This pack includes a four-channel onboard recording of a real long-tail Asian boat captured in Thailand.
With one microphone on a handheld pole and the other three capturing its diesel engine, the boat goes through a series of maneuvers which it repeats three times. This library covers these maneuvers from different positions every time for sounds of starting, stopping, idling, driving, and constant RPM, which are just as unmistakeable as the boat's characteristic body.
The World War II American M16 Halftrack anti-aircraft sound library features 313 sound effects in 18.86 gigabytes of audio. Based on the M3 Halftrack, this “multiple gun motor carriage” showcases 20 takes of up to 42 channels of performances from a White 160AX, 6-cylinder, 128 horsepower engine.
Twelve onboard perspectives present the vintage vehicle in slow, medium, and fast speeds with steady idles and ramps. The twelve exterior perspectives include 26 channels of the halftrack starting, departing, passing, reversing, and arriving. Includes over 18 fields of Soundminer, BWAV, and MacOS spotlight metadata.
Recording of a .45cal M1928A1 Thompson submachine gun from World War II, consists of about 20 channels and distances from 0 to 300 meters. Firing includes single shots, double shots, bursts of various lengths and wild foley.
The American M5 High Speed Tractor includes over 20 gigabytes of recordings of a WWII US military vehicle with a Continental 6572 six-cylinder petrol engine with 207 horsepower. 188 sound fx document a full suite of performances from M5, also known as versions M5A1, M5A2, M5A3 and M5A4.
The performances include starting, idling, departing, arriving, and passing by from 6 exterior perspectives at slow, medium, and fast speeds. 10 additional perspectives feature motor, interior, exhaust, tracks, and other locations that capture idles, driving, and steady RPMs from onboard the tractor.
Includes extensive Soundminer metadata.
The 2015 German MAN Lion’s Coach tourist bus includes 760 clips in 41.05 gigabytes of audio. It features the sound of a 6-cylinder 460 hp Euro 6 diesel engine.
The collection includes a total of 29 synchronized takes from exterior and onboard microphones. The exterior microphones captured departures, passes, arrivals, ignition, shutting off, idles, and doppler horns from 9 microphones at 4 positions. The onboard microphones were placed inside, at the exhaust, in the engine, the luggage hold, and in the washroom in 15 perspectives (including an Ambisonic perspective) as the coach drives at steady RPMs, with gearshifts, and ramps. Also provided are 4 designed mixes of the interior, exhaust, engine, and luggage compartment.
The package comes complete with performed effects of doors, wipers, fans, and more, Pro Tools and Reaper mixing sessions, impulse responses, and full Soundminer, BWAV, and MacOS metadata embedded in every clip.
Recording of a 2018 Mercedes AMG GT R sports car with a twin-turbocharged V8 petrol engine.
Get the authentic sound of a Mini Cooper S with a turbocharged 1.6 litres inline 4 engine.
The recording consists of eight channels, interior left and right, exhaust left and right, three engine and one turbo air intake channel.
It contains start, stop, idle, revving, constant rpms without gear, driving, horn and a full surround driveby. The recording length is 13 min 58 s.
The 1960 British Narrowboat sound fx library of a Northwich trader-
class barge with a 4-cylinder Gardner 4LW engine producing 75 horsepower at 1500 RPM.
Recordings of a heavily modded Nissan GT-R with a turbocharged 3.8 litres V6 and 500 hp. The recording consists of eight channels, interior left and right, exhaust left and right, three engine and one turbo.
It contains startup, idle, blips, revving at constant rpms without gear, engine stop, horn, door slams, accelerating and decelerating at different speeds, driving and a eight channel surround drive by. The recording length is 22 min.
Get the sounds of an authentic WW2 bomber plane: This library delivers a recording of the historic twin-engine World War II bomber, the B-25 Mitchell with the air-cooled 14 cylinder Wright R-2600 Cyclone radial engines. The recording cover two stationary ground runs and a flying session.
The stationary runs cover startup, idle, steady rpms, throttle movement and shutdown, with 22 exterior tracks and 6 onboard tracks. The flying session covers startup, taxiing, takeoff, several flybys, landing and shutdown, with 15 exterior tracks and 8 onboard tracks.
The library also includes some foley, such as bomb door opening and closing, flaps, horn, breaks and switches, and engine maintenance with mechanics pumping oil and electrically turning the propellers. Finally it includes the plane being towed.
The German Opel Blitz 3600 3.5 tonne medium truck sound fx collection includes 567 sound clips in 32.86 gigabytes of audio. It showcases the sound of a 1939 3.6 litre petrol engine with straight 6 cylinders.
The sound bundle gathers 19 synchronized takes of onboard and exterior perspectives. The 13 onboard perspectives depict driving at fast, medium, and slow speeds from the interior (including an Ambisonic perspective), engine, exhaust, and flatbed. A mix of each perspective is provided with steady RPMs, gearshifts, ramps, and more. The 11 exterior perspectives include approaches, departures, passes, and idles from 6 locations, as well as doppler horn passes. Also included are a variety of performed effects of doors, hood, tailgate, and more.
The collection is complete with three types of impulse responses, Pro Tools and Reaper mix sessions, and 18 fields of Soundminer metadata, plus BWAV metadata and MacOS spotlight comments.
The Panzer IV Ausf. G medium tank sound fx collection of a Maybach HL 120 TRM 12-cylinder gasoline engine with 296 hp.
This massive Peterbilt Model 379 from 1988 is the trucker's truck with a “big cam” Cummins engine. The model has been featured in several classic car movies such as The Fast and the Furious, Gone in 60 Seconds, and Black Dog.
Now you can get the 7-channel recordings of this beast for your own projects, which consist of L+R exhausts, L+R interior, two engine channels and one compressor channel. Total driving time is 11:46. The library also contains start, stop, idle, revving without gears, lots of driving and the legendary jakebrake.
The Peugeot 307 SW sound fx library features 463 clips in 17.98 gigabytes of a 2004 French model. A total of 27 takes depict the sound of the car’s 2.0 litre 134 horsepower petrol straight 4 cylinder engine.
The collection includes 19 perspectives of the car. 11 onboard perspectives arrange 16 channels of microphones on the engine, at the exhaust, and in the interior (including an Ambisonic perspective). They capture driving at fast, medium, and slow speeds with constant RPMs, ramps, and gearshifts. The exterior perspectives (18 channels) include recordings on straightaways, corners, and at various distances with the car starting, turning off, departing, arriving, and passing by. The collection includes discrete performed effects of doors, dashboard instruments, horns, and more. There are also Altiverb and Waves impulse responses.
Every clip is embedded with 18+ fields of professional metadata.
The Peugeot P4 sound fx collection includes 26 takes from a French military unarmored off-road jeep. It includes a total of 276 sound clips and 9.52 gigabytes of recordings from the jeep’s 2.5 L XD3 diesel I4 engine in 25 channels.
The bundle includes both onboard and exterior clips at slow, medium, and fast speeds. The onboard seven perspectives includes takes from the interior, the engine, and exhaust at steady RPM and with ramps. The eight exterior perspectives include departures, passes, arrivals, and 3 point turns from microphones arranged at 3 locations. Also included are various performed effects of doors, switches, and so on. Each clip includes 18 fields of Soundminer metadata, plus BWAV metadata and MacOS spotlight comments.
In-depth recording of a Plymouth Cuda Convertible from 1971 with the extremely rare 426 Hemi engine and a 4-speed transmission.
Only two of these with the manual transmission were produced in 1971 so this car is obviously a clone but a very well built one. An original 1971 HemiCuda convertible is today extremely valuable, selling prices up to $5 million. The engine has 2 x 4-port Carter carburator and is (under)rated 425 horsepower by the factory.
The recording contains eight onboard microphones for interior, engine, intake and exhausts, and eight channels of exterior material.
It includes startup, idle, shutdown, driving at steady rpms, steady rpms in neutral, cruising, ramps, accelerations and decelerations through gears, approaches, passbys, aways as well as some foley like doors, hoods and knobs. Total recording length is 37m 39s.
A very in-depth multitrack recording of a Plymouth Road Runner 440 Sixpack from 1970.
The car has the 440cubic inches engine with the famous 3 x 2 barrel setup. The rating from factory was 390 horsepower. This car has the three geared automatic transmission.
The recording has eight onboard microphones, L+R interior, two engine, intake, L+R exhausts and finally a back center exhausts microphone. Exterior recording consists of four different stereo pairs, all in sync with the onboards.
The recording includes startup, idle, shutdown, blips, standing steady rpms, cruising, driving at steady rpms, various accelerations & decelerations, ramps, passbys, approaches, stops, aways and more.
It also contains foley recording of doors, hoods, gear shifter, switches and horn. Total recording time is 32min 7s.
Recording of an American Polaris Indy Trail Deluxe snowmobile from 1991 with a Fuji fan-cooled, oil injected 488cc Indy Trail engine with 2 Mikuni 34 mm carburetors.
Very in-depth recording of a Porsche 911 SC 1981 with the 3.0 liter engine. It is rated 204 horsepower at 5900rpm. The car has the 5-speed 915 gearbox. The recording includes all kinds of driving at different speeds, cruising, startups, shutdowns, reversing, driving at constant rpms, various accelerations and decelerations, ramps and even faked unsteady bad driving. Lots of foley is also included like doors, hoods, switches and knobs, horn, seatbelt, electric windows and more.
Approx 25 channels out of which 8 channels are inboards covering interior, engine and exhausts.
The exterior microphones are positioned at different spots around the recording location and covers approaches, aways, passbys and more at different speeds.
A fun trivia is that this library was used for the main character’s car in the Swedish version of the TV-series “The Bridge”. Total recording time is 75min 28s.
Get the sounds of a Sea Doo RXT 260 RS jet-ski with a four stroke four cylinder Rotax engine. It consists of six channels, two engine, one exhaust, one engine air-filter and left and right passenger back. It contains engine start ups and stops on land and in water, steady rpms, blips, slow and fast take offs, ramps and reckless driving. The recording length is 16 min 1 s.
This sound pack features a recording of a 75mm M4A1 Sherman cannon from World War II as it fires blanks. The library consists of about 20 channels with distances and perspectives ranging from 0 to 150 meters, and it features a large variation of microphones and recorders, such as Sound Devices and Zaxcom. With some hatch foley to top it off, this library has you covered if you're looking for the blasts and tails that only a tank can create.
Introducing the Sherman M4A3 World War II American medium tank sound library, equipped with a Ford GAA V8 engine. This sound bundle includes 183 96 kHz/24-bit recordings in a variety of mono and stereo perspectives totalling over 25 gigabytes of audio. The vintage military vehicle is detailed in 16 exterior and 12 interior channels with coverage of starting, passing by, approaching, departing, stopping, and onboard driving at various speeds.
The package includes extensive synchronized elements needed to recreate the sound of this medium tank for feature films and game audio projects. An Altiverb IR preset created from a sweep inside the tank is also included.
Who doesn't love the sounds of speed? In this library, you'll hear the fast, harsh sounds of a drift car skidding on tarmac. The library contains skidding with engine running, skidding with engine switching off, skidding on wet tarmac, roll bys on wet and dry tarmac, spinning in circles, rolling with flat tire and much more. Both onboard and exterior perspectives are covered, and several microphones were positioned at each wheel, inside the car, and along the skidding path.
Some additional material is included, such as a supercharged Chevy -57 burnout, handbrake skids from a Skoda, and more.
Get the authentic sound of a Skoda Octavia 2008 with a 1.6 liters 4 cylinder engine. The recording contains eight onboard channels, three engine, three exhaust and interior left and right, and ten exterior channels. It contains startup, shutdown, idle, revving, driving on constant rpms, accelerations and decelerations, ramps, passbys, aways and approaches.
The Terrängbil SKP m/42D APC sound fx collection includes 684 clips in 20.18 gigabytes of audio. It features the sound of a 1942 Swedish armoured personnel carrier and its Scania-Vabis 4-cylinder petrol, 115 horsepower engine at 2300 RPM performing in 42 synchronized takes.
The sound library includes 14 combined onboard and exterior perspectives in 23 channels. The 9 onboard perspectives feature microphones mounted in the interior, at the exhaust, and in the engine recording the vehicle travelling at slow, medium, and fast speeds with ramps and steady RPMs. The exterior microphones capture passes by, starts, stops, departures, and arrivals, captured in a rainy environment. There is also an extensive amount of performed fx such as hatches, doors, moving inside, shell drops and instruments.
The package also includes Pro Tools and Reaper pre-arranged mixing sessions, Altiverb and starter pistol impulse responses, and almost 20 fields of professional metadata.
Meet this small amphibious hovercraft, which is beloved by locals in a archipelago. It has one engine to make it hoover and one to make it go forward.
The recordings consist of a 7 minute 41 second session from six onboard channels near the main exhaust, main engine, two front engine, hull front, and the propeller. The library also contains several startups, idle, stops, revving at constant RPMs standing still, and lots of driving at different speeds on both water and land. These are the sounds of pure fun!
A must-have collection for winter sounds, this library consists of many years' recordings of snow and ice, skiing, textures, ambiences, foley and so on. It contains lots of skiing, jumping, rails, freezing cold winds, ski resort ambiences, lifts, walking in snow and on ice, texture details such as snow spray, tires driving, skidding and spinning on ice and snow, drilling in ice and much more.
Recording of an American Stuart M5A1 Light Tank from World War II, equipped with two Cadillac V8 gasoline engines.
The recording consists of ten onboard channels with interior, engine, intake, exhaust and tracks perspectives, as well as several exterior channels from various positions.
It covers startup, idle, blips, steady rpms in neutral, various driving at different speeds, accelerations and decelerations, gearing, aways, approaches, stopping, passbys and much more. It also contains engine dying and gear grinding.
The Spitfire sound collection includes 280 clips in 12.92 gigabytes of audio. The sound library features the 1943 British Supermarine World War II Mk IX PV202 H5R model aircraft and its 1,720 horsepower Rolls-Royce Merlin 66 V12 engine with a Bendix-Stromberg injection carburetor and a Dowty Rotol propeller.
The field recordings collect 20 takes of static and flying takes. Six onboard perspectives mounted in the cockpit, engine, and exhaust depict flying at fast and slow speeds, taking off, landing, and taxing. The seven exterior perspectives showcase the plane at three positions and a variety of distances passing by, taxiing, and lifting off and setting down. Also included are static idles, blips, and a suite of performed effects of rudder and flap movement, and more.
Includes 18+ fields of Soundminer, BWAV, and MacOS Finder metadata.
Who doesn't want the sounds of a WWII Soviet tank? This T-34-85 is a legend, having been the weapon of choice in Operation Bagration, the Soviet response in Normandy.
These recordings consist of 16 onboard channels which capture the interior, exhaust, intake, tracks and its 500 horsepower 12-cylinder diesel engine, as well as 14 exterior channels. It also contains startups, idles, shutdowns, driving at different speeds, approaches, aways, passbys, foley and a whole lot more.
Whether you're going for historical accuracy or something memorable, this library has what you need!
A burning building is a pinnacle of danger, but here's your chance to hear a controlled one! This library captures a wooden summer cottage burning down to the ground. It contains fire at various intensities and random debris as the house falls apart. A number of microphones were positioned around the house to cover the exteriors, and one microphone was inside the house to cover the early stages of the fire spreading inside. A few crackles, sparks, and debris are also included as sweeteners.
The Junkyard Metal sound library includes 3183 clips in 98.49 GB. It collects the sound of metal hits, drops, pick ups, rattles and clatters, rumbles and rummaging, rocking, rolling, and scraping.
Featuring diverse props ranging from large metal storage containers, diesel tanks, shopping carts, and tractor buckets to to smaller propane tanks, crates, shopping carts, and bolts, nails, and ammunition, the collection provides multiple performances in each clip.
The sounds were performed from light to heavy intensities and captured at 192 kHz, 24-bit resolution with Sanken, Sennheiser, Neumann, and Schoeps microphones.
The bundle is delivered with Pro Tools and Reaper mixing sessions, full professional embedded metadata, and metadata keyword import files in 7 languages.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
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