various accelerations & decelerations, ramps, passbys, approaches, stops, aways and more.

It also contains foley recording of doors, hoods, gear shifter, switches and horn. Total recording time is 32min 7s.

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With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.

Wylie Stateman

Supervising sound editor,
The Hateful Eight, Inglourious Basterds, Kill Bill: Vol. 1

A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.

Gabriel Guy

Re-recording Mixer, Walt Disney Animation Studios:
Frozen, Big Hero 6

A Sound Effect is a great asset to have discovered.

We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.

We’ll definitely be back!

Wayne Pashley

Supervising Sound Editor/Re-recording Mixer, The Lego Movie & Mad Max: Fury Road

There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!

A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.

And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!

David Farmer

Sound designer:
Lord of the Rings & The Hobbit trilogies

We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.

The purchase experience is really smooth and quick, and delivery is almost instant.

I'll definitely come back to them again in the future!

Charles Deenen

Director, Digital - Source Sound Inc.

A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!