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Home Sound Effects

Pole Position Production

  • The riding lawn mower sound effects library features field recordings of working, maneuvering, idling, and performed effects.

    This collection features a Mower Husqvarna Rider Proflex 21 riding lawn mower with a Kawasaki Twin 21hk engine with a cutting width 122 cm. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects. It shares driving from three exterior positions, as well as microphones mounted on the exhaust, overhead, and at the engine, with additional custom mixes of the onboard perspectives.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

  • The Dan Wesson .445 SuperMag revolver sound effects library includes clips of dry firing, cocking, handling, and more.

    The Dan Wesson .445 SuperMag revolver sound effects library includes 170 clips in 3.27 gigabytes of audio. It shares the sound of a 1995 American revolver firing as well as performed effects of cocking, unlocking, loading, opening and closing the chamber, and many more.

    The gunshots feature many multiple shots in three takes from perspectives on the gun to over 150 meters distant. 53 channels of audio captured by mono, stereo, and Ambisonic microphones share recordings from Sennheiser, Sanken, DPA, Neumann and other professional microphones.

    The package includes Reaper and Pro Tools sessions with all performances aligned for easy editing, and complete embedded metadata support.

  • The Colt Python 357 Magnum sound effects library includes 52 channels of multi-take gunshots, performed effects of cocking, loading, movement, and more.

    The Colt Python 357 Magnum sound effects library includes 158 clips in 4.01 gigabytes of audio. It shares the sound of a .357 1955-2005 American revolver firing as well as performed effects of loading, unloading, cocking, de-cocking, movement, and handling.

    The gunshots feature multiple shots in three takes from 25 perspectives ranging from close to over 150 meters distant. 52 channels of audio captured by mono, stereo, and Ambisonic microphones share recordings from Sennheiser, Sanken, DPA, Neumann and other professional microphones.

    The collection includes 18+ fields of mule-format embedded metadata as well as Reaper and Pro Tools sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.

  • A library of grunt sound effects including breathing, groans, moans, fighting vocalizations and more.

    The Grunts Sound Library includes 211 sound clips and 8.4 GB of male and female grunts and breathing.

    Recorded with a whisper-quiet Ehrlund EHR-M1 microphone with sound-design friendly 192 kHz/24-bit fidelity, the grunt sound effects feature performances from four female and four male voice actors. Categories of breathing, combat, and dying present running, jumping, and sliding breathing, punches, receiving hits, and battle cries, as well as death rattles, dying sounds, and much more.

  • A sound effect library of electromagnetic sound clips including buzzes, drones, crackles, pops, and more.


    The Electromagnetic Sound Library is a 2.96 gigabyte bundle of 235 buzzes, drones, clicks, pops, and other EMI effects. Crafted to use in sound design, the clips are ideal for high-tech accents, bad transmissions, computing tones, magnetic buzzes, and more otherworldly technological elements.

    The bundle is packed full of recordings of VLF radio frequencies using a LOM Priezor passive magnetic antenna and an electric guitar pickup box. A broad mix of subjects ranging from power tools to household appliances to motors and computers produce broad tones and drones as well as shorter clicks, pops, and pulses.

    The collection is named and described with care with ample keywords to ensure these strange sounds will be found fast.

  • A sound library recording of cracking, hitting, scraping, sliding, and singing ice on a Swedish frozen lake.


    The Frozen Lake collection includes 94 files of wintery performed sound effects in 1.12 GB of field recordings.

    Captured on an iced-over lake in Sweden, a total of 5 channels share various isolated performances on the frozen surface: hits, breaks, cracks, groans, grinds, slides, scrapes, and more. Ice debris, metal hits, and rock drops were performed on the solid surface to provide a range of sounds and textures. The recordings were captured with high-resolution CO-100k and MKH 8060 microphones, as well as with dual Aquarian H2a hydrophones positioned beneath the surface.

    The collection includes extensive, detailed embedded metadata, as well as Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.

  • This plastic sound effects library includes textures, drops, movement, handling and more from over a dozen types of plastic props.


    The Plastic Textures Library includes 625 clips and 12.33 GB of sound effects. Each clip includes multiple performances of drops, scrapes, movement, rattles, hits, squeaks, twists and others.

    Created to help sound editors with sound design, the plastic sound effects collection shares sounds from props ranging from balloons to bubble wrap, flexible pipes to plastic bags, buckets, cups, toys, and more. Recorded in sound-design friendly 192 kHz/24-bit resolution with high-frequency microphones (including the 100 kHz-capable Sanken CO-100k), the package is ready for pitching, morphing, and other creative uses.

    Includes detailed metadata in 18+ fields to help you find the sounds you need fast.

  • A stone and sand sound library with over 1300 takes of drops, slides, scrapes, trickles, debris and more from gravel, stones, tiles, rock flakes, boulders, and other varied props.

  • A sound library featuring the sounds of war: grenade launchers and cannons firing, RPGs, assault rifles, and pistols firing at an armor plate, and a mix of claymore, grenade, and various mine explosions.


    The Warfare 2 Library sound bundle showcases 627 field recordings in 19.82 GB from a genuine military exercise.

    A total of 22 perspectives arrayed around the location capture recordings from dozens of microphones at close, medium, and distant positions as well as from inside a bunker in 37 exterior and 4 interior channels.

    The field recordings gather sounds of grenade launchers and cannons firing and reloading, troop mines, vehicle mines, and tank mines detonating and exploding, as well as artillery grenade and C-4 plastic explosive blasts. Many takes depict exploding wood and stone with extended debris settling. Assault rifles, RPGs, and pistols firing at a metal plate as well as skirmish shooting share long, clean tails.

    Also included are 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments, as well as Pro Tools and Reaper mixing sessions.

  • A sound effect library of vehicle foley including a diverse mix of switches, dials, suspension creaks, doors, horns, levers, and much more from aircraft, cars and trucks, military vehicles, and motorcycles and ATVs.


    The Vehicle Doors and More Library is an authoritative package of performed vehicle sound effects. It includes 2,205 clips in 25.45 gigabytes of professional field recordings.

    Categories include recordings from aircraft, cars, tracks, military vehicles, motorcycles, and ATVs. Featured vehicles showcase sounds from propeller planes, helicopters, and WW2 fighters, as well as sedans, muscle cars, trucks, buses, electric cars, and others from the mid 21st century to the modern day. Also provided are recordings from ground military vehicles such as tanks, APCs, trucks, and others from World War II to now, and also race bikes, cruisers, UTVs, snowmobiles and much more.

    Full resolution recordings share sounds of buttons, switches, knobs, trunks and hoods, pedals and gear selectors, and seat belts. Speciality recordings of aircraft rudders and flaps, as well as military weapon and ammunition systems compliment essential recordings of horns, ventilation, movement and suspension fx.

    The package is organized neatly by category and effect type, and includes more than 18 fields of crafted embedded metadata to ensure you find precisely the clip you need.

  • A sound effects library of a 2005 British Aston Martin DB9 with a 5.9 liter V12, 12-cylinder 450 horsepower gas engine.


    The British 2005 Aston Martin DB9 sound bundle collects 267 clips in 25.51 gigabytes of audio. It showcases the sound of a 5.9 liter V12, 12-cylinder 450 horsepower gas engine-powered car driving while performing an extensive variety of performances.

    10 synchronized takes gather a total of 23 onboard and exterior perspectives. The 15 onboard perspectives include recordings from the exhaust, interior, and engine with steady RPMs, ramps, and gearshifts. The 8 exterior perspectives include slow, medium, and fast driving while the sports car arrives, passes by, reverses, and departs. There are also revving, idles, shut downs, start ups and much more. The package also provides bonus performed effects of gas pedals, doors, horns, levers, buttons and other sounds.

    The sound library also features 3 custom mixes of the onboard perspectives, text files of translated search keywords in 7 languages ready for import into your favorite metadata app, easy-to-use mixing sessions, and extensive professional embedded metadata.

  • A sound effects library packed with a wide selection of drones, BRAAMS, hits, whooshes, stylized passes by, risers, and much more.


    The Cinematic Transformation Library is a 13.92 GB sound library of 400 transition sound effects, cinematic hits, and designed accents crafted to add extra punch, emphasis, and interest to trailers, commercials, and cinematic sequences.

    It features BRAAAMS, drones and ambiences, impacts and hits, risers and drops, warped elements, and whooshes, each processed from real-world sounds of cars, jets, wrecks, tank foley and others into abstract and powerful sounds. Every production element has been designed to add tension and excitement and add dramatic weight to your projects.

    Each clip is organized by category and subcategory in folders, and is complimented by more than 18 fields of embedded metadata, including extensive keywords.

  • Atmos format recordings of Swedish urban ambiences


    The Ambiences for Atmos Vol 1 โ€“ Cities features recordings from 10 different locations covering soundscapes and city scenes from plazas, parks, marinas, waterfronts, and sports centres. Each take is described with both foreground and background activity, incidental ambient events, level of crowd presence and traffic, and much more.

    The sound pack consists of 40 sound clips in 10.25 gigabytes and is delivered in a 7.1.4 format. The clips are arranged in stems so you can easily be adpated to any mixing format of choice, from 5.1 all the way up to 7.1.4. Recordings were done using a range of Ehrlund and Sennheiser microphones and a Sonosax R4+ recorder for quiet preamps. For detailed microphone information, see below.

    The collection is delivered with Pro Tools and Reaper editing sessions with all tracks pre-aligned for easy editing, as well as 22 fields of metadata support in Soundminer, iXML, BWAV, and MacOS Finder formats.

  • The Feedback sound library and Kontakt instrument features 70 sound clips in 3.6 gigabytes of audio and 6 Kontakt patches. It includes the sound of wailing and screeching in long, sustained tones, swelling drones, and short bursts.


    The Feedback sound library and Kontakt instrument features 70 sound clips in 3.6 gigabytes of audio and 6 Kontakt patches. It includes the sound of wailing and screeching in long, sustained tones, swelling drones, and short bursts.

    The collection showcases various creative performances of feedback, captured from four perspectives in a stone school hallway: above, behind, in front, off-axis, as well as a standard perspective. A mixture of mono, surround, and stereo microphones were used to capture long tones, short swells, rumbles, and other textured whines and wails.

    The package includes Reaper and Pro Tools mixing sessions, Kontakt 5 patches, and 18 fields of Soundminer metadata, plus BWAV metadata and MacOS Finder comments.

  • Recording of a 2017 Audi R8 with a FSI 5.2 Liter V10 engine from a German luxury car.


    The 2017 Audi R8 sound bundle includes 472 clips in 25.31 gigabytes of field recordings. It features the sound of a FSI 5.2 Liter V10 engine from a German luxury car.

    The collection gathers 12 synchronized takes of onboard and exterior driving. The onboard perspectives share recordings from the interior (including an Ambisonic perspective), engine, and exhaust while driving with steady RPMs, ramps, and gearshifts. The exterior microphones were arranged at 5 locations to capture slow-to-fast driving while departing, passing by, and arriving, as well as idles. Also included are performed effects of dashboard effects, levers, and doors, impulse responses, and custom mixes of the onboard perspectives.

    The collection includes 18 fields of Soundminer metadata, plus BWAV metadata and MacOS Finder comments, Reaper and Pro Tools mixing sessions, and text files of translated search keywords in 7 languages, ready for import into your favourite metadata app.

  • Recording of the American 2017 Polaris Ranger EV. Powered by an electric utility vehicleโ€™s 48-volt high-efficiency AC-induction motor.


    The American 2017 Polaris Industries Ranger EV sound collection shares 44 sounds in 3.49 gigabytes of audio. It showcases the sound of an electric utility vehicleโ€™s 48-volt high-efficiency AC-induction motor in 4 channels with 2 custom stereo mixes.

    The sound pack includes 4 synchronized takes of onboard driving. 4 channels of audio capture the engine and onboard perspectives, with 2 custom stereo mixes provided. Performances include driving slow and fast, with steady RPMs and ramps, starting, stopping, and more.

    The package includes Pro Tools and Reaper mixing sessions, full professional metadata, and metadata import files in 7 languages.

  • Recording of the British 1943-44 Valentine Mark IX DD tank with a 165hp GMC 6004 diesel, 6-cylinder 7-liter inline engine.


    The British 1943-44 Valentine Mark IX DD tank sound effects collection gathers 171 clips in 12.31 gigabytes of audio. It shares the sound of a 165hp GMC 6004 diesel, 6-cylinder 7-liter inline engine.

    The bundle includes 10 synchronized takes of onboard and exterior driving. The 9 onboard perspectives mount microphones in the interior, and at the exhaust, engine, and tracks to capture standard driving and with ramps. The 6 exterior perspectives document driving from slow to very fast as the tank approaches, reverses, departs, and passes by. Also provided are a variety of performed effects of levers, pedals, switches, and more.

    The sound library includes 4 custom stereo mixes of the onboard recordings, Pro Tools and Reaper mixing sessions, complete professional embedded metadata, and metadata import files for English, Chinese, French, German, Japanese, Korean, and Spanish.

  • Recording of a 2014 American Dodge Ram 1500 pickup truck with a V8 Hemi engine with a custom 4โ€ straight exhaust.


    The 2014 Dodge Ram 1500 pickup truck sound bundle features 192 sounds in 17.63 gigabytes of audio. It collects field recordings of a American V8 Hemi engine with a custom 4โ€ straight exhaust.

    A total of 11 synchronized takes share both exterior and onboard field recordings of driving. 10 onboard perspectives in the interior, at the engine, and at the exhaust share driving with ramps, steady RPMs, and gearshifts. The 9 exterior perspectives showcase driving from slow to fast speeds while departing, passing by, and arriving.

    The sound library includes Pro Tools and Reaper mixing sessions, 18 fields of Soundminer metadata, plus BWAV metadata and MacOS Finder comments, 3 stereo mixes of the onboard perspectives, and metadata keyword import files in 7 languages.

  • Recording of a Nissan GT-R (R35) from 2012 with a 3.8 litre V6 ย gas engine with twin turbo and modified with a performance exhaust system.


    The Nissan GT-R (R35) sound fx collection includes 275 sounds from 20.14 gigabytes of audio. It shares the sound of a 3.8-litre V6 gas engine with twin turbo and a modified performance exhaust from a 2012 version of the Japanese car.

    The collection catalogs various performances in 13 synchronized takes from both exterior and onboard perspectives. The 9 exterior perspectives share departures, passes by, and arrivals at slow, medium, and fast speeds from four positions around a track. An additional 14 onboard perspectives and three custom stereo mixes gather recordings from the exhaust, engine, and interior as the car maneuvers with steady RPMs, ramps, and gearshifts.

    The sound library includes bonus Pro Tools and Reaper mixing sessions, professional embedded metadata, and metadata keyword import files in 7 languages.

  • Recording of a Dodge Challenger Hellcat from 2015 with a supercharged V8 6.2 Hemi engine with 707 horsepower and 650 lb/ft of torque.

    The Dodge Challenger Hellcat sound fx collection features 196 clips in 15.08 gigabytes of audio from a 2015 version of this American sports car. It depicts the sound of its supercharged V8 6.2 Hemi engine with 707 horsepower and 650 lb/ft of torque.

    A total of 12 synchronized takes share exterior and onboard field recordings. The 7 exterior perspectives captured driving from slow to fast speed as the muscle car departs, passes by, and arrives, as well as starts and shuts off, idles, and more. The 10 onboard takes arrange microphones in the cabin, the engine, and at the exhaust as the car drives with steady RPMs, ramps, and gearshifts. Three bonus custom stereo mixes are also available of the onboard perspectives.

    The bundle includes Pro Tools and Reaper mixing sessions and 18 fields of Soundminer metadata, plus BWAV metadata and MacOS Finder comments embedded in every clip.

  • Recording of a Ferrari 488 from 2016 with a 3.9-litre twin-turbocharged V8 661 horsepower engine.

    The Ferrari 488 exotic car sound collection features 302 clips in 19.39 gigabytes of audio. It features the sound of the 2016 Italian sports carโ€™s 3.9-litre twin-turbocharged V8 661 horsepower engine performing in 17 takes.

    The sound bundle includes 9 onboard and 10 exterior perspectives. The 21 exterior channels capture the car travelling at fast, slow, and medium speeds on straightaways and around corners at close and distant perspectives. The 10 onboard channels recorded engine, exhaust, and interior driving at steady RPMs, with gearshifts, and with ramps. Also included are starting, stopping, passing, and other exterior maneuvers.

    Every sound effect is embedded with over 18 fields of Soundminer, BWAV, and MacOS Finder metadata. In addition, every take is provided aligned and ready for tandem-track mixing and editing in Reaper and Pro Tools session.

  • Recording of a McLaren 570S from 2016 with a V8 biturbo rear mid-engine with rear wheel drive and a 7-speed clutch.

    The McLaren 570S sound effects collection gathers 235 clips in 19.73 gigabytes of audio. It features the sound of the 2016 model of the British sports car and its 8-cylinder biturbo and rear mid-engine with rear wheel drive and a 7-speed clutch.

    A total of 12 synchronized takes showcase 11 onboard and 8 exterior perspectives. The exterior microphones capture driving at slow, medium, and fast speeds while the car departs, arrives, passes, as well as idles and starts and stops. The onboard microphones present driving at steady RPMs, with gearshifts, and with ramps from the interior, engine, and exhaust, with ready-to-use mixes of each perspective.

    The collection includes Reaper and Pro Tools mixing sessions, full professional metadata embedded in every clip, and metadata import files for 7 languages.

  • Recording of an Italian Lamborghini Huracan LP610-4 with a 610 horsepower 5.2 L V10 engine.

    The Lamborghini Huracan LP610-4 sound library includes 17 takes from an exotic Italian sports car. The collection gathers the sound of its 610 horsepower 5.2ย L V10 engine with 7-speed dual-clutch transmission with 340 sound fx in 21.98 gigabytes.

    The bundle includes a total of 32 channels of synchronized audio. The 12 onboard perspectives (13 channels) feature microphones mounted at the exhaust, in the interior, and in the engine. They capture driving at slow, medium, and fast speeds with steady RPMs, gearshifts, and ramps. The 9 exterior perspectives (19 channels) showcase departures, approaches, passing by, starting, and turning off while driving on straightaways and around corners.

    Also included is an Altiverb impulse response, embedded metadata in every clip, custom stereo mixes of the onboard perspectives, and Reaper and Pro Tools sessions with each take aligned for easy mixing and editing.

  • Recording of an Italian Lamborghini Aventador from 2014 with a 690 horsepower 6.5 L L539 V12 engine with 7-speed ISR semi-automatic transmission.

    The Lamborghini Aventador sound library 366 field recordings from a 2014 luxury Italian vehicle totaling 27.48 gigabytes. The clips capture the sound of the 690 horsepower 6.5 L L539 V12 engine with 7-speed ISR semi-automatic transmission.

    The collection features 19 synchronized takes of onboard and exterior perspectives. The onboard channels (12 channels) offer 11 perspectives of fast, medium, and slow driving from microphones placed at the exhaust, in the engine, and inside the cabin. The 10 exterior perspectives collect 21 channels of the sports car starting, departing, passing, arriving, and stopping. Performances include driving at steady RPMs, with gearshifts, and with ramps. There are also tracks of steady idling, with blips, and steadies in neutral.

    Every track is embedded with 18+ fields of detailed metadata. The collection includes Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately, as well as custom mixes of onboard and exterior perspectives.

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